3. Comic book
A sequence of drawings in a newspaper, magazine,
etc., relating a humorous story or an adventure.
A series or serialization of such narrative
sequences, usually featuring a regular cast of
haracters Also called strip cartoon
5. • In galego is called
Banda deseñada
• In castellano historieta,
Tebeo or cómic
• In english comic strip
• In french bande
dessinée
• In italian fumetti
• In japanese manga
• In portugués de Brasil
quadrinhos
6.
7.
8. •
Digital ,e-comic, webcomics .
• Since the early 1990s the growth of
the World Wide Web has had its
impact on comics. Not only has it
proved an infinite platform for comic
artists to show their work, it also
provided a whole new canvas for
comic artists to draw their comics on,
using new computer techniques such
as 3D and animation. One of the first
to signal this development was Scott
McCloud, whose 'Understanding
Comics' and 'Reinventing Comics'
have become standard works. He
has opened the eyes of many comic
artists to the possibilities technology
provides for the comics medium.
9. OLÉ
ESCOBAR
MORTADELO Y FILEMÓN
IBAÑEZ
TBO 1917
BUIGAS , ESTIVIL Y VIÑAS Morris
Lucky Luke
10. VISUAL METAPHORS
KINETIC LINES
ONOMATOPOEIAS
BALLOONS AND LABELS
FRAMING TEXT
POINTS OF VIEW
22. ECU (also known as XCU)
Extreme Close Up
PRIMERÍSIMO PLANO
It gets right in and shows extreme
detail.
You would normally need a specific
reason to get this close. It is too
close to show general reactions or
emotion except in very dramatic
scenes.
24. Camera Angles
The term camera angle means
slightly different things to
different people but it always
refers to the way a shot is
composed. It means the angle
between the camera and the
subject. We will concentrate on
the literal interpretation of
camera angles, that is, the angle
of the camera relative to the
subject.
26. To be understood as representing the speech or
thoughts of a given character in the comic. There
is often a formal distinction between the balloon
that indicates thoughts and the one that
indicates words spoken aloud: the bubble that
conveys subjective thoughts is often referred to
as a thought balloon.
34. The panels above are not uniform in
shape or size. Pictorial elements,
such as the gun in the fifth panel and
the purple-suited figure and motion
lines in the bottom two panels, cross
the gutter separating the panels and
co-exist in multiple panels. These
graphic moves suggest interesting
spatial and temporal juxtapositions
and facilite visual transitions from
panel to panel, breaking down the
clear separation of narrative
moments and instigating a flow
approaching (though still very far
removed from) the rapid frame-to-
frame transitions found in film
