This document provides an overview of art and patronage during the Italian Renaissance. Wealthy Italian families, such as the Medicis, and the Catholic Church were major patrons who sponsored works from many famous artists. Key developments included increased realism and use of perspective in works by Masaccio and Leonardo da Vinci. Michelangelo and Raphael also produced famous sculptures and frescoes during this period. Major artworks demonstrated the values of humanism and classicism that were prominent during the Renaissance.
4.18.24 Movement Legacies, Reflection, and Review.pptx
Renaissance Art
1.
2. Art and PatronageArt and Patronage
Italians were willing to spend a lot of
money on art.
/ Art communicated social, political, and spiritual
values.
/ Italian banking & international trade interests
had the money.
Public art in Florence was organized and
supported by guilds.
Therefore, the consumption of art was used as a
form of competition for social & political status!
3.
4. 1. Realism &1. Realism &
ExpressionExpression
Expulsion fromExpulsion from
the Gardenthe Garden
MasaccioMasaccio
14271427
First nudes sinceFirst nudes since
classical timesclassical times..
7. 4. Empasis on Individualism4. Empasis on Individualism
Batista Sforza & Federico de Montefeltre: TheBatista Sforza & Federico de Montefeltre: The
Duke & Dutchess of UrbinoDuke & Dutchess of Urbino
Piero della Francesca, 1465-1466.Piero della Francesca, 1465-1466.
8. Isabella d’Este –Isabella d’Este – da Vinci,da Vinci,
14991499 1474-1539
“First Lady of
the Italian
Renaissance.”
Great patroness
of the arts in
Mantua.
Known during her
time as “First
Lady of the
World!”
9. 5. Geometrical Arrangement5. Geometrical Arrangement
ofof
FiguresFigures The DreyfusThe Dreyfus
MadonnaMadonna
with thewith the
PomegranatePomegranate
Leonardo daLeonardo da
VinciVinci
14691469
The figure asThe figure as
architecture!architecture!
11. 7. Artists as7. Artists as
Personalities/CelebritiesPersonalities/Celebrities
Lives of the MostLives of the Most
ExcellentExcellent
Painters,Painters,
Sculptors, andSculptors, and
ArchitectsArchitects
Giorgio VasariGiorgio Vasari
15501550
12.
13. Renaissance FlorenceRenaissance Florence
The Wool FactoryThe Wool Factory
by Mirabello Cavalori, 1570by Mirabello Cavalori, 15701252 – first gold1252 – first gold
florinsflorins mintedminted
Florentine lion:Florentine lion:
symbol of St.symbol of St.
MarkMark
15. Florence Under theFlorence Under the
MediciMedici
Medici ChapelMedici Chapel
The Medici PalaceThe Medici Palace
16. Filippo BrunelleschiFilippo Brunelleschi
1377 - 14361377 - 1436
ArchitectArchitect
Cuppolo of St. MariaCuppolo of St. Maria
del Fioredel Fiore
17. Filippo BrunelleschiFilippo Brunelleschi
Commissioned to
build the cathedral
dome.
/ Used unique
architectural
concepts.
He studied the
ancient
Pantheon in
Rome.
Used ribs for
support.
21. The Ideal CityThe Ideal City
Piero della Francesca,Piero della Francesca,
14701470
22. A Contest to Decorate theA Contest to Decorate the
Cathedral:Cathedral: Sacrifice of IsaacSacrifice of Isaac
PanelsPanelsBrunelleschi Ghiberti
23. Ghiberti –Ghiberti – Gates of ParadiseGates of Paradise
Baptistry Door, Florence – 1425 -Baptistry Door, Florence – 1425 -
14521452
The Winner!The Winner!
24. David byDavid by DonatelloDonatello
14301430
First free-form bronzeFirst free-form bronze
since Roman times!since Roman times!
The Liberation ofThe Liberation of
SculptureSculpture
26. The Baptism of ChristThe Baptism of Christ
Verrocchio, 1472 - 1475Verrocchio, 1472 - 1475
LeonardoLeonardo
da Vincida Vinci
27.
28. Vitruvian ManVitruvian Man
Leonardo daLeonardo da
VinciVinci
14921492
TheThe
L’uomoL’uomo
universaleuniversale
29. The Renaissance “Man”The Renaissance “Man”
Broad knowledge about many things in
different fields.
Deep knowledge/skill in one area.
Able to link information from different
areas/disciplines and create new
knowledge.
The Greek ideal of the “well-rounded
man” was at the heart of Renaissance
education.
45. Leonardo, the Architect:Leonardo, the Architect:
Pages from hisPages from his NotebookNotebook
Study of aStudy of a
central church.central church.
14881488
46. Leonardo, the Architect:Leonardo, the Architect:
Pages from hisPages from his NotebookNotebook
Plan of the city of Imola, 1502.Plan of the city of Imola, 1502.
47. Leonardo, the ScientistLeonardo, the Scientist
(Biology):(Biology):
Pages from hisPages from his NotebookNotebook
An example ofAn example of
the humanistthe humanist
desire to unlockdesire to unlock
the secrets ofthe secrets of
nature.nature.
51. A study of siege defenses.A study of siege defenses.
Studies of water-liftingStudies of water-lifting
devices.devices.
Leonardo, the Engineer:Leonardo, the Engineer:
Pages from hisPages from his NotebookNotebook
52. Leonardo da Vinci….Leonardo da Vinci….
O investigator, do not flatterO investigator, do not flatter
yourself that you know theyourself that you know the
things nature performs forthings nature performs for
herself, but rejoice in knowingherself, but rejoice in knowing
that purpose of those thingsthat purpose of those things
designed by your own mind.designed by your own mind.
55. 2.2. Michelangelo BuonorratiMichelangelo Buonorrati
1475 – 15641475 – 1564
He representedHe represented
the body inthe body in
threethree
dimensions ofdimensions of
sculpture.sculpture.
58. The PietaThe Pieta
MichelangeloMichelangelo
BuonarrotiBuonarroti
14991499
marblemarble
The Popes as Patrons of theThe Popes as Patrons of the
ArtsArts
64. The Sistine ChapelThe Sistine Chapel
DetailsDetails
The FallThe Fall
fromfrom
GraceGrace
65. The Sistine ChapelThe Sistine Chapel
DetailsDetails
The Last JudgmentThe Last Judgment
66. 3.3. Raffaello Sanzio (1483-1520)Raffaello Sanzio (1483-1520)
Self-PortraitSelf-Portrait, 1506, 1506
Portrait of the Artist withPortrait of the Artist with
a Frienda Friend, 1518, 1518
67. Baldassare CastiglioneBaldassare Castiglione byby
Raphael,Raphael,
1514-15151514-1515
CastiglioneCastiglione
represented therepresented the
humanisthumanist
“gentleman” as“gentleman” as
a man ofa man of
refinement andrefinement and
self-control.self-control.
71. Madonna della SediaMadonna della Sedia Alba MadonnaAlba Madonna
Raphael’sRaphael’s MadonnasMadonnas (2)(2)
72. The School of AthensThe School of Athens – Raphael,– Raphael,
1510 -111510 -11 One point perspective.
All of the important Greek philosophers
and thinkers are included all of the
great personalities of the Seven Liberal
Arts!
A great variety of poses.
Located in the papal apartments library.
Raphael worked on this commission
simultaneously as Michelangelo was doing
the Sistine Chapel.
No Christian themes here.
73. The School of AthensThe School of Athens – Raphael,– Raphael,
1510 -111510 -11
Raphael
Da Vinci
Michelangelo
74. AristotleAristotle::
looks to thislooks to this
earth [theearth [the
here andhere and
now].now].
PlatoPlato::
looks to thelooks to the
heavens [orheavens [or
the IDEALthe IDEAL
realm].realm].
The School of AthensThe School of Athens – Raphael,– Raphael,
detailsdetails
77. The Liberation of St. PeterThe Liberation of St. Peter byby
Raphael, 1514Raphael, 1514
78. Portrait of Pope Julius IIPortrait of Pope Julius II
by Raphael, 1511-1512by Raphael, 1511-1512
More concerned withMore concerned with
politics than withpolitics than with
theology.theology.
The “Warrior Pope.”The “Warrior Pope.”
Great patron ofGreat patron of
Renaissance artists,Renaissance artists,
especially Raphael &especially Raphael &
Michelangelo.Michelangelo.
Died in 1513Died in 1513
79. Pope Leo X with Cardinal GiulioPope Leo X with Cardinal Giulio
deMedici and Luigi De RossideMedici and Luigi De Rossi byby
Raphael, 1518-1519Raphael, 1518-1519
A Medici Pope.A Medici Pope.
He went through theHe went through the
Vatican treasury in aVatican treasury in a
year!year!
His extravagancesHis extravagances
offended even someoffended even some
cardinals [cardinals [as well asas well as
Martin LutherMartin Luther!].!].
Started sellingStarted selling
indulgencesindulgences..
80. Birth of VenusBirth of Venus – Botticelli,– Botticelli,
14851485
An attempt to depict perfect beauty.An attempt to depict perfect beauty.
82. PrimaveraPrimavera – Botticelli,– Botticelli,
14821482
Depicted classical gods as almostDepicted classical gods as almost
naked and life-size.naked and life-size.
83. A Portrait of SavonarolaA Portrait of Savonarola
By Fra Bartolomeo, 1498.By Fra Bartolomeo, 1498.
Dominican friar who decriedDominican friar who decried
money and power.money and power.
Anti-humanistAnti-humanist he sawhe saw
humanism as too secular,humanism as too secular,
hedonistic, and corrupting.hedonistic, and corrupting.
TheThe “Bonfire of the“Bonfire of the
Vanities,”Vanities,” 1497.1497.
/ Burned books, artwork,Burned books, artwork,
jewelry, and other luxuryjewelry, and other luxury
goods in public.goods in public.
/ Even Botticelli put some ofEven Botticelli put some of
his paintings on the fire!!his paintings on the fire!!
88. The Penitent Mary MagdaleneThe Penitent Mary Magdalene
by Titian, 1533by Titian, 1533
By the mid-16c,By the mid-16c,
High RenaissanceHigh Renaissance
art was declining.art was declining.
MannerismMannerism
became morebecame more
popular.popular.
This painting is aThis painting is a
good example ofgood example of
this new artisticthis new artistic
style.style.