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Phil. literature


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  • 1. PhilippineLiterature
  • 2. Part I – The His torical B ackground ofPhilippine Literature
  • 3.   Chapter 1Introduction to the Study of Literature  
  • 4. Definition of Literature:  The word literature is derived from the Latin term litera which means letter. It has been defined differently by various writers.  Some loosely interpret literature as any printed matter written within a book, a magazine or a pamphlet. Others define literature as a faithful reproduction of man’s manifold experiences blended into one harmonious expression.  Because literature deals with ideas, thoughts and emotions of man, literature can be said to be the story of man. Man’s loves, griefs, thoughts, dreams and aspirations coached in beautiful language is literature.
  • 5. In order to know the history of a nation’sspirit, one must read its literature. Hence it is,that to understand the real spirit of a nation,one must “trace the little rills as they coursealong down the ages, broadening and deepeninginto the great ocean of thought which men ofthe present source are presently exploring.” Brother Azurin, said that “literature expressesthe feelings of people to society, to thegovernment, to his surroundings, to hisfellowmen and to his Divine Creator.” Theexpression of one’s feelings, according to him,may be through love, sorrow, happiness,hatred, anger, pity, contempt, or revenge. 
  • 6. For Webster, literature is anything that is printed, as long as it is related to the ideas and feelings of people, whether it is true, or just a product of one’s imagination.  In PANITIKING PILIPINO written by Atienza, Ramos, Salazar and Nazal, it says that “true literature is a piece of written work which is undying. It expresses the feelings and emotions of people in response to his everyday efforts to live, to be happy n his environment and, after struggles, to reach his Creator.”
  • 7. Why We Need to Study Philippine LiteratureWe can enumerate many reasons for studyingliterature. Here are but a few: We study literature so that we can betterappreciate our literary heritage. We cannotappreciate something that we do notunderstand. Through a study of ourliterature, we can trace the rich heritage ofideas handed down to us from our forefathers.Then we can understand ourselves better andtake pride in being a Filipino. 
  • 8. Like other races of the world, we need to understand that we have a great and noble tradition which can serve as the means to assimilate other cultures. Through such a study, we will realize our literary limitations conditioned by certain historical factors and we can take steps to overcome them. Above all, as Filipinos, who truly love and take pride in our own culture, we have to manifest our deep concern for our own literature and this we can do by studying the literature of our country.  
  • 9. Of Philippine Literature in English and TimeFrames It can be said that Philippine literature inEnglish has achieved a stature that is, in away, phenomenal since the inception ofEnglish in our culture. Our written literature, which is about fourhundred years old, is one of slow andevolutionary growth. Our writers strove toexpress their sentiments while struggling witha foreign medium. The great mass of literaturein English that we have today is, indeed, atribute to what our writers have achieved inthe short span of time. What they have writtencan compare with some of the best works inthe world. 
  • 10. Much is still to be achieved. Our writershave yet to write their OPUS MAGNUMS.Meanwhile, history and literature are slowlyunfolding before us and we are as witnessesin the assembly lines to an evolving literarylife.Time frames may not be necessary in a studyof literature, but since literature and historyare inescapably related it has becomefacilitative to map up a system which will aidus in delineating certain time boundaries.
  • 11. These time boundaries are not exactly well- defined; very often, time frames blend into another in a seeming continuum. For a systematic discussion of the traditions, customs, and feelings of our people that can be traced in our literature, we shall adopt certain delimitations.  These time frames are:  Time Frames of Philippine Literature in English  Different opinions prevail regarding the stages that mark the development of Philippine literature in English. Let us take the following time frames for purpose of discussion:
  • 12. 1. The Period of Re-orientation: 1898-19102. Period of Imitation: 1910-19253. Period of Self-Discovery: 1925-19414. Japanese Period: 1941-19455. The Rebirth of Freedom: 1946-19706. Period of Activism: 1970-19727. Period of the New Society: 1972-19818. Period of the Third Republic: 1981-19859. Contemporary Period: 1986
  • 13. Literature and History   Literature and history are closelyinterrelated. In discovering the history of arace, the feelings, aspirations, customs andtraditions of a people are sure to beincluded . . . and these feelings, aspirations,customs and traditions that are written isliterature. History can also be written and thistoo, is literature. Events that can be writtendown are part of true literature. Literature,therefore, is part of history.
  • 14. Literature and history, however, also havedifferences. Literature may be figments of theimagination or events devoid of truth thathave been written down, while history is madeup of events that really happened. Literary Compositions that Have Influencedthe World.Among them are:1. The Bible or the Sacred Writings2. Koran3. The Iliad and the Odyssey4. The Mahab-harata5. Canterbury Tales6. Uncle Tom’s Cabin
  • 15. 7. The Divine Comedy8. El Cid Compeador9. The Song of Roland10. The Book of the Dead11. The Book of the Days12. One Thousand and One Nights or TheArabian NightsGeneral Types of LiteratureLiterature can generally be divided into twotypes; prose and poetry.
  • 16. Prose consists of those written within thecommon flow of conversation in sentences andparagraphs, while poetry refers to thoseexpressions in verse, with measure and rhyme,line and stanza and has a more melodious tone.I. PROSEThere are many types of prose. These includethe following:a. Novels. A long narrative divided intochapters and events are taken from true-to-lifestories.
  • 17. Example:WITHOUT SEEING THE DAWN byStevan Javellanab. Short story. This is a narrative involvingone or more characters, one plot and onesingle impression.Example:THE LAUGHTER OF MY FATHER byCarlos Bulosanc. Plays. This is presented on a stage, isdivided into acts and each act has manyscenes.
  • 18. Example: THIRTEEN PLAYS by Wilfredo M.Guerrerod. Legends. These are fictitious narratives,usually about origins.Example: THE BIKOL LEGEND by Pio Duran e. Fables. These are also fictitious and theydeal with animals and inanimate things whospeak and act like people and their purpose isto enlighten the minds of children to eventsthat can mold their ways and attitudes.Example: THE MONKEY AND THE TURTLE 
  • 19. f. Anecdotes. These are merely products ofthe writer’s imagination and the main aim isto bring out lessons to the reader.Example:THE MOTH AND THE LAMPg. Essay. This expresses the viewpoint oropinion of the writer about a particularproblem or event. The best example of thisis the Editorial page of a newspaper.h. Biography. This deals with the life of aperson which may be about himself, hisautobiography or that of others.
  • 20. Example: CAYETANO ARELLANO by SocorroO. Albert i. News. This is a report of everyday events insociety, government, science and industry, andaccidents, happening nationally or not. j. Oration. This is a formal treatment of asubject and is intended to be spoken in public.It appeals to the intellect, to the will or to theemotions of the audience. II. POETRYThere are three types of poetry and these arethe following: 
  • 21. A. Narrative Poetry. This form describesimportant events in life either real orimaginary.The different varieties are:1. Epic. This is an extended narrative aboutheroic exploits often under supernaturalcontrol.Example:THE HARVEST SONG OF ALIGUYONtranslated in English by Amador T.Daguio2. Metrical Tale. This is a narrative which iswritten in verse and can be classified eitheras a ballad or a metrical romance.
  • 22. Examples: BAYANI NG BUKID by Al Perez HERO OF THE FIELDS by Al Perez3. Ballads. Of the narrative poems, this isconsidered the shortest and simplest. It has asimple structure and tells of a single incident.There are also variations of these: love ballads,war ballads, and sea ballads, humorous, moral,and historical or mythical ballads. In the earlytime, this referred to a song accompanying adance. B. Lyric Poetry. Originalaly, this refers to thatkind of poetry meant to be sung to theaccompaniment of a lyre, but now, this appliesto any type of poetry that expresses emotionsand feelings of the poet. They are usuallyshort, simple and easy to understand.  
  • 23. 1. Folksongs (Awiting Bayan). These are shortpoems intended to be sung. The commontheme is love, despair, grief, doubt, joy, hopeand sorrow. Example: CHIT-CHIRIT-CHIT2.  Sonnets. This is a lyric poem of 14 linesdealing with an emotion, a feeling, or an idea.These are two types: the Italian and theShakespearean.Example: SANTANG BUDS by Alfonso P.Santos 
  • 24. 3. Elegy. This is a lyric poem which expresses feelings of grief and melancholy, and whose theme is death. Example:THE LOVER’S DEATH by Ricaredo Demetillo  4. Ode. This is a poem of a noble feeling, expressed with dignity, with no definite number of syllables or definite number of lines in a stanza.  5. Psalms (Dalit). This is a song praising God or the Virgin Mary and containing a philosophy of life.
  • 25. 6. Awit (Song). These have measures of twelvesyllables (dodecasyllabic) and slowly sung tothe accompaniment of a guitar or banduria.Example: FLORANTE AT LAURA by FrancisoBalagtas7. Corridos (Kuridos). These have measures ofeight syllables (octosyllabic) and recited to amartial beat.Example: IBONG ADARNA 
  • 26. C. Dramatic Poetry  1. Comedy. The word comedy comes from the Greek term “komos” meaning festivity or revelry. This form usually is light and written with the purpose of amusing, and usually has a happy ending.  2. Melodrama. This is usually used in musical plays with the opera. Today, this is related to tragedy just as the farce is to comedy. It arouses immediate and intense emotion and is usually sad but there is a happy ending for the principal character. 
  • 27. 3. Tragedy. This involves the hero struggling mightily against dynamic forces; he meets death or ruin without success and satisfaction obtained by the protagonist in a comedy. 4. Farce. This is an exaggerated comedy. It seeks to arouse mirth by laughable lines; situations are too ridiculous to be true; the characters seem to be caricatures and the motives undignified and absurd.  5. Social Poems. This form is either purely comic or tragic and it pictures the life of today. It may aim to bring about changes in the social conditions. 
  • 28. Exercises1. Deals with ideas, thoughts, and emotions of man. It is said to be the story of man.2. Literature as a faithful reproduction of man’s manifold _______ blended into one harmonious expression.3-5. Three reasons why do we need to study Philippine Literature.6. Written by Harriet Beecher Stowe of the US. This depicted the sad fate of slaves; this became the basis of democracy later on.
  • 29. 7. This was written by Confucius of China. This became the basis of Roman Calendar.8. This deals with the life of a person which may be about himself, his autobiography or that of others.9.These have been the source of myths and legends of Greece. They were written by Homer.10.This is a lyric poem of 14 lines dealing with an emotions, a feeling, or idea.
  • 30. C hapter 2The Pre-S panis h Period  
  • 31. Historical Background  Long before the Spaniard and other foreigners landed on Philippine shores, our forefathers already had their own literature stamped in the history of our race.  Our ancient literature shows our customs and traditions in everyday life as trace in our folk stories, old plays and short stories. Our ancestors also had their own alphabet which was different from that brought by the Spaniards. The first alphabet used by our ancestors was similar to that of the Malayo- Polynesian alphabet. 
  • 32. Whatever record our ancestors left were eitherburned by the Spanish friars in the belief thatthey were works of the devil or were written onmaterials that easily perished, like the barks oftrees, dried leaves and bamboo cylinders whichcould not have remained undestroyed even ifefforts were made to preserve them. Other records that remained showed folk songsthat proved existence of a native culture trulyour own. Some of these were passed on byword of mouth till they reached the hands ofsome publishers or printers who took interestin printing the manuscripts of the ancientFilipinos. 
  • 33. The Spaniards who came to the Philippines tried to prove that our ancestors were really fond of poetry, songs, stories, riddles and proverbs which we still enjoy today and which serve to show to generations the true culture of our people. Pre-Spanish Literature is characterized by  A. LEGENDS. Legends are a form of prose the common theme of which is about the origin of a thing, place, location or name. The events are imaginary, devoid of truth and unbelievable. Old Filipino customs are reflected in these legends. Its aim is to entertain. Here is an example of a legend is THE LEGEND OF THE TAGALOGS.
  • 34. B. FOLK TALES. Folk tales are made up ofstories about life, adventure, love, horror andhumor where one can derive lessons about life.These are useful to us because they help usappreciate our environment, evaluate ourpersonalities and improve our perspectives inlife. An example of this is THE MOON ANDTHE SUN. C. THE EPIC AGE. Epics are long narrativepoems in which a series of heroicachievements or events, usually of a hero, aredealt with at length. Nobody can determinewhich epics are the oldest because in theirtranslations from other languages, even inEnglish and Spanish. We can only determinetheir origins from the time mentioned in thesaid epics.
  • 35. Aside from the aforementioned epics, there arestill other epics that can be read and studiedlike the following epics. a. Bidasari-Moro epicb. Biag ni Lam-ang-Ilokano epicc. Maragtas-Visayan epicd. Haraya-Visayan epice. Lagda-Visayan epicf. Hari sa Bukid-Visayan epicg. Kumintang-Tagalog epich. Parang Sabir-Moro epici. “Dagoy” at “Sudsod”-Tagbanua epicj. Tatuaang-Bagobo epick. Indarapatra at Sulayman
  • 36. l. Bantuganm. Daramoke-A-Babay – Moro epic in“Darangan”D. FOLK SONGS. Folk songs are one of theoldest forms of Philippine literature thatemerged in the pre-Spanish period. Thesesongs mirrored the early forms of culture.Many of these have 12 syllables. Here are theexamples:a. Kundimanb. Kumintang o Tagumpay
  • 37. c. Ang Dalit o Imnod. Ang Oyayi o Helee. Dianaf. Soliraningg. Talindaw OTHER FORMS OF PRE-SPANISH POETRYE. Epigrams, Riddles, Chants, Maxims,Proverbs or Sayings1. Epigrams (Salawikain). These have beencustomarily used and served as laws or rules ongood behavior by our ancestors. To others,these are like allegories or parables that impartlessons for the young. 
  • 38. 2. Riddles (Bugtong) or Palaisipan. These aremade up of one or more measured lines withrhyme and may consist of four to 12 syllables.3. Chant (Bulong). Used in witchcraft orenchantment.4. Maxims. Some are rhyming couplets withverses of 5, 6 or 8 syllables, each line havingthe same number of syllables.5. Sayings (Kasabihan). Often used in teasingor to comment on a person’s actuations.6. Sawikain (Sayings with no hidden meanings)
  • 39. Exercises1. The first alphabet used by our ancestors was similar to that of the ______.2. What does Maria shouted to Ilog so that he would cut the snake?3. In certain wide region of Luzon, there was a village frequented by young men. This town was full of trees, beautiful flowers and a river where clear waters flowed. What attracted the young men more than the scenery?4. The writer of BIAG-Ni Lam-Ang5. Also known as Lullaby
  • 40. 6. These have been customarily used and served as laws or rules on good behavior by our ancestors7. Sayings with no hidden Meanings8. Some are rhyming couplets with verses of 5,6, or 8 syllables, each lines having the same number of syllables.9. Used in witchcraft or enchantment.10. These are med up of one or more measured lines with rhyme and may consist of four to twelve syllables.
  • 41. C hapter 3The S panis h Period (1565-1898)
  • 42.  Historical Background  It is an accepted belief that the Spanishcolonization of the Philippines started in 1565during the time of Miguel Lopez de Legazpi,the first Spanish governor-general in thePhilippines. Literature started to flourishduring his time. This spurt continuedunabated until the Cavite Revolt in 1872. TheSpaniards colonized the Philippines for morethan three centuries. During these times, many changes occurred inthe lives of Filipinos. They embraced theCatholic religion, changed their names, andwere baptized.
  • 43. Their lifestyles changed too. They built houses mad of stones and bricks, used beautiful furniture like the piano and used kitchen utensils. Carriages, trains and boats were used as means of travel. They held fiestas to honor the saints, the pope and the governors. They had cockfights, horse races and the theater as means of recreation. This gave rise to the formation of the different classes of society like the rich and the landlords. Some Filipinos finished courses like medicine, law, agriculture and teaching. Many Filipinos finished their schooling already had been established.•  
  • 44. A. SPANISH INFLUENCES ON PHILIPPINELITERATUREDue to the long period of colonization of thePhilippines by the Spaniards, they haveexerted a strong influence on our literature.1. The first Filipino alphabet called ALIBATAwas replaced by the Roman alphabet.2. The teaching of the Christian Doctrinebecame the basis of religious practices.3. The Spanish language which became theliterary language during this time lent many ofits words to our language.
  • 45. 4. European legends and traditions brought here became assimilated in our songs, corridos, and moro-moros. 5. Ancient literature was collected and translated to Tagalog and other dialects. 6. Many grammar books were printed in Filipino, like Tagalog, Ilocano and Visayan 7. Our periodicals during these times gained a religious tone. 
  • 46. B. THE FIRST BOOKS 1. ANG DOCTRINA CRISTIANA (THE CHRISTIANDOCTRINE). This was the first book printed inthe Philippines in 1593 in xylography. It waswritten by Fr. Juan de Placencia and Fr.Domingo Nieva, in Tagalog and Spanish. Itcontained the Pater Noster (Out Father), AveMaria (Hail Mary), Regina Coeli (Hail HolyQueen), the Ten Commandments of God, theCommandments of the Catholic Church, theSeven Mortal Sins, How to Confess, and theCathecism. Three old original copies of thisbook can still be found at the Vatican, at theMadrid Musem and at the US Congress. Itcontains only 87 pages but costs $5,000.0.
  • 47. 2. Nuestra Señora del Rosario. The secondbook printed in the Philippines was written byFr. Blancas de San Jose in 1602, and printed atthe UST Printing Press with the help of Juan deVera, a Chinese mestizo. It contains thebiographies of saints, novenas, and questionsand answers on religion. 3. Libro de los Cuatro Postprimeras de Hombre(in Spanish and Tagalog). This is the first bookprinted in typography. 4. Ang Barlaan at Josephat. This is a Biblicalstory printed in the Philippines and translatedto Tagalog from Greek by Fr. Antonio de Borja.
  • 48. It is believed to be the first Tagalog novelpublished in the Philippines even if it is onlya translation. The printed translation hasonly 556 pages. The Ilocano translation inpoetry was done by Fr. Agustin Mejia.5. The Pasion. This is the book about thelife and sufferings of Jesus Christ. It is readonly during Lent. There were 4 versions ofthis in Tagalog and each version is accordingto the name of the writer.These are the Pilapil version (by MarianoPilapil of Bulacan, 1814), the de Belenversion (by Gaspar Aquino de Belen of Bat. in1704), the de la Merced (by Aniceto de laMerced of Norzagaray, Bulacan in 1856) andthe de Guia version (by Luis de Guia in1750).
  • 49. Critics are not agreed whether it is the Pilapil orthe de la Merced version which is the mostpopular.6. Urbana at Felisa. A book by Modesto deCastro, the so called Father of Classic Prose inTagalog. These are letters between two sistersUrbana at Felisa and have influenced greatly thebehavior of people in society because the lettersdealt with good behavior.7. Ang Mga Dalit kay Maria (Psalms for Mary).A collection of songs praising the Virgin Mary.Fr. Mariano Sevilla, a Filipino priest, wrote thisin 1865 and it was popular especially during theMaytime “Flores de Mayo” festival. 
  • 50. C. LITERARY COMPOSITIONS1. Arte y Reglas de la Lengua Tagala (Art andrules of the Tagalog language). Written byFr. Blancas de San Jose and translated toTagalog by Tomas Pinpin in 1610.2. Compendio de la Lengua Tagala(Understanding the Tagalog language).Written by Fr. Gaspar de San Agustin in1703.3. Vocabulario de la Lengua Tagala (Tagalogvocabulary). The first Tagalog dictionarywritten by Fr. Pedro de San Buenaventura in1613.
  • 51.  4. Vocabulario de la Lengua Pampanga(Pampanga vocabulary). The first book inPampanga written by Fr. Diego in 1732. 5. Vocabulario de la Lengua Bisaya (Bisayanvocabulary). The best language book in Visayanby Mateo Sanchez in 1711. 6. Arte de la Lengua Ilokana (The Art of theIlocano language). The first Ilocano grammarbook by Francisco Lopez. 7. Arte de la Lengua Bicolana (The Art of theBicol language). The first book in the Bicollanguage and written by Fr. Marcos Lisbon in1754.
  • 52. D. FOLK SONGS. Folk songs becamewidespread in the Philippines. Each region hadits national song from the lowlands to themountains of Luzon, Visayas and Mindanao. Folk songs truly manifest the artistic feelingsof the Filipinos. They show the Filipinos’innate appreciation for and love of beauty. Theexamples are Leron-Leron Sinta, Pamulinawen,Dandansoy, Sarong Banggi and Atin Cu PungSingsing.E. RECEREATIONAL PLAYS. There are manyrecreational plays performed by Filipinosduring the Spanish times. Almost all of themwere in poetic form. Here are examples:
  • 53. 1. Tibag – the word tibag means to excavate. This ritual was brought here by the Spaniardto remind the people about the search of St.Helena for the Cross on which Jesus died.2. Lagaylay – this is a special occasion forthe Pilareños of Sorsogon during Maytime toget together.As early as April, the participating ladies arechosen and sometimes, mothers volunteertheir girls in order to fulfill a vow madeduring an illness or for a favor received.
  • 54. In some parts of Bicol, a different presentationis made but the objective is the same – praise,respect and offering of love to the BlessedCross by St. Helen on the mound she had dugin. 3. The Cenaculo – this is a dramaticperformance to commemorate the passion anddeath of Jesus Christ. There are two kinds: theCantada and Hablada. In the Hablada the linesare spoken in a more deliberate mannershowing the rhythmic measure of each verseand the rhyming in each stanza and is moredignified in theme; the Cantada is chanted likethe Pasion. 
  • 55. The Cenaculo is written in octosyllabicverse, with 8 verses to the stanza. The fulllength versions take about 3 nights ofstaging. Performers come in costumes withwigs and performers are carefully chosen fortheir virtuous life. One performs the role ofJesus Christ and another the role of theVirgin Mary. Many famous Cenaculo playerscome from the Tagalog regions althoughthere are also those from Ilocos, Pampanga,Bicol and both Sibulanon and Hiligaynon.4. Panunuluyan – this is presented before12:00 on Christmas Eve. This is apresentation of the search of the Virgin Maryand St. Joseph for an inn wherein to deliverthe baby Jesus.
  • 56. 5. The Salubong (or Panubong) - The Salubongis an Easter play that dramatizes the meetingof the Risen Christ and his Mother. It is stillpresented in many Philippine towns. 6. Carillo (Shadow Play) – this is a form ofdramatic entertainment performed on amoonless night during a town fiesta or on darknights after a harvest. This shadow play ismade by projecting cardboard figures before alamp against a white sheet. The figures aremoved like marionettes whose dialogues areproduced by some experts.The dialogues are drawn from a Corrido or Awitor some religious play interspersed with songs.These are called by various names in differentplaces:
  • 57. Carillo in Manila, Rizal and Batangas and Laguan; TITRES in Ilocos Norte, Pangasinan, Bataa, Capiz and Negros; TITIRI in Zambales; GAGALO or KIKIMUT in Pampanga and Tarlac; and ALIALA in La Union. 7. The Zarzuela – considered the father of the drama; it is a musical comedy or melodrama three acts which dealt with man’s passions and emotions like love, hate, revenge, cruelty, avarice or some social or political proble.•  
  • 58. 8. The Sainete – this was a short musicalcomedy popular during the 18th century. Theywere exaggerated comedies shown betweenacts of long plays and were mostly performedby characters from the lower classes. Themeswere taken from everyday life scenarios. F. THE MORO-MORO. Like the Cenaculo, theMoro-moro is presented also on a special stage. This is performed during town fiestas toentertain the people and to remind them oftheir Christian religion. The plot is usually thesame that of a Christian princess or anobleman’s daughter who is captured by theMohammedans. The father organizes a rescueparty where fighting between the Moros andthe Christians ensue.
  • 59. The Mohammedans are defeated by somemiracle or Divine Intercession and theMohammedans are converted to Christianity. In some instances, the whole kingdom isbaptized and converted. One example of thisis Prinsipe Rodante.G. KARAGATAN. This is a poetic vehicle ofa socio-religious nature celebrated during thedeath of a person. In this contest, more orless formal, a ritual is performed based on alegend about a princess who dropped her ringinto the middle of the sea and who offeredhere hand in marriage to anyone who canretrieve it.
  • 60. A leader starts off with an extemporaneouspoem announcing the purpose. He then spinsa “lumbo” o “tabo” marked with a white line.Whoever comes in the direction of the whiteline when the spinning stops gets his turn to“go into the sea to look for the ring.” Thismeans a girl will ask him a riddle and if he isable to answer, he will offer the ring to thegirl.H. DUPLO. The Duplo replace the Karagatan.This is a poetic joust in speaking andreasoning. The roles are taken from the Bibleand from proverbs and saying. It is usuallyplayed during wakes for the dead.I. THE BALAGTASAN. This is a poetic joust ora contest of skills in debate on a particulartopic or issue. This is replaced the DUPLO andis held to honor Francisco “Balagtas” Baltazar.
  • 61. J. THE DUNG-AW. This is a chant in free verseby a bereaved person or his representativebeside the corpse of the dead. No definitemeter or rhyming scheme is used. The personchanting it freely recites in poetic rhythmaccording to his feelings, emotions andthoughts. It is personalized and usually dealswith the life, sufferings and sacrifices of thedead and includes apologies for his misdeeds. K. THE AWIT and the CORRIDO. Some usethese two interchangeably because distinctionis not clear.  
  • 62. Exercises1. The first spanish governor-general in the Philippines.2-3 What are the changes occured in the lives of the Filipinos during the Spanish Period?4. The first Filipino Alphabet.5. This was the first book printed in the Philippines in 1593 in xylography.6. This is a book about the life and sufferings of Jesus Christ.
  • 63. 7. A book by Modesto de Castro, the so-called Father of Classic Prose in Tagalog8. This is a presentation of the search of the Virgin Mary and St. Joseph for an inn therein to deliver the baby Jesus9. This is a short musical comedy popular during the 18th century.10. It is a personalized and usually deal with the life, sufferings and sacrifices of the deed and includes apologies for his misdeeds
  • 64. C hapter 4 The Period ofE nlightenment (1872-1898)  
  • 65. Historical BackgroundAfter 300 years of passivity under Spanishrule, the Filipino spirit reawakened when the3 priests Gomez, Burgos and Zamora wereguillotined without sufficient evidence ofguilt. This occurred on the 17th of February.This was buttressed with the spirit ofliberalism when the Philippines opened itsdoors to world trade and with the coming ofa liberal leader in the person of GovernorCarlos Maria de la Torre.The Spaniards were unable to suppress thetide of rebellion among the Filipinos.
  • 66. The once religious spirit transformed itselfinto one of nationalism and the Filipinosdemanded changes in the government and inthe church.A. The Propaganda Movement (1872-1896)This movement was spearheaded mostly bythe intellectual middle-class like Jose Rizal,Marcelo del Pilar; Graciano Lopez Jaena,Antonio Luna, Mariano Ponce, Jose Ma.Panganiban, and Pedro Paterno. Theobjectives of this movement were to seekreforms and changes like the following:
  • 67. 1. To get equal treatment for the Filipinosand the Spaniards under the law.2. To make the Philippines a colony of Spain.3. To restore Filipino representation in theSpanish Cortes.4. To Filipinize the parishes.5. To give the Filipinos freedom of speech, ofthe press, assembly and for redress ofgrievances.
  • 68. B. Highlights of the Propaganda Movement  There were three principal leaders of the Propaganda movement. They were Jose P. Rizal, Marcelo H. del Pilar and Graciano Lopez Jaena. Here are highlights about them and what they have done for our country.  DR. JOSE P. RIZAL  Jose Protacio Rizal Mercado Alonzo y Realonda was born on June 19, 1861 at Calamba, Laguna. His first teacher was his mother Teodora Alonozo. He studied at the Ateneo de Manila, started medicine at UST and finished at the Universidad Central of Madrid. He also studied at the University of Berlin, Leipzig and Heidelberg.
  • 69. He died by musketry in the hands of theSpaniards on December 30, 1896 on charges ofsedition and rebellion against the Spaniards.His pen-name was Laong Laan and Dimasalang.His books and writings: 1. NOLI ME TANGERE. This was the novelthat gave spirit to the propaganda movementand paved the way to the revolution againstSpain.In this book, he courageously exposed the evilsin the Spanish-run government in thePhilippines. 
  • 70. The Spaniards prohibited the reading of thisnovel but a lot of translations were able toenter stealthily in the country even if it meansdeath to those caught in possession of them. The NOLI gave Philippine literature theimmortal characters Maria Clara, JuanCrisostomo Ibarra, Elias, Sisa, PilosofongTasio, Doña Victorina, Kapitana Maria, Basilioand Crispin, Rizal had a powerful pen in thedelineation of these characters. 2. EL FILIBUSTERISMO. This is a sequel tothe NOLI.
  • 71. While the NOLI exposed the evils in society,the FILI exposed those in the governmentand in the church. However, the NOLI hasbeen dubbed the novel of society while thatof FILI is that of politics.3. MI ULTIMO ADIOS (My Last Farewell).This was a poem by Rizal while he wasincarcerated at Fort Santiago and is one thatcan compare favorably with the best in theworld. It was only after his death when hisname was affixed to the poem.
  • 72.  4. SOBRE LA INDOLENCIA DE LOS FILIPINOS(On the Indolence of the Filipinos). An essay onthe so-called Filipino indolence and an evaluationof the reasons for such allegations. 5. FILIPINAS DENTRO DE CIEN AÑOS (ThePhilippines within a Century). An essay predictingthe increasing influence of the US in thePhilippines and the decreasing interest of Europehere. Rizal predicted that if there is any othercolonizer of the Philippines in the future, it wouldbe the US. 6. A LA JUVENTUD FILIPINA (To the FilipinoYouth). A poem Rizal dedicated to the Filipinoyouth studying at UST. 
  • 73. 7. EL CONSEJO DE LES DIOSES (TheCouncil of the Gods). An allegorical playmanifesting admiration for Cervantes.8. JUNTO AL PASIG (Beside the Pasig River).Written by Rizal when he was 14 years ofage.9. ME PIDEN VERSOS (You asked Me forVerses); 1882 and A LAS FLORES DEHEIDELBERG (To the Flowers of Heidelberg).Two poems manifesting Rizal’s unusualdepth of emotion.10. NOTAS A LA OBRA SUCESOS DE LASFILIPINAS FOR EL DR. ANTONIO DE MORGA(Notes on Philippine Events by Dr. Antoniode Morga): 1889
  • 74.  11. P. JACINTO: MEMORIAS DE UNESTUDIANTE DE MANILA (P. Jacinto: Memoirsof a Student of Manila) 1882 12. DIARIO DE VIAJE DE NORTE AMERICA(Diary of a Voyage to North America) MARCELO H. DEL PILAR Marcelo H. del Pilar is popularly known for hispen name of Plaridel, Pupdoh, Piping Dilat andDolores Manapat. He was born at Cupang, SanNicolas, Bulacan on August 30, 1850. 
  • 75. His parents were Julian H. del Pilar, notedFilipino writer and Biasa Gatmaita. Hisbrother was the priest Fr. Toribio del Pilar whowas banished to Marianas in 1872. Becausethere were many children in the family,Marcelo gave up his share of his inheritancefor his other brothers and sisters. Marcelo started schooling at the school of Mr.Flores and then transferred to that of San Josebefore UST. His last year in law school wasinterrupted for 8 years after he had quarrelwith the parish priest during a baptism at SanMiguel, Manila in 1880. 
  • 76. He established the Diariong Tagalog in 1883 where he exposed the evils of the Spanish government in the Philippines and in order to avoid the false accusations hurried at him by the priests. To avoid banishment, he was forced to travel to Spain in 1888. He was assisted by Fr. Serrano Laktaw in publishing a different Cathecism and Passion Book wherein they made fun of the priests. They also made the DASALAN AT TOCSOHAN and KAIINGAT KAYO taken from the word IGAT, a kind of snake fish caught in politics.•  
  • 77. Upon his arrival in Spain, he replacedGraciano Lopez Jaena as editor of LASOLIDARIDAD, a paper which became thevehicle thru which reforms in the governmentcould be worked out. This did not last longfor he got sick and even to reach Hong Kongfrom where he could arouse his countrymen.He died of tuberculosis in Spain but before hedied, he asked his companions to tell his wifeand children that he was sorry he wasn’t ableto bid them goodbye; to tell others about thefate of our countrymen and to continuehelping the country. 
  • 78. Plaridel has truly earned a niche in the history of our nation. Even today, countless streets have been named after him. The former Kingwa has been named Plaridel, the Malolos High School is now Marcelo H. del Pilar High School and above all, his patriotism and bravery will remain alive in our memories. Writings of Marcelo H. del Pilar  1. PAGIBIG SA TINUBUANG LUPA (Love of Country). Translated from the Spanish AMOR PATRIA of Rizal, published on August 20, 1882, in Diariong Tagalog.•  
  • 79. 2. KAIINGAT KAYO (Be Careful). A humorousand sarcastic dig in answer to Fr. JoseRodriquez in the novel NOLI of Rizal, publishedin Barcelona in 1888. He used Dolores Manapatas pen-name here.3. DASALAN AT TOCSOHAN (Prayers andJokes). Similar to a cathecism but sarcasticallydone agains the parish priests, published inBarcelona in 1888. Because of this, del Pilarwas called “filibuster.” Done in admirable toneof supplication and excellent use of Tagalog.4. ANG CADAQUILAAN NG DIOS (God’sGoodness). Published in Barcelona, it was alsolike a cathecism sarcastically aimed against theparish priests but also contains a philosophy ofthe power and intelligence of God and anappreciation for and love for nature.
  • 80. 5. SAGOT SA ESPANYA SA HIBIK NGPILIPINAS (Answer to Spain on the Plea ofthe Filipinos). A poem pleading for changefrom Spain but that Spain is already old andweak to grant any aid to the Philippines.This poem is in answer to that ofHermenigildo Flores’ Hibik sa Pilipinas (APlea from the Philippines).6. DUPLUHAN…DALIT…MGA BUGTONG (Apoetical contest in narrative sequence,psalms, riddles). A compilation of poems onthe oppression by the priests in thePhilippines.
  • 81.  7. LA SOBERANIA EN PILIPINAS (Sovereigntyin the Philippines). This shows the injusticesof the friars to the Pilipinos. 8. POR TELEFONO (By Telephone) 9. PASIONG DAPAT IPAG-ALAB NG PUSO NGTAONG BABASA (Passion that should arousethe hearts of the readers) GRACIANO LOPEZ JAENA (1856-1896)A most notable hero and genius of thePhilippines, Graciano Lopez Jaena was born onDecember 18, 1856 and died on January 20,1896.
  • 82. The pride of Jaro, Iloilo, he won the admiration of the Spaniards and Europeans. He is a known writer and orator in the Philippines. He wrote 100 speeches which were published by Remigio Garcia, former bookstore owner in Manila Filatica and which are still read up to no by modern Filipinos.  Lopez Jaena left the Philippines in 1887 with the help of Don Claudio Lopez, a rich uncle, in order to escape punishment form his enemies and arrived at Valencia, the center of the Republican movement of the Spaniards. He gained the acquaintance of the high officials like Piy Margall, Morayta, Moret, Castelar, and Salmeron.
  • 83. From Valencia, he moved to Barcelona wherehe established the first magazine LASOLIDARIDAD. This later became the officialvoice of the Association Hispano de Filipinas (aFilipino-Spanish Association) composed ofFilipinos and Spaniards who worked forreforms in the Philippines. Because of this,Jaena successfully showed the Spaniards andthe people of the world how a newspapermancan introduce changes in law and reformstowards a better life and progress.Jaena, although he didn’t become a professor,was also a teacher in a sense to his friends andrelatives in the Philippines. 
  • 84. Like Antonio Maria Regidor, Tomas G. del Rosario and Felipe Calderon, he stood for the separation of church and state for free education, better government and schools, freedom of worship and for an independent and free university.  He sided with Rizal in the controversy between Rizal and del Pilar over who should head the Association Hispano de Filipinas in Madrid. He returned to the Philippines to ask for donations to continue a new government called El Latigo Nacional or Pambansang Latigo. He sold the rights of La Solidaridad ot del Pilar who had become a lawyer and had brought in money from his sojourn in Spain.
  • 85.  Graciano Lopez Jaena died in a charityhospital in Barcelona on January 20, 1896,eleven months before his best friend Rizal wasshot at the Luneta on December 30, 1896.A. The Works of Graciano Lopez Jaena 1. ANG FRAY BOTOD (Friar Botod). One ofhis works written in Jaro, Iloilo in 1876, sixyears after the Cavite Revolt attacking thefriars in the Philippines. He exposed howsome of the friars were greedy, ambitious andimmoral. 
  • 86. 2. LA HIJA DEL FRAILE (The Child of the Friar) and EVERYTING IS HAMBUG (Everything is mere show). Here Jaena explains the tragedy of marrying a Spaniard.  3. SA MGA PILIPINO...1891… A speech which aimed to improve the condition of the Filipinos to become free and progressive. 4. TALUMPATING PAGUNITA KAY KOLUMBUS (An Oration to Commemorate Columbus). A speech he delivered in Madrid on the 39th anniversary of the discovery of America
  • 87.  5. EN HONOR DEL PRESIDENTE MORAYTA DELA ASSOCIACION HISPANO FILIPINO 1884.Here he praised Gen. Morayta for his equaltreatment of the Filipinos. 6. EN HONOR DE LOS ARTISTAS LUNA YRESURRECCION HIDALGO. A sincereexpression of praise for the paintings ofHidalgo on the condition of the Filipinos underthe Spaniards.7. AMOR A ESPAÑA O A LAS JOVENES DEMALOLOS (Love for Spain or To the Youth ofMalolos). The theme is about how girls weretaught Spanish in schools and whose teacherswere the governors-general of the place. 
  • 88.  8. EL BANDOLERISMO EN PILIPINAS (Banditryin the Philippines). Jaena refuted the existenceof banditry in the Philippines and of how thereshould be laws on robbery and other reforms. 9. HONOR EN PILIPINAS (Honor in thePhilippines). The triumphant exposition ofLuna, Resurrecion and Pardo de Tavera of thethesis that intellect or knowledge gives honorto the Philippines. 10. PAG-ALIS SA BUWIS SA PILIPINAS(Abolition of Taxes in the Philippines) 11. INSTITUCION NG PILIPINAS (Sufferings ofthe Philippines). Jaena refers here to thewrong management of education in thePhilippines 1887. 
  • 89. B. OTHER PROPAGANDISTS  ANTONIO LUNA  Antonio Luna was a pharmacist who wasbanished by the Spaniards to Spain. He joinedthe Propaganda Movement and contributed hiswritings to LA SOLIDARIDAD. Most of hisworks dealt with Filipino customs and otherswere accusations about how the Spaniards ranthe government. His pen name was Tagailog.He died at the age of 33 in June 1899. He wasput to death by the soldiers of Aguinaldobecause of his instant rise to fame whichbecame a threat to Aguinaldo. 
  • 90. Some of his works are:  1. NOCHE BUENA (Christmas Eve). It pictured true Filipino life.  2. SE DEVIERTEN (How They Diverted Themselves). A dig at a dance of the Spaniards where the people were very crowded. 3. LA TERTULIA FILIPINA (A Filipino Conference or Feast). Depicts a Filipino custom which he believed was much better than the Spanish. 
  • 91. 4. POR MADRID (For Madrid). Adenouncement of Spaniards who claim that thePhilippines is a colony of Spain but who thinkof Filipinos as foreigners when it comes tocollecting taxes for stamps.5. LA CASA DE HUEPEDES (The Landlady’sHouse). Depicts a landlady who looks forboarders not for money but in order to get ahusband for her child. MARIANO PONCEMariano Ponce became an editor-in-chief,biographer and researcher of the PropagandaMovement. He used Tikbalang, Kalipulako, andNaning as pennames. The common themes ofhis works were the values of education. Healso wrote about how the Filipinos wereoppressed by the foreigners and of theproblems of his countrymen. Among hiswritings were: 
  • 92. 1. MGA ALAMAT NG BULACAN (Legend ofBulacan). Contains legends, and folklores ofhis native town. 2. PAGPUGOT KAY LONGINOS (The Beheadingof Longinos). A play shown at the plaza ofMalolos, Bulacan. 3. SOBRE FILIPINOS (About the Filipinos) 4. ANG MGA PILIPINO SA INDO-TSINA (TheFilipinos in Indo-China)  PEDRO PATERNOPedro Paterno was a scholar, dramatic,researcher and novelist of the PropagandaMovement.
  • 93. He also joined the Confraternity of Masons and the Asociacion Hispano-Pilipino in order to further the aims of the Movement. He was the first Filipino writer who escaped censorship of the press during the last day of the Spanish colonization. The following were a few of his wrtings:  1. NINAY. The first social novel in Spanish by a Filipino. 2. A MI MADRE (To My Mother). Shows the importance of a mother especially in the home. 3. SAMPAGUITA Y POESIAS VARIAS (Sampaguitas and Varied Poems). A collection of his poems. 
  • 94. JOSE MA. PANGANIBANJose Ma. Panganiban hid his identity behind hispenname JORMAPA. He was also known forhaving photographic mind. He was a memberof a number of movements for the country.Some of his writings were:1. ANG LUPANG TINUBUAN (My Native Land)2. ANG AKING BUHAY (My Life)3. SU PLANO DE ESTUDIO (Your Study Plan)4. EL PENSAMIENTO (The Thinking)
  • 95. C. Period of Active Revolution (1896-1898)Historical BackgroundThe Filipinos did not get the reformsdemanded by the propagandists. Thegovernment turned deaf ears to thesepetitions; oppression continued and the churchand the government became even moreoppressive to the Filipinos. The goodintentions of Spain were reversed by the friarswho were lording it over in the Philippines.Because of this, not a few of the Filipinosaffiliated with the La Liga Filipina (a civicorganization suspected of being revolutionaryand which triggered Rizal’s banishment toDapitan). Like Andres Bonifacio, EmilioJacinto, Apolinario Mabini, Jose Palma, andPio Valenzuela decided that there was no otherway except to revolt.
  • 96. The gist of literature contained mostlyaccusations against the government and wasmeant to arouse the people to unite and toprepare for independence.D. Highlights of the Active RevolutionThe noted leaders of this period were AndresBonifacio, Emilio Jacinto and ApolinarioMabini. These are their contributions to ourcountry.
  • 97. ANDRES BONIFACIOAndres Bonifacio is best known as the Father ofFilipino Democracy, but more than others, asthe Father of the Katipunan because he led inestablishing the Kataas-taasan, Kagalang-galanga Katipunan ng mga Anak ng Bayan(KKK).Andres Bonifacio came from a poor family andit is said that what he learned he got from theschool of experience.He was a voracious reader and among those heloved to read which aroused his revolutionaryspirit were the NOLI and the FILI of Rizal.
  • 98. He joined the La Liga Filipina founded byRizal in 1892. He established the Katipunanwhich triggered the spirit of freedomespecially when Rizal was banished toDapitan, Mindanao.Bonifacio is better known as the greatRevolutionary rather than a writer but healso wrote things which paved the way forthe revolution and which also became part ofour literature. Among his works were:
  • 99. 1. ANG DAPAT MABATID NG MGA TAGALOG(What the Tagalogs Should Know)2. KATUNGKULANG GAGAWIN NG MGA ANA NGBAYAN (Obligations of Our Countrymen). Thisis an outline of obligations just like the 10commandments of God.3. PAG-IBIG SA TINUBUAN LUPA (Love of One’sNative Land). A poem with a title similar tothat of Marcelo H. del Pilar.4. HULING PAALAM (Last Farewell). Atranslation of Mi Ultimo Adios of Rizal inTagalog.
  • 100. APOLINARIO MABINIApolinario Mabini is known in literature andhistory as the Sublime Paralytic and theBrains of the Revolution. EMILIO JACINTOEmilio Jacinto was the intelligent assistantof Andres Bonifacio in the establishment ofthe Katipuna. He is called the Brains of theKatipunan. He edited Kalayaan (Freedom) aKatipunan newspaper. Bonifacio withdrewhis writing of the Kartilya in deference toJacinto’s work as secretary of theKatipunan. His Kartilya was the onefollowed by the members of the organization. Here are few of his writings:
  • 101. 1. KARTILYA NG KATIPUNAN (A primer bookon the Katipunan)2. LIWANAG AT DILIM (Light and Darkness). Acollection of essays on different subjects likefreedom, work, faith, government, love ofcountry.3. A MI MADRE (To My Mother). A touchingode to his mother.4. A LA PATRIA (To My Country). Hismasterpiece.
  • 102. He was born in Talaga, Tanauan, Batangas onJuly 22, 1864. Because he was born of a poorfamily he had to work in order to study. Hebecame known to his professors and classmatesat Letran and the UST because of his sharpmemory and the simple clothes he used to wearthroughout his schooling.He became the right-hand of Emilio Aguinaldowhen the latter founded his Republic in Malolos. His contributions to literature were writing ongovernment society, philosophy and politics.Here are some of his works:1. EL VERDADERO DECALOGO (The TrueDecalogue or Ten Commandments). This was hismasterpiece and his aim here was to propagatethe spirit of nationalism.
  • 103. 2. EL DESAROLLO Y CAIDA DE LAREPUBLICA (The Rise and Fall of thePhilippine Republic)3. SA BAYANG PILIPINO (To the FilipinoNation)4. PAHAYAG (News)OTHER REVOLUTIONISTS JOSE PALMAJose Palma became popular because of hisHimno Nacional Filipino (The PhilippineNational Anthem) which was set to music byJulian Felipe.
  • 104. He was born in Tondo, Manila on June 6, 1876.His brother Rafael Palma became the presidentof the UP.He joined the revolution against the Americanstogether with Gregorio del Pilar, the youngestFilipino general who died during the revolution.Aside from the National Anthem, here are hisother works:1. MELANCOLIAS (Melancholies). A collectionof his poems.2. DE MI JARDIN (In My Garden). A poemexpressing one’s longings for his sweetheart.
  • 105. NEWSPAPERS DURING THE REVOLUTIONIn the effort of the Revolutionists to spread tothe world their longings for their country,many newspapers were put up during theRevolutionary period. They were:1. HERALDO DE LA REVOLUCION. Printed thedecrees of the Revolutiary Government, newsand works in Tagalog that aroused nationalism.2. LA INDEPENDENCIA (Independence). Editedby Antonio Luna and whose aim was forPhilippine Independence.3. LA REPUBLICA PILIPINA (The PhilippineRepublic). Established by Pedro Paterno in1898.4. LA LIBERTAD (Liberty). Edited by ClementeZulueta.
  • 106. Exercises1. How does the filipino spirit reawaken after 300 years of passivity under spanish rule?2-3 Give 2 objectives of Propaganda Movement to seek reforms and changes.4. This is a sequel for the NOLI ME TANGERE5. Marcelo H. Del Pilar established the _______in 1882, where he expressed the evils of the spanish government in the Philippines6. This became the official voice of the Associacion Hispano de Filipinas
  • 107. 7. He is the Father of Filipino Democracy and the Father of the Katipunan8. He is the Brains of the Katipunan9. The Sublime Paralytic and the Brains of the Revolution10. He became popular because of his Himno Nacional Filipino (The Philippine National Anthem)
  • 108. Chapter 5The American Regime (1898-1941)
  • 109. Historical BackgroundThe Filipino Revolutionists won against theSpaniards who colonized us for more than 300years. Our flag was hoisted on June 12, 1898as a symbol of our independence. Gen. EmilioAguinaldo was elected the first President of thePhilippine Republic but this was short-lived.The Fil.-American was resulted in the defeat ofGen. Miguel Malvar in 1903.The peace movements started as early as 1900. Many Filipinos started writing again and thenationalism of the people remained undaunted.
  • 110. Filipino writers went into all forms ofliterature like news, reporting, poetry,stories, plays, essays, and novels. Theirwritings clearly depicted their love ofcountry and their longings for independence.The active arousal in the field of literaturestarted to be felt in the followingnewspapers.1. EL NUEVO DIA (The New Day).Established by Sergio Osmeña in 1900. TheAmerican censors twice banned this andthreatened Osmeña with banishment becauseof his nationalistic writings.
  • 111. 2. EL GRITO DEL PUEBLO (The Call of theNation). Established by Pascual Poblete in1900.3. EL RENACIMIENTO (The Rebirth). Foundedby Rafael Palma in 1901.There were also plays written then but after thefirst and second presentations, the Americansput a stop to this because of the consistenttheme of nationalism. Included here were thefollowing:1. KAHAPON, NGAYON AT BUKAS (Yesterday,Today and Tomorrow).
  • 112. Written by Aurelio Tolentino depicting thesuppression done by the Americans and theirplan to colonize the Philippines.2. TANIKALANG GINTO of Juan Abad.3. MALAYA by Tomas Remigio.4. WALANG SUGAT by Severino Reyes.A. Characteristics of Literature during ThisPeriodThree groups of writers contributed toPhilippine Literature during this period.
  • 113. During the first year of the American period, thelanguages used in writing were Spanish and Tagalogand the dialects of the different regions, but Spanishand Tagalog predominated.In 1910, a new group started to write in English.Hence, Spanish, Tagalog, the Vernaculars andfinally, English, were the mediums used in literatureduring these times. While the three groups were onein their ideas and spirit, they differed in theirmethods of reporting. The writers in Spanish werewont to write on nationalism like honoring Rizal andother heroes.
  • 114. The writers in Tagalog continued in theirlamentations on the conditions of thecountry and their attempts to arouse love forone’s native tongue. The writers in Englishimitated the themes and methods of theAmericans.A. Literature in SpanishThe inspiration of our Filipino writers inSpanish was Rizal not only because of hisbeing a national leader but also because ofhis novels NOLI and FILI. These two novelscontained the best qualities of a novel everwritten, in English or in Filipino. Those whowere inspired to write in praise of him wereCecilio Apostol, Fernando Ma. Guerrero,Jesus Balmori, Manuel Bernabe and Claro M.Recto.
  • 115. CECILIO APOSTOLCecilio Apostol wrote poems dedicated to Rizal,Jacinto, Mabini and all other heroes but his poemdedicated to Rizal is considered the best poem inpraise of the hero of Bagumbayan. FERNANDO MA. GUERREROIt is believed that Fernando Ma. Guerrero sharedwith Apostol the reign in the balagtasan inSpanish during their time.
  • 116. He also dedicated a poem to Rizal but hecollected the best of his poems in a book calledCRISALIDAS, meaning, a kind of black, woolycaterpillar. Here are a few stanzas of his call toRizal which he wrote on June 19, 1901 tocommemorate Rizal’s birthday. JESUS BALMORIJesus Balmori is well-known for his pen nameof Batikuling. He and Manuel Bernabeparticipated in a debate on the topic –(Remembrance and Forgetfulness). He waselected Poet Laureate in Spanish bestingManuel Bernabe. MANUEL BERNABEManuel Bernabe is a lyric poet and thefierceness of his nationalistic spirit wasunchanged in any topic he wrote about.
  • 117. In his debate with Balmori, he was moreattractive to the public because of themodious words he used. He defendedOLVIDO (Forgetfulness). CLARO M. RECTOIn nobility of speech and theme, Claro M.Recto can compare with the other writers ofSpanish. He collected his poems in a bookentitled BAJO LOS COCOTEROS (Under TheCoconut Trees).Other Writers in Spanish1. Adelina Guerrea was the first woman poetin the Philippines who was good in Spanish.She obtained the Zobel prize in her song ElNido. (The Nest).
  • 118. 2. Isidro Marpori became famous for his fourbooks entitled Aromas de Ensueño (Scents ofDreams).3. Macario Adriatico wrote of a legend ofMindoro entitle La Punta de Salto (The Placeof Origin).4. Epifanio de los Santos (known as DonPAnyong). He was a good leader andbiographer during the whole period of Spanishliterature.5. Pedro Aunario wrote the Decalogo delProteccionismo.B. Filipino LiteratureFLORANTE AT LAURA of Francisco Balagtasand URBANA AT FELISA of Modesto de Castrobecame the inspiration of the Tagalog writers.Julian Cruz Balmaceda classified three kindsof Tagalog poets: They were:
  • 119. 1. Poet of the Heart (Makata ng Puso). Theseincluded Lope K. Santos, Iñigo Ed. Regalado,Carlos Gatmaitan, Pedro Deogracias del Rosario,Ildefonso Santos, Amado V. Hernandez, NemecioCarabana, and Mar Antonio.2. Poets of Life (Makata ng Buhay). Led by LopeK Santos, Jose Corazon de Jesus, FlorentinoCollantes, Patricio Mariano, Carlos Garmaitan,and Amado V. Hernandez.3. Poets of the Stage (Makata ng Tanghalan).Led by Aurelio Tolentino, Patricio Mariano,Severino Reyes, and Tomas Remigio.
  • 120. In the realm of short stories that started toappear in the column PangsandaliangLibangan (Short-time Leisure) and Dagli(Fast) we find here the names of Lope K.Santos, Patricio Mariano, and RosauroAlmario. In the Liwayway Publications, wefind Deogracias Rosario, Teodoro Gener, andCirio H. Panganiban.Noted novelists or biographers wereValeriano Hernandez Peña, Lope K. Santos,Iñigo Ed. Regalado, Faustino Aguilar, etc.Here are the autobiographies of some of thewriters mentioned:
  • 121. LOPE K. SANTOSLope K. Santos, a novelist, poet and author,and grammarian covered three periods ofTagalog literature – American, Japanese andthe contemporary period. If Manuel L. Quezonis called the Father of the National Language,Lope K. Santos is called the Father of theNational Language Grammar. He was alsocalled the “Apo” of the Tagalog writers.BANAAG AT SIKAT was his masterpiece. JOSE CORAZON DE JESUSJose Corazon de Jesus is very popularly knownas Huseng Batute. He was also called the Poetof Love in his time. ANG ISANG PUNONGKAHOY (A TREE), an elegy, is believed to be hismasterpiece.
  • 122. AMADO V. HERNANDEZAmado V. Hernandez was dubbed Makata ngmga Manggagawa (Poet of the Laborers) inour literature because he pictures in hispoem the intense love for the poor worker orlaborer. To him, a poem is a scent,bittersweet memories, and a murmur offlowing water. The pen is powerful andaccording to him, even a king can be bent bythe pen.
  • 123. He contributed a lot of writings to literaturelike ISANG DIPANG LANGIT (A Stretch ofHeaven), BAYANG MALAYA (A Free Nation),ANG PANDAY (The Blakcsmith), and MUNTINGLUPA (A Small Plot), but his masterpiece isANG PANDAY. VALERIANO HERNANDEZ PEÑATogether with Lope K. Santos he reached thesummit of his novel-writing. He was known asTandang Anong and his pen name was KuntilButil (Small Grain). He considers NENA ATNENENG his masterpiece.
  • 124. IÑIGO ED. REGALADOIñigo Ed. Regalado was a son of a popularwriter during the Spanish time known asOdalger. He proved that he not only followedthe footsteps of his father but also reachedthe peak of his success by the “sumpong”(whim) of his pen. He also became a popularstory-teller, novelist and newspaperman. The Tagalog DramaDuring the advent of the American period,Severino Reyes and Hermogenes Ilaganstarted the movement against the moro-moro ( a play on the Spanish strugglesagainst the Muslims) and struggled to showthe people the values one can get from thezarzuela and the simple plays.
  • 125. The people one should not forget in the field ofwriting are the following:1. Severino Reyes. Father of the Tagalogdrama and author of the immortal WALANGSUGAT.2. Aurelio Tolentino. The dramatist in whomthe Kapampangans take pride. Included in hiswritings were LUHANG TAGALOG, hismasterpiece, and KAHAPON, NGAYONG ATBUKAS that resulted in his incarceration.3. Hermogenes Ilagan. Founded the groupCampaña Ilagan that presented many dramas inCentral Luzon.
  • 126. 4. Patricio Mariano. Wrote the novel NINAYand ANAK NG DAGAT (Son of the Sea), hismasterpiece.5. Julian Cruz Balmaceda. Wrote BUNGANGANG PATING (Shark’s Mouth). This gave himmuch honor and fame. The Tagalog Short StoryTwo collections of Tagalog stories werepublished during the American Period. Firstwas the MGA KUWENTONG GINTO (GoldenStories) published in 1936 and %) KUWENTONGGINTO ng 50 BATIKANG KUWENTISTA (50Golden Stories by 50 Noted Storytellers) in1939. The first was written by AlejandroAbadilla and Clodualdo del Mundo thatcontained the 25 best stories according tothem.
  • 127. The second was written by Pedrito Reyes.PAROLANG GINTO (Golden Lantern) andTALAANG BUGHAW (Blue List) of Abadillabecame popular during this period. Tagalog PoetryAlmost all Tagalog writers during theAmerican Period were able to composebeautiful poems which made it difficult toselect the best. Even if poetry writing is asold as history, poetry still surfaces with itssweetness, beauty, and melody.
  • 128. Other Forms of LiteratureThe following are those recognized in the fieldof Ilocano Literature:1. Pedro Bukaneg. Father of IlocanoLiterature. From his name was derived theword Bukanegan, which means Balagtasan (apoetic contest) in Ilocano.2. Claro Caluya. Prince of Ilocano Poets.Known as poet and novelist.3. Leon Pichay. Known as the bestBukanegero (from Bukaneg). Also a poet,novelist, short story writer, dramatist andessayist.
  • 129. Literature of the Kapampangans (Pampango Literature)Two stalwarts in the literature of theKapampangans stand out: they are:1. Juan Crisostomo Soto. (Father ofKapampangan Literature). The wordCRISOTAN (meaning Balagtasan) in Tagalogis taken from his name.2. Aurelio Tolentino. He truly proved hisbeing a Kaampangan in his translation ofKAHAPON, NGAYON AT BUKAS intoKapampangan which he called NAPON,NGENI AT BUKAS.
  • 130. Visayan LiteratureThe following are the top men in Visayanliterature:1. Eriberto Gumban. (Father of VisayanLiterature). He wrote a zarzuela, moro-moroand a play in Visayan.2. Magdalena Jalandoni. She devoted hertalent to the novel. She wrote ANG MGATUNUK SAN ISA CA BULACLAC.
  • 131. C. Philippine Literature in EnglishIn a way, we can say that we can trace thebeginnings of Philippine literature in Englishwith the coming of the Americans. For thispurpose, we can divide this period into threetime frames, namely:1. The Period of Re-orientation: 1898-19102. The Period of Imitation: 1910-19253. The Period of Self-Discovery: 1925-1941
  • 132. (1) The Period of Re-orientation (1898-1910)English as a literary vehicle came with theAmerican occupation in August 13, 1898 and asthey say, a choice bestowed on us by history.By 1900, English came to be used as a mediumof instruction in the public schools. From theAmerican forces were recruited the firstteachers of English.By 1908, the primary and intermediate gradeswere using English. It was also about this timewhen UP, the forerunner in the use of Englishin higher education, was founded.
  • 133. Writers of this period were still adjusting tothe newfound freedom after the paralyzingeffect of repression of thought and speechunder the Spanish regime. They wereadjusting the idea of democracy, to the newphraseology of the English language and tothe standards of the English literary styleWriters had to learn direct expression asconditioned by direct thinking. They had tolearn that sentence constructions; soundsand speech in English were not the same asin the vernacular. They had to discardsentimentality and floridity of language forthe more direct and precise Englishlanguage.
  • 134. Not much was produced during this period andwhat literature was produced was not much ofliterary worth. The first attempts in Englishwere in two periodicals of this time:(a) El Renacimiento: founded in Manila byRafael Palma in 1901.(b) Philippines Free Press: established inManila in 1905 by R. McCullough Dick and D.Theo Rogers.POETRYIn 1907, Justo Juliano’s SURSUM CORDAwhich appeared in the Renacimiento was thefirst work to be published in English.
  • 135. In 1909, Jan F. Salazar’s MY MOTHER andhis AIR CASTLES were also published in thispaper.It was also in 1909 when Proceso Sebastianfollowed with his poem TO MY LADY INLAOAG, also in this same paper.(2) The Period of Imitation (1910-1924)By 1919, the UP College Folio published theliterary compositions of the first Filipinowriters in English. They were the pioneersin short story writing.
  • 136. They were then groping their way intoimitating American and British models whichresulted in a stilted, artificial and unnaturalstyle, lacking vitality and spontaneity. Theirmodels included Longfellow and Hawthorne,Emerson and Thoreau, Wordsworth andTennyson, Thackeray and Macaulay,Longfellow, Allan Poe, Irving and otherAmerican writers of the Romantic School.Writers of this folio included FernandoMaramag (the best editorial writer of thisperiod) Juan F. Salazar, Jose M. Hernandez,Vicente del Fierro,
  • 137. and Francisco M. Africa and VictorianoYamzon. They pioneered in English poetry.ESSAYSThe noted essayists of this time were: CarlosP. Romulo, Jorge C. Bocobo, Mauro Mendez,and Vicente Hilario.Their essays were truly scholarlycharacterized by sobriety, substance andstructure. They excelled in the seriousessay, especially the editorial type.
  • 138. The next group of writers introduced theinformal essay, criticism and the journalisticcolumn. They spiced their work with humor,wit and satire. These group included IgnacioManlapaz, Godefredo Rivera, FedericoMangahas, Francisco B. Icasiano, Salvador P.Lopez, Jose Lansang and Amando G. Dayrit.SHORT STORIESIn the field of short stories, DEAD STARS byPaz Marquez Benitez written in the early 1920’sstand out as a model of perfection in characterdelineation, local color, plot and message.Other short stories published during this timewere but poor imitations of their foreignmodels.
  • 139. The UP College Folio was later replaced bythe Philippine Collegian. Newspapers andperiodicals also saw print during this timelike the Bulletin, the Philippines Herald(1920), the Philippine Review, theIndependent, Rising Philippines andCitizens, and the Philippine EducationMagazine 1924.D. Period of Self-Discovery and Growth(1925-1941)By this time, Filipino writers had acquiredthe mastery of English writing. They nowconfidently and competently wrote on a lotof subjects although the old-time favorites oflove and youth persisted. They went into allforms of writing like the novel and thedrama.
  • 140. 1. POETRYNoteworthy names in this field include Marcelode Gracia Concepcion, Jose Garcia Villa, AngelaManalang Gloria, Abelardo Subido, TrinidadTarrosa Subido and Rafael Zulueta da Costa.They turned our not only love poems butpatriotic, religious, descriptive and reflectivepoems as well. They wrote in free verse, inodes and sonnets and in other types. Poetrywas original, spontaneous, competently writtenand later, incorporated social consciousness.2. THE SHORT STORY (1925-1941)Probably because of the incentives provided bypublications like the Philippine Free Press, TheGraphic, The Philippine Magazine and collegepublications like the UP Literary Apprentice,poetry and the short story flourished duringthese times.
  • 141. Other writers during this time includeOsmundo Sta. Romana, Arturo Rotor, PazLatorena’s Sunset, and Jose Garcia Villa’s Mir-in-isa. From 1930 to 1940, the Golden Era ofFilipino writing in English saw the short storywriters “who have arrived,” like JoseLansang’s The Broken Parasol, Sinai C.Hamada’s Talanata’s Wife, Fausto Dugenio’sWanderlust, Amando G. Dayrit’s His Gift andYesterday, Amador T. Daugio’s The WomanWho Looked Out of the Window.Characteristics of the short stories duringthese times:There were still remnants of Spanish influencein the use of expressions that were florid,sentimental, exaggerated and bombastic. Theinfluence of the Western culture also wasalready evident.
  • 142. 3. ESSAYS AND OTHER PROSE STYLES(1925-1941)Essays during this period improved with theyears in quality and quantity, in content,subject and style. Essayists like Carlos P.Romulo became even more eminent editorialwriters.The notable writers of essays during thisperiod were:a. Political, social reflective essays: Throughtheir newspaper columns the followingbecame very popular: Federico Mangahas,Salvador P. Lopez, Pura S. Castrence, VicenteAlbano Pacis, Ariston Estrada and Jose A.Lansang.
  • 143. b. Critical essays were espoused by SalvadorP. Lopez, I.V. Mallari, Ignacio Manlapaz, JoseGarcia Villa, Arturo B. Rotor, and Leopoldo Y.Yabes. An example of this is Maximo V.Soliven’s THEY CALLED IT BROTHERHOOD.c. Personal or Familiar essays were writtenby F.B. Icasiano (Mang Kiko), Alfredo E.Litiatco, Solomon V. Arnaldo, Amando G.Dayrit and Consuelo Gar (Catuca).
  • 144. Some of the notable works during this timewere:1940:Salvador P. Lopez’ LITERATURE ANDSOCIETY which is a collection of criticalreflections and serious essays and which wonfirst prize in the Commonwealth LiteraryContest of 1940.1940:Camilo Osias published THE FILIPINOWAY OF LIFE, a series of essays on the Filipinoway of life as drawn from history, folkways,philosophy and psychology of the Philippines.
  • 145. 1941: F.B. Icasiano (Mang Kiko) wasreprints of the best of Icasiano’s essays inthe Sunday Times Magazine under thecolumn From My Nipa Hut. It is an essay ofthe common “tao” and is written with humorand sympathy.August 16, 1941: Carlos P. Romulo had aneditorial printed in the Philippines Herald.Entitled I AM A FILIPINO, it was reprinted inhis book MY BORTHER AMERICANS in 1945in New York by Doubleday & Co.OTHER ESSAYISTS INCLUDE:Ignacio Manlapaz, Vicente Albano Pacis, I.V.Mallari, Jose M. Fernandez, Leopoldo Y.Yabes, Isidro L. Ritizos, Pura Santillan.
  • 146. The Philippine Writer’s League put out acollection of essays called Literature Under theCommonwealth.Amando G. Dayrit with his column GoodMorning Judge led others like Leon Ma.Guerrero, Salvador P. Lopez, Vicente AlbanoPacis, Jose A. Lansang and Federico Mangahas.4. BIOGRAPHY 1925-1941In 1935, I.P. Caballero and Marcelo de GraciaConcepcion wrote about QUEZON.In 1938, THE GREAT MALAYAN won a prize inthe national contest sponsored by theCommonwealth of the Philippines. This waswritten by Carlos Quirino, the most famousbiographer of the period. He also wroteQuezon, the Man of Destiny.
  • 147. In 1940, I.V. Mallari’s The Birth of Discontentrevealed the sensitive touch of a writer who insimple language was able to reveal his profoundthoughts and feelings.5. HISTORYNot much about history has been written byFilipino writers. In 1937, with regard toliterary history, we can cite Teofilo delCastillo’s The Brief History of the PhilippineIslands.6. PUBLICATIONSThe Philippine Free Press provided the firstincentives to Filipino writers in English byoffering prizes to worthwhile contributions.Other publications followed suit.
  • 148. 7. THE DRAMA (1925-1941)Drama during this period did not reach theheights attained by the novel or the shortstory. The UP provided the incentives whenthey introduced playwriting as a course andestablished the UP Little Theater.
  • 149. Exercises1 The Philippine flag was hoisted on _______ as a symbol of our independence.2. The peace movement started as early as _______.3. Written by Aurelio Tolentino depicting the suppression done by the Americans and their plan to colonize in the Philippines.4. Why Rizal became the inspiration of the Filipino writers.5. A book of Fernando Ma. Guerrero which means kind of black, wooly caterpillar
  • 150. 6. The first woman poet in the Philippines who was good in Spanish7. The Father of the National Language Grammar.8. According to ________ even a king can be sent by the pen.9. A son of a popular writer during the Spanish time known as Odalager10. The Father of Kapampangan Literature
  • 151. 11. His name derived from the word Bukanegan12. In what year did English become a medium of instructions in the public schools.13. The first to break away from the conventional forms and themes of Philippine poetry placed the Philippines on the Literary map with the publication of his books in the U.S.14-15 Their essays were truly scholarly characterized by sobriety, substance and structure
  • 152. C hapter 6The J apanes e Period (1941-1945)
  • 153. Historical BackgroundBetween 1941-1945, Philippine Literature wasinterrupted in its development when thePhilippines was again conquered by anotherforeign country, Japan. Philippine literature inEnglish came to a halt. Except for theTRIBUNE and the PHILIPPINE REVIEW, almostall newspapers in English were stopped by theJapanese.This had an advantageous effect on FilipinoLiterature, which experienced renewedattention because writers in English turned towriting in Filipino. Juan Laya, who use to writein English turned to Filipino because of thestrict prohibitions of the Japanese regardingany writing in English.
  • 154. The weekly LIWAYWAY was placed understrict surveillance until it was managed byJapanese named Ishiwara.In other words, Filipino literature was givena break during this period. Many wrote plays,poems, short stories, etc. Topics andthemes were often about life in theprovinces.A. FILIPINO POETRY DURING THIS PERIODThe common theme of most poems duringthe Japanese occupation was nationalism,country, love, and life in the barrios, faith,religion and the arts.
  • 155. Three types of poems emerged during thisperiod. They were:1. Haiku – a poem of free verse that theJapanese like. It was made up of 17 syllablesdivided into three lines. The first line had 5syllables, the second, 7 syllables, and the third,five. The Haiku is allegorical in meaning, isshort and covers a wide scope in meaning.2. Tanaga – like the Haiku, is short but it hadmeasure and rhyme. Each line had 17 syllablesand it’s also allegorical in meaning.3. Karaniwang Anyo (Usual Form) – like thosementioned earlier in the beginning chapters ofthis book.
  • 156. B. FILIPINO DRAMA DURING THE JAPANESEPERIODThe drama experienced a lull during theJapanese period because movie houses showingAmerican films were closed. The big moviehouses were just made to show stage shows.Many of the plays were reproductions ofEnglish plays to Tagalog. The translators wereFrancisco Soc Rodrigo, Alberto Concio, andNarciso Pimentel. They also founded theorganization of Filipino players namedDramatic Philippines. A few of playwriterswere:1. Jose Ma. Hernandez – wrote PANDAY PIRA2. Francisco Soc Rodrigo – wrote sa PULA, SAPUTI
  • 157. 3. Clodualdo del Mundo – wrote BULAGA (anexpression in the game Hide and Seek).4. Julian Cruz Balmaceda – wrote SINO BAKAYO?, DAHIL SA ANAK, and HIGANTE NGPATAY.C. THE FILIPINO SHORT STORY DURINGTHE JAPANESE PERIODThe field of the short story widened duringthe Japanese Occupation. Many wrote shortstories. Among them were: BrigidoBatungbakal, Macario Pineda, SerafinGuinigindo, Liwayway Arceo, Narciso Ramos,NVM Gonzales, Alicia Lopez Lim, LigayaPerez, and Gloria Guzman.
  • 158. The best writings in 1945 were selected by agroup of judges composed of FranciscoIcasiano, Jose Esperanza Cruz, AntonioRosales, Clodualdo del Mundo and TeodoroSantos. As a result of this selection, thefollowing got the first three prizes:First Prize: Narciso Reyes with hisLUPANG TINUBUANSecond Prize: Liwayway Arceo’s UHAW ANGTIGANG NA LUPAThird Prize: NVM Gonzales’ LUNSODNAYON AT DAGAT-DAGATAN
  • 159. D. PHILIPPINE LITERATURE IN ENGLISH(1941-1945)Because of the strict prohibitions imposed bthe Japanese in the writing and publishing ofworks in English, Philippine literature inEnglish experienced a dark period. The fewwho dared to write did so for their bread andbutter or for propaganda.Writings that came out during this period werejournalistic in nature. Writers felt suppressedbut slowly, the spirit of nationalism started toseep into their consciousness. While somecontinued to write, the majority waited for abetter climate to publish their works.
  • 160. Noteworthy writer of the period was Carlos P.Romulo who won the Pulitzer Prize for hisbestsellers I SAW THE FALL OF THEPHILIPPINES, I SEE THE PHILIPPINES RISE andhis MOTHER AMERICA AND MY BROTHERAMERICANS.Journalists include Salvador P. Lopez, Leon Ma.Geurrero, Raul Manglapuz and Carlos Bulosan.Nick Joaquin produced THE WOMAN WHOLOOKED LIKE LAZARUS. Fred Ruiz Castrowrote a few poems.F.B. Icasino wrote essays in The PhilippineReview.
  • 161. Carlos Bulosan’s works included THELAUGHTER OF MY FATHER (1944), THEVOICE OF BATAAN, 1943, SIX FILIPINOPOETS, 1942, among others. AlfredoLitiatco published With Harp and Sling andin 1943, Jose P. Laurel published Forces thatMake a Nation Great.The Commonwealth Literary Awards gaveprizes to meritorious writers. Those whowon were:1. LIKE THE MOLAVE – by Rafael Zuluetada Costa (Poetry)2. HOW MY BROTHER LEON BROUGTHHOME A WIFE – by Manuel E. Arguilla (ShortStory)
  • 162. 3. LITERATURE AND SOCIETY – by Salvador P.Lopez (Essay)4. HIS NATIVE SOIL – by Juan Laya (Novel)President Manuel L. Quezon’s autobiographyTHE GOOD FIGHT was published posthumously.Radio broadcasts echoed the mingled fear anddoubts in the hearts of the people.Other writers of this period were Juan Collas(19440, Tomas Confesor (1945), Roman A. de laCruz and Elisa Tabuñar.
  • 163. Exercises1-2. Almost all newspapers in English were topped by the Japanese except for this two3. It is made up of 17 syllables divided into 3 lines. The first line had 5 syllables, the second, 7 syllables and the third , 5.4. Like Haiku, is short but it had measure and rhyme5. He won the Pulitzer Prize for his bestsellers I SAW THE FALL OF THE PHILIPPINES, I SEE THE PHILIPPINE RISE and HIS MOTHER AMERICA and MY BROTHER AMERICANS.
  • 164. 6. The title of President Manuel L. Quezon’s autobiography7-10. Common themes of most poems during the Spanish Occupation.
  • 165. C hapter 7The Rebirth of Freedom (1946-1970)
  • 166. Historical BackgroundThe Americans returned in 1945. Filipinosrejoiced and guerillas who fled to the mountainjoined the liberating American Army.On July 4, 1946, the Philippines regained isfreedom and the Filipino flag waved joyouslyalone. The chains were broken.A. THE STATE OF LITERATURE DURING THISPERIODThe early post-liberation period was marked bya kind of “struggle of mind and spirit” posed bythe sudden emancipation from the enemy, andthe wild desire to see print.
  • 167. Filipinos had, by this time, learned toexpress themselves more confidently butpost-war problems beyond language andprint-like economic stability, the threat ofnew ideas and mortality – had to be grappledwith side by side.There was a proliferation of newspapers likethe FREE PRESS, MORNING SUN, of SergioOsmeña Sr., DAILY MIRROR of JoaquinRoces, EVENING NEWS of Ramon Lopezesand the BULLETIN of Menzi. This onlyproved that there were more readers inEnglish than in any ocher vernaculars likeTagalog, Ilocano or Hiligaynon.
  • 168. Journalists had their day. They indulged inmore militant attitude in their reporting whichbordered on the libelous. Gradually, asnormality was restored, the tones and themes ofthe writings turned to the less pressingproblems of economic survival.Some Filipino writers who had gone abroad andhad written during the interims came back topublish their works.Not all the books published during the periodreflected the war year; some were compilationsor second editions of what have been writtenbefore.
  • 169. Some of the writers and their works of theperiods are:THE VOICE OF THE VETERAN – a compilation ofthe best works of some Ex-USAFFE men likeAmante Bigornia, Roman de la Cruz, Ramon deJesus and J.F. Rodriguez.TWILIGHT IN TOKYO and PASSION and DEATHOF THE USAFFE by Leon Ma. GuerreroFOR FREEDOM AND DEMOCRACY – by S.P. LopezBETRAYAL IN THE PHILIPPINES – by HernandoAbaya
  • 170. SEVEN HILLS AWAY – by NVM GonzalesPOETRY IN ENGLISH DURING THIS PERIODFor the first twenty years, many books werepublished…both in Filipino and in English.Among the writers during this time were:Fred Ruiz Castro, Dominador I. Ilio, and C.B.Rigor.Some notable works of the period include thefollowing:1. HEART OF THE ISLANDS (1947) – acollection of poems by Manuel Viray
  • 171. 2. PHILIPPINES CROSS SECTION (1950) – acollection of prose and poetry by MaximoRamos and Florentino Valeros3. PROSE AND POEMS (1952) – by NickJoaquin4. PHILIPPINE WRITING (1953) – by T.D.Agcaoili5. PHILIPPINE HAVEST – by Amador Daguio6. HORIZONS LEAST (1967) – a collection ofworks by the professors of UE, mostly inEnglish (short stories, essays, research papers,poem and drama) by Artemio Patacsil andSilverio Baltazar
  • 172. The themes of most poems dealt with theusual love of nature, and of social andpolitical problems. Toribia Maño’s poemsshowed deep emotional intensity.7. WHO SPOKE OF COURAGE IN HIS SLEEP– by NVM Gonzales8. SPEAK NOT, SPEAK ALSO – by Conrado V.Pedroche9. Other poets were Toribia Maño and EdithL. TiempoJose Garcia Villa’s HAVE COME, AM HEREwon acclaim both here and abroad.
  • 173. NOVELS AND SHORT STORIES IN ENGLISHLonger and longer pieces were being written bywriters of the period. Stevan Javellana’sWITHOUT SEEING THE DAWN tells of the grimexperiences of war during the JapaneseOccupation.In 1946, the Barangay Writer’s Project whoseaim was to publish works in English byFilipinos was established.In 1958, the PEN Center of the Philippines(Poets, essayists, novelists) was inaugurated. Inthe same year, Francisco Arcellana publishedhis PEN ANTHOLOGY OF SHORT STORIES.
  • 174. In 1961, Kerima Polotan’s novel THE HANDOF THE ENEMY won the Stonehill Award forthe Filipino novel in English.In 1968, Luis V. Teodoro Jr.’s short storyTHE ADVERSARY won the Philippines FreePress short story award; in 1969, his storyTHE TRAIL OF PROFESSOR RIEGO wonsecond prize in the Palanca Memorial Awardsfor Literature and in 1970, his short storyTHE DISTANT CITY won the GRAPHIC shortstory award.
  • 175. THE NEW FILIPINO LITERATURE DURING THIS PERIODPhilippines literature in Tagalog was revivedduring this period. Most themes in the writingsdealt with Japanese brutalities, of the povertyof life under the Japanese government and thebrave guerilla exploits.Newspapers and magazine publications were re-opened like the Bulaklak, Liwayway, IlangIlang and Sinag Tala. Tagalog poetry acquirednot only rhyme but substance and meaning.Short stories had better characters and eventsbased on facts and realities and themes weremore meaningful. Novels became common butwere still read by the people for recreation.
  • 176. The people’s love for listening to poeticjousts increased more than before and peoplestarted to flock to places to hear poeticdebates.Many books were published during this time,among which were: 1. Mga Piling Katha (1947-48) by AlejandroAbadilla 2. Ang Maikling Kuwentong Tagalog(1886-1948) by Teodoro Agoncillo
  • 177. 3. Ako’y Isang Tinig (1952) collection of poemsand stories by Genoveva Edroza Matute4. Mga Piling Sanaysay (1952) by AlejandroAbadilla5. Maikling Katha ng DalawampungPangunahing Autor (1962) by A.G. Abadilla andPonciano E.P. Pineda6. Parnasong Tagalog (1964) collection ofselected poems by Huseng Sisiw and Balagtas,collected by A.G. Abadilla7. Sining at Pamamaraan ng Pag-aaral ngPanitikan (1965) by Rufino Alejandro.
  • 178. He prepared this book for teaching in readingand appreciation of poems, dramas, shortstories and novels8. Manlilikha, Mga Piling Tula (1961-1967)by Rogelio G. Mangahas9. Mga Piling Akda ng Kadipan (KapisanangAklat ng Diwa at Panitik) 1965 by EfrenAbueg10. Makata (1967) first cooperative effort topublish the poems of 16 poets in Pilipino11. Pitong Dula (1968) by Dionisio Salazar12. Manunulat: Mga Piling Akdang Pilipino(1970) by Efren Abueg. In this book, Abuegproved that it is possible to have a nationalintegration of ethnic culture in our country.
  • 179. 13. Mga Aklat ni Rizal: Many books about Rizalcame out during this period. The law orderingthe additional study of the life of Rizal helped alot in activating our writers to write booksabout Rizal. PALANCA AWARDSAnother inspiration for writers in Filipino wasthe launching of the Palanca Memorial Awardsfor literature headed by Carlos Palanca Sr. in1950. (Until now, the awards are still beinggiven although the man who founded it haspassed away). The awards were given to writersof short stories, plays and poetry.The first awardees in its first year, 1950-51 inthe field of the short story were the following:
  • 180. First Prize: KUWENTO NI MABUTI byGenoveva EdrozaSecond Prize: MABANGIS NA KAMAY…MAAMONG KAMAY by Pedro S. DandanThird Prize: PLANETA, BUWAN AT MGABITUIN by Elpidio P. Kapulong
  • 181. Exercises1. In what year did the Philippines regained its freedom and the Filipino waved joyously alone.2. This tells of the grim experiences of war during the Japanese Occupation. It was written by Stevan Javellana3. P.E.N. stands for?4. It was written by Jose Garcia Villa5. The author of “Kwento ni Mabuti”6-10. Why is it called the rebirth of freedom?a
  • 182. C hapter 8Period of A ctivis m (1970-1972)
  • 183. Historical BackgroundAccording to Pociano Pineda, youth activism in1970-72 was due to domestic and worldwidecauses. Activism is connected with the historyof our Filipino youth.Because of the ills of society, the youth movedto seek reforms. Some continued to believethat the democratic government is stable andthat it is only the people running thegovernment who are at fault. Some believedthat socialism or communism should replacedemocracy. Some armed groups were formedto bring down the democratic form ofgovernment.
  • 184. Many young people became activists to askfor changes in the government. In theexpression of this desire for change, keenwere the writings of some youth who werefired with nationalism in order to emphasizethe importance of their petitions.Many young activists were imprisoned inmilitary camps together with rebel writers.As early as this period of history we can saythat many of those writers who wereimprisoned were true nationalists and heroesof their time.
  • 185. Many books aptly record and embody thesetimes but many of these are not known tomany and many of these writers still have to beinterviewed. We just leave to scholars andresearchers the giving of credit where credit isdue.A. THE SEED OF ACTIVISMThe seeds of activism resulted in thedeclaration of Martial Law in 1972. We can,however, say that he seeds were earlier sownfrom the times of Lapu-lapu, Lakandula, andRizal. The revolution against the powerfulforces in the Philippines can be said to be themonopoly of the youth in whose veins flow thefire in their blood. What Rizal said of theyouth being the hope of the Fatherland – isstill valid even today.
  • 186. B. PERIOD OF THE BLOODY PLACARDSPineda also said that this was the time whenthe youth once more proved that it is notthe constant evasion that shapes our raceand nationalism.There is a limit to one’s patience. It mayexplode like a volcano if overstrained.Life? What avails like if one is a coward whodoes not take a stand for himself and for thesucceeding generations?
  • 187. C. THE LITERARY REVOLUTIONThe youth became completely rebellious duringthis period. This was proven not only in thebloody demonstrations and in the sidewalkexpressions but also in literature. Campusnewspapers showed rebellious emotions. Theonce aristocratic writers developed awarenessfor society. They held pens and wrote onplacards in red paint the equivalent of theword MAKIBAKA (To dare!).They attacked the ills of society and politics.Any establishment became the symbol of theills that had to be changed. The frustrations ofyouth could be felt in churches and school.Even the priests, teachers and parents, asauthorities who should be respected becametargets of the radical youth and were though ofas hindrances to the changes they sought.
  • 188. The literature of the activists reached apoint where they stated boldly what shouldbe done to effect these changes.Some of those who rallied to thisrevolutionary form of literature wereRolando Tinio, Rogelio Mangahas, EfrenAbueg, Rio Alma, and Clemente Bautista.WRITING DURING THE PERIOD OFACTIVISMThe irreverence for the poor reached its peakduring this period of the mass revolution. Itwas also during this period that Bomba filmsthat discredit our ways as Filipinos startedto come out.
  • 189. PALANCA AWARDEES FOR LITERATURE INENGLISH(Established in 1950, the Palanca MemorialAwards for Literature had been giving cashprizes for short story, poetry and one-act playwriting as an incentive to Filipino writers. Theprizes come from La Tondena, Inc., the firmfounded by the late Carlos Palanca Sr. For thelist of winners from 1950-51 to 1960-70, werecommended Alberto S. Florentino’s “TwentyYears of Palanca Awards.”)ENGLISH SHORT STORY1970-71First Prize – “THE RITUAL” – Cirilo F. BautistaSecond Prize – “BEAST IN THE FIELDS” – ResilMojares
  • 190. Third Prize – “CHILDREN OF THE CITY” –Amadis Ma. Guerrero1970-71First Prize – “THE ARCHIPELAGO” – Cirilo F.BautistaSecond Prize – “FIVE POEMS” – WilfredoPascua SanchezThird Prize – “FROM MACTAN TOMENDIOLA” – Frederico Licsi Espino Jr.ENGLISH ONE-ACT PLAY1970-71First Prize – “THE GROTESQUE AMONG US”– Maiden Flores
  • 191. ENGLISH POETRY1971-72First Prize – “THE TOMATO GAME” – N.V.M.GonzalesSecond Prize – “THE APOLLO CENTENNIAL” –Gregorio C. BrillantesThird Prize – “AFTER THIS, OUR EXILE” – ElsaMartinez Coscolluela1971-72First Prize – “BATIK MAKER AND OTHERPOEMS” – Virginia R. MorenoSecond Prize – “THE EDGE OF THE WIND” –Artemio TadenaThird Prize – “TINIKLING (A SHEAF OF POEMS)”– Frederico Licsi Espino Jr.
  • 192. 1971-72First Prize – “GRAVE FOR BLUE FLOWER” –Jesus T. PeraltaSecond Prize – “THE UNDISCOVEREDCOUNTRY” – Manuel M. MartellThird Prize – The judges recommend that in asmuch as the three third prize winners especiallydeserve, the prize of P 1,000.00 be dividedamong these three:“THE BOXES” – Rolando S. Tinio“NOW IS THE TIME FOR ALL GOOD MEN TOCOME TO THE AID OF THEIR COUNTRY” –Julian E. Dacanay“THE RENEGADE” – Elsa Martinez Coscolluela
  • 193. WRITERS DURING THIS PERIODJose F. Lacaba, in his book DAYS OF DISQUIET,NIGHTS OF RAGE; THE FIRST QUARTERSSTORM AND RELATED EVENTS, wrote of thetragic and tumultuous moments in ourcountry’s history.Describing this period, he writes: “That firstquarter of the year 1970…It was a glorious time,a time of terror and of wrath, but also a time forhope. The signs of change were on the horizon.A powerful storm was sweeping the land, astorm whose inexorable advance no earthlyforce could stop, and the name of the storm washistory.”
  • 194. He mentions that those studentsdemonstrating at that time knew and wereaware that what they were doing would becrucial to our country’s history. Studentleaders thought up grandiose names for theirorganizations and hence, the proliferation ofacronyms likes SUCCOR, YDS, KTPD,SAGUPA, SMP, KKK, KM, MDP, and SDK.Politicians endorsed bills for those whointerfered with student demonstrators.Mayor Antonio Villegas himself, on Feb. 18,1970, led demonstrators away from angrypolicemen. Other politicians like EvaEstrada Kalaw, and Salvador Laurel, BenignoAquino Jr. wrote about condemnation ofpolice brutalities.
  • 195. Lacaba’s book is truly representative of writerswho were eyewitnesses to this time “of terrorand wrath.”Other writers strove to pour out their anguishand frustrations in words describing themselvesas “gasping for the air, thirsting for the waterof freedom.” Thus, the Philippine Center forthe International PEN (Poets, Essayists, andNovelists) held a conference centering on the“writer’s lack of freedom in a climate of fear.”
  • 196. For a day they denounced restrictions onartistic freedom and passionately led a pleafor freedom. Among the writers in this groupwere: Nick Joaquin, S.P. Lopez, GregorioBrillantes, F. Sionil Jose, Petronilo Daroy,Letty Jimenez-Magsanoc, Mauro Avelina, andJose W. Diokno.People in the other media participated inthis quest for freedom. Journalists JoseBurgos Jr., Antonio Ma. Nieva,; moviedirector Lino Brocka, art critic Anna Leah Leon were battling head – on againstcensorship.
  • 197. They came up with resolutions that pleaded forcauses other than their own – like the generalamnesty for political prisoners, and othersecret decrees restricting free expression.They requested editors and publishers topublish the real names of writers in theircolumns. It called on media to disseminateinformation on national interest withoutpartisan leanings and resolved to be unitedwith all causes decrying oppression andrepression.
  • 198. Exercises1-2. According to Ponciano Pineda, Youth Activism in 1970-72 was due to _____ ______3-4. Because of the ills of society. The youth moved to seek reforms, what are these reforms?5. The result of seeds of Activism6. The youth became completely rebellions during the literary revolution. This was proven not only in the _______ and in the sidewalk expressions but also in (7.) ___________.
  • 199. 8. The author of Days of Disquiet, Nights of Rage, The first quarters storm and related events.9. The Philippine Center for the International PEN (Poets, Essayists, and Novelists) held a conference centering on the ________10. They held pens and wrote on placards in red paint the equivalent of the word __________
  • 200. Chapter 9Period of the New Society (1972-1980)
  • 201. Historical BackgroundThe period of the New Society started onSeptember 21, 1972. The Carlos PalancaAwards continued to give annual awards.Almost all themes in most writings dealtwith the development or progress of thecountry – like the Green Revolution, familyplanning, proper nutrition, environment,drug addiction and pollution. The NewSociety tried to stop pornography or thosewritings giving bad influences on the moralsof the people. All school newspapers weretemporarily stopped and so with schoolorganizations.
  • 202. The military government established a newoffice called the Ministry of Public Affairsthat supervised the newspapers, books andother publications.The government took part in reviving oldplays like the Cenaculo, the Zarzuela and theEmbayoka of the Muslims. The CulturalCenter of the Philippines, the Folk ArtsTheater and even the old MetropolitanTheater were rebuilt in order to have a placefor these plays.Singing both Filipino and English songsreceived fresh incentives. Those sent abroadpromoted many Filipino songs.
  • 203. The weekly publications like KISLAP, andLIWAYWAY helped a lot in the development ofliterature. These became outlets for ourwriters to publish many of their works.A. FILIPINO POETRY DURING THE PERIOD OFTHE NEW SOCIETY Themes of most poems dealt withpatience, regard for native culture, customsand the beauties of nature and surroundings.Those who wrote poetry during this periodwere: Ponciano Pineda, Aniceto Silvestre, JoseGarcia Revelo, Bienvenido Ramos, VicenteDimasalang, Cir Lopez Francisco, and PelagioSulit Cruz.
  • 204. Many more composers added their bit duringthis period. Among them were Freddie Aguilar,Jose Marie Chan and the group Tito, Vic andJoey. ANAK of Freddie Aguilar became aninstant success because of the spirit andemotions revealed in the song. There wereeven translations in Japanese and in otherlanguages.B. THE PLAY UNDER THE NEW SOCIETYThe government led in reviving old plays anddramas, like the Tagalog Zarzuela, Cenaculoand the Embayoka of the Muslims which werepresented in the rebuilt Metropolitan Theater,the Folk Arts Theater and the Cultural Centerof the Philippines.
  • 205. Many schools and organizations also presentedvaried plays.The Mindanao State University presented aplay Sining Embayoka at the Cultural Centerof the Philippines.In 1977, the Tales of Manuvu, a new style ofrock of the ballet opera was also added tothese presentations. This was performed byCeleste Legaspi, Lea Navarro, Hadji Alejandro,Boy Camara, Anthony Castello, Rey Dizon andchoreographed by Alic Reyes.Even the President’s daughter at the timeparticipated as a performing artist in theprincipal role of Santa Juana of Koral and inThe Diary of Anne Frank.
  • 206. The following organizations contributed a lotto the development of plays during thisperiod:1. PETA of Cecille Guidote and Lino Brocka2. Repertory Philippines: of RebeccaGodines and Zenaida Amador3. UP Repertory of Behn Cervantes4. Teatro Filipino by Rolando Tinio
  • 207. C. RADIO AND TELEVISIONRadio continued to be patronized during thisperiod. The play series like SI MATAR, DAHLIA,ITO AND PALAD KO, and MR. LONELY were theforms of recreation of those without television.Even the new songs were first heard over theairwaves.However, many performing artists in radiomoved over to television because of higher pay.Among these were Augusto Victa, Gene Palomo,Mely Tagasa, Lina Pusing, and Ester Chavez.Popular television plays were GULONG NGPALAD, FLOR DE LUNA, and ANNA LIZA.SUPERMAN AND TARZAN were also popular withthe youth.
  • 208. D. FILIPINO FILMSA yearly Pista ng mga Pelikulng Pilipino(Yearly Filipino Film Festival) was heldduring this time. During the festival whichlasted usually for a month, only Filipinofilms were shown in all theaters in MetroManila. Prizes and trophies were awarded atthe end of the festival in recognition ofexcellence in film making and in roleperformances.New kinds of films without sex or romancestarted to be made but which werenevertheless well-received by the public.Among these were:
  • 209. 1. MAYNILA… SA MGA KUKO NG LIWANAGwritten by Edgardo Reyes and filmed under thedirection of Lino Brocka. Bembol Roco was thelead role.2. MINSA’Y ISANG GAMU-GAMO; Nora Aunorwas the principal performer here.3. GANITO KAMI NOO…PAANO KAYO NGAYON:led by Christopher de Leon and Gloria Diaz.4. INSIANG: by Hilda Koronel5. AGUILA: led by Fernando Poe Jr., Jay Ilaganand Christopher de LeonSex films could not be shelved. Foreign, as wellas local films dealing the bold themes were thevehicles of producers to earn more money.
  • 210. E. COMICS, MAGAZINES AND OTHERPUBLICATIONSDuring this period of the New Society,newspapers donned new forms. News oneconomic progress, discipline, culture, tourismand the like were favored more than thesensationalized reporting of killings, rape androbberies.The leading papers during this period were:1. BULLETIN TODAY 5. PILIPINO EXPRESS2. TIMES JOURNAL 6. PHILIPPINE DAILY EXPRESS3. PEOPLES JOURNAL 7. EVENING POST4. BALITA 8. EVENING EXPRESS
  • 211. LIWAYWAY had been an old-time favorite ofthe Filipinos since 1920. Other magazineswere:1. KISLAP 3. EXTRA HOT2. BULAKLAK 4. JINGLE SENSATIONLike mushrooms, comics also proliferatedeverywhere and were enjoyed by the masses.Among these were:1. PILIPINO 4. HIWAGA2. EXTRA 5. KLASIK3. LOVE LIFE 6. ESPESYAL
  • 213. 1973-74 First Prize – “THE CRIES OF CHILDREN ON AN APRIL AFTERNOON IN THE YEAR 1957” – Gregorio C. Brillantes Second Prize – “THE WHITE DRESS” – Estrella D. Alfon Third Prize – “TELL ME WHO CLEFT THE DEVIL’S FOOT” – Luning Bonifacio Ira Honorable Mention – “SCORING” – Joy T. Dayrit
  • 214. 1974-75First Prize – co-winners1. “THE DAY OF THE LOCUSTS” – Leoncio P. Deriada2. “ROMANCE AND FAITH ON MOUNT BANAHAW” – Alfred A. YusonSecond Prize – co-winners1. “THE MAN WHO MADE A COVENANT WITH THE WIND” – Cirilo F. Bautista2. “ONCE UPON A CRUISE: GENERATIONS AND OTHER LANDSCAPES” – Luning Bonifacio Ira3. “AGCALAN POINT” – Jose Y. Dalisay, Jr.
  • 215. Third Prize – co-winners1. “THE DOG EATERS” – Leoncio P. Deriada2. “THE PEOPLE’S PRISON” – Mauro R.Avena3. “DISCOVERY” – Dr. Porfirio F. Villarin, Jr.4. “A SUMMER GOODBYE” – Linda Ledesmaand Benjamin BautistaPLAY CATEGORY1972-73First Prize – “THE HEART OF EMPTINESS ISBLACK” – Ricardo Demetillo
  • 216. Second Prize – “GO, RIDER!” – Azucena CrajoUranzaThird Prize – “THE RICEBIRD HAS BROWNWINGS” – Federico Licsi Espino, Jr.1973-74First Prize (No Award)Second Prize – “AFTERCAFE – Juan H. AlegreThird Prize – “DULCE EXTRANJERA” –Wilfredo D. Nollede1974-75First Prize – “A LIFE IN THE SLUMS” –Rolando S. Tinio
  • 217. Second Prize – “PASSWORD – Paul StephenLimThird Prize – “THE MINERVA FOUNDATION”– Maidan FloresPOETRY CATEGORY1972-73First Prize – “CHARTS” – Cirilo F. BautistaSecond Prize – “A TRICK OF MIRRORS” –Rolando S. TinioThird Prize – “ALAPAAP’S MOUNTAIN” –Erwin E. Castillo
  • 218. 1973-74First Prize – co-winners1. “MONTAGE” – Ophelia A. Dimalanta2. “IDENTITIES” – Artemio TadenaSecond Prize – co-winners1. “BOXES” – Ricardo de Ungria2. “GLASS OF LIQUID TRUTHS” – Gilbert A.Luis Centina IIIThird Prize – co-winners1. “A LIEGE OF DATUS AND OTHER POEMS” –Jose N. Carreon2. “RITUALS AND METAPHORS” – Celestino M.Vega
  • 219. 1974-75First Prize – “TELEX MOON” – Cirilo F.BautistaSecond Prize – “ADARNA: SIX POEMS FROM ALARGER CORPUS” – Wilfredo Pascua SanchezThird Prize – “THE CITY AND THE THREADOF LIGHT” – Ricardo DemetilloREPUBLIC CULTURAL HERITAGE AWARDEES(1960-1971)NATIONAL ARTISTS1973Amado V. Hernandez (Posthumous)(Literature)
  • 220. Jose Garcia Villa (Literature)Francisco Reyes Aquino (Dance)Carlos V. Francisco (Posthumous) (Painting)Antonio J. Molina (Music)Guillermo Tolentino (Sculpture)1976Nick Joaquin (Literature)Napoleon V. Abueva (Sculpture)Pablo Antonio (Posthumous) (Architecture)Lamberto V. Avellana (Movies)Victorio G. Edades (Painting)Jovita Fuentes (Music)
  • 221. G. AN OVERVIEW OF THE LITERATUE DURINGTHE NEW SOCIETYBilingual education which was initiated by theBoard of National Education as early as 1958and continued up to the period of Martial Rulein September 21, 1972, resulted in thedeterioration of English in the different levelsof education. The focus of education andculture was on problems of national identity,on re-orientation, renewed vigor and a firmresolves to carry out plans and programs.The forms of literature that led during thisperiod wee the essays, debates and poetry.The short stories, like the novels and playswere no different in style from those writtenbefore the onset of activism.
  • 222. Some of the books that came out during thisperiod were:I Married a Newspaperman (essay) by MariaLuna Lopez (wife of newsapaperman Salvador B.Lopez), 1976The Modern Filipino Short Story by PatriciaMelendrez Cruz, 1980Cross Currents in Afro-Asian Literature, byRustica D. Carpio, 1976Brief Time to Love by Ofelia F. LimcacoMedium Rare and Tell the People (featurearticles and TV Program) by Julie Yap Daza
  • 223. Exercises1. The new Society tried to stop ______2. The office established by the military government that supervised the newspaper book and other publication.3-5. The government took part in reviving old plays like ______,______, ______
  • 224. 6-9. Identify the themes of the ff. slogans6. Sa ikauunlad ng bayan, Disiplina ang kailangan7. Ang pagsunod sa magulang Tanda ng anak na magalang8. Tayo’y magtanim Upang mabuhay9. Tayo’y magbigayan At wag magsiksikan
  • 225. 10. Which song of Freddie Aguilar became an instant success because of the spirit and emotions revealed in it.11. Festival which lasted usually for a month, only Filipinos films were shown in all theaters in Metro Manila12. Example of Leading Papers during the period of new society13. Example of magazine during that period
  • 226. 14. _______ was initiated by the Board on National Education as early as 1958 and continued up to the period of martial rule in September 21, 1972 resulted in the (15.) _________
  • 227. Chapter 10Period of the ThirdRepublic (1981-1985)
  • 228. Historical BackgroundAfter ten years of military rule and somechanges in the life of the Filipino whichstarted under the New Society, Martial Rulewas at last lifted on January 2, 1981.To those in government, the lifting ofmilitary rule heralded a change. To theirperceptions, the Philippines became a newnation and this; former President Marcoscalled “The New Republic of the Philippines.”
  • 229. A historian called this the Third Republic. TheFirst Republic he claimed was during thePhilippine Republic of Emilio Aguinaldo whenwe first got our independence form theSpaniards on June 12, 1898.The Second was when the Americans granted usour independence on July 4, 1946. This period,January 2, 1981, was the Third Republic whenwe were freed from Military Rule.During this period, it cannot be denied thatmany people seethed with rebellion and protestbecause of the continued oppression andsuppression.
  • 230. This was further aggravated when formerSenator Benigno S. Aquno Jr., the idol of theFilipino masses, whom they hoped to be thenext president, was president, was brutallymurdered on August 21, 1983.This stage of the nation had its effect on ourliterature. After the Aquino assassinated,the people’s voices could no long becontained. Both the public and privatesectors in government were chanting, andshouting; women, men and the youthbecame bolder and their voices were raisedin dissent.
  • 231. We can say that Philippine literature, in spiteof the many restrictions, still surreptitiouslyretained its luster.THE PALANCA AWARDSThe Don Carlos Palanca Memorial Awards forliterature which was launched in 1950 (seeChapter 7, The Renaissance Period), continuedits recognition of the best in the literary fields– poetry, short story, essays, and the one andthree-act plays.
  • 232. In 1981, the winners were the following:First Prize: Jessie B. Garcia’s –“In HogHeaven”Second Prize: Luning Bonifacio – Ira’s “TheParty Hopper”Third Prize: Jesus Q. Cruz – “In TheseHallowed Halls”In 1982, those who won were:First Prize: “Heart Island” by Jose DalisayJr.Second Prize: “Pas de Deux” by AzucenaGrajo UranzaThird Prize: “The Sky Is Always Blue” byJoe Marie A. Abueg
  • 233. In 1983, the mood was restive, characteristicsof the times. The nation was angry after themurder of opposition leader Benigno Aquinobut the awards ceremonies continued after adelay. The winners are:First Prize: “Oldtimer” by Jose Dalisay Jr.Second Prize: “Games” by Jesus O. CruzThird Prize: “Perfect Sunday” by Jose Y.AyalaFirst Prize in poetry (Pilipino): Jose F. LacabaSecond Prize (English essay): GregorioBrillantesThird Prize (English essay): Adrian Cristobal
  • 234. In 1984, the winners were:First Prize: “The Reprieve” by Susan S. LaraSecond Prize: “The Tangerine Gumamela”by Sylvia Mendez VenturaThird Prize co-winner: “The Little Wars ofFilemon Sayre” by Lemuel TorrevillasThird Prize: “Stranger in an Asian City” byGregorio BrillantesIn 1985, those who won were:First Prize: “The Hand of God” by Conrado deQuiros
  • 235. First Prize: “A Novel Prize for Jorge” byEli Ang BarrosoNo awards for second prizeThird Prize: “Mecca of the East” byCharles LoongIn 1984, the Palanca Awards startedchoosing the best in novel writing. Thiscontest, held every three years, gives timefor local writers to write more beautiful andquality works. The next contest on the bestnovel was held in 1987. La Tondeñacontinues to be its sponsor.
  • 236. B. FILIPINO POETRYPoems during this period of the Third Republicwere romantic and revolutionary. Writerswrote openly of their criticism against thegovernment. The supplications of the peoplewere coached in fiery, colorful, violent, profaneand insulting language.C. FILIPINO SONGSMany Filipino songs dealt with themes thatwere really true-to-life like those of grief,poverty, aspirations for freedom, love of God, ofcountry and of fellowmen.
  • 237. Many composers, grieved over Ninoy Aquino’streacherous assassination composed songs.Among them were Coritha, Eric and FreddieAguilar. Coritha and Eric composed asongtitles LABAN NG BAYAN KO and this was firstsung by Coritha during the NationalUnification Conference of the Opposition inMarch, 1985. This was also sung during thePresidential Campaign Movement for CoryAquino to inspire the movement againstMarcos in February 1986.Freddie Aguilar revived the song BAYAN KOwhich was written by Jose Corazon de Jesusand C. de Guzman during the American period.
  • 238. D. PHILIPPINE FILMS DURING THE PERIODThe yearly Festival of Filipino Filmscontinued to be held during this period. Thepeople’s love for sex films also was unabated. Many producers took advantage of this atthe expense of public morality.E. POETRY IN ENGLISH DURING THE THIRDREPUBLICMost especially, during the wake of thetragic Benigno Aquino Jr.’s incident, peoplereacted with shock, appalled by thesuddenness and the unexpectedness ofevents.
  • 239. Alfredo Navarro Salanga, a consistent writer ofPhilippines Panorama Magazine in his column“Post-Prandal Reflections” aptly said it:“darkness in the mind and soul is how someforgotten poet puts it. Its suddenness was soprofound that we couldn’t but react to it in anyother way.”Elemental to us (poets or writers) was how tograsp to some meaning – in a symbol, a phraseor word – in the language of heart and tongue,the poet’s only candles. So we tried to reachout in the next and perhaps the only way wecould: by putting pen to paper and speakingout – as partisans in a human drama.Poets, surprisingly, by common consent, foundthemselves writing on a common subject.Reproduction of some of them is reprintedhere. We aptly call them Protest Poetry of the‘80’s.
  • 240. The themes of most during this time dealt withcourage, shock and grief over the “treacheryinflicted upon Aquino.”F. MEDIA OF 1983Sheila S. Coronel, a PANORAMA staff stalwart,reporting on the state of the media duringthese times said: it was a year of ferment, andchange, of old problems made more oppressiveby the new throbbing beat of the times.”For journalists, it was a year loaded with libelcharges, lawsuits and seditious trials whichthey gallantly bore as harassment suits.
  • 241. JAJA (Justice for Aquino, Justice for All)Movement called for a boycott ofgovernment – controlled newspapers inprotest of media suppression. Peoplepicketed newspapers offices with coffins tosymbolize the death of press freedom.In campuses, newspapers were set afire toprotest lack of free expression. Journalistssuffered physically and otherwise.Journalists of 3 major dailies demanded adialogue with their publishers to “restorecredibility and respectability” to newspapers.
  • 242. Opposition tabloids flourished. They sold ourpapers with the red news to the starved public;hence, smut magazines like the TIKTIK,PLAYBOY SCENE, and SAKDAL also played thesidewalks.Radio led by RADIO VERITAS started reportingcoverage of demonstrations. InformationMinister Gregorio Cendaña called the tabloidsthe “mosquito press” and called their new“political pornography.”However, there was a perceptible liberalizationof editorial policies in the major newspapers.
  • 243. G. CHILDREN’S BOOKSAmong the well-loved forms of writing whichabounded during this period were those ofchildren’s stories. The Children’sCommunication Center (CCC) directed bypoet and writer Virgilio S. Almario alreadyhas built up an impressive collection of thesekinds of books. The following are some ofthe books of the period.1982: PLAYS FOR CHILDREN by Jame B.Reuter S.J. (New Day Pub.)1983: STORY TELLING FOR YOUNGCHILDREN1983: JOSE AND CARDO by Peggy CorrManuel
  • 244. 1983: Joaquinesquerie: MYTH A LA MOD(Cacho Hermanos)1983: LAHI: 5 FILIPINO FOLK TALES (of 5English books and 1 cassette tape)1984: RIZALIANA FOR CHILDREN:ILLUSTRATIONS and FOLKTALES by: Jose P.Rizal, Intoduced and annotated by AlfredoNavarro Salanga1984: GATAN AND TALAW by Jaime AlipitMonteroH. (PROSE) FABLESThe people’s cry of protest found outlets notonly in poetry but also in veiled prose fableswhich transparently satirized the occupants ofMalacañang. Among those that saw printswere:
  • 245. 1. The Crown Jewels of Heezenhurst bySylvia Mendez Ventura2. The Emperor’s New Underwear byMeynardo A. Macaraig3. The King’s Cold by Babeth Lolarga4. The Case of the Missing Charisma(unfinished) by Sylvia L. Mayuga.In all the fables, the king, differently referredto as Totus Markus or the king or HaringMatinik was meant to poke fun at the rulerat Malacañang; similarly, Reyna Maganda orthe Queen, was a veiled thrust at his queen.They were both drunk with power and werepunished in the end for their misdeeds.
  • 246. 1. THE STATE OF PHILIPPINE LITERATURE INENGLISH AT THIS TIMEIsagani Cruz, writing about Philippineliterature in the “Age of Ninoy,” makes thefollowing observations:“Philippines literature is definitely changing,”and he summarizes these as follows: 1. Change in the direction of greaterconsciousness in content and form. 2. Change in the number of readers and thenumber of writers and the kind of class ofwriters. Writers who joined the ranks camenot only from the established or professionalgroups but from all ranks – clerks, secretaries,drivers, housewives, students; in short, themasses.
  • 247. 3. The resurgence of Balagtasismo and thecontinued dominance of Modernismo. WhileBalagtasismo turned its back on theAmerican challenge to Philippine literatureits conservative conventions, Modernismoadapted Americanization for its own ends.4. The birth of a new poetic movement stilldims in outline.5. The apparent merging of the erstwhileseparate streams of oral and writtenliterature.
  • 248. J. SOME WRITERES DURING THIS PERIOD1981-851981: PHILIPPINE FOLK LITERATURE byDamiana Eugenio1981: ADVENTURES OF MARIAN by CarissaOrosa Uy1982: SOMEWHERE BETWEEN YOUR SMILEAND YOUR FROWN AND OTHERPOEMS by Bienvenido M. Noeiga Jr.1983: PARES-PARES by Bienvenido M.Noriega Jr.1983: AGON: POEMS, 1983 by Edgar B.Maranan1984: THE FARMER by Alfredo NavarroSalanga1984: THE ROAD TO MOWAB AND OTHERSTORIES by Leoncio P. Deriada
  • 249. Exercises1. After _________ of military rule and some changes on the life of the Filipino which started under the new society, martial rule was at last lifted on January 2, 1981.2. The Philippines became a new nation and former President Marcos called it _______.3. The historian called this the __________.4. What happened on June 12, 1898?5. The Americans granted us on ____________6. Controlled newspaper in protest of media suppression
  • 250. 7. Who is the idol of the Filipino masses8. What is the song composed by Coritha and Eric and sung by Coritha during the National Unification Conference of the opposition in March 19859. Freedie Aguilar revived the song __________ which was written by Jose Corazon de Jesus and C. de Guzman during the American Period.10. CCC stands for?
  • 251. Chapter 11Periods (1986-1999)
  • 252. Historical BackgroundHistory took another twist. Once more, theFilipino people regained their independencewhich they lost twenty years ago.In the span of four days form February21-25, 1986, the so-called People Power(Lakas ng Bayan) prevailed. Together, thepeople barricaded the streets petitioning thegovernment for changes and reforms.Freedom became a reality – won through apeaceful, bloodless and God-blessedrevolution.Philippine society was in turmoil for a fewweeks but the rejoicing after the Pres.Marcos was toppled down from power wassheer euphoria. Singing, dancing andshouting’s were the order of the day.
  • 253. The events created overnight heroes. In thishistorical event, the role played by two bigfigures in history cannot be doubted. ToDefense Minister Juan Ponce Enrile and ArmedForces Chief of Staff Fidel V. Ramos, as well asto the cause of freedom do the Filipinos owetheir gratitude for the blessing ofIndependence?To the Filipino people, this is the truePhilippine Republic, the true Republic of thePhilippines.
  • 254. A. THE STATE OF LITERATURE DURING THISPERIOD:In the short span of the existence of the trueRepublic of the Philippines, several changesalready became evident. This in noticed in thenew Filipino songs, in the newspapers, in thespeeches, and even in the television programs.1. On Newspapers and other publications:Newspapers which were once branded cronynewspapers became instant opposition papersovernight. This was true of BULLETIN TODAYwhich became the opposition paper. The nowcrony newspapers that enjoyed an overnightincrease in circulation were THE INQUIRER,MALAYA, and the PEOPLE’S JOURNAL.
  • 255. Newspapers felt that the shackles thatmuzzled their voices during the repressiveyears had been broken and, like a bird“trying its wings after a long time ofbondage,” the desire to write about this“miracle of change” was electric.Columnists became vocal and unrestricted inthere are and a bumper crop of youngjournalists emerged. The old stalwarts of theformer dispensation like Maximo Soliven,Louie Beltran, Hilarion Henares, andFrancisco Soc Rodrigo came back with avengeance.
  • 256. By June 12, 1986, a total of 19 local dailiesboth in English and Filipino were in circulation. Nowhere since the 1950’s had there been sucha big number of newspapers in circulation(excluding tabloids).These newspapers include: BULLETIN, TEMPO,BALITA, MALAY, MIDDAY, MASA, MANILATIMES, NEWS HERALD, TRIBUNE, NGAYON,INQUIRER, EXPRESS TONIGHT, EVENING POST,PEOPLE’S, DAILY MIRROR, BUSINESS DAY, andMANILA CHRONICLE.2. On Books: Philippine literature is still in themaking…we are just beginning a new era.
  • 257. The Phillippine revolution of 1986 and thefire of its spirit that will carry the Filipinosthrough another epoch in Philippine historyis still being documented just as they havebeen in the countless millions whoparticipated in body and spirit in itsrealization.Two books were conceived during the period. PEOPLE POWER was produced under a grantby the PCI Bank Human ResourcesDevelopment Foundation, edited by MoninaAllarey Mercado and published by the JamesB. Reuter, S.J. Foundation.
  • 258. Another one BAYAN KO was published byProject 28 Days LTD. in June, 1986 in Kowloon,Hong Kong and co-published in the Philippinesby Veritas Publications and CommunicationsFoundation.In March 19, 1987 the Seventh National BookAwards cited several best books published in1987 according to the choices made by theManila Critics Circle. Among those awardedwere: Dreamweavers Selected Poems(1976-1986) by Marjorie Pernia and Awit atCorrido: Philippine Metrical Romances byDamiana L. Eugenio.
  • 259. Bookfair Manila ’88 organized by thePhilippine Exhibit Company was held onFebruary 20-28, 1988. It was held with thebelief that “requisition of knowledge notonly enhances individual skills andcapabilities but more importantly, makespositive contributions to the nation’sdevelopment program.”B. FILIPINO SONGS DURING THIS PERIODHere are a few Filipino songs that were oftenheard. They were often aired in radio andtelevision and often accompanied thehistorical events that transpired in thePhilippines and gained for the Filipinosworld-wide acclaim.
  • 260. An album named HANDOG NG PILIPINO SAMUNDO carried a compilation of some of these. The song that continued to be sungthroughout the trying period of the Revolution,almost like a second national anthem andwhich gave fire to the Filipino spirit wasBAYAN KO. Its lyrics were written by JoseCorazon de Jesus way back in 1928.
  • 261. Exercises1. In the span of four days from February 21-25 1986, the so-called people power( Lakas ng Bayan) prevailed together, the people barricaded the streets petitioning the government for _______ and (2.) _________ Freedom became a reality- won through a (3.)________, (4.)________, (5.)_________
  • 262. Columnists became (6.)_______ and (7.) _______ in their art and a bumper crop of young journalists emerged.8-9. What are the two books that conceived during the period?10. What newspaper became the opposition paper?
  • 263. Part II – Repres entative C ompos itions through the Years
  • 264. 1. AMERICAN PERIOD (1898-1941)A. Period of Re-Orientation 1898-1910 Air Castles (Poetry) by Juan F. Salazar(1909-1910)B. Period of Imitation 1911-1925 (AmericanPeriod) The Sea by Natividad Marquez (Poetry)C. Period of Self Discovery (1925-1941)Poetry1896 by Aurelio AlveroTo a Lost One by Angela Manalang GloriaPrayer of a Student by Trinidad L. TarrosaSubido
  • 265. Short StoryDead Stars by Paz Marquez-BenitezThe Making of A Writer by Salvador P. LopezShadow and Solitude (A translation of SoloEntre Las Sombras) by Claro M. Rectotranslated by Nick Joaquin2. THE JAPANESE PERIOD (1941-1945)To My Native Land by Tarrosa SubidoMy Father’s Tragedy by Carlos BulosanShall We Walk? by Pura Santillan Castrence
  • 266. 3. THE REBIRTH OF FREEDOM (1946-1970)PoetryWhen I see a Barong-Barong by MaximoRamos (1946)Short StoryPlighted Word by Narciso G. ReyesScent of Apples by Bienvenido SantosCadaver by Alberto S. FlorentinoThey Called It “BROTHERHOOD” by MaximoV. Soliven4. PERIOD OF ACTIVISM (1970-1972)Valedictorian sa Hillcrest ni Rolando TinioBeggar Children by Emmanuel Torres
  • 267. 5. PERIOD OF THE NEW SOCIETY (1972-1980)PoetryPhilosopher’s Love Song by Tita Lacambra-AyalaThe Tomato Game by N.V.M. GonzalesI Married a Newspaperman by Maria Luna-Lopez6. PERIOD OF THE THIRD REPUBLIC(1981-85)PoetryDeath Like Stone for Benigno S. Aquino Jr.from PHILIPPIN PANORAMAFablesThe Emperor’s New Underwear by Mynardo A.Macaraig
  • 268. The Crown Jewels of Heezenhurst by SylviaMendez VenturaThe King’s Cold by Babeth LolargaShort StoryHunger by Gilda Cordero-FernandoPlaySepang Loca by Amelia Lapeña-BonifacioSpeechAquino’s Speech in SingaporePresident Aquino’s Speech before the U.S.CongressCory Bats for the Rights of the World’sOppressed
  • 269. Part III – LiteraryC ompos itions from 1986-1999
  • 270. IntroductionLife goes on and the world continues in itsprocess of undergoing a real historicaltransition with altering social, political, moraland aesthetic values inevitably leaving itsimprint in literature.And, as Salvador Lopez aptly said in hisLiterature and Society: “Absolute divorcementfrom the world by writers is impossible, forliterature is, in some way, rooted in the earthof human experience.”
  • 271. The writer must, therefore, be a man ofhistoric propensities reacting to the social-political currents of his time and strivingearnestly to change the world, knowing thatsociety has a claim on his attention.The years 1986-1999 – a span of 14 years,cover the careers of three presidents:Corazon C. Aquino, Fidel V. Ramos andJoseph Ejercito Estrada.Spates of literary enthusiasm continueunabated, unhampered by compellinghandicaps, hard times and the transientproblems of the period.
  • 272. Thus, as we present some of the credible worksof our writers during these periods which hadbeen judged as “contest winner” and maytherefore, in the words of Edith Tiempo, beacknowledged as “pretested literature,” we leavethe learners to their own particular definition ofliterary trends and qualities based on the socialattitudes and the moral commitments of anation as revealed through the works of itswriters.These pieces, though randomly selected, arepart of what we may term, the undauntedexpression of the Filipino propensities revealingthe Filipino psyche.
  • 273. It is also notable that The Cultural Center ofthe Philippines, with the PhilippineCentennial Commission, has chosen 100outstanding awardees that have “helpedbuild the nation through their achievementsin arts and culture from 1898 to 1998.” Thelist excludes those in film, broadcast artsand theater.Briefly, we mention those chosen forrecognition in literature: Teodoro Agoncillo Virgilio Almario Manuel Aguilla
  • 274. Carlos BulosanJose Corazon de Jesus Isabelo de los Reyes Damiana EugenioGilda Cordero-Fernando Lucila Hosillos Emmanuel Lacaba Jose Lacaba Salvador Lopez Bienvenido Lumbera Rosil Mojares Claro M. Recto Epifanio San Juan, Jr. Lope K. SantosJuan Crisostomo Sotto Vicente Sotto
  • 275. As an incentive, the Centennial Literary Prizewould be doubled for that millennium for allcategories (novel, poetry, essay, drama andscreenplay) according to President Estrada sothat the first prize would be P 2 million;second, P 1.5 million and third, P 1 million.There are only three living National Artist forLiterature today: Nick Joaquin, FranciscoArcellana, (RIP), Levi Celerio and CarlosQuirino; Amado V. Hernandez got aposthumous award.A. POETRYFrom the highly passionate and lyrical forms ofpoetry in the early 50’s, contemporary poetrymanifests a skillful manipulation of symbolicrepresentations and is more insightful andabstract.
  • 276. Various literary organizations conduct livereading sessions in public places to makepoetry accessible to the masses.The UMPIL (Unyong ng mga Manunulat saPilipinas) and the LIRA (Linangan sa Imahen,Retorika at Anyo) hold such sessions at OraCafé, Kamias, Quezon City (PDI Dec. 12,1998). The Creative Writing Foundation andthe Philippine Literary Arts Council alsoconduct such sessions, even inviting guestpoets and writers.Poetry reading sessions are also being held inpublic libraries in Metro Manila, Cebu, Nagaand Tacloban.
  • 277. The head of the NCCA (National Commissionfor Culture and the Arts) Committee onLiterature is Prof. Ric de Ungria.B. ESSAYSFilipino essays address societal issues, aremore free and daring, manifesting a moreliberated atmosphere, however pointing outmoral degradation, indicating injustice,suggesting alternatives, and directing thought.Essays were given incentives by newspaperdaily in columns “Young Blood/High Blood”where entries were compiled in book forms andprizes awarded to writers of outstandingpieces.
  • 278. Popular topics were on personal (happy ortragic) experiences – abortion, separation,alternative routes in life and new-foundhappiness.The Carlos Palanca Memoriral Awards forLiterature have started from 1998 a newcategory – the Kabataang Essay for highschool students both in Filipino and inEnglish.In this connection, Conrado de Quiroz, in hiscolumn “Deterioration” at the PhilippineDaily Inquirer, deplores the apparent declinein writing ability among the youth afterstanding judge over many high school essaycontests attributing this to the tremendousdecline in reading.
  • 279. “It’s not that few people are using English orFilipino; it is that few people are reading. Withfew people reading, few people are writing, orwriting well.In this country, he added, everyone who haswritten a letter calls himself a writer…showingin what low esteem the art or craft is held.”He attributes the culprits to TV and thecomputer.“The enemy of education isn’t English orFilipino or bilingualism,” he continues, “butthe TV. Along with TV, computers are creatinga visual culture antithetical to reading andwriting.”
  • 280. C. SHORT STORIESObviously, the short story is still the morepopular venue of writers up to this period.The new breed of writers seem to excel in theskillful handling of techniques and in comingout with original forms.Short romantic fiction in the vernacular hascaught the fancy of many readers who perhapsfind these less time-consuming, as well as lessexpensive, giving more time for remunerativework and earning a living.
  • 281. In 1997, the Carlos Palanca Memorial Awardsopened three new divisions in the shortstory: Ilocano, Cebuano and Hiligaynon.Short story first prize winners in the CarlosPalanca Memorial Awards in English in 1996and 1997 were Carlos Ojeda Aureus (Martillo)for his “The Latecomer” and “The Amulet”by David C. Martinez (Michaela Sanchez),respectively.In the Maikling Kuwento category, we had“Pag-uugat, Pagpapakpak” by Levy Balgos dela Cruz (Lea Victoria) and Nang GabingMamatay ang Nana Soling by Alvin B. Yapan(Jose Agustin) in 1996 and 1997.
  • 282. D. PLAYSScriptwriting, a popular and developingliterature form is probablydue to the growing interest in TV and thevisual arts.The following can be attributed to this trend:1. TV and stage patronage2. Theater groups like Dramatis Personae,PETA (Philippine Educational TheaterAssociation), Dulaang UP, CCPDramatic ArtsDivision Teatro Telesine, Gantimpala TheaterFoundation, Mobile or Touring Children’stheater groups
  • 283. 3. Substantial awards in film-making4. Expansion to cater to childrens’ needs(TV’s Channel 5’s Batibot, and TanghalangPambata)5. The popularity of Taglish which peppertoday’s yuppy lingo and which reach out tothe masses6. The notion of seeking popularity andratings through exposure7. Creative writing workshops
  • 284. From its original Short Stories category, theCarlos Palanca Memorial Awards haveexpanded its prizes to One-act Plays and Full-length plays both in English and in Filipino.D. NOVELSMany of our writers have turned to the moreremunerative and shorter literary forms thanthe longer novels which are indicative of morepractical considerations.Out better novel writers have settled in theirtwilight years, some to foreign lands or mayhave perhaps lost the feel of the Filipinopsyche.
  • 285. E nd of the Pres entation
  • 286. Pres enters :Dindo de QuirozJ onalyn MariquinaBOA -  IV1