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4.3
1. 4.3. El descubrimiento del SUBconsciente: el surrealismo en Europa y América Latina. 4.3. Comprender la importancia del descubrimiento del subconsciente y su expresión en el surrealismo en Europa y América Latina.
9. (c. 1450-1516) Bosch, Hieronymous Garden of Earthly Delights Outer wings, "Creation of the World" c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
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11. Bosch, Hieronymous Garden of Earthly Delights Left wing, "Paradise" c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
12. Garden of Earthly Delights (center panel) 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
13. Garden of Earthly Delights Right wing, "Hell" c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
14. Bosch, Hieronymous Garden of Earthly Delights Detail of bird-headed monster (right wing) c. 1504 Triptych, plus shutters Oil on panel Central panel, 220 x 195 cm; Wings, 220 x 97 cm Museo del Prado, Madrid
17. Atropos also called The Fates Las Parcas 1820-23 Oil on gesso transferred to linen 123 cm x 266 cm Museo del Prado Madrid Spain
18. Goat also called Witches Sabbath 1820-23 Oil on gesso Prado Museum, Madrid 140 cm x 438 cm
19. Fight with Cudgels also called Duel with Cudgels 1820 – 1823 Oil on plaster 123 cm x 266 cm Prado Museum, Madrid Asmodea 1820-23 Oil on gesso 48 1/2 inches by 104 1/2 inches Prado Museum, Madrid
20. SATURNO Saturno devorando a su hijo 1820 – 1823 Oil on plaster 146 cm x 83 cm Museo del Prado, Madrid, Spain
23. Blake, William (1757-1827), English poet, painter, and engraver, who created a unique form of illustrated verse; His unique style was imaginative and visionary and was a radical departure from the type of art generally produced in the late 18th century . . Blake, William The Ancient of Days 1794 Relief etching with watercolor 23.3 x 16.8 cm (9 1/8 x 6 7/8 in.) British Museum, London
26. Blake, William The Body of Abel Found by Adam and Eve c. 1825 Watercolor on wood 32 x 43 cm (12 3/4 x 17 in.)
27. HENRI ROUSSEAU “ EL ADUANERO” 1844 – 1910 1885 DESPUES DE SU JUBILACION
28. Rousseau, Henri The Sleeping Gypsy 1897 Oil on canvas 51" x 6'7" (129.5 x 200.7 cm) The Museum of Modern Art, New York LA REALIDAD SE VE SUPERADA POR LA MAGIA Y EL MISTERIO QUE INFUNDEN LOS TONOS MATIZADOS Y LOS ESPACIOS CONFUSOS
29. Rousseau, Henri Woman Walking in an Exotic Forest (Femme se promenant dans une foret exotique) 1905 Oil on canvas 39 3/8 x 31 3/4 in. (99.9 x 80.7 cm) The Barnes Foundation, Merion, Pennsylvania
30. Henri Rousseau THe Dream 1910 Oil on canvas 6' 8 1/2" x 9' 9 1/2" The Museum of Modern Art, New York
31. Marc Chagall (1887-1985) Russian-born French painter. Born to a humble Jewish family in the ghetto of a large town in White Russia, Chagall passed a childhood steeped in Hasidic culture. Very early in life he was encouraged by his mother to follow his vocation and she managed to get him into a St Petersburg art school. Returning to Vitebsk, he became engaged to Bella Rosenfeld (whom he married twelve years later), then, in 1910, set off for Paris, 'the Mecca of art'.
34. GIORGIO DE CHIRICO 1888 – 1978 Nació en Grecia Estudió en Atenas, Munich, Florencia, Turín y París FUNDADOR DE LA PINTURA METAFISICA
35. "The case of Giorgio de Chirico is one of the most curious in art history. An Italian, born in 1888 and raised partly in Greece - where his father, an engineer, planned and built railroads - he led a productive life, almost Picassoan in length; he died in 1978. He had studied in Munich, and in his early twenties, under the spell of the Symbolist painter Arnold Böcklin , he began to produce a series of strange, oneiric cityscapes. When they were seen in Paris after 1911, they were ecstatically hailed by painters and poets from Picasso to Paul Éluard; before long de Chirico became one of the heroes of Surrealism .
45. Max Ernst The Hat Makes the Man . 1920. Gouache, pencil, ink, and cut-and-pasted collotypes, (35.6 x 45.7 cm). MOMA "seed-covered stacked-up man seedless waterformer (‘edelformer') well-fitting nervous system also tightly fitted nerves! (the hat makes the man) (style is the tailor),"
46. MARX ERNST (Alemania, 1891-1976 ) The Kiss (Le Baiser), 1927. Oil on canvas, 129 x 161.2 cm. Peggy Guggenheim Collection.
47. Napoleon in the Wilderness . (1941) Oil on canvas, (46.3 x 38.1 cm) The Museum of Modern Art, New York.
48. 1944 El ojo del silencio Oleo sobre tela. 108 x 141 cm. Museo: Washington University Art Gallery. Saint Louis
49. MAN RAY 1890 – 1976 AMERICANO PINTOR Y FOTOGRAFO DE VANGUARDIA Trabajos cinéticos, rayografías, etc.