bTheMedia - documentation

1. 8
de
junio
de
2011
2011,
the
year
we
took
the
media
free
and
open
licenses

2. 1. intro:
s.XV
–
s.XXI
2. intellectual
property
vs.
information
control
3. 2011:
with
the
15M
and
Occupy
Movements
a
BIG
change
came…
4. free
and
open
licenses
5. some
use
examples
6. a
last
thought…

3. 3
Johannes
Gutenberg
(c.1368
–
1450)

4. 4

5. 5
RFCs
Requests
For
Comments
(Internet
Engenieering
Task
Force)
WWW
(Tim
Berners-­‐Lee
/
Robert
Cailliau)

6. 6

7. There
is
a
FALSE
ight
for
the
intellectual
property,
it’s
all
about
the
control
of
information
7

8. 8

9. Sinde-­‐Wert
Law
ACTA
SOPA
PIPA
Hadopi
Lleras
Law
IT’s
WAR!
9
whatever
Law…

10. Ley
Sinde-­‐Wert
ACTA
SOPA
PIPA
Hadopi
Lleras
Law
IT’s
WAR!
10
Leys
ss
r
Law…

11. 11
Some
examples
on
how
IP
Laws
are
been
used
for
–NON
IP–
purposes

12. 12

13. 13

14. Use
of
Technologies
of
Information
and
Telecommunications
in
the
15M
and
Occupy
movements
14

15. 15

16. ‘15M:
Excelente.
Revulsivo.
Importante’
“we
are
the
media”
(7’)
16

17. 17

18. 18

19. 19

20. 20

21. 21

22. 22

23. 23

24. 24
copyleft
+
documentation

25. 25
Licence
“The verb license or grant license means to give permission.
The noun license or licence refers to that permission as well as to
the document recording that permission. A license may be granted
by a party ("licensor") to another party ("licensee") as an element
of an agreement between those parties. A shorthand definition
of a license is "an authorization (by the licensor) to use the
licensed material (by the licensee).” […] A licensor may grant
a license under intellectual property laws to authorize a use (such
as copying software or using a (patented) invention) to a licensee,
sparing the licensee from a claim of infringement brought by the
licensor. A license under intellectual property commonly has
several components beyond the grant itself, including a term,
territory, renewal provisions, and other limitations”

26. 26
TO
LICENSE
≠
TO
REGISTER
The
registration
of
a
work
provides
protection
of
intellectual
property
rights,
giving
legal
notice
of
the
existence
of
the
registered
rights
to
a
concrete
author
and
date.
the
citizen‘X’
registered
on
his
name
the
work‘Y’
in
the
date
and
hour‘Z’

27. 27
ORIGIN
OF
FREE
LICENCES:
SOFTWARE

28. 28
Richard
Matthew
Stallman
(RMS),
Free
Software
Foundation
FOTOS:
Wikimedia
Foundation

29. 29

30. 30
First
formal
de5inition
of
FREE
SOFTWARE
(Richard
Stalman,
Free
Software
Foundation,
1986)
Freedom
0:
The
freedom
to
run
the
program
for
any
purpose.
Freedom
1:
The
freedom
to
study
how
the
program
works,
and
change
it
to
make
it
do
what
you
wish.
Freedom
2:
The
freedom
to
redistribute
copies
so
you
can
help
your
neighbor.
Freedom
3:
The
freedom
to
improve
the
program,
and
release
your
improvements
(and
modi5ied
versions
in
general)
to
the
public,
so
that
the
whole
community
bene5its.
FUENTE:
FSF

31. 31
from
FREE
SOFTWARE
to
FREE
CULTURE

32. 32

33. 33
Lawrence
Lessig,
Harvard
University,
Creative
Commons
FOTOS:
Wikimedia
Foundation

34. 34
from
FREE
SOFTWARE
to
FREE
CULTURE
…and
n
2011
we
has
a
new
evolution
and
came
to
“FREE
POLITICS”*
*
but
this
is
another
story…

35. 35

36. Some
characteristics
of
Creative
Commons
Licences
• Free
use
(free
as
in
beer
and
as
in
freedom)
• Don´t
need
to
be
deposited
or
registered
• For
global
use
(UNPORTED)
or
territorial
(ES
for
Spain)
• Only
affect
patrimonial
rights.
They
don´t
touch
moral
rights.
CC
licenses
and
are
valid
until
the
work
passes
to
public
domain.
• Not
recommended
for
software
(see:
fsf.org)
36

37. 37

38. 38

39. 39

40. 40
The
three
layers
of
Creative
Commons
licences

41. 41
Chosing
a
license:
chosen
license,
logo
+
code
MACHINE
readable

42. 42
Chosing
a
license:
human
language
HUMAN
readable

43. 43
Chosing
a
license:
full
legal
text
LEGAL
code

44. 44
Case
Study:
¿Who
is
using
Creative
Commons
licenses?
Case
Study:
¿Who
is
using
Creative
Commons?

45. 45
Case
Study:
¿Who
is
using
Creative
Commons?

46. 46
Case
Study:
¿Who
is
using
Creative
Commons?

47. 47
Case
Study:
¿Who
is
using
Creative
Commons?

48. 48
Case
Study:
¿Who
is
using
Creative
Commons?

49. 49
Case
Study:
¿Who
is
using
Creative
Commons?

50. 50
Case
Study:
¿Who
is
using
Creative
Commons?

51. 51
Case
Study:
¿Who
is
using
Creative
Commons?

52. 52
Case
Study:
¿Who
is
using
Creative
Commons?

53. 53
Case
Study:
¿Who
is
using
Creative
Commons?

54. 54
Case
Study:
¿Who
is
using
Creative
Commons?

55. 55
Case
Study:
¿Who
is
using
Creative
Commons?

56. 56
Case
Study:
¿Who
is
using
Creative
Commons?

57. 57
Case
Study:
¿Who
is
using
Creative
Commons?

58. 58
Case
Study:
¿Who
is
using
Creative
Commons?

59. 59
Case
Study:
¿Who
is
using
Creative
Commons?

60. A
last
thought
about
the
importance
of
having
our
own
free
technologies
wordpress
(self
hosted),
identi.ca,
N-­‐1,…
streaming
watch
out
for
the
‘standarts’…!
be
awake
in
the
next
future!
<-­‐
this
is
our
next
big
ight!!
60

61. web:
www.steph.es
twitter:
@fanetin
licencia
de
la
presentación:
fotos,
grá`icos
y
capturas
de
pantalla:
©
de
sus
autores
thank
you!
http://acorta.net/bthemedia