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Preservation connections Heather Brown Project Officer, SLSA, for BIM/LIM UniSA course Assistant Director, Paper, Artlab Australia Painted Lines Image: Songlines Walangari Karntwarra
Painted Lines ,[object Object],[object Object],[object Object]
Painted lines ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Painted lines  cont ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Connections in the  ‘traditional’ world ,[object Object],[object Object],[object Object],[object Object],[object Object],http://portal.unesco.org/ci/en/ev.php
Connections in the  ‘digital’ world ,[object Object]
Connections in the  ‘digital’ world ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Connections in the  ‘digital’ world ,[object Object],Australian Computer Museum Image courtesy of Michael Carden, NAA
A connected approach to preservation management ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
A connected approach to preservation management ,[object Object],[object Object],[object Object],[object Object]
Digital Preservation Management ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Digital Preservation Management ,[object Object],[object Object]
Digital Preservation Management ,[object Object],[object Object]
Digital Preservation Management ,[object Object],[object Object]
Digital Preservation Management ,[object Object],[object Object]
Digital Preservation Management ,[object Object],[object Object],Image: courtesy Steve Knight NLNZ
Traditional preservation management
Traditional preservation management ,[object Object],Image: Mumbai University Library
Traditional preservation management ,[object Object],Images: State Library of  South Australia & National Library of Australia
Traditional preservation management ,[object Object],[object Object],[object Object],[object Object],[object Object],Neem leaves- repellent
Reformatting (copying) ,[object Object],[object Object],[object Object],Image: Mumbai University Library
Connections between digital & traditional ,[object Object],[object Object]
Case study 3 – traditional preservation – a connected approach ,[object Object],[object Object]
Case study 3 – traditional preservation – a connected approach ,[object Object],[object Object]
Case study 3 – traditional preservation – a connected approach ,[object Object]
A connected approach to preservation management ,[object Object],[object Object],[object Object],[object Object]
A connected approach to preservation management ,[object Object],[object Object],[object Object]
Case study 4 – the dance and the missing link ,[object Object]
Case study 4 – the dance and the missing link ,[object Object]
Benefits of higher level connections in practice ,[object Object],[object Object],[object Object]
Benefits of higher level connections in practice ,[object Object],[object Object],[object Object]
Summary ,[object Object],[object Object],[object Object],[object Object],[object Object]
Summary ,[object Object],[object Object]
Summary ,[object Object],[object Object],[object Object],[object Object]
Summary ,[object Object],[object Object],[object Object],[object Object],[object Object]

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Painted lines by Heather Brown

  • 1. Preservation connections Heather Brown Project Officer, SLSA, for BIM/LIM UniSA course Assistant Director, Paper, Artlab Australia Painted Lines Image: Songlines Walangari Karntwarra
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