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Protestant Hymns   African and Slave
                     musical styles
Protestant Hymns   African and Slave
                     musical styles


            SpiritualS
Rev. J. M. Gates
“Amazing Grace,” 1722
Fisk University (Nashville, Tenn.), est. 1867




                         QuickTime™ and a
              TIFF (Uncompressed) decompressor
                 are needed to see this picture.
Fisk University’s “Jubilee Hall,” ca. 1887




                             QuickTime™ and a
                  TIFF (Uncompressed) decompressor
                     are needed to see this picture.
Fisk University Jubilee Singers, ca. 1873




                              QuickTime™ and a
                   TIFF (Uncompressed) decompressor
                      are needed to see this picture.
Pace Jubilee Singers, ca. 1928
Protestant Hymns   African and Slave
                     musical styles


            SpiritualS
Protestant Hymns   African and Slave
                     musical styles


            SpiritualS



         Jubilee
        QuartetS
Birmingham, AL
Birmingham Jubilee Singers, 1920s




                QuickTime™ and a
     TIFF (Uncompressed) decompressor
        are needed to see this picture.
Norfolk, VA
Norfolk Jubilee Singers, ca. 1927
Protestant Hymns   African and Slave
                     musical styles


            SpiritualS



         Jubilee
        QuartetS
Protestant Hymns    African and Slave
                                         musical styles
Victorian Parlor
     Music
                               SpiritualS

       Baptist Song Hymns
             (Tindley)
                             Jubilee
                            QuartetS
Rev. Charles A. Tindley (Baptist)
Blind Willie Johnson




                                  QuickTime™ and a
                       TIFF (Uncompressed) decompressor
                          are needed to see this picture.
The Day of Pentecost

1 When the day of Pentecost had come, they were all
together in one place.

2 And suddenly there came from heaven a noise like a
violent rushing wind, and it filled the whole house where
they were sitting.

3 And there appeared to them tongues as of fire
distributing themselves, and they rested on each one of
them.

4 And they were all filled with the Holy Spirit and began
to speak with other tongues, as the Spirit was giving
them utterance.
Azusa Street, Los Angeles, CA
Azusa Street, Los Angeles, CA
Azusa Street, Los Angeles, CA
AME Zion Church, 312 Azusa St., Los Angeles




                          QuickTime™ and a
               TIFF (Uncompressed) decompressor
                  are needed to see this picture.
The Azusa Street Mission, ca. 1910
Rev. William Joseph Seymour




                                        QuickTime™ and a
                              TIFF (Uncompressed) decompressor
                                 are needed to see this picture.
Azusa St. Apostolic Faith Gospel Mission




                      QuickTime™ and a
           TIFF (Uncompressed) decompressor
              are needed to see this picture.
“The meetings given the ten o’clock in in
“…the Lord hasbegin aboutgift of speakingthe
unknown languages, also the gift of playing or
morning and can hardly stop before ten on
instruments…”
twelve at night, and sometimes two or three in
the morning, because so many are slain under
the power of God.”
“Holy Rollers”




                            QuickTime™ and a
                 TIFF (Uncompressed) decompressor
                    are needed to see this picture.
African-American Pentecostal worship, 1940s
Protestant Hymns    African and Slave
                                         musical styles
Victorian Parlor
     Music
                               SpiritualS

       Baptist Song Hymns
             (Tindley)
                             Jubilee
                            QuartetS
Protestant Hymns    African and Slave
                                         musical styles
Victorian Parlor
     Music
                               SpiritualS

       Baptist Song Hymns
             (Tindley)                          Jazz
                             Jubilee
                            QuartetS           Blues

                                      Sanctified singing
Protestant Hymns    African and Slave
                                         musical styles
Victorian Parlor
     Music
                               SpiritualS

       Baptist Song Hymns
             (Tindley)                          Jazz
                             Jubilee
                            QuartetS           Blues

                                      Sanctified singing


           GOSP
Thomas A. Dorsey, “Father of Gospel Music”
“Georgia Tom” Dorsey, ca. 1928
Georgia Tom, “It’s Tight Like That” (1928)


 Listen here folks I want to sing a little
 song

 Don’t get mad we don’t mean no harm

 You know it’s tight like that…
Georgia Tom, “It’s Tight Like That” (1928)


 There was a little black rooster met a
   little brown hen

 Made a date at the barn about a half
  past ten -

 You know it’s tight like that…
Georgia Tom, “It’s Tight Like That” (1928)


 I went to see my gal over across the
   hall

 Found another mule kicking in my stall
   -

 You know it’s tight like that…
Georgia Tom, “It’s Tight Like That” (1928)


 The girl I like is tall and slim

 When she whips it it’s too bad Jim -

 You know it’s tight like that…
Protestant Hymns    African and Slave
                                         musical styles
Victorian Parlor
     Music
                               SpiritualS

       Baptist Song Hymns
             (Tindley)                          Jazz
                             Jubilee
                            QuartetS           Blues

                                      Sanctified singing
Protestant Hymns    African and Slave
                                         musical styles
Victorian Parlor
     Music
                               SpiritualS

       Baptist Song Hymns
             (Tindley)                          Jazz
                             Jubilee
                            QuartetS           Blues
      Thomas A. Dorsey

                                      Sanctified singing
Blues and Gospel intermingle
Thom. Shepard, “Must Jesus Bear the Cross
Alone” (1693)


  Must Jesus bear the cross alone,
  And all the world go free?
  No, there’s a cross for everyone,
  And there’s a cross for me.
George N. Allen, “Must Jesus Bear the Cross
Alone” (1846)
Thom. Shepard, “Must Jesus Bear the Cross
Alone” (1693)


  Must Jesus bear the cross alone,
   Home                       Less
   chord                      tense
  And all the world go free?
   Home                        Tense!
   chord
  No, there’s a cross for everyone,
   Home                          Less
   chord                         tense
  And there’s a cross for me.
   Home              Tense!     Home
   chord                        chord
Sister Rosetta Tharpe
African-American Pentecostal worship, 1940s

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Gospel Music History Powerpoint

  • 1. Protestant Hymns African and Slave musical styles
  • 2. Protestant Hymns African and Slave musical styles SpiritualS
  • 3. Rev. J. M. Gates
  • 5. Fisk University (Nashville, Tenn.), est. 1867 QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 6. Fisk University’s “Jubilee Hall,” ca. 1887 QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 7. Fisk University Jubilee Singers, ca. 1873 QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 9. Protestant Hymns African and Slave musical styles SpiritualS
  • 10. Protestant Hymns African and Slave musical styles SpiritualS Jubilee QuartetS
  • 12. Birmingham Jubilee Singers, 1920s QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 15. Protestant Hymns African and Slave musical styles SpiritualS Jubilee QuartetS
  • 16. Protestant Hymns African and Slave musical styles Victorian Parlor Music SpiritualS Baptist Song Hymns (Tindley) Jubilee QuartetS
  • 17. Rev. Charles A. Tindley (Baptist)
  • 18. Blind Willie Johnson QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 19. The Day of Pentecost 1 When the day of Pentecost had come, they were all together in one place. 2 And suddenly there came from heaven a noise like a violent rushing wind, and it filled the whole house where they were sitting. 3 And there appeared to them tongues as of fire distributing themselves, and they rested on each one of them. 4 And they were all filled with the Holy Spirit and began to speak with other tongues, as the Spirit was giving them utterance.
  • 20. Azusa Street, Los Angeles, CA
  • 21. Azusa Street, Los Angeles, CA
  • 22. Azusa Street, Los Angeles, CA
  • 23. AME Zion Church, 312 Azusa St., Los Angeles QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 24. The Azusa Street Mission, ca. 1910
  • 25. Rev. William Joseph Seymour QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 26. Azusa St. Apostolic Faith Gospel Mission QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 27. “The meetings given the ten o’clock in in “…the Lord hasbegin aboutgift of speakingthe unknown languages, also the gift of playing or morning and can hardly stop before ten on instruments…” twelve at night, and sometimes two or three in the morning, because so many are slain under the power of God.”
  • 28. “Holy Rollers” QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.
  • 30. Protestant Hymns African and Slave musical styles Victorian Parlor Music SpiritualS Baptist Song Hymns (Tindley) Jubilee QuartetS
  • 31. Protestant Hymns African and Slave musical styles Victorian Parlor Music SpiritualS Baptist Song Hymns (Tindley) Jazz Jubilee QuartetS Blues Sanctified singing
  • 32. Protestant Hymns African and Slave musical styles Victorian Parlor Music SpiritualS Baptist Song Hymns (Tindley) Jazz Jubilee QuartetS Blues Sanctified singing GOSP
  • 33. Thomas A. Dorsey, “Father of Gospel Music”
  • 35. Georgia Tom, “It’s Tight Like That” (1928) Listen here folks I want to sing a little song Don’t get mad we don’t mean no harm You know it’s tight like that…
  • 36. Georgia Tom, “It’s Tight Like That” (1928) There was a little black rooster met a little brown hen Made a date at the barn about a half past ten - You know it’s tight like that…
  • 37. Georgia Tom, “It’s Tight Like That” (1928) I went to see my gal over across the hall Found another mule kicking in my stall - You know it’s tight like that…
  • 38. Georgia Tom, “It’s Tight Like That” (1928) The girl I like is tall and slim When she whips it it’s too bad Jim - You know it’s tight like that…
  • 39. Protestant Hymns African and Slave musical styles Victorian Parlor Music SpiritualS Baptist Song Hymns (Tindley) Jazz Jubilee QuartetS Blues Sanctified singing
  • 40. Protestant Hymns African and Slave musical styles Victorian Parlor Music SpiritualS Baptist Song Hymns (Tindley) Jazz Jubilee QuartetS Blues Thomas A. Dorsey Sanctified singing
  • 41. Blues and Gospel intermingle
  • 42. Thom. Shepard, “Must Jesus Bear the Cross Alone” (1693) Must Jesus bear the cross alone, And all the world go free? No, there’s a cross for everyone, And there’s a cross for me.
  • 43. George N. Allen, “Must Jesus Bear the Cross Alone” (1846)
  • 44. Thom. Shepard, “Must Jesus Bear the Cross Alone” (1693) Must Jesus bear the cross alone, Home Less chord tense And all the world go free? Home Tense! chord No, there’s a cross for everyone, Home Less chord tense And there’s a cross for me. Home Tense! Home chord chord