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Aaron D. Jolly Hanseo University Korea TESOL Teacher Trainer
 
 
1. What is Motivation? 2. Classroom Management. 3. Classroom English. 4. Textbook Adaptation. 5. Textbook Supplementation.
Who am I? I  resemble  the  thinker , therefore I am.  (Rodin 1902, meets Descarte, 1637)
About me… I  reflect  therefore I teach.  (Descarte 1637 meets Farrell 2008)
- Reflective teaching practice. -Multiple intelligence theory. -Learner training/student centered. -Promoting acquisition over learning -Input based approaches like ER & EL
 
1 -Is the motivation OK in my class? 2. Is my classroom management OK? 3. Am I promoting classroom English? 4.  Am I adapting the textbook enough? 5. Am I supplementing the textbook?
Student responsibility for learning/acquisition Vs. Carrot and stick approach. (Rice cake and stick)
 
1 –Why am I here?  2- Why are my students here? 3- Do I ever ask them this? 4- Do I balance extrinsic v intrinsic? 5-How do I reward & punish or NOT?
 
 
1 –Do the students have roles? 2- Are my teams/groups functioning? 3- Are individuals nurtured? 4- What is the currency in my class? 5- Am I systematic? Am I God-like?
Yes, you may George, but come back quickly!
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
http://www.finchpark.com/courses/links/classroom.htm
http://www.finchpark.com/courses/links/classroom.htm
 
1 –Do I plan my classroom English? 2- Do I teach,  display , repeat, recycle? 3- Do I include it in class activities? 4- Do I have games that include it? 5- Do I set rules, and notice & praise?
Textbook Adaptation Change the color of your textbook!
i.  Using “Entry Points”.  ii.  5 minute “Brain Based” activities iii.  “Multiple Intelligence” lesson plans. iv.  Cooperative Learning activities. v.  “Thinking  Routines” from HGSE. vi.  Speaking frames using PPT
There are 5 kinds of Entry Points : -The Aesthetic.  -The Narrative.    -The Logical/Quantitative.  -The Foundational.  -The Experiential. Gardner, H. (1991),  The Unschooled Mind , New York:  Basic Books .
The entry point through  which learners respond  to  formal and sensory  qualities of a subject  or a work of art. http://brooklynartproject.ning.com/
Examples: *Use photos from artistic images to stimulate interest. *Show a famous painting or picture which is connected by theme to your topic . Theme: My family
[object Object]
Use all kinds of pictures What do you see,  think, wonder?
The entry point through  which learners respond  to the  narrative  (story)  elements  of a subject  or work of art.  Theme: My house
 
Remember your audience!   (Especially if you have 5 th -10th graders?) ,[object Object]
The entry point through  which learners respond  to  aspects  of a subject, or  work of art that invite  deductive  reasoning or  numerical consideration .
10,000 100,000 1 million 2 million 5 million 8 million 10 million Theme: Korea 2002 World Cup
1. They are using sign language . 2. The girl is probably deaf. 3. The woman is  a teacher/helper.  Theme: Deaf children
The entry point through which learners respond  to the broader concepts,  or  philosophical issues,   raised by a subject  or artwork.
Why is it so? Why do we need English? Why do you love your family? Why do you study so hard? Why do you play soccer? Why is Korea so busy? Why do you drive like that?
The entry point through which learners respond  to a subject  or work  art by  actually doing   something with their  hands or bodies.
*Play different  trust games *Pretend to be blind (for unit on physically challenged kids) Theme: Friendship  ---  Caring/service
Adapted from WIDEWORLD professional development  resources.  http://www.wideworld.pz.harvard.edu/ These examples were excerpted and adapted from: Davis, J. (1996).  The MUSE Book . Cambridge, MA: President and Fellows of Harvard College/Harvard Project Zero
Narrative & experiential
What is brain based learning? http://eduscapes.com/tap/topic70.htm
What’s the most delicious word? What’s the most dangerous word? What’s the ugliest word? What’s the tallest word? What’s the funniest word? What’s your favorite word?
M.I. theory by Dr. Howard Gardner (1983), Professor of Education  at Harvard University.
 
 
 
1. Using  MI inventories , to evaluate students learning styles.  2. Creating a mix of different activities based on an  MI lesson plan schema .
http://www.spannj.org/BasicRights/appendix_b.htm#test
Aaron’s profile from website linked below: Interpersonal, Verbal-Linguistic  strength  90.   Kinesthetic, Intrapersonal strength  80.  Logical-mathematical strength  70 Naturalist strength, Visual-spatial strength  60. Musical strength  50. Existential strength  n/a. http://surfaquarium.com/MI/inventory.htm http://www.igs.net/~cmorris/inventories_on_mi.html
http://www.teach-nology.com/trilogy/
Advantages: *Maximize student talking time. *Maximize interaction. Activity examples:  Think Pair Share, Circle of Speakers,  Circle of Writers, & Snowball.
From George Jacobs’s wonderful website: http://www.georgejacobs.net/index.html
List all the things you know about  ants  ( in 1 minute) Next,  make a list with your partner … next share with the two people next to you or behind you . No duplications please!
http://www.pz.harvard.edu/Research/AERA06ThinkingRoutines.pdf
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
http://pzweb.harvard.edu/vt/VisibleThinking_html_files/03_ThinkingRoutines/03c_CoreRoutines.html
 
See. Think. Wonder This one is so easy to use!
 
Connect Extend Challenge
Connect Extend Challenge Rachel video
Connect Extend Challenge
Challenge
For heaven’s sake use  PPT
Yes you can use PPT to  make your own: ,[object Object],[object Object]
PPT Speaking Frame Example: ,[object Object]
PPT Speaking Frame Example: ,[object Object]
A: What’s your favorite ice-cream? B: My favorite ice-cream is _______. How about you? A: I like ___________. Do you  like ___________? B: Yes I do/No I don’t actually.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
1 –Do I use entry points to lessons? 2- Do I use “brain based”  cognivities ? 3- Are the MI’s of students factored? 4- Do I use cooperative learning? 5- Do I use thinking routines? 6- Do I use speaking frames?
Part 5:  Textbook Supplementation Use the 1 + 1 approach to add stuff!
i.  Extensive reading ii.  Video & audio materials iii.  Learner journals iv.  Dramatic skits and readings v.  PPT books & read alouds vi.  Online quizzes vii.  Vocabulary cards viii.  Blogs and webchat
i. Extensive reading ,[object Object],[object Object],[object Object],[object Object],[object Object]
Use Graded Readers! Graded Readers  are “books prepared so that  they stay within strictly limited vocabulary.”  (Nation, 2001)
Use Tar Heel Readers! ,[object Object],[object Object],[object Object]
Tar Heel Readers!    Crazy Cat Tricks
Tar Heel Readers!    Crazy Cat Tricks
Tar Heel Readers!    Crazy Cat Tricks
Tar Heel Readers!    Crazy Cat Tricks
Tar Heel Readers!    Crazy Cat Tricks
Tar Heel Readers!    Crazy Cat Tricks
a.  Use Real-English.com to watch videos with subtitles, for all levels.  b.  Find video materials on DVD or  that are level appropriate. c.  Use you-tube videos with script  
 
 
 
  By Rob Waring  (distributed in Korea by YBM Sisa)
  Excellent materials designed for EFL
 
http://www.finchpark.com/videos/alt_assess/index.htm ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Play video if time
How to Teach English with Technology (Gavin Dudeney and Nicky Hockly 2007)
 
Vocabulary Instruction ,[object Object],[object Object],[object Object],[object Object]
Vocabulary Instruction ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Vocabulary Instruction ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
?
1 –Do I have time for anything? 2 – How can I make (more) time? 3-Do I practice the 1 + 1 approach?  4- Is it for in-class only, or out too? 5- How do I assess learning, or do I? 6- What varies? What stays the same?
http://eflclassroom.ning.com/index.php
http://firesidelearning.ning.com/
Websites for YL ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Websites for YL 7)  http://www.voicethread.com   -- Voicethread       Create an account, put up a picture and send your students there to practice speaking and to record messages. Really great for oral speaking practice.  8)  http://tarheelreader.org  – Tar Heel Reader          Make books with pictures. The site has a voice which will read them! Also download them as powerpoint and use in class directly!  9)  http://supersimplesongs.com  – Children’s songs      Great songs and tips for teaching them with young learners!  10)  http://real-english.com  – Real English      Watch videos with subtitles, for all levels. Unique!  11)  http://jr.naver.com/english/list.nhn?id=dongyo&cid1=2   - Jr. Naver  Many songs, chants, stories, games for young learners (Korean based)
 

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Chungnam.u.textbook.alive.

  • 1. Aaron D. Jolly Hanseo University Korea TESOL Teacher Trainer
  • 2.  
  • 3.  
  • 4. 1. What is Motivation? 2. Classroom Management. 3. Classroom English. 4. Textbook Adaptation. 5. Textbook Supplementation.
  • 5. Who am I? I resemble the thinker , therefore I am. (Rodin 1902, meets Descarte, 1637)
  • 6. About me… I reflect therefore I teach. (Descarte 1637 meets Farrell 2008)
  • 7. - Reflective teaching practice. -Multiple intelligence theory. -Learner training/student centered. -Promoting acquisition over learning -Input based approaches like ER & EL
  • 8.  
  • 9. 1 -Is the motivation OK in my class? 2. Is my classroom management OK? 3. Am I promoting classroom English? 4. Am I adapting the textbook enough? 5. Am I supplementing the textbook?
  • 10. Student responsibility for learning/acquisition Vs. Carrot and stick approach. (Rice cake and stick)
  • 11.  
  • 12. 1 –Why am I here? 2- Why are my students here? 3- Do I ever ask them this? 4- Do I balance extrinsic v intrinsic? 5-How do I reward & punish or NOT?
  • 13.  
  • 14.  
  • 15. 1 –Do the students have roles? 2- Are my teams/groups functioning? 3- Are individuals nurtured? 4- What is the currency in my class? 5- Am I systematic? Am I God-like?
  • 16. Yes, you may George, but come back quickly!
  • 17.
  • 18.
  • 21.  
  • 22. 1 –Do I plan my classroom English? 2- Do I teach, display , repeat, recycle? 3- Do I include it in class activities? 4- Do I have games that include it? 5- Do I set rules, and notice & praise?
  • 23. Textbook Adaptation Change the color of your textbook!
  • 24. i. Using “Entry Points”. ii. 5 minute “Brain Based” activities iii. “Multiple Intelligence” lesson plans. iv. Cooperative Learning activities. v. “Thinking Routines” from HGSE. vi. Speaking frames using PPT
  • 25. There are 5 kinds of Entry Points : -The Aesthetic. -The Narrative. -The Logical/Quantitative. -The Foundational. -The Experiential. Gardner, H. (1991), The Unschooled Mind , New York: Basic Books .
  • 26. The entry point through which learners respond to formal and sensory qualities of a subject or a work of art. http://brooklynartproject.ning.com/
  • 27. Examples: *Use photos from artistic images to stimulate interest. *Show a famous painting or picture which is connected by theme to your topic . Theme: My family
  • 28.
  • 29. Use all kinds of pictures What do you see, think, wonder?
  • 30. The entry point through which learners respond to the narrative (story) elements of a subject or work of art. Theme: My house
  • 31.  
  • 32.
  • 33. The entry point through which learners respond to aspects of a subject, or work of art that invite deductive reasoning or numerical consideration .
  • 34. 10,000 100,000 1 million 2 million 5 million 8 million 10 million Theme: Korea 2002 World Cup
  • 35. 1. They are using sign language . 2. The girl is probably deaf. 3. The woman is a teacher/helper. Theme: Deaf children
  • 36. The entry point through which learners respond to the broader concepts, or philosophical issues, raised by a subject or artwork.
  • 37. Why is it so? Why do we need English? Why do you love your family? Why do you study so hard? Why do you play soccer? Why is Korea so busy? Why do you drive like that?
  • 38. The entry point through which learners respond to a subject or work art by actually doing something with their hands or bodies.
  • 39. *Play different trust games *Pretend to be blind (for unit on physically challenged kids) Theme: Friendship --- Caring/service
  • 40. Adapted from WIDEWORLD professional development resources. http://www.wideworld.pz.harvard.edu/ These examples were excerpted and adapted from: Davis, J. (1996). The MUSE Book . Cambridge, MA: President and Fellows of Harvard College/Harvard Project Zero
  • 42. What is brain based learning? http://eduscapes.com/tap/topic70.htm
  • 43. What’s the most delicious word? What’s the most dangerous word? What’s the ugliest word? What’s the tallest word? What’s the funniest word? What’s your favorite word?
  • 44. M.I. theory by Dr. Howard Gardner (1983), Professor of Education at Harvard University.
  • 45.  
  • 46.  
  • 47.  
  • 48. 1. Using MI inventories , to evaluate students learning styles. 2. Creating a mix of different activities based on an MI lesson plan schema .
  • 50. Aaron’s profile from website linked below: Interpersonal, Verbal-Linguistic strength 90. Kinesthetic, Intrapersonal strength 80. Logical-mathematical strength 70 Naturalist strength, Visual-spatial strength 60. Musical strength 50. Existential strength n/a. http://surfaquarium.com/MI/inventory.htm http://www.igs.net/~cmorris/inventories_on_mi.html
  • 52. Advantages: *Maximize student talking time. *Maximize interaction. Activity examples: Think Pair Share, Circle of Speakers, Circle of Writers, & Snowball.
  • 53. From George Jacobs’s wonderful website: http://www.georgejacobs.net/index.html
  • 54. List all the things you know about ants ( in 1 minute) Next, make a list with your partner … next share with the two people next to you or behind you . No duplications please!
  • 56.
  • 58.  
  • 59. See. Think. Wonder This one is so easy to use!
  • 60.  
  • 62. Connect Extend Challenge Rachel video
  • 66.
  • 67.
  • 68.
  • 69. A: What’s your favorite ice-cream? B: My favorite ice-cream is _______. How about you? A: I like ___________. Do you like ___________? B: Yes I do/No I don’t actually.
  • 70.
  • 71.
  • 72.
  • 73. 1 –Do I use entry points to lessons? 2- Do I use “brain based” cognivities ? 3- Are the MI’s of students factored? 4- Do I use cooperative learning? 5- Do I use thinking routines? 6- Do I use speaking frames?
  • 74. Part 5: Textbook Supplementation Use the 1 + 1 approach to add stuff!
  • 75. i. Extensive reading ii. Video & audio materials iii. Learner journals iv. Dramatic skits and readings v. PPT books & read alouds vi. Online quizzes vii. Vocabulary cards viii. Blogs and webchat
  • 76.
  • 77. Use Graded Readers! Graded Readers are “books prepared so that they stay within strictly limited vocabulary.” (Nation, 2001)
  • 78.
  • 79. Tar Heel Readers! Crazy Cat Tricks
  • 80. Tar Heel Readers! Crazy Cat Tricks
  • 81. Tar Heel Readers! Crazy Cat Tricks
  • 82. Tar Heel Readers! Crazy Cat Tricks
  • 83. Tar Heel Readers! Crazy Cat Tricks
  • 84. Tar Heel Readers! Crazy Cat Tricks
  • 85. a. Use Real-English.com to watch videos with subtitles, for all levels. b. Find video materials on DVD or that are level appropriate. c. Use you-tube videos with script  
  • 86.  
  • 87.  
  • 88.  
  • 89.   By Rob Waring (distributed in Korea by YBM Sisa)
  • 90.   Excellent materials designed for EFL
  • 91.  
  • 92.
  • 93.
  • 95.
  • 96.
  • 97. How to Teach English with Technology (Gavin Dudeney and Nicky Hockly 2007)
  • 98.  
  • 99.
  • 100.
  • 101.
  • 102. ?
  • 103. 1 –Do I have time for anything? 2 – How can I make (more) time? 3-Do I practice the 1 + 1 approach? 4- Is it for in-class only, or out too? 5- How do I assess learning, or do I? 6- What varies? What stays the same?
  • 106.
  • 107. Websites for YL 7) http://www.voicethread.com   -- Voicethread      Create an account, put up a picture and send your students there to practice speaking and to record messages. Really great for oral speaking practice.  8) http://tarheelreader.org – Tar Heel Reader         Make books with pictures. The site has a voice which will read them! Also download them as powerpoint and use in class directly!  9) http://supersimplesongs.com – Children’s songs     Great songs and tips for teaching them with young learners!  10) http://real-english.com – Real English     Watch videos with subtitles, for all levels. Unique!  11) http://jr.naver.com/english/list.nhn?id=dongyo&cid1=2   - Jr. Naver Many songs, chants, stories, games for young learners (Korean based)
  • 108.  

Notes de l'éditeur

  1. Adapted for lesson with if_________ … _________ might happen
  2. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  3. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  4. Students and parents praying for success on the university entrance exams.
  5. A lot of “Classroom English” is actually teacher modeling language at the right input level for teachers.
  6. A lot of “Classroom English” is actually teacher modeling language at the right input level for teachers.
  7. Solve the riddle too: It’s not the English that is usually taught in EFL textbooks that’s for sure!
  8. Indeed… It’s not the English that is usually taught in EFL textbooks that’s for sure!
  9.  
  10. For example: the color, line, expression, and composition of a painting; the intricate patterns on the surface of a beehive; or the alliteration and meter of a poem.
  11. For example: the color, line, expression, and composition of a painting; the intricate patterns on the surface of a beehive; or the alliteration and meter of a poem.
  12. Language Research has shown that comprehensible input is crucial, and also without narrative students cannot develop fluency.
  13. For example: the legend depicted in a painting, the sequence of events in a period of history, or the story behind the construction of a skyscraper.
  14. More about lexiled books later… joke about dark circles…
  15. For example: the question of what decisions led to the creation of an art object, the problem of calculating the overall dimensions of an automobile, or the determination of which character in a mystery is the real villain.
  16. For example: the question of what decisions led to the creation of an art object, the problem of calculating the overall dimensions of an automobile, or the determination of which character in a mystery is the real villain.
  17. For example: the question of what decisions led to the creation of an art object, the problem of calculating the overall dimensions of an automobile, or the determination of which character in a mystery is the real villain.
  18. For example: whether and why calculus is thought to be important to society, whether metaphors depict or defy reality, or why a painting of soup cans is considered art.
  19. For example: whether and why calculus is thought to be important to society, whether metaphors depict or defy reality, or why a painting of soup cans is considered art.
  20. For example: manipulating the same materials used in a work of art, producing a play about the history of a neighborhood, or setting a poem to music.
  21. For example: manipulating the same materials used in a work of art, producing a play about the history of a neighborhood, or setting a poem to music.
  22. -Think of an idea about an entry point that you might use for this example.
  23. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  24. -It suggests that the traditional notion of intelligence, based on I.Q. testing, is far too limited. Instead, he proposed 7 different intelligences to account for a broader range of human potential in children and adults.
  25. What about you? What are you’re strongest?
  26. What about you? What are you’re strongest?
  27. The core routines are a set of seven or so routines that target different types of thinking from across the modules. These routines are easy to get started with and are commonly found in Visible Thinking teachers' toolkits. Try getting started with with one of these routines. http://www.pz.harvard.edu/vt/VisibleThinking_html_files/03_ThinkingRoutines/03c_CoreRoutines.html
  28. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  29. Language Research has shown that comprehensible input is crucial, and also without narrative students cannot develop fluency.
  30. Language Research has shown that comprehensible input is crucial, and also without narrative students cannot develop fluency.
  31. Language Research has shown that comprehensible input is crucial, and also without narrative students cannot develop fluency.
  32. Language Research has shown that comprehensible input is crucial, and also without narrative students cannot develop fluency.
  33. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  34. For classroom English
  35. Always good to use PPT to keep a repertoire of speaking frames at hand, or plan them into your lesson plan…
  36. Always good to use PPT to keep a repertoire of speaking frames at hand, or plan them into your lesson plan…
  37. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  38. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  39. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  40. Think of activities that challenge your students to think and to be invested in the words, find inventive ways for them to use them and to own them…
  41. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  42. The books are the stars!!!
  43. The books are the stars!!!
  44. The books are the stars!!!
  45. The books are the stars!!!
  46. The books are the stars!!!
  47. The books are the stars!!!
  48. The books are the stars!!!
  49. The books are the stars!!!
  50. Insert – Silly Olympics Video Insert – Reading Videos
  51. -Think of an idea about an entry point that you might use for this example.
  52. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  53. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  54. Reflective teaching rocks!!! I’ve been reflecting a lot on the difficulties my students have had with authentic literature.
  55. If you beat me you I have to pay you a compliment and vice versa…