36. “las cuatro o cinco cosas que, a lo largo de toda una vida, he podido desaprender. Son mucho más importantes que las cosas que he aprendido.” - Eduard Punset
81. 1 PB NGSproduces (approx.)one giga base pair of sequence data, with files in the order of 100-200 GB. 1.000 TB EVERY RUN !!! 1.000.000 GB 1.000.000.000 MB 1.000.000.000.000 KB 1.000.000.000.000.000 byte
112. red When in doubt, make it If you are still in doubt, make it - Ivan Chermayeff big
113. “From the audience's point of view, the question is: Why the bloody hell does this matter? Clarify that and you're on the right track.” - Garr Reynolds
114. “From the audience's point of view, the question is: Why the bloody hell does this matter? Clarify that and you're on the right track.” - Garr Reynolds
115. “like it or not, people are going to judge you by your cover.” - Nancy Duarte
116. “like it or not, people are going to judge you by your cover.” - Nancy Duarte
117. “color should be used in the same way that type and size is used: to emphasize importance, not decorate a page.” - Alexander White
118. “color should be used in the same way that type and size is used: to emphasize importance, not decorate a page.” - Alexander White
119. “color should be used in the same way that type and size is used: to emphasize importance, not decorate a page.” - Alexander White
120. “If letters are the clothes that words wear, then it surely follows that there must be as many typefacesas there are voices, languages, and emotions.” - Erik Spiekermann
121. “The elevator test: If your audience could rememberonly three things about your presentation, what would you want it to be?.” - Garr Reynolds
142. 99% presentations fail we can learn, (with little effort) they’ll take your messagehome
Notes de l'éditeur
JoseRamonMaciasBiocomputinUnit
http://www.sxc.hu/browse.phtml?f=download&id=1208847for a PowerPoint presentation ?they are getting crazy?
Most scientific or technical presentations fail
Most scientific or technical presentations fail
Why ?doubt:http://www.sxc.hu/photo/734189
Most presentations fail
How much is “most” ?
a Gaussian distribution?How many talks do you attend in a month?When was last time you attend a good presentation?
a Gaussian distribution?How many talks do you attend in a month?When was last time you attend a good presentation?
actually 90-9-1
actually 90-9-1
Why ?doubt:http://www.sxc.hu/photo/734189
what we seelongboringbad slidescontent-free
http://www.sxc.hu/photo/732192nobody pays attention to boring things
people like to attend your talkshttp://www.sxc.hu/photo/1193817
present data without preparingthe audience enough
Overloading data
projecting slides that no one reads
slides that no one remembers
prepared under pressure
“las cuatro o cinco cosas que, a lo largo de toda una vida, he podido desaprender. Son mucho más importantes que las cosas que he aprendido”- Eduard Punset
Do we really need to use slides?Question mark: http://www.sxc.hu/photo/948294
Don’t be cheetah… slooowdooown and take time to create your presentation.Cheetahs may be fast (and powerful,) but have you ever seen one give an effective presentation? My guess is no. Creating a presentation isn’t a race! You need time to organize your thoughts, plan your message, and select your visuals. Which brings me to my next point…Don’t be another cheetah… pay for your images.Cheetahs never win. At least not when it comes to swiping images from the web. Take the time to search for images, and spend a little money on them. There are great stock photography sites, where you can find photos for just a few bucks. And if that’s too much, check out flickr’s Creative Commons–the photos are beautiful and FREE*. Photography will (almost) always make your presentation more interesting, but the right photography will make it more impactful.
Rule of ThirdsThe rule of thirds is a compositional tool that makes use of the notion that the most interesting compositions are those in which the primary element is off center. Basically, take any frame of reference and divide it into thirds placing the elements of the composition on the lines in between.Visual CenterThe visual center of any page is just slightly above and to the right of the actual (mathematical) center. This tends to be the natural placement of visual focus, and is also sometimes referred to as museum height.
Alex is the author of some of the best design teaching in the industry, including Thinking in Type, The Elements of Graphic Design, Advertising Design and Typography, Type In Use and numerous articles on typography and visual communication for all the best design publications. He is an accomplished graphic designer who has shaped the visual design of nineteen magazines and twenty identity programs and who has been a consultant to numerous publications, art directors, and editors. He was the senior faculty member in design at the Hartford Art School of the University of Hartford for fifteen years and has lectured widely on typography and design to professionals in corporations and at conferences. His credits also include adjunct faculty at Parsons, City College of NY, and Fashion Institute of Technology (FIT). Alex serves on the boards of several arts and civic organizations and is currently the President of the New York Type Directors Club in Manhattan
http://www.flickr.com/photos/captkodak/271929944
http://www.sxc.hu/photo/33558Clip-art looks not professional really
resources
Nancy Duarte es la directora ejecutiva de la firma "Duarte Design" que es en la actualidad la compañía líder mundial en el diseño de presentaciones con la ayuda de diapositivas y cuyos clientes incluyen al ganador del Premio Nóbel y pasado vicepresidente de los EEUU., Al Gore, conjuntamente con la mayoría de la empresas del Valle del Silicón y muchas otras reconocidas compañías a nivel mundial.
Alex is the author of some of the best design teaching in the industry, including Thinking in Type, The Elements of Graphic Design, Advertising Design and Typography, Type In Use and numerous articles on typography and visual communication for all the best design publications. He is an accomplished graphic designer who has shaped the visual design of nineteen magazines and twenty identity programs and who has been a consultant to numerous publications, art directors, and editors. He was the senior faculty member in design at the Hartford Art School of the University of Hartford for fifteen years and has lectured widely on typography and design to professionals in corporations and at conferences. His credits also include adjunct faculty at Parsons, City College of NY, and Fashion Institute of Technology (FIT). Alex serves on the boards of several arts and civic organizations and is currently the President of the New York Type Directors Club in Manhattan
Erik Spiekermann (nacido el 30 de mayo de 1947) es un tipógrafoalemán y diseñador.Spiekermann estudió Historia del Arte en Universidad Libre de Berlín. Entre 1972 y 1979, trabajó como diseñador gráfico independiente en Londres antes de retornar a Berlín y fundar MetaDesign con dos socios. Los clientes de la firma incluyen a Adobe Systems, Apple Computer, Audi, Hewlett Packard, IBM, y Nike, con oficinas en Berlín, San Francisco, y Zúrich.Es arquitecto de información, diseñador de fuentes tipográficas y autor de libros y artículos sobre tipografía. Algunos de sus diseños tipográficos son: FF Meta, ITC Officina, FF Info, FF Unit, Nokia Sans, Bosch Sans et al.En 1979 funda MetaDesign, la firma de diseño más grande de Alemania, con oficinas en Berlín, Londres y San Francisco.En 1988 lanza FontShop, la primera fundidora digital y distribuidora independiente de fuentes.Es profesor honorario de la Academia de Artes de Bremen (Academy of Arts in Bremen), vice-presidente del consejo alemán de diseño (GermanDesign Council), presidente de la Sociedad Internacional de Diseñadores Tipográficos (International Society of TypographicDesigners) y miembro del directorio de ATypI. Fue presidente del Instituto Internacional de Diseño de información (International Institute of InformationDesign).En julio de 2000, se retira de la administración de MetaDesignBerlin.Vive y trabaja en Berlín, Londres y San Francisco, diseñando publicaciones (como la revista TheEconomist), sistemas complejos de diseño (como el diseño corporativo de Bosch y DB, GermanRailways) y más tipografías. Su nueva firma de diseño se llama UDN UnitedDesigners Network.
Deja tiempo para que la audiencia también hableNunca agotes tu tiempo. Habla un 80% o incluso menos. Deja amplio tiempo para preguntas
Glowing “neon tubes” text with reflection(Intermediate) To reproduce the effects on this slide, do the following: On the Home tab, in the Slides group, click Layout, and then click Blank.On the Insert tab, in the Text group, click Text Box, and then on the slide, drag to draw the text box.Enter text in the text box, select the text, and then on the Home tab, in the Font group, select Arial Rounded MT Boldfrom the Font list, select 60 from the Font Size list, and then click Bold.On the Home tab, in the Paragraph group, click Center to center the text in the text box.On the Home tab, in the Font group, click Character Spacing, and then click More Spacing. In the Font dialog box, on the Character Spacing tab, in the Spacing list, select Expanded. In the By box, enter 2.Select the text box. Under Drawing Tools, on the Format tab, in the bottom right corner of the WordArt Styles group, click the Format Text Effects dialog box launcher. In the Format Text Effects dialog box, click TextFill in the left pane, select Gradient fill in the TextFill pane, and then do the following:Click the button next to Preset colors, and then click Ocean (second row, second option from the left).In the Type list, select Linear.Click the button next to Direction, and then click Linear Diagonal (first row, first option from the left).In the Angle box, enter 45°.Also in the Format Text Effects dialog box, click Text Outline in the left pane. In the Text Outline pane, select Solid line, click the button next to Color, and then under Theme Colors click Black, Text 1 (first row, second option from the left). Also in the Format Text Effects dialog box, click Outline Style in the left pane. In the Outline Style pane, in the Width box, enter 0.75 pt. Also in the Format Text Effects dialog box, click 3-DFormatin the left pane, and then do the following in the 3-DFormatpane:Under Bevel, click the button next to Top, and then under Bevel click Hard Edge (third row, third option from the left). Next to Top, in the Width box, enter 4 pt, and in the Height box, enter 0.8 pt.Under Depth, click the button next to Color, and then under Theme Colors click Black, Text 1 (first row, second option from the left). In the Depth box, enter 4.5 pt.Under Surface, click the button next to Material, and then under Translucent click Powder (first option from the left). Click the button next to Lighting, and then under Special click Glow (third option from the left). Under Drawing Tools, on the Format tab, in the WordArt Styles group, click Text Effects, point to Glow, and then under Glow Variations click Accent color 5, 8 pt glow (second row, fifth option from the left). Under Drawing Tools, on the Format tab, in the WordArt Styles group, click Text Effects, point to Reflection, and then under Reflection Variations click Half Reflection, 4 pt offset (second row, second option from the left). Drag the text box vertically on the slide to position it slightly above the middle.Select the text box. On the Home tab, in the Drawing group, click Arrange, point to Align, and then do the following:Click Align to Slide.Click Align Center. To reproduce the background on this slide, do the following: Right-click the slide background area, and then click Format Background. In the Format Background dialog box, click Fill in the left pane. In the Fill pane, select Solid fill, and then click the button next to Color, and under Theme Colors click Black, Text 1 (first row, second option from the left).