Characterization

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What is Characterization? ,[object Object]

Creating a Character ,[object Object],[object Object],[object Object],[object Object],[object Object]

Creating a Character ,[object Object],[object Object]

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The Short Story: Setting and Character “A writer tries to create believable people in credible, moving situations in the most moving way he can.” —William Faulkner, Nobel Prize–winning American fiction writer 5 © VideoBlocks Learning Objectives After reading this chapter, you should be able to do the following: • Define setting and analyze its use in a short story. • Compare and contrast the various types of characters that appear in short stories. • Discuss the various ways characters shape the action in a short story. • Analyze the use of setting and character in this chapter's literary selections. Character Chapter 5 5.1 Setting Setting identifies conditions, including time and place, of the action in a story. The time may be in the past, present, or future; the location may be real or imaginary. Also, setting is an element that establishes the atmosphere in which the characters live and stimulates the reader’s imagi- nation. Sometimes, it has a cultural aspect as well, which might include local customs, dress, speech, or patterns of thought. To more fully portray people and life in a particular region, writ- ers use local color—consisting of unique images, realistic dialogue, and true-to-life descriptions. Usually, the author describes the setting as the story begins, often presenting necessary factual information succinctly. And, typically, the setting includes a key element—perhaps a time of day, a season, or a political or religious climate—around which the plot will unfold. In “The Gift of the Magi,” discussed in Chapter 4, the basic time and place questions about the setting are immediately answered: We are told that it’s Christmas Eve and that Della is in the modest flat, with its broken mailbox and broken doorbell, that she and her husband share. She’s sobbing on a “shabby little couch,” anxious about not having enough money to buy an adequate Christmas gift for her husband—”something fine and rare and sterling.” Further, we are told that Della and Jim, though they are being financially squeezed at the moment, have genuine affection for each other, which enables them to accept their situation. Nevertheless, as Della moves to the window, she is struck by the dullness of her life, reflected by “a gray cat walking a gray fence in a gray backyard.” In particular, these details allow the reader to connect to the physical place imaginatively. Additionally, they provide essential information about the couple’s relationship and reveal Della’s present emotional outlook. With the setting sufficiently established, action in the story begins— urgently driven by Della’s feelings and the fact that it’s Christmas Eve and time is running out for gift buying. 5.2 Character A character, of course, is a fictional person in a story. Characters carry out the action of the plot and in doing so they come alive as individuals. Through their appearance, responses, thoughts, relationships, and actions, the read ...

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Write a 750 word analysis of a film of your choice using Aristotle's principles. You MUST refer to Aristotle and identify how at least one principle operates in the film. I have attatched the requirements/checklist for this paper. ARISTOTLES'S PRINCIPLES 1. Plot - the sequence of events or incidents of which the story is composed. A. Conflict is a clash of actions, ideas, desires or wills. 1. person against person. 2. person against environment - external force, physical nature, society, or "fate." 3. person against herself/himself - conflict with some element in her/his own nature; maybe physical, mental, emotional, or moral. B. Protagonist and Antagonist - the protagonist is the central character, sympathetic or unsympathetic. The forces working against her/him, whether persons, things, conventions of society, or traits of their own character, are the antagonists. C. Artistic Unity - essential to a good plot; nothing irrelevant; good arrangement. D. Plot Manipulation - a good plot should not have any unjustified or unexpected turns or twists; no false leads; no deliberate and misleading information. 2. Character A. Direct Presentation - author tells us straight out, by exposition or analysis, or through another character. B. Indirect Presentation - author shows us the character in action; the reader infers what a character is like from what she/he thinks, or says, or does. These are also called dramatized characters and they are generally consistent (in behavior), motivated (convincing), and plausible (lifelike). C. Character Types - a Flat character is known by one or two traits; a Round character is complex and many-sided; a Stock character is a stereotyped character (a mad scientist, the absent-minded professor, the cruel mother-in-law); a Static character remains the same from the beginning of the plot to the end; and a Dynamic (developing) character undergoes permanent change. This change must be a. within the possibilities of the character; b. sufficiently motivated; and c. allowed sufficient time for change. 3. Theme - the controlling idea or central insight. It can be A. a revelation of human character; B. may be stated briefly or at great length; and C. a theme is not the "moral" of the story. D. A theme must be expressible in the form of a statement - not "motherhood" but "Motherhood sometimes has more frustration than reward." E. A theme must be stated as a generalization about life; names of characters or specific situations in the plot are not to be used when stating a theme. F. A theme must not be a generalization larger than is justified by the terms of the story. G. A theme is the central and unifying concept of the story. It must adhere to the following requirements: 1. It must account for all the major details of the story. 2. It must not be contradicted by any detail of the story. 3. It must not rely on supposed facts - facts not actually stated or clearly implied by the story. H. There is no one way of stating.

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