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Representation of...
 Stars 
Representation
 An image and an idea.
Stars & Stardom
 ‘Sometimes I just wish I could put
records out anonymously’ – Lou Reed
Think about Stardom
Meta-Narrative
Myth
Star
Qualities
Super Star Commodity
Create a Pop Star’s Life Story
 Where were they born
 What sort of life did they
have before stardom
 What sort of stories
circulate about them?
 How is their life event
reflected in their music?
 How are their personal
values and beliefs
expressed in their music?
Synergise the Star
 How can you use the
star image in other
media products?
 How can you use the
music in other media
products
 What benefit may be
gained by exploiting
the star in this way?
The Myth of Stardom
 In our society what
do we believe about:
• The nature of stars
• What benefits do they
get from being a star?
• In what ways are they
like us?
• I what ways are they
special?
Qualities of Stardom
 What sort of people
are stars?
 What attitudes and
beliefs do they hold?
 What do they do?
 How are they
‘allowed’ or
‘supposed’ to
behave?
Retaining Stardom
 Why do some stars
seem to go on and
on and on….
 Why do some stars
seem to be around
for the briefest time?
 What does a star
have to do to stay
around?
...STAR IMAGE?
Your task: analyse a...
Task - Using a range of
materials...
..describe the representation of a star/band
image similar to yours...
 Your evidence comes from:
• Biographical information
• Videos / Album Art
• The style / design of promotional materials
• The content of those material
• Material in other media texts about the star(s)
(Meta-narrative)
Lana Del Rey
Album Art
Official Videos
Other Media
Websites (Official and Fan)
Stars & Stardom
Some Star Theory 
Richard Dyer
 Dyer has written extensively about the role of
stars in film, TV and music.
 Irrespective of the medium, stars have some
key features in common:
• A star is an image, not a real person, that is
constructed (as any other aspect of fiction is) out
of a range of materials (eg advertising, magazines
etc as well as films [music])
• Stars are commodities produced and consumed
on the strength of their meanings.
Richard Dyer
 Stars depend upon a range of subsidiary
media (magazines, TV, radio, the web) in order to
construct an image which can be marketed to
their target audiences.
 The star image as commodity is valuable and
can be positively attached to other products
 Music can be consumed in many different
ways and appear in a variety of different media
Richard Dyer - Meta-narrative
 Stardom is a meta-narrative and can be
described as ‘mythical’
 Meta-narratives are something we will be studying in
G325 Postmodernism and is something you need to
learn.
Stars & Stardom
Some Superstar Theory…
Richard Dyer
 Fundamentally, the star image is
incoherent, that is at once ‘incomplete’
and ‘open’. Dyer says that this is
because it is based upon two key
paradoxes.
Paradox 1
 The star must be simultaneously
ordinary and extraordinary for the
consumer
Paradox 2
 The star must be simultaneously
present and absent for the consumer
Fulfilling the promise of
stardom…
 The incoherence of the star image ensures that
audiences continually strive to ‘complete’ or to ‘make
sense of’ of the image
 Completion is thought to be achieved by continued
consumption of the star through his or her products
 In the music industry, performance seems to
promise the completion of the image, but it is always
ultimately unsatisfying
• This means that fans will go away determined to continue
consuming the star in order to carry on attempting to complete
their image
Hegemony
 Finally, it can be argued that the star image
can be used to position the consumer in
relation to dominant social values, this is
called ‘hegemony’
• Depending upon the artist, this may mean that the
audience are positioned against the mainstream
(though only to a limited degree, since we are still
consumers within a capitalist system) or within the
mainstream, or somewhere in between.

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Stars and stardom lana

  • 3. Stars & Stardom  ‘Sometimes I just wish I could put records out anonymously’ – Lou Reed
  • 5. Create a Pop Star’s Life Story  Where were they born  What sort of life did they have before stardom  What sort of stories circulate about them?  How is their life event reflected in their music?  How are their personal values and beliefs expressed in their music?
  • 6. Synergise the Star  How can you use the star image in other media products?  How can you use the music in other media products  What benefit may be gained by exploiting the star in this way?
  • 7. The Myth of Stardom  In our society what do we believe about: • The nature of stars • What benefits do they get from being a star? • In what ways are they like us? • I what ways are they special?
  • 8. Qualities of Stardom  What sort of people are stars?  What attitudes and beliefs do they hold?  What do they do?  How are they ‘allowed’ or ‘supposed’ to behave?
  • 9. Retaining Stardom  Why do some stars seem to go on and on and on….  Why do some stars seem to be around for the briefest time?  What does a star have to do to stay around?
  • 11. Task - Using a range of materials... ..describe the representation of a star/band image similar to yours...  Your evidence comes from: • Biographical information • Videos / Album Art • The style / design of promotional materials • The content of those material • Material in other media texts about the star(s) (Meta-narrative)
  • 17. Stars & Stardom Some Star Theory 
  • 18. Richard Dyer  Dyer has written extensively about the role of stars in film, TV and music.  Irrespective of the medium, stars have some key features in common: • A star is an image, not a real person, that is constructed (as any other aspect of fiction is) out of a range of materials (eg advertising, magazines etc as well as films [music]) • Stars are commodities produced and consumed on the strength of their meanings.
  • 19. Richard Dyer  Stars depend upon a range of subsidiary media (magazines, TV, radio, the web) in order to construct an image which can be marketed to their target audiences.  The star image as commodity is valuable and can be positively attached to other products  Music can be consumed in many different ways and appear in a variety of different media
  • 20. Richard Dyer - Meta-narrative  Stardom is a meta-narrative and can be described as ‘mythical’  Meta-narratives are something we will be studying in G325 Postmodernism and is something you need to learn.
  • 21. Stars & Stardom Some Superstar Theory…
  • 22. Richard Dyer  Fundamentally, the star image is incoherent, that is at once ‘incomplete’ and ‘open’. Dyer says that this is because it is based upon two key paradoxes.
  • 23. Paradox 1  The star must be simultaneously ordinary and extraordinary for the consumer
  • 24. Paradox 2  The star must be simultaneously present and absent for the consumer
  • 25. Fulfilling the promise of stardom…  The incoherence of the star image ensures that audiences continually strive to ‘complete’ or to ‘make sense of’ of the image  Completion is thought to be achieved by continued consumption of the star through his or her products  In the music industry, performance seems to promise the completion of the image, but it is always ultimately unsatisfying • This means that fans will go away determined to continue consuming the star in order to carry on attempting to complete their image
  • 26. Hegemony  Finally, it can be argued that the star image can be used to position the consumer in relation to dominant social values, this is called ‘hegemony’ • Depending upon the artist, this may mean that the audience are positioned against the mainstream (though only to a limited degree, since we are still consumers within a capitalist system) or within the mainstream, or somewhere in between.

Notes de l'éditeur

  1. Ref the students’ audience survey questionnaire which stated that for the audience the band was a hugely important factor in the purchasing habits, i.e. they want to follow a particular band and that the star image is therefore a important element. Thus Lou Reed’s wish is impossible
  2. Also that they will understand that the stars lives which are constructed / projected in the media help us understand their work.
  3. Music as product, music as part of conglomerates
  4. Elicit ideas of ordinary made extra ordinary The Fairy Tale of stardom is important here – Ideas of Celebrity
  5. Youthfulness, Rebellion, Romance (The Most Important – Love and Loss), An anti-authoritarian attitude, Originality, Creativity/talent, Aggression/anger, Sexual Magnetism, A disregard for social values relating to drugs, sex and polite behavior, Conspicuous consumption, of sex, drugs and material goods, Success against the odds …
  6. Stars remain by re-invention, that stars or their managers need to be aware of the zeitgeist and continually re-invent and evolve the star as society changes.