EMC 3130/2130 Lecture Eight - Editing and Post
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EMC 3130/2130 Lecture Eight - Editing and Post
- 2. PRODUCTION is breaking time and space apart into various, often representative pieces.
- 3. PRODUCTION is breaking time and space apart into various, often representative pieces.
- 4. PRODUCTION is breaking time and space apart into various, often representative pieces.
- 5. PRODUCTION is breaking time and space apart into various, often representative pieces. EDITING is putting these pieces back together in a way that …
- 6. PRODUCTION is breaking time and space apart into various, often representative pieces. EDITING is putting these pieces back together in a way that … …makes sense (CONTINUITY),
- 7. PRODUCTION is breaking time and space apart into various, often representative pieces. EDITING is putting these pieces back together in a way that … …makes sense (CONTINUITY), AND/OR adds meaning and impact (MONTAGE).
- 9. Counterpoint, Harmony and Dissonance http://www.youtube.com/watch?v=5GdYMEvbje8
- 10. Counterpoint, Harmony and Dissonance Counterpoint - Differences are revealed when compared, items that illuminate each other’s differing qualities.
- 11. Counterpoint, Harmony and Dissonance Counterpoint - Differences are revealed when compared, items that illuminate each other’s differing qualities. Harmony - Compatibility; items that work together.
- 12. Counterpoint, Harmony and Dissonance Counterpoint - Differences are revealed when compared, items that illuminate each other’s differing qualities. Harmony - Compatibility; items that work together. Dissonance – Harsh, discordant combination of elements.
- 13. Counterpoint, Harmony and Dissonance http://youtu.be/JzqumbhfxRo
- 14. Counterpoint, Harmony and Dissonance http://www.youtube.com/watch?v=8lyBGp-O038
- 17. Counterpoint, Harmony and Dissonance RHYTHM AND PACE
- 18. Counterpoint, Harmony and Dissonance RHYTHM AND PACE
- 19. Counterpoint, Harmony and Dissonance RHYTHM AND PACE https://vimeo.com/19793031
- 20. Counterpoint, Harmony and Dissonance RHYTHM AND PACE http://vimeo.com/5410762
- 21. Counterpoint, Harmony and Dissonance RHYTHM AND PACE http://mtmedia.mtsu.edu:8888/ebowen/Solitude%20Short.mov
- 22. Counterpoint, Harmony and Dissonance RHYTHM AND PACE http://vimeo.com/6189986
- 23. Counterpoint, Harmony and Dissonance RHYTHM AND PACE https://vimeo.com/67910992
- 24. Editing is the process that sometimes transforms a miscellaneous collection of badly focused, poorly exposed, and horribly framed shots containing reverse screen directions, unmatched action, disappearing props and hair in the aperture, but not containing any close-ups, cut-ins or cut- aways, into a smooth, coherent, and effective visual statement of the original script...for which the director takes the credit.
- 29. Transitions
- 32. Techniques http://vimeo.com/23045258 “What is drama, after all, but life with the dull bits cut out…” Alfred Hitchcock
- 33. Techniques http://vimeo.com/23045787 “What is drama, after all, but life with the dull bits cut out…” Alfred Hitchcock
- 38. Walter Murch’s Six Criteria for What Makes a Good Cut • 1. Emotion - Does the cut reflect what the editor believes the audience should be feeling at that moment? 51% • 2. Story - Does the cut advance the story? 23% • 3. Rhythm - Does the cut occur at a moment that is rhythmically interesting and right? 10% • 4. Eye-trace - Does the cut pay respect to the location and movement of the audience’s focus of interest within the frame? 7% • 5. Two-dimensional plane of screen - Does the cut respect the 180-degree rule? 5% • 6. Three-dimensional space of action - Is the cut true to the physical/spatial relationships within the environment? 4%
- 39. Walter Murch’s Six Criteria for What Makes a Good Cut • Make Sense - 16% • Create Meaning and Impact – 84%
- 40. Edward Dmytryk • 1) Never make a cut without a positive reason • 2) When undecided about the exact frame to cut on, cut long rather than short • 3) Whenever possible cut on movement • 4) The fresh is preferable to the stale • 5) All scenes should begin and end with continuing action • 6) Cut for proper values rather than proper matches • 7) Substance first - then Form
- 41. Editing - The Basics, Man http://www.youtube.com/watch?v=aQKiqUJ6Apc
- 42. My Cardinal Rule • Unless you are trying to make a VERY specific point, never let your subject exit one shot and then enter in the next. Your subject should still be in picture on the last frame of the first shot and in picture in the first frame of the following shot.
- 52. 24 - 180 Degree Rule? • http://www.hulu.com/watch/1837/24-tony-interrupted
- 53. 24 - 180 Degree Rule? http://www.hulu.com/watch/934/24-tension- between-jack-and-chase
- 54. 24 - 180 Degree Rule? http://www.hulu.com/watch/1852/24-in-the- dark?c=Action-and-Adventure#x-4,vclip,1,0
- 59. A Frame Matters http://mtmedia.mtsu.edu:8888/ebowen/Cutting%20Edge%20002%20A%20Frame%20Matters.mov
- 62. Reality TV Editing Tricks http://www.videojug.com/film/how-to-spot- reality-tv-editing-tricks-creating-conflict
- 63. Reality TV Editing Tricks http://www.videojug.com/film/how-to-spot- reality-tv-editing-tricks-reaction-shots
- 65. Editing Tricks Every time you laughed, it was because you were editing the video in your mind. If you weren't there would be no joke.
- 71. Top Gear - Free Runners http://www.youtube.com/watch?v=uNBPQe4dFxk
- 72. Top Gear – Car Chase http://vimeo.com/36798353
- 73. New York Times Video • http://www.nytimes.com/video/landing/late st-video/1194811622182/index.html • http://video.nytimes.com/video/2009/04/07/ us/1194839165465/small-town-big- debt.html?scp=7&sq=tennessee%20&st=cs e
- 84. Effects – Speed http://vimeo.com/26250213 Shot some quick video on an HPX170 at 1080/60i and played with the slow motion settings built in to FCPX.
- 85. Effects – Tilt Shift http://youtu.be/LkrtYRxGyuo Bathtub IV
- 86. Effects – Tilt Shift http://vimeo.com/7691197
- 89. “The Kid Stays in the Picture” Effect http://youtu.be/_Mfya43j_DU
- 90. “The Kid Stays in the Picture” Effect http://youtu.be/ZVrYyX3bHI8 http://vimeo.com/79329423