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Success For All Writers
    with Mentor Texts
2012 PSU York Summer Institute
LYNNE R. DORFMAN
      AND
  ROSE CAPPELLI
Imagine the possibilities!
Turn and Talk
Sharing Our Thinking:
                 What are Mentor Texts ?

Mentor texts are pieces of literature that you can
return to and reread for many different purposes.

Mentor texts are to be studied and then imitated.

Mentor texts help students make powerful
connections to their own lives.

Mentor texts help students take risks and try out
new strategies.

Mentor texts should be books that students can relate to and
can read independently or with some support.
Why Use Picture Books as
                  Mentor Texts?
Picture books provide the models that will help students grow as writers.

They stimulate creativity and create interest.

They are rich in beautiful illustrations that add another layer to the text.

They can be used to connect reading strategies to author’s craft.

They contain multiple life lessons.

They are culturally diverse.

They demonstrate the importance of choosing words wisely.

They are short enough to be shared entirely in one reading.
from Mentor Texts: Teaching Writing Through
           Children’s Literature


Mentor texts become our coaches and our partners
as we bring the joy of writing to our students. They
help students envision the kind of writer they can
become; they help teachers move the whole writer,
rather than each individual piece of writing,
forward. Writers can imitate the mentor text and
continue to find new ways to grow.
Possible Writing Lessons from
                           Painting the Wind

 Writing in the present tense              Strong verbs


 Effective repetition                      Hyphenated adjectives


                                            Variations in print
 Variation in sentence length

                                            Effective use of dialogue
 Listing
        with semicolon and comma            Setting up the ending in the
        using a sentence fragment            beginning
        with a dash
        placement variation
        without the use of a conjunction    Placing adjectives after the noun
        with a colon
 Use of exact nouns and names              Character snapshots
Adjective Placement to Emphasize Meaning



 “I can’t concentrate,” she said, her voice flat and unhappy.
                                          (Baby by Patricia MacLachlan)


 There will be Sarah’s sea, blue and gray and green, hanging on the wall.
                                 (Sarah, Plain and Tall by Patricia MacLachlan)


 He is wearing a strange cowboy hat, too small, that sits high on his
  head.                                   (Journey by Patricia MacLachlan)


 Somewhere behind us a train whistle blew, long and low, like a sad, sad
  song.                                             (Owl Moon by Jane Yolen)
Adjective Placement to Emphasize Meaning

 We reached the line of pines, black and pointy against the sky, and Pa
  held up his hands.                              (Owl Moon by Jane Yolen)


 Our trees poke their branches, black and spiky, against the sky.
                                                  (Peepers by Eve Bunting)


 I held the jar, dark and empty, in my hands.    (Fireflies by Julie Brinckloe)


 I have a pomegranate, hard and dry.             (Anna’s Table by Eve Bunting)


 I have a caterpillar, curled and mummy black,
  A lizard, thin and wide, run over by a car.
                                                  (Anna’s Table by Eve Bunting)
From Harry Potter and the Chamber of Secrets
             by J. K. Rowling


Christmas morning dawned, cold and bright. (p. 211)



Not only were there a dozen frost-covered Christmas
trees and thick streamers of holly and mistletoe
crisscrossing the Great Hall, but enchanted snow was
falling, warm and dry, from the ceiling. (p. 212)
From Lynne’s Notebook…

 Gazing upon the slippers, ruby-red and sparkling like fiery stars, she
  clicked them together three times and wished to return to Kansas.


 The morning mist, silver and silent, crept in among the meadow’s
  wildflowers, grasses and oaks like a mysterious stranger.


 The summer day, long and hot, had finally ended in a torrent of angry
  rain.


 The August rain, angry and merciless, pelted the young cornstalks into
  the soggy earth.
Summer is here. And the painters come back to the
island. They come on the mailboat with their paints
and easels and bags of books and favorite pots and
pans. Some bring their children. All of them bring
their dogs.
From John Henry by Julius Lester

    John Henry sang and he hammered
and the air danced and the rainbow
shimmered and the earth shook and
rolled from the blows of the hammer.
Finally it was quiet. Slowly the dust
cleared.
From James and the Giant Peach by Roald Dahl

     They gaped. They screamed. They started to run. They
panicked. They both got in each other’s way. They began
pushing and jostling, and each one of them was thinking
only about saving herself. Aunt Sponge, the fat one, tripped
over a box that she’d brought along to keep the money in,
and fell flat on her face. Aunt Spiker immediately tripped
over Aunt Sponge and came down on top of her. They both
lay on the ground, fighting and clawing and yelling and
struggling frantically to get up again, but before they could
do this, the mighty peach was upon them.
     There was a crunch.
     And then there was silence.
From Rose’s Notebook…



Mark crisscrossed to the other end of the court
dodging his opponents and dribbling the ball in a
staccato rhythm as the shouts and cheers from the
fans echoed in his ears. He made the shot. The
whistle blew. Victory.
The Your Turn Lesson

 Hook
     Use literature to invite participation

 Purpose
     Tell what you will do

 Brainstorm
     Invite writers to generate ideas

 Model
 Demonstrate with your own writing
 Shared/Guided Writing
     Writers actively participate as a class or in
 partnerships

 Independent Writing
      Writers compose

 Reflection
     Writers reflect on how the writing worked.
 Writers become aware of what works for them         and
 what will move them forward as writers.
Turn and Talk
From Barn Savers by Linda Oatman High

Papa plops the tools in the trough, and dust floats like
chicken feed.

Darkness falls soft and silent like chicken feathers around
the barn.

Finally, the darkness fades to dawn, and the sun rolls before
us like a wagon wheel.

I stack and stack, and the sun sinks low in the sky like a
sleepy, red-faced farmer.
 From Beekeepers:
        The springtime sunshine pours like warm honey from the
 sky…

        Goosebumps sting my arms and I shake…



 From The Girl on the High-Diving Horse:
        Summertime gallops by…

        Heart pounding like hooves, I nod…
Hyphenated Adjectives from Linda Oatman High

From The Girl on the High-Diving Horse:
  As we walk, I can’t help but gawk at boxing kangaroos, card-playing
  cats, and a dog on a surfboard.

  “Our hotel home,” says Papa, stopping at a castle-shaped place rising
  pink and high as a sunrise into blue New Jersey sky.

  “That’s the girl on the high-diving horse,” he explains. “She’s crazy-
  brave.”

  I kiss the big horse on his velvet-soft nose.

  In the purple-early morning of our last day of summer…
Hyphenated Adjectives From Other Authors

Baseballs, Snakes, and Summer Squash by Donald Graves
  Look for the use of hyphen to create sound words or exact adjectives in run-
  down, long-haired, clickety-click, doe-eyed, ‘no-thank-you’ and orange-bellied.


Twilight Comes Twice by Ralph Fletcher
  deep-rooted, last-minute, dew-spangled


Up North at the Cabin by Marsha Wilson Chall
  air-bubble balloons and peanut-butter-and-worm sandwiches


The Divide by Michael Bedard
  copper-colored grass, rose-patterned paper, sunflower-bordered road,
  weather-beaten boards, and fresh-plowed soil. Note the name of a flower,
  snow-on-the-mountain.
Langston’s Train Ride by Robert Burleigh
  long-ago train rides, sun-tinged Mississippi, dust-flecked window, tar-paper
  shacks and broken-down sheds.
  He also uses hyphens to create verbs and nouns: I skit-skat a little half-dance
  on the sidewalk.



Talkin’ About Bessie: The Story of Aviator Elizabeth Coleman by Nikki Grimes
  Bessie would attend the hot-in-summer, cold-in-winter, one-room Colored
  schoolhouse where I taught in Waxahachie.



Animal Acrostics by David Hummon
  polka-dotted, ear-ringing, never-ending, fairy-tale, topsy-turvy, and open-
  mouthed.
Specificity is everything!


     show-your-love day

     raise-the-hair-on-your-arms night

     cover-your-ears-but-not-your-eyes night

wake-up-your-parents-as-soon-as-possible morning
don’t-you-dare-do-it look

I-can’t-believe-she’s-making-me-eat-this look

please-don’t-send-me-to-school look

am-I-crazy look
thin-as-a-noodle neck

straight-as-straw hair

black-as-midnight eyes
Taffy Sentences

From Fever 1793 by Laurie Halse Anderson
      …It was going to be another hot August day.
  Another long, hot August day. Another long, hot, boring
  wretched August day.

From Nocturne by Jane Yolen
     In the night,
     in the velvet night,
     in the brushstroked bluecoat velvet night,
     a big moon balloon
     floats silent over trees…
Trying It Out

          February                                Blizzard
      by Charlotte Otten                           by Rose

February turns everything to gray:   A blizzard turns everything to white:
gray lakes, gray fog, gray sun.      white trees, white skies, white
Gray squirrels lose their bearings     rooftops.
hunting for acorns buried            White-tailed deer step gingerly
beneath thick gray snow.             searching for a drink
                                     on frozen white lakes.
Grade 5 Shared Writing Experience




  Music makes every day a celebration:
  soft blues, country ballads, hard rock.
  People start toe-tapping their feet and
  clap, clap, clapping their hands and
  dancing to the beat - fast or slow.
From The Eyes of Gray Wolf by Jonathan London



At the top, he closes his eyes, throws back his head,

and howls. A wild, untamed music, it seems to

bounce off the moon, echoing from the mountains

and filling the gullies and valleys.
from “You Reading This, Be Ready” by William
                  Stafford


When you turn around, starting here, lift this

new glimpse that you found; carry into evening

all that you want from this day. This interval you

spent reading or hearing this, keep it for life -
Lynne       lynnedorfman@comcast.net

Rose        ryc1011@hotmail.com



        www.mentortextswithlynneandrose.com

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Mentor Texts Keynote

  • 1. Success For All Writers with Mentor Texts 2012 PSU York Summer Institute LYNNE R. DORFMAN AND ROSE CAPPELLI
  • 3.
  • 4.
  • 5.
  • 7. Sharing Our Thinking: What are Mentor Texts ? Mentor texts are pieces of literature that you can return to and reread for many different purposes. Mentor texts are to be studied and then imitated. Mentor texts help students make powerful connections to their own lives. Mentor texts help students take risks and try out new strategies. Mentor texts should be books that students can relate to and can read independently or with some support.
  • 8. Why Use Picture Books as Mentor Texts? Picture books provide the models that will help students grow as writers. They stimulate creativity and create interest. They are rich in beautiful illustrations that add another layer to the text. They can be used to connect reading strategies to author’s craft. They contain multiple life lessons. They are culturally diverse. They demonstrate the importance of choosing words wisely. They are short enough to be shared entirely in one reading.
  • 9. from Mentor Texts: Teaching Writing Through Children’s Literature Mentor texts become our coaches and our partners as we bring the joy of writing to our students. They help students envision the kind of writer they can become; they help teachers move the whole writer, rather than each individual piece of writing, forward. Writers can imitate the mentor text and continue to find new ways to grow.
  • 10. Possible Writing Lessons from Painting the Wind  Writing in the present tense  Strong verbs  Effective repetition  Hyphenated adjectives  Variations in print  Variation in sentence length  Effective use of dialogue  Listing with semicolon and comma  Setting up the ending in the using a sentence fragment beginning with a dash placement variation without the use of a conjunction  Placing adjectives after the noun with a colon  Use of exact nouns and names  Character snapshots
  • 11. Adjective Placement to Emphasize Meaning  “I can’t concentrate,” she said, her voice flat and unhappy. (Baby by Patricia MacLachlan)  There will be Sarah’s sea, blue and gray and green, hanging on the wall. (Sarah, Plain and Tall by Patricia MacLachlan)  He is wearing a strange cowboy hat, too small, that sits high on his head. (Journey by Patricia MacLachlan)  Somewhere behind us a train whistle blew, long and low, like a sad, sad song. (Owl Moon by Jane Yolen)
  • 12. Adjective Placement to Emphasize Meaning  We reached the line of pines, black and pointy against the sky, and Pa held up his hands. (Owl Moon by Jane Yolen)  Our trees poke their branches, black and spiky, against the sky. (Peepers by Eve Bunting)  I held the jar, dark and empty, in my hands. (Fireflies by Julie Brinckloe)  I have a pomegranate, hard and dry. (Anna’s Table by Eve Bunting)  I have a caterpillar, curled and mummy black, A lizard, thin and wide, run over by a car. (Anna’s Table by Eve Bunting)
  • 13. From Harry Potter and the Chamber of Secrets by J. K. Rowling Christmas morning dawned, cold and bright. (p. 211) Not only were there a dozen frost-covered Christmas trees and thick streamers of holly and mistletoe crisscrossing the Great Hall, but enchanted snow was falling, warm and dry, from the ceiling. (p. 212)
  • 14. From Lynne’s Notebook…  Gazing upon the slippers, ruby-red and sparkling like fiery stars, she clicked them together three times and wished to return to Kansas.  The morning mist, silver and silent, crept in among the meadow’s wildflowers, grasses and oaks like a mysterious stranger.  The summer day, long and hot, had finally ended in a torrent of angry rain.  The August rain, angry and merciless, pelted the young cornstalks into the soggy earth.
  • 15. Summer is here. And the painters come back to the island. They come on the mailboat with their paints and easels and bags of books and favorite pots and pans. Some bring their children. All of them bring their dogs.
  • 16. From John Henry by Julius Lester John Henry sang and he hammered and the air danced and the rainbow shimmered and the earth shook and rolled from the blows of the hammer. Finally it was quiet. Slowly the dust cleared.
  • 17. From James and the Giant Peach by Roald Dahl They gaped. They screamed. They started to run. They panicked. They both got in each other’s way. They began pushing and jostling, and each one of them was thinking only about saving herself. Aunt Sponge, the fat one, tripped over a box that she’d brought along to keep the money in, and fell flat on her face. Aunt Spiker immediately tripped over Aunt Sponge and came down on top of her. They both lay on the ground, fighting and clawing and yelling and struggling frantically to get up again, but before they could do this, the mighty peach was upon them. There was a crunch. And then there was silence.
  • 18. From Rose’s Notebook… Mark crisscrossed to the other end of the court dodging his opponents and dribbling the ball in a staccato rhythm as the shouts and cheers from the fans echoed in his ears. He made the shot. The whistle blew. Victory.
  • 19. The Your Turn Lesson  Hook Use literature to invite participation  Purpose Tell what you will do  Brainstorm Invite writers to generate ideas  Model Demonstrate with your own writing
  • 20.  Shared/Guided Writing Writers actively participate as a class or in partnerships  Independent Writing Writers compose  Reflection Writers reflect on how the writing worked. Writers become aware of what works for them and what will move them forward as writers.
  • 22. From Barn Savers by Linda Oatman High Papa plops the tools in the trough, and dust floats like chicken feed. Darkness falls soft and silent like chicken feathers around the barn. Finally, the darkness fades to dawn, and the sun rolls before us like a wagon wheel. I stack and stack, and the sun sinks low in the sky like a sleepy, red-faced farmer.
  • 23.  From Beekeepers: The springtime sunshine pours like warm honey from the sky… Goosebumps sting my arms and I shake…  From The Girl on the High-Diving Horse: Summertime gallops by… Heart pounding like hooves, I nod…
  • 24. Hyphenated Adjectives from Linda Oatman High From The Girl on the High-Diving Horse: As we walk, I can’t help but gawk at boxing kangaroos, card-playing cats, and a dog on a surfboard. “Our hotel home,” says Papa, stopping at a castle-shaped place rising pink and high as a sunrise into blue New Jersey sky. “That’s the girl on the high-diving horse,” he explains. “She’s crazy- brave.” I kiss the big horse on his velvet-soft nose. In the purple-early morning of our last day of summer…
  • 25. Hyphenated Adjectives From Other Authors Baseballs, Snakes, and Summer Squash by Donald Graves Look for the use of hyphen to create sound words or exact adjectives in run- down, long-haired, clickety-click, doe-eyed, ‘no-thank-you’ and orange-bellied. Twilight Comes Twice by Ralph Fletcher deep-rooted, last-minute, dew-spangled Up North at the Cabin by Marsha Wilson Chall air-bubble balloons and peanut-butter-and-worm sandwiches The Divide by Michael Bedard copper-colored grass, rose-patterned paper, sunflower-bordered road, weather-beaten boards, and fresh-plowed soil. Note the name of a flower, snow-on-the-mountain.
  • 26. Langston’s Train Ride by Robert Burleigh long-ago train rides, sun-tinged Mississippi, dust-flecked window, tar-paper shacks and broken-down sheds. He also uses hyphens to create verbs and nouns: I skit-skat a little half-dance on the sidewalk. Talkin’ About Bessie: The Story of Aviator Elizabeth Coleman by Nikki Grimes Bessie would attend the hot-in-summer, cold-in-winter, one-room Colored schoolhouse where I taught in Waxahachie. Animal Acrostics by David Hummon polka-dotted, ear-ringing, never-ending, fairy-tale, topsy-turvy, and open- mouthed.
  • 27. Specificity is everything! show-your-love day raise-the-hair-on-your-arms night cover-your-ears-but-not-your-eyes night wake-up-your-parents-as-soon-as-possible morning
  • 30. Taffy Sentences From Fever 1793 by Laurie Halse Anderson …It was going to be another hot August day. Another long, hot August day. Another long, hot, boring wretched August day. From Nocturne by Jane Yolen In the night, in the velvet night, in the brushstroked bluecoat velvet night, a big moon balloon floats silent over trees…
  • 31. Trying It Out February Blizzard by Charlotte Otten by Rose February turns everything to gray: A blizzard turns everything to white: gray lakes, gray fog, gray sun. white trees, white skies, white Gray squirrels lose their bearings rooftops. hunting for acorns buried White-tailed deer step gingerly beneath thick gray snow. searching for a drink on frozen white lakes.
  • 32. Grade 5 Shared Writing Experience Music makes every day a celebration: soft blues, country ballads, hard rock. People start toe-tapping their feet and clap, clap, clapping their hands and dancing to the beat - fast or slow.
  • 33. From The Eyes of Gray Wolf by Jonathan London At the top, he closes his eyes, throws back his head, and howls. A wild, untamed music, it seems to bounce off the moon, echoing from the mountains and filling the gullies and valleys.
  • 34. from “You Reading This, Be Ready” by William Stafford When you turn around, starting here, lift this new glimpse that you found; carry into evening all that you want from this day. This interval you spent reading or hearing this, keep it for life -
  • 35. Lynne lynnedorfman@comcast.net Rose ryc1011@hotmail.com www.mentortextswithlynneandrose.com