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Unit 17
MUSICAL LIFE IN THE TWENTIETH CENTURY
AND BEYOND

Chapter 36
The Twentieth Century and Beyond
•Music (1884 definition): That one of the fine
arts which is concerned with the combination of
sounds with a view to beauty of form and the
expression of emotion; also, the science of the
law as or principles (of
melody, harmony, rhythm, etc.) by which this art
is regulated.
•Music (1999 definition) Sounds, usually
produced by instruments or voices, that are
arranged or played in order to create a pleasing
Music and Technology
•
•
•
•

Sound recording to internet
Impact on every aspect of music
Electrical Revolution of 1920’s
Refined equipment making possible the
conversion of sound into an electrical
signal
• First Commercial broadcast in US –
11/02/1920 KDKA Pittsburgh station
• RCA and NBC
• 1927 “Talking films” The Jazz Singer
• Early electronic instruments
• 1919 – Léon Theremin, Russian inventor
The Theremin – performers don’t actually
touch the instrument, but move hands in
relation to the antennae
1930’s Hammond Organ
Rickenbaker solid-body steel guitar
Gibson and Fender guitars
First amplified instrument commonly used
was electric guitar
• Magnetic Tape Recording
• Length of a recording jumped from
three or four minutes on a 78 rpm
disc to thirty minutes or more
• Sound quality improved
• Composers used electronically
recorded sounds
• Multi-track recording
Television
• Exploded as a commercial enterprise after
WWII
• Ed Sullivan Show – Beatles and Elvis
• Leonard Bernstein’s Young People’s Concerts
• Replaced radio as the all-purpose mass
medium
Synthesizers
• An instrument capable of generating
sounds electronically
• Mark II – very large and had to be
programmed
• Robert Moog – developed the
Minimoog, a portable synthesizer
designed for live performance
• Analog synthesizers - generated sound
by varying voltage (replaced by digital
instruments)
Digital Technology
• Digital Revolution began in 1970’s
• Unlimited reproduction of the original
sound source without deterioration
• Sampling – transfer of recorded sound
• MIDI (Musical Instrument Digital
Interface) enables communication
between digital instruments and devices
• Audio workstations and computer
software
• Sound editing and a host of digital
instruments have come from this
• We now live in a post-literate musical
world
• Notation software “writes” the music
• Ability to deliver audio over Internet
• Music grew into a massive business
during twentieth century.
• Emergence of popular music as the
dominant commercial force in musical
life
Folk Traditions
• Hungarian Composers Béla Bartók and
Zoltan Kodály
• Traveled throughout Hungary collecting
the songs and dances of peasants in
rural areas
• Ethnomusicology- the study of music
within particular cultures
• Jazz is profoundly influenced by folk
traditions
• Jazz became “America’s Art Music”
Twentieth Century Music
• Fragmentation, not continuity
• New instruments and new vocal and
instrumental sounds
• Broader understanding of “Musical”
sound
• Atonality – the principle of avoiding both
the tonic and its corollary
• What seems normal today was
revolutionary at mid-century and
unimaginable at the beginning of the
twentieth century

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Chapter36

  • 1. Unit 17 MUSICAL LIFE IN THE TWENTIETH CENTURY AND BEYOND Chapter 36 The Twentieth Century and Beyond •Music (1884 definition): That one of the fine arts which is concerned with the combination of sounds with a view to beauty of form and the expression of emotion; also, the science of the law as or principles (of melody, harmony, rhythm, etc.) by which this art is regulated. •Music (1999 definition) Sounds, usually produced by instruments or voices, that are arranged or played in order to create a pleasing
  • 2. Music and Technology • • • • Sound recording to internet Impact on every aspect of music Electrical Revolution of 1920’s Refined equipment making possible the conversion of sound into an electrical signal • First Commercial broadcast in US – 11/02/1920 KDKA Pittsburgh station • RCA and NBC • 1927 “Talking films” The Jazz Singer
  • 3. • Early electronic instruments • 1919 – Léon Theremin, Russian inventor The Theremin – performers don’t actually touch the instrument, but move hands in relation to the antennae 1930’s Hammond Organ Rickenbaker solid-body steel guitar Gibson and Fender guitars First amplified instrument commonly used was electric guitar
  • 4. • Magnetic Tape Recording • Length of a recording jumped from three or four minutes on a 78 rpm disc to thirty minutes or more • Sound quality improved • Composers used electronically recorded sounds • Multi-track recording
  • 5. Television • Exploded as a commercial enterprise after WWII • Ed Sullivan Show – Beatles and Elvis • Leonard Bernstein’s Young People’s Concerts • Replaced radio as the all-purpose mass medium
  • 6. Synthesizers • An instrument capable of generating sounds electronically • Mark II – very large and had to be programmed • Robert Moog – developed the Minimoog, a portable synthesizer designed for live performance • Analog synthesizers - generated sound by varying voltage (replaced by digital instruments)
  • 7. Digital Technology • Digital Revolution began in 1970’s • Unlimited reproduction of the original sound source without deterioration • Sampling – transfer of recorded sound • MIDI (Musical Instrument Digital Interface) enables communication between digital instruments and devices • Audio workstations and computer software • Sound editing and a host of digital instruments have come from this
  • 8. • We now live in a post-literate musical world • Notation software “writes” the music • Ability to deliver audio over Internet • Music grew into a massive business during twentieth century. • Emergence of popular music as the dominant commercial force in musical life
  • 9. Folk Traditions • Hungarian Composers Béla Bartók and Zoltan Kodály • Traveled throughout Hungary collecting the songs and dances of peasants in rural areas • Ethnomusicology- the study of music within particular cultures • Jazz is profoundly influenced by folk traditions • Jazz became “America’s Art Music”
  • 10. Twentieth Century Music • Fragmentation, not continuity • New instruments and new vocal and instrumental sounds • Broader understanding of “Musical” sound • Atonality – the principle of avoiding both the tonic and its corollary • What seems normal today was revolutionary at mid-century and unimaginable at the beginning of the twentieth century