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Bernard Tschumi
[object Object],[object Object],[object Object],[object Object],ABOUT TSCHUMI
HIS BELIEFS ,[object Object],[object Object]
[object Object],[object Object],[object Object]
ARCHITECTURAL DESIGN STYLE ,[object Object],[object Object],[object Object],PARC DE LA VILLETE,PARIS
In each of Tschumi’s projects pictured below, the linear and curvature qualities of the grid and the curve are key elements that define Tschumi’s architectural design style.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
HIS WORKS THE ACROPOLIS MUSEUM,ATHENS ATMOSPHERE PARK, SANTIAGO BLUE RESIDENTIAL TOWER, NEW YORK ROUEN CONCERT HALL, ROUEN PARC DE LA VILLETTE,PARIS
HISTORY ,[object Object],[object Object]
DESIGN : POINTS,LINES,SURFACES POINTS: ,[object Object],Follies give a  dimensional and  organizational  to the park serving as  points  of reference. The repetitive nature of  each folly, even though  each one  is unique  and different , allow for the  visitors to retain a sense of place through the large park.
FOLLIES ,[object Object],[object Object],FOLLIES FOLLIES FOLLIES FOLLIES
LINES: Lines are the main  movement paths across the park  The paths do not follow any organizational structure; rather they intersect and lead to various points of intersection within the park and the surrounding urban area. NORTH-SOUTH AXIS EAST-WEST AXIS
SURFACES: ,[object Object],SURFACES SURFACES SURFACES SURFACES SURFACES
DECONSTRUCTIVISM  -  IDEAS Tschumi was not particularly interested in either the real or virtual worlds, separately, but he was attracted to the tension between those two worlds and felt that when the real and the virtual worlds come together, tension is created and the potential for design begins. He wanted the park to be a space for activity and interaction that would evoke a sense of freedom.   He designed the Parc de la Villette with the intention of creating a space that exists in a vacuum, something without historical precedent.
EVENTS OF THE PERIOD THAT MAY HAVE INFLUENCED  HIS  DESIGN In 1976 Tschumi gave his students at the Architectural Association a project:  They were to take James Joyce’s Finnegans Wake and design a landscape plan from the text.  Each student  was assigned a point on a grid of Covent Garden in London, Tschumi’s way of organizing the students to get a lot of work done.This project was named Joyce’s Garden and would be one of the concepts used for Parc de le Villette seven years later. In 1976 Tschumi was doing some research called the Screenplays or the Manhattan Transcripts in which he was experimenting with movement, events and the systems of points, lines and surfaces.  He was testing ideas on movements and the dynamic of events and activity, and this became his deciding strategy to enter the competition for Parc de le Villette and use multiple devices to organize complexity.
PLAN GRAND HALL CANAL  DE ORUCQ THE CENTRE FOR SCIENCE AND INDUSTRY GEODE ZENITH
CRITICISM ,[object Object],[object Object]
[object Object],THE PLAN OF THE PARK CONTRASTING THE GRID OF THE CITY
PLAN GRAND HALL CANAL  DE ORUCQ THE CENTRE FOR SCIENCE AND INDUSTRY GEODE ZENITH
[object Object],[object Object],[object Object]
 
 
 
 

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Bernard tschumi design style

  • 2.
  • 3.
  • 4.
  • 5.
  • 6. In each of Tschumi’s projects pictured below, the linear and curvature qualities of the grid and the curve are key elements that define Tschumi’s architectural design style.
  • 7.
  • 8. HIS WORKS THE ACROPOLIS MUSEUM,ATHENS ATMOSPHERE PARK, SANTIAGO BLUE RESIDENTIAL TOWER, NEW YORK ROUEN CONCERT HALL, ROUEN PARC DE LA VILLETTE,PARIS
  • 9.
  • 10.
  • 11.
  • 12. LINES: Lines are the main movement paths across the park The paths do not follow any organizational structure; rather they intersect and lead to various points of intersection within the park and the surrounding urban area. NORTH-SOUTH AXIS EAST-WEST AXIS
  • 13.
  • 14. DECONSTRUCTIVISM - IDEAS Tschumi was not particularly interested in either the real or virtual worlds, separately, but he was attracted to the tension between those two worlds and felt that when the real and the virtual worlds come together, tension is created and the potential for design begins. He wanted the park to be a space for activity and interaction that would evoke a sense of freedom.   He designed the Parc de la Villette with the intention of creating a space that exists in a vacuum, something without historical precedent.
  • 15. EVENTS OF THE PERIOD THAT MAY HAVE INFLUENCED HIS DESIGN In 1976 Tschumi gave his students at the Architectural Association a project: They were to take James Joyce’s Finnegans Wake and design a landscape plan from the text. Each student was assigned a point on a grid of Covent Garden in London, Tschumi’s way of organizing the students to get a lot of work done.This project was named Joyce’s Garden and would be one of the concepts used for Parc de le Villette seven years later. In 1976 Tschumi was doing some research called the Screenplays or the Manhattan Transcripts in which he was experimenting with movement, events and the systems of points, lines and surfaces. He was testing ideas on movements and the dynamic of events and activity, and this became his deciding strategy to enter the competition for Parc de le Villette and use multiple devices to organize complexity.
  • 16. PLAN GRAND HALL CANAL DE ORUCQ THE CENTRE FOR SCIENCE AND INDUSTRY GEODE ZENITH
  • 17.
  • 18.
  • 19. PLAN GRAND HALL CANAL DE ORUCQ THE CENTRE FOR SCIENCE AND INDUSTRY GEODE ZENITH
  • 20.
  • 21.  
  • 22.  
  • 23.  
  • 24.