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BRAND IDENTITY MANUAL
Version 1.0
2012
By: Jessica Anandajoo
2
Welcome.
Welcome to The Brontëas brand book.
We have created this document as a guidebook and inspiration for anyone
who is writing, designing, or participating in The Brontëas communications.
This document contains an outline of the basic elements that conveys our
company’s identity and personality.
Jessica Anandajoo
110022321
Ms. Sherina Shahnaz Fauzi
Brand Identity 271
2
Contents.
Introduction
Our inspiration				5
Our objectives				6
Our values					7
Our brand expression			 8
How to use manual guidelines	 9
Our brand elements			 10
Our logo
Brandmark & Logotype			 12
Typeface					13
Brand variations				14
Positioning & Clear Space		 15
Usage					16
Color Specifications			 17
Don’t						18
Our Color
Primary					20
Secondary					21
Our Typography
Overview					24
Primary					25
Secondary					27
Business Applications
Letterhead				29
Business Card			30
Envelope				32
Napkin				34
Menu				35
Merchandise			38
Newsprint Publication &
Ambient Advertisement		 39
Our uniforms
Overview				41
Waiter				42
Waitress				43
Chef					44
Our Web Home Page
Overview				46
Our Signage
Exterior				48
Interior				49
3
Introduction.
Our inspiration
Our objectives
Our values
Our brand expression
How to use manual guidelines
Our brand elements
44
Introduction.
Our inspiration
The Brontës were a nineteenth-century literary family from England. The sisters, Charlotte
(born 21 April 1816), Emily (born 30 July 1818), and Anne (born 17 January 1820), are well
known as poets and novelists. They originally published their poems and novels under masculine
pseudonyms. Charlotte’s Jane Eyre, Emily’s Wuthering Heights, and Anne’s The Tenant of
Wildfell Hall and other works were considered as masterpieces of literature.
5
Introduction.
Our objectives
The Brontëas is a highly conceptualized bistro that thoroughly reflects the lifestyle in British-
Colonial era.
The Brontëas inspires you to cherish books, to fancy teas, and to explore the world around you
from a reading room.
The Brontëas, innovatively modified from the surname of the literary sisters to match the
activity of tea-drinking, is expected to be original, creative, educational, and inspiring.
6
Introduction.
Our values
The Brontëas is expected to inspire. We have the spirit to improve life, everyday. This is our
philosophy.
Ourvaluessetourmannersineverythingwedeliverforthebestof ourcustomersandconsumers.
Our values should be honesty, educational, and caring.
7
Introduction.
Our brand expression
Each person is born with an identity. Likewise, The Brontëas needs an identity to achieve the
objectives.
Our brand concept celebrates both colonial and contemporary era. Our logo is lovely, our
behavior is warm, our setting is tropical, our dream is simple and our message is straightforward.
We deliver everything with quality.
8
Introduction.
How to use manual guidelines
Our branding is crucial to The Brontëas experience. The main focus of our identity is playful
simplicity.
We have created this document to help our vendors to communicate our identity in order to
achieve our objectives in unity. We need to assure that our brand nourishes a constant look
wherever it is presented. This guide is provided to keep the brand focused.
9
Introduction.
Our brand elements
Our company’s design uses five main colors that are used throughout the whole design process.
These are shades of pastel colors which are developed into a pattern. These color palettes
below will be further explained later on this book.
10
Our logo.
Brandmark & Logotype
Typeface
Brand variations
Positioning & Clear Space
Usage
Color Specifications
Don’t
11
Our logo.
Brandmark & Logotype
Our corporate logo is made up of two elements:
a cup placed above two books which we call
our brandmark, and the words ‘The Brontëas’
and ‘Reading Chambers’ which we call our
logotype.
12
Our logo.
Typeface
Our corporate logo is made up of two typefaces.
The name of the bistro ‘The Brontëas’ uses the typeface Janda Happy Day.
The tagline of the bistro ‘Reading Chambers’ uses the typeface Cordelina.
13
Our logo.
Brand Variatons
Our logo has few alternatives of color versions
according to which conditions it is applied on.
We have created a special versions of our logo
(for both symbol and logotype). These diverse
colors help our brand feel vibrant and fresh.
They will give us the variety we need across all
our communications to make them engaging
and relevant. These variations of logo will be
applied to the design process of merchandise as
well (see page 38).
Notes:
1. Corporate version
2. Stationery and garment version
3. Christmas event version
4. Kids version
5. Chinese new year event version
6. New year event version
7. Newsprint publication version
8. Envorinment day version
14
Our logo.
Positioning & Clear Space
Our logo appears in a fixed relationship. It has an area of minimum clear space around it.
Do not let any text or grapics intrude into this space. This will ensure that the logo stands out
wherever it appears.
15
Our logo.
Usage
Our logo has few alternatives of sizes according
to which conditions it is applied on.
The minimum size of our logo for usage is 6 cm.
Although there is no limit size for maximum
usage, there are some simple rules to follow:
1. Our logo should be scaled proportionately;
2. Our logo should still look adorable and
appealing.
16
Our logo.
Color Specifications
Our corporate logo is fixed with these pastel colors (see page 10).
Note: Pantone® is a registered trademark of Pantone, Inc. The color shown on this page are not intended to visually match the pantone color standards. Please refer to the current edition of the Color Formula Guide.
CMYK:
12.55/38.82/40.39/0
RGB:
220/164/144
HEX:
#dca490
PMS:
Pantone 500C
CMYK:
49.8/16.47/33.73/0
RGB:
133/178/171
HEX:
#85b2ab
PMS:
Pantone 8281C
CMYK:
17.65/9.02/57.65/0
RGB:
214/211/135
HEX:
#d6d387
PMS:
Pantone 617C
CMYK:
18.04/21.96/27.45/0
RGB:
209/192/178
HEX:
#d1c0b2
PMS:
Pantone 401C
CMYK:
21.96/8.63/15.69/0
RGB:
198/213/209
HEX:
#c6d5d1
PMS:
Pantone 5517C
17
Our logo.
Don’t
To maintain a unique brand, it is important to
use our logo in a consistent way.
1. Don’t create new symbol colors
2. Don’t apply effects to our logo
3. Don’t add a gradient to our logo
4. Don’t add a gradient to the background
5. Don’t create background patterns
6. Don’t change our logo’s orientation
7. Don’t scale our logo disproportionately
8. Don’t change our logo’s position
9. Don’t pair logo and background that are 	
not from the approved combinations
18
Our colors.
Primary
Secondary
19
Our color.
Primary
These colors are developed for use of brand identity elements.
Note: Pantone® is a registered trademark of Pantone, Inc. The color shown on this page are not intended to visually match the pantone color standards. Please refer to the current edition of the Color Formula Guide.
CMYK:
12.55/38.82/40.39/0
RGB:
220/164/144
HEX:
#dca490
PMS:
Pantone 500C
CMYK:
49.8/16.47/33.73/0
RGB:
133/178/171
HEX:
#85b2ab
PMS:
Pantone 8281C
CMYK:
17.65/9.02/57.65/0
RGB:
214/211/135
HEX:
#d6d387
PMS:
Pantone 617C
CMYK:
18.04/21.96/27.45/0
RGB:
209/192/178
HEX:
#d1c0b2
PMS:
Pantone 401C
CMYK:
21.96/8.63/15.69/0
RGB:
198/213/209
HEX:
#c6d5d1
PMS:
Pantone 5517C
20
CMYK:
0/48.2/12.36/0
RGB:
245/156/176
HEX:
#f59cb0
PMS:
Pantone 812C
CMYK:
12.94/92.55/65.49/
1.96
RGB:
208/56/78
HEX:
#d2364f
PMS:
Pantone 703C
CMYK:
0/2/15/0
RGB:
255/246/220
HEX:
#fff8dd
PMS:
Pantone 7499C
CMYK:
0/10/95/0
RGB:
255/222/23
HEX:
#ffde16
PMS:
Pantone 108C
CMYK:
24.55/41.49/65.51/
76
RGB:
73/54/31
HEX:
#49361e
PMS:
Pantone 476C
Our color.
Secondary
These colors are developed for uniforms, signage, business applications, and interiors.
Note: Pantone® is a registered trademark of Pantone, Inc. The color shown on this page are not intended to visually match the pantone color standards. Please refer to the current edition of the Color Formula Guide.
21
CMYK:
82.35/31.76/69.02/
15.69
RGB:
43/121/97
HEX:
#287961
PMS:
Pantone 5545C
CMYK:
62.35/0/76.08/0
RGB:
100/190/111
HEX:
#64be6f
PMS:
Pantone 360C
CMYK:
45.88/77.25/77.65/
66.67
RGB:
68/32/24
HEX:
#442017
PMS:
Pantone 504C
CMYK:
3.53/2.35/2.35/0
RGB:
243/243/243
HEX:
#f2f2f2
PMS:
Pantone Cool Gray 1C
CMYK:
72.94/66.67/75.49/
79.61
RGB:
23/23/23
HEX:
#171717
PMS:
Pantone Hexachrome
Black C
Our color.
Secondary
These colors are developed for uniforms, signage, business applications, and interiors.
Note: Pantone® is a registered trademark of Pantone, Inc. The color shown on this page are not intended to visually match the pantone color standards. Please refer to the current edition of the Color Formula Guide.
22
Our typography.
Overview
Primary
Secondary
23
Our typography.
Overview
We have four typefaces altogether which are
used in different situations.
The common typeface for numerical characters
which is used throughout the whole design
process will be Baskerville, except the one for
postal code of the bistro.
FontUsage Logo Font Stationery Font Promotional Font
Janda Happy Day Yes - -
Cordellina - Yes -
Baskerville - Yes Yes
Joy Like Sunshine Through
My Windowpanel
- Yes -
24
Our typography.
Primary
We have three primary typefaces which are
used in different situations.
Our first primary typeface is Janda Happy
Day. It will give our communications a warm,
welcome, and caring tone.
Our second primary typeface is Cordellina. It
will give our communications a playful, creative,
and lovely tone.
Janda Happy Day, Regular
AaBbCcDdEeFfGgHhIiJ jK kLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
1234567890
Cordellina, Regular
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
1234567890
Notes: Cordellina is available on www.dafont.com.
25
Our typography.
Primary
We have three primary typefaces which are
used in different situations.
Our third primary typeface is Baskerville.
It will give our communications a simple,
straightforward, and educational tone.
Baskerville is classified as transitional typeface
designed in Birmingham, England, positioned
between the old style typefaces of William
Caslon, and the modern styles of Bodoni
and Didot. Baskerville is the best typeface
to represent the theme of our brand, which
juxtaposes British colonial and contemporary
style.
Baskerville, Regular
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
1234567890 (.,:;?!£$&@*)
Baskerville, Bold
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
1234567890 (.,:;?!£$&@*)
Baskerville, Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
1234567890 (.,:;?!£$&@*)
26
Our typography.
Secondary
We have a secondary typeface which is used in
different situations.
Our secondary typeface is Joy Like Sunshine
Through My Windowpanel. It is used only on
menu for the written culinary names.
Joy Like Sunshine Through My
Windowpanel, Regular
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOo
PpQqRrSsTtUuVvWwXxYyZz
Notes: JoyThrough MyWindowpanel is available on www.dafont.com
27
Our business applications.
Letterhead
Business Card
Envelope
Napkin
Menu
Merchandise
Newsprint Publication & Ambient Advertisement
28
Our business
applications.
Letterhead
Our letter (A4 paper sizes: 210mm x 297mm)
uses this fixed template.
Text Setting:
Baskerville 16 pt (Bold) for date
Baskerville 14 pt (Bold) for salutation and sender’s
behalf
Baskerville 12 pt (Regular) for the body of the letter
and complimentary close
Alignment:
Justified with last line aligned left
29
Our business
applications.
Business Card
(Outside of Card)
Our business card uses this fixed design and
colors.
Our business card is bilingual which uses the
size of a 10 cm diameter for each circle.
On the back of our business card will have
inspiring quotes from literary individuals
sharing thoughts about making friends.
30
Our business
applications.
Business Card
(Inside Folded Card)
Text Setting:
Cordelina 12 pt for alphabetical characters
Baskerville 12 pt for numerical characters
31
Our business
applications.
Envelope
(Front)
Our envelope uses this fixed design and colors.
Our common envelope uses the size of a
standard #10 envelope (4.125"x 9.5").
In the case where our envelope is needed for use
of otherpurposes,thesizeis(9"x12")forsending
magazines and catalogs and (4.75"x6.5") for
sending formal announcements and invitations.
32
Our business
applications.
Envelope
(Back)
On the back of our envelope will have an
inspiring quote from a literary individual
sharing thoughts about writing letters.
33
Our business
applications.
Napkin
Our napkin uses the brand identity pattern as
the garment and the special edition of logo
developed only for garments and business
applications which is placed on bottom right
corner. The manner of the napkin folded
dependsontheoccassions,events,anddurations
of the day.
34
Our business
applications.
Menu
(Cover Page)
Our menu uses this fixed design and colors.
Our menu is a mock-up of a book.
Our menu is available for purchase.
On the back of our menu book will have
inspiring quotes from literary individuals
sharing thoughts about foods.
35
Our business
applications.
Menu
(First Page)
36
Our business
applications.
Menu
(Inside Template)
37
Our business
applications.
Merchandise
Our merchandise will be sold in different
events, holidays, and occassions. This will give
our communications a significant identity.
38
Our business
applications.
Newsprint Publication &
Ambient Advertisement
For newsprint publication logo, see page 14.
39
Our uniforms.
Overview
Waiter
Waitress
Chef
40
Our uniforms.
Overview
As we have mentioned before, the design,
pattern, and color for the uniforms are fixed.
In the case where the textiles of the pattern and
color we expect do not meet with the availability
in the public market, we create our own fabrics
based on our desired pattern and color.
41
Our uniforms.
Waiter
Our waiters wear this innovatively created
uniform which design, pattern and colors are
fixed.
To complete the look, waiter wears a pair of
beige socks and black pantofel.
42
Our uniforms.
Waitress
Our waitresses wear this innovatively
created uniform which design, pattern
and colors are fixed.
To complete the look, waitress wears a pair
of beige socks and black pantofel.
43
Our uniforms.
Chef
Ourchefswearthisinnovativelycreateduniform
which design, pattern and colors are fixed.
These are the chef uniforms for male and
female respectively. Furthermore, there are no
standard laws for their shoes, with the condition
of colors and designs not interfering with brand
identity elements.
44
Our web homepage.
Overview
45
Our web homepage.
Overview
46
Our signage.
Exterior
Interior
47
Our signage.
Exterior
48
Our signage.
Interior
49
Further inquiries.
Please contact:
Jessica Anandajoo
+60169691845

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Brand Manual Book

  • 1. BRAND IDENTITY MANUAL Version 1.0 2012 By: Jessica Anandajoo
  • 2. 2 Welcome. Welcome to The Brontëas brand book. We have created this document as a guidebook and inspiration for anyone who is writing, designing, or participating in The Brontëas communications. This document contains an outline of the basic elements that conveys our company’s identity and personality. Jessica Anandajoo 110022321 Ms. Sherina Shahnaz Fauzi Brand Identity 271 2
  • 3. Contents. Introduction Our inspiration 5 Our objectives 6 Our values 7 Our brand expression 8 How to use manual guidelines 9 Our brand elements 10 Our logo Brandmark & Logotype 12 Typeface 13 Brand variations 14 Positioning & Clear Space 15 Usage 16 Color Specifications 17 Don’t 18 Our Color Primary 20 Secondary 21 Our Typography Overview 24 Primary 25 Secondary 27 Business Applications Letterhead 29 Business Card 30 Envelope 32 Napkin 34 Menu 35 Merchandise 38 Newsprint Publication & Ambient Advertisement 39 Our uniforms Overview 41 Waiter 42 Waitress 43 Chef 44 Our Web Home Page Overview 46 Our Signage Exterior 48 Interior 49 3
  • 4. Introduction. Our inspiration Our objectives Our values Our brand expression How to use manual guidelines Our brand elements 44
  • 5. Introduction. Our inspiration The Brontës were a nineteenth-century literary family from England. The sisters, Charlotte (born 21 April 1816), Emily (born 30 July 1818), and Anne (born 17 January 1820), are well known as poets and novelists. They originally published their poems and novels under masculine pseudonyms. Charlotte’s Jane Eyre, Emily’s Wuthering Heights, and Anne’s The Tenant of Wildfell Hall and other works were considered as masterpieces of literature. 5
  • 6. Introduction. Our objectives The Brontëas is a highly conceptualized bistro that thoroughly reflects the lifestyle in British- Colonial era. The Brontëas inspires you to cherish books, to fancy teas, and to explore the world around you from a reading room. The Brontëas, innovatively modified from the surname of the literary sisters to match the activity of tea-drinking, is expected to be original, creative, educational, and inspiring. 6
  • 7. Introduction. Our values The Brontëas is expected to inspire. We have the spirit to improve life, everyday. This is our philosophy. Ourvaluessetourmannersineverythingwedeliverforthebestof ourcustomersandconsumers. Our values should be honesty, educational, and caring. 7
  • 8. Introduction. Our brand expression Each person is born with an identity. Likewise, The Brontëas needs an identity to achieve the objectives. Our brand concept celebrates both colonial and contemporary era. Our logo is lovely, our behavior is warm, our setting is tropical, our dream is simple and our message is straightforward. We deliver everything with quality. 8
  • 9. Introduction. How to use manual guidelines Our branding is crucial to The Brontëas experience. The main focus of our identity is playful simplicity. We have created this document to help our vendors to communicate our identity in order to achieve our objectives in unity. We need to assure that our brand nourishes a constant look wherever it is presented. This guide is provided to keep the brand focused. 9
  • 10. Introduction. Our brand elements Our company’s design uses five main colors that are used throughout the whole design process. These are shades of pastel colors which are developed into a pattern. These color palettes below will be further explained later on this book. 10
  • 11. Our logo. Brandmark & Logotype Typeface Brand variations Positioning & Clear Space Usage Color Specifications Don’t 11
  • 12. Our logo. Brandmark & Logotype Our corporate logo is made up of two elements: a cup placed above two books which we call our brandmark, and the words ‘The Brontëas’ and ‘Reading Chambers’ which we call our logotype. 12
  • 13. Our logo. Typeface Our corporate logo is made up of two typefaces. The name of the bistro ‘The Brontëas’ uses the typeface Janda Happy Day. The tagline of the bistro ‘Reading Chambers’ uses the typeface Cordelina. 13
  • 14. Our logo. Brand Variatons Our logo has few alternatives of color versions according to which conditions it is applied on. We have created a special versions of our logo (for both symbol and logotype). These diverse colors help our brand feel vibrant and fresh. They will give us the variety we need across all our communications to make them engaging and relevant. These variations of logo will be applied to the design process of merchandise as well (see page 38). Notes: 1. Corporate version 2. Stationery and garment version 3. Christmas event version 4. Kids version 5. Chinese new year event version 6. New year event version 7. Newsprint publication version 8. Envorinment day version 14
  • 15. Our logo. Positioning & Clear Space Our logo appears in a fixed relationship. It has an area of minimum clear space around it. Do not let any text or grapics intrude into this space. This will ensure that the logo stands out wherever it appears. 15
  • 16. Our logo. Usage Our logo has few alternatives of sizes according to which conditions it is applied on. The minimum size of our logo for usage is 6 cm. Although there is no limit size for maximum usage, there are some simple rules to follow: 1. Our logo should be scaled proportionately; 2. Our logo should still look adorable and appealing. 16
  • 17. Our logo. Color Specifications Our corporate logo is fixed with these pastel colors (see page 10). Note: Pantone® is a registered trademark of Pantone, Inc. The color shown on this page are not intended to visually match the pantone color standards. Please refer to the current edition of the Color Formula Guide. CMYK: 12.55/38.82/40.39/0 RGB: 220/164/144 HEX: #dca490 PMS: Pantone 500C CMYK: 49.8/16.47/33.73/0 RGB: 133/178/171 HEX: #85b2ab PMS: Pantone 8281C CMYK: 17.65/9.02/57.65/0 RGB: 214/211/135 HEX: #d6d387 PMS: Pantone 617C CMYK: 18.04/21.96/27.45/0 RGB: 209/192/178 HEX: #d1c0b2 PMS: Pantone 401C CMYK: 21.96/8.63/15.69/0 RGB: 198/213/209 HEX: #c6d5d1 PMS: Pantone 5517C 17
  • 18. Our logo. Don’t To maintain a unique brand, it is important to use our logo in a consistent way. 1. Don’t create new symbol colors 2. Don’t apply effects to our logo 3. Don’t add a gradient to our logo 4. Don’t add a gradient to the background 5. Don’t create background patterns 6. Don’t change our logo’s orientation 7. Don’t scale our logo disproportionately 8. Don’t change our logo’s position 9. Don’t pair logo and background that are not from the approved combinations 18
  • 20. Our color. Primary These colors are developed for use of brand identity elements. Note: Pantone® is a registered trademark of Pantone, Inc. The color shown on this page are not intended to visually match the pantone color standards. Please refer to the current edition of the Color Formula Guide. CMYK: 12.55/38.82/40.39/0 RGB: 220/164/144 HEX: #dca490 PMS: Pantone 500C CMYK: 49.8/16.47/33.73/0 RGB: 133/178/171 HEX: #85b2ab PMS: Pantone 8281C CMYK: 17.65/9.02/57.65/0 RGB: 214/211/135 HEX: #d6d387 PMS: Pantone 617C CMYK: 18.04/21.96/27.45/0 RGB: 209/192/178 HEX: #d1c0b2 PMS: Pantone 401C CMYK: 21.96/8.63/15.69/0 RGB: 198/213/209 HEX: #c6d5d1 PMS: Pantone 5517C 20
  • 21. CMYK: 0/48.2/12.36/0 RGB: 245/156/176 HEX: #f59cb0 PMS: Pantone 812C CMYK: 12.94/92.55/65.49/ 1.96 RGB: 208/56/78 HEX: #d2364f PMS: Pantone 703C CMYK: 0/2/15/0 RGB: 255/246/220 HEX: #fff8dd PMS: Pantone 7499C CMYK: 0/10/95/0 RGB: 255/222/23 HEX: #ffde16 PMS: Pantone 108C CMYK: 24.55/41.49/65.51/ 76 RGB: 73/54/31 HEX: #49361e PMS: Pantone 476C Our color. Secondary These colors are developed for uniforms, signage, business applications, and interiors. Note: Pantone® is a registered trademark of Pantone, Inc. The color shown on this page are not intended to visually match the pantone color standards. Please refer to the current edition of the Color Formula Guide. 21
  • 22. CMYK: 82.35/31.76/69.02/ 15.69 RGB: 43/121/97 HEX: #287961 PMS: Pantone 5545C CMYK: 62.35/0/76.08/0 RGB: 100/190/111 HEX: #64be6f PMS: Pantone 360C CMYK: 45.88/77.25/77.65/ 66.67 RGB: 68/32/24 HEX: #442017 PMS: Pantone 504C CMYK: 3.53/2.35/2.35/0 RGB: 243/243/243 HEX: #f2f2f2 PMS: Pantone Cool Gray 1C CMYK: 72.94/66.67/75.49/ 79.61 RGB: 23/23/23 HEX: #171717 PMS: Pantone Hexachrome Black C Our color. Secondary These colors are developed for uniforms, signage, business applications, and interiors. Note: Pantone® is a registered trademark of Pantone, Inc. The color shown on this page are not intended to visually match the pantone color standards. Please refer to the current edition of the Color Formula Guide. 22
  • 24. Our typography. Overview We have four typefaces altogether which are used in different situations. The common typeface for numerical characters which is used throughout the whole design process will be Baskerville, except the one for postal code of the bistro. FontUsage Logo Font Stationery Font Promotional Font Janda Happy Day Yes - - Cordellina - Yes - Baskerville - Yes Yes Joy Like Sunshine Through My Windowpanel - Yes - 24
  • 25. Our typography. Primary We have three primary typefaces which are used in different situations. Our first primary typeface is Janda Happy Day. It will give our communications a warm, welcome, and caring tone. Our second primary typeface is Cordellina. It will give our communications a playful, creative, and lovely tone. Janda Happy Day, Regular AaBbCcDdEeFfGgHhIiJ jK kLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz 1234567890 Cordellina, Regular AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz 1234567890 Notes: Cordellina is available on www.dafont.com. 25
  • 26. Our typography. Primary We have three primary typefaces which are used in different situations. Our third primary typeface is Baskerville. It will give our communications a simple, straightforward, and educational tone. Baskerville is classified as transitional typeface designed in Birmingham, England, positioned between the old style typefaces of William Caslon, and the modern styles of Bodoni and Didot. Baskerville is the best typeface to represent the theme of our brand, which juxtaposes British colonial and contemporary style. Baskerville, Regular AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz 1234567890 (.,:;?!£$&@*) Baskerville, Bold AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz 1234567890 (.,:;?!£$&@*) Baskerville, Italic AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz 1234567890 (.,:;?!£$&@*) 26
  • 27. Our typography. Secondary We have a secondary typeface which is used in different situations. Our secondary typeface is Joy Like Sunshine Through My Windowpanel. It is used only on menu for the written culinary names. Joy Like Sunshine Through My Windowpanel, Regular AaBbCcDdEeFfGgHhIiJjKkLlMmNnOo PpQqRrSsTtUuVvWwXxYyZz Notes: JoyThrough MyWindowpanel is available on www.dafont.com 27
  • 28. Our business applications. Letterhead Business Card Envelope Napkin Menu Merchandise Newsprint Publication & Ambient Advertisement 28
  • 29. Our business applications. Letterhead Our letter (A4 paper sizes: 210mm x 297mm) uses this fixed template. Text Setting: Baskerville 16 pt (Bold) for date Baskerville 14 pt (Bold) for salutation and sender’s behalf Baskerville 12 pt (Regular) for the body of the letter and complimentary close Alignment: Justified with last line aligned left 29
  • 30. Our business applications. Business Card (Outside of Card) Our business card uses this fixed design and colors. Our business card is bilingual which uses the size of a 10 cm diameter for each circle. On the back of our business card will have inspiring quotes from literary individuals sharing thoughts about making friends. 30
  • 31. Our business applications. Business Card (Inside Folded Card) Text Setting: Cordelina 12 pt for alphabetical characters Baskerville 12 pt for numerical characters 31
  • 32. Our business applications. Envelope (Front) Our envelope uses this fixed design and colors. Our common envelope uses the size of a standard #10 envelope (4.125"x 9.5"). In the case where our envelope is needed for use of otherpurposes,thesizeis(9"x12")forsending magazines and catalogs and (4.75"x6.5") for sending formal announcements and invitations. 32
  • 33. Our business applications. Envelope (Back) On the back of our envelope will have an inspiring quote from a literary individual sharing thoughts about writing letters. 33
  • 34. Our business applications. Napkin Our napkin uses the brand identity pattern as the garment and the special edition of logo developed only for garments and business applications which is placed on bottom right corner. The manner of the napkin folded dependsontheoccassions,events,anddurations of the day. 34
  • 35. Our business applications. Menu (Cover Page) Our menu uses this fixed design and colors. Our menu is a mock-up of a book. Our menu is available for purchase. On the back of our menu book will have inspiring quotes from literary individuals sharing thoughts about foods. 35
  • 38. Our business applications. Merchandise Our merchandise will be sold in different events, holidays, and occassions. This will give our communications a significant identity. 38
  • 39. Our business applications. Newsprint Publication & Ambient Advertisement For newsprint publication logo, see page 14. 39
  • 41. Our uniforms. Overview As we have mentioned before, the design, pattern, and color for the uniforms are fixed. In the case where the textiles of the pattern and color we expect do not meet with the availability in the public market, we create our own fabrics based on our desired pattern and color. 41
  • 42. Our uniforms. Waiter Our waiters wear this innovatively created uniform which design, pattern and colors are fixed. To complete the look, waiter wears a pair of beige socks and black pantofel. 42
  • 43. Our uniforms. Waitress Our waitresses wear this innovatively created uniform which design, pattern and colors are fixed. To complete the look, waitress wears a pair of beige socks and black pantofel. 43
  • 44. Our uniforms. Chef Ourchefswearthisinnovativelycreateduniform which design, pattern and colors are fixed. These are the chef uniforms for male and female respectively. Furthermore, there are no standard laws for their shoes, with the condition of colors and designs not interfering with brand identity elements. 44