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Man
and his Symbols
conceived and edited by


Carl G.Jung
The first and only work in which C a r l
G. Jung, the world-famous Swiss psy-
chologist, explains to the general reader
his greatest contribution to our knowl-
edge of the human mind: the theory of
the importance of symbolism—particu-
larly as revealed in dreams.




Man and his
Symbols
Carl G.Jung
But for a dream, this book would never
have been written. That dream — de-
scribed by John Freeman in the Fore-
word—convinced Jung that he could,
indeed should, explain his ideas to those
who have no special knowledge of psy-
 chology. At the age of eighty-three,
Jung worked out the complete plan for
this book, including the sections that
he wished his four closest associates to
write. He devoted the closing months
 of his life to editing the work and writ-
 ing his own key section, which he com-
 pleted only ten days before his death.
    Throughout the book, Jung empha-
 sizes that man can achieve wholeness
 only through a knowledge and accept-
 ance of the unconscious—a knowledge
 acquired through dreams and their
 symbols. Every dream is a direct, per-
 sonal, and meaningful communication
 to the dreamer—a communication that
  uses the symbols common to all man-
 kind but uses them always in an entire-
  ly individual way, which can be inter-
  preted only by an entirely individual
   key.
           (Continued on back flap)
i




Man and his Symbols
Man and his Symbols

Carl G.Jung


and M.-L. von Franz, Joseph L. Henderson, Jolande J a c o b i , Aniela Jaffe'




Anchor Press
Doubleday
New York London     Toronto   Sydney    Auckland
Editor: Carl G. Jung

and after his death M.-L. von Franz

Co-ordinating Editor: John Freeman

Aldus Editors

Text: Douglas Hill

Design: Michael Kitson

Assistants: Marian Morris, Gilbert Doel, Michael Lloyd
Research: Margery MacLaren
Advisers: Donald Berwick, Norman MacKenzie




An Anchor Press book
Published by Doubleday, a division of Bantam Doubleday Dell
Publishing Group, Inc., 666 Fifth Ave., New York, NY 10103
Anchor Press and the portrayal of an anchor are trademarks
of Doubleday, a division of Bantam Doubleday Dell Publishing
Group, Inc.

© 1964 J.G. FERGUSON PUBLISHING
except chapter 2 entitled «Ancient myths and modern
man» by Dr. Joseph L. Henderson, where copyright in
this chapter within the United States of America is
expressly disclaimed.

Library of Congress Catalog Card No: 64-18631

ISBN 0 - 3 8 5 - 0 5 2 2 1 - 9

First published in the United States of America in 1964
Reprinted in 1 9 6 8 , 1 9 7 0 , 1 9 7 1 , 1 9 7 2 , 1 9 7 4 , 1 9 7 5 , 1 9 7 6 , 1 9 7 9 , 1 9 8 3 , 1 9 8 8

Printed and bound in Spain by TONSA, San Sebastian
Introduction: John Freeman




T h e origins of this book a r e sufficiently u n u s u a l to be of interest, a n d
they b e a r a d i r e c t r e l a t i o n to its c o n t e n t s a n d w h a t it sets o u t to d o . So
let me tell y o u j u s t h o w it c a m e to b e w r i t t e n .
   O n e d a y in t h e s p r i n g of 1959 t h e British B r o a d c a s t i n g C o r p o r a t i o n
invited m e to i n t e r v i e w for British television D r . C a r l G u s t a v J u n g .
T h e interview w a s to b e d o n e " i n d e p t h . " I k n e w little e n o u g h a t t h a t
time a b o u t J u n g a n d his w o r k , a n d I a t o n c e w e n t to m a k e his a c q u a i n t -
ance at his beautiful lakeside h o m e n e a r Z u r i c h . T h a t was t h e b e g i n n i n g
of a friendship t h a t m e a n t a g r e a t d e a l to m e a n d , I h o p e , g a v e some
pleasure to J u n g in t h e last years of his life. T h e television i n t e r v i e w
has no further p l a c e in this story, e x c e p t t h a t it was a c c o u n t e d successful
and t h a t this b o o k is by a n o d d c o m b i n a t i o n of c i r c u m s t a n c e s a n e n d -
product of t h a t success.
    O n e m a n w h o saw J u n g o n t h e screen was W o l f g a n g Foges, m a n a g -
ing director of A l d u s Books. Foges h a d b e e n keenly interested in t h e
d e v e l o p m e n t of m o d e r n psychology since his c h i l d h o o d , w h e n h e lived
near the F r e u d s in V i e n n a . A n d as h e w a t c h e d J u n g t a l k i n g a b o u t his
life a n d w o r k a n d ideas, Foges s u d d e n l y reflected w h a t a pity it was
that, while the g e n e r a l o u t l i n e of F r e u d ' s work was well k n o w n to
educated r e a d e r s all over t h e W e s t e r n w o r l d , J u n g h a d n e v e r m a n a g e d
to break t h r o u g h to t h e g e n e r a l p u b l i c a n d was a l w a y s c o n s i d e r e d too
difficult for p o p u l a r r e a d i n g .
    Foges, in fact, is the c r e a t o r of Man and his Symbols. H a v i n g sensed
from t h e T V screen t h a t a w a r m p e r s o n a l r e l a t i o n existed b e t w e e n
J u n g a n d myself, he asked m e w h e t h e r I w o u l d j o i n h i m in t r y i n g to
persuade J u n g to set o u t s o m e of his m o r e i m p o r t a n t a n d basic ideas in
 language a n d a t a l e n g t h t h a t w o u l d b e intelligible a n d i n t e r e s t i n g to
non-specialist a d u l t r e a d e r s . I j u m p e d a t t h e i d e a a n d set off o n c e m o r e
 to Z u r i c h , d e t e r m i n e d t h a t I c o u l d c o n v i n c e J u n g of the v a l u e a n d
 i m p o r t a n c e of s u c h a work. J u n g listened to m e in his g a r d e n for two
 hours a l m o s t w i t h o u t i n t e r r u p t i o n — a n d t h e n said n o . H e said it in t h e
 nicest possible w a y , b u t w i t h g r e a t firmness; h e h a d n e v e r in the past
tried to p o p u l a r i z e his w o r k , a n d h e w a s n ' t sure t h a t h e c o u l d success-
fully d o so n o w ; a n y w a y , h e was old a n d r a t h e r tired a n d n o t keen to
take on such a l o n g c o m m i t m e n t a b o u t w h i c h h e h a d so m a n y d o u b t s .
  J u n g ' s friends will all a g r e e w i t h m e t h a t h e was a m a n of most
positive decision. H e w o u l d w e i g h u p a p r o b l e m w i t h c a r e a n d w i t h o u t


                                                                                                            9
h u r r y ; b u t w h e n h e did give his a n s w e r , it was usually final. I r e t u r n e d
       to L o n d o n g r e a t l y d i s a p p o i n t e d , b u t c o n v i n c e d t h a t J u n g ' s refusal was
       the e n d of t h e m a t t e r . So it m i g h t h a v e b e e n , b u t for two i n t e r v e n i n g
       factors t h a t I h a d not foreseen.
            O n e was the p e r t i n a c i t y of Foges, w h o insisted o n m a k i n g o n e m o r e
       a p p r o a c h to J u n g before a c c e p t i n g defeat. T h e o t h e r was a n e v e n t t h a t ,
       as I look back on it, still astonishes m e .
           T h e television p r o g r a m was, as I h a v e said, a c c o u n t e d successful. It
       b r o u g h t J u n g a g r e a t m a n y letters from all sorts of p e o p l e , m a n y of
       t h e m o r d i n a r y folk w i t h no m e d i c a l or psychological t r a i n i n g , w h o h a d
       b e e n c a p t i v a t e d by the c o m m a n d i n g p r e s e n c e , the h u m o r , a n d the
       modest c h a r m of this very g r e a t m a n , a n d w h o h a d g l i m p s e d in his
       view of life a n d h u m a n p e r s o n a l i t y s o m e t h i n g t h a t could b e helpful to
       t h e m . A n d J u n g was very pleased, n o t simply at g e t t i n g letters (his
       mail was e n o r m o u s a t all times) b u t a t g e t t i n g t h e m from p e o p l e w h o
       would normally have no contact with him.
             I t was a t this m o m e n t t h a t he d r e a m e d a d r e a m of the greatest
        i m p o r t a n c e to h i m . ( A n d as you r e a d this book, you will u n d e r s t a n d
       j u s t h o w i m p o r t a n t t h a t c a n be.) H e d r e a m e d t h a t , instead of sitting
        in his s t u d y a n d t a l k i n g to the g r e a t d o c t o r s a n d psychiatrists w h o used
        to call on h i m from all over the w o r l d , h e was s t a n d i n g in a p u b l i c
        p l a c e a n d a d d r e s s i n g a m u l t i t u d e of p e o p l e w h o w e r e listening to h i m
       with r a p t a t t e n t i o n a n d understanding what he said. . . .
            W h e n , a week or t w o later, Foges r e n e w e d his request t h a t J u n g
       should u n d e r t a k e a n e w book d e s i g n e d , n o t for the clinic or the philo-
       s o p h e r ' s s t u d y , b u t for the p e o p l e in the m a r k e t p l a c e , J u n g allowed
       himself to be p e r s u a d e d . H e laid d o w n two c o n d i t i o n s . First, t h a t the
       book s h o u l d n o t be a s i n g l e - h a n d e d book, b u t the collective effort of
       himself a n d a g r o u p of his closest followers, t h r o u g h w h o m he h a d
       a t t e m p t e d to p e r p e t u a t e his m e t h o d s a n d his t e a c h i n g . S e c o n d l y , t h a t I
       s h o u l d b e e n t r u s t e d w i t h the task of c o - o r d i n a t i n g the work a n d resolv-
       ing a n y p r o b l e m s t h a t m i g h t arise b e t w e e n the a u t h o r s a n d the
       publishers.
            Lest it s h o u l d seem t h a t this i n t r o d u c t i o n transgresses the b o u n d s of
       r e a s o n a b l e m o d e s t y , let m e say at o n c e t h a t I was gratified by this
       second c o n d i t i o n — b u t w i t h i n m e a s u r e . F o r it very soon c a m e to m y
       k n o w l e d g e t h a t J u n g ' s reason for selecting m e was essentially t h a t he


I ()
regarded m e as b e i n g of r e a s o n a b l e , b u t n o t e x c e p t i o n a l , intelligence
and w i t h o u t t h e slightest serious k n o w l e d g e of psychology. T h u s I was
to J u n g t h e " a v e r a g e r e a d e r " of this b o o k ; w h a t I could u n d e r s t a n d
would be intelligible to all w h o w o u l d b e i n t e r e s t e d ; w h a t I boggled
at m i g h t possibly b e too difficult or o b s c u r e for s o m e . N o t u n d u l y flat-
tered by this e s t i m a t e of m y role, I h a v e n o n e t h e less s c r u p u l o u s l y in-
sisted (sometimes, I fear, to the e x a s p e r a t i o n of t h e a u t h o r s ) o n h a v i n g
every p a r a g r a p h w r i t t e n a n d , if necessary, r e w r i t t e n to a d e g r e e of
clarity a n d directness t h a t e n a b l e s m e to say w i t h confidence t h a t this
book in its e n t i r e t y is d e s i g n e d for a n d a d d r e s s e d to the g e n e r a l r e a d e r ,
and t h a t t h e c o m p l e x subjects it deals w i t h a r e t r e a t e d w i t h a r a r e a n d
e n c o u r a g i n g simplicity.
    After m u c h discussion, t h e c o m p r e h e n s i v e subject of this book was
agreed to b e M a n a n d his S y m b o l s ; a n d J u n g himself selected as his
collaborators in t h e w o r k D r . M a r i e - L o u i s e v o n F r a n z of Z u r i c h , per-
haps his closest professional c o n f i d a n t e a n d f r i e n d ; D r . J o s e p h L. H e n -
derson of S a n F r a n c i s c o , o n e of the most p r o m i n e n t a n d t r u s t e d of
A m e r i c a n J u n g i a n s ; M r s . A n i e l a Jaffe of Z u r i c h , w h o , in a d d i t i o n to
being a n e x p e r i e n c e d a n a l y s t , was J u n g ' s confidential p r i v a t e secretary
and his b i o g r a p h e r ; a n d D r . J o l a n d e J a c o b i , w h o after J u n g himself
is the most e x p e r i e n c e d a u t h o r a m o n g J u n g ' s Z u r i c h circle. T h e s e four
people w e r e chosen p a r t l y b e c a u s e of t h e i r skill a n d e x p e r i e n c e in the
p a r t i c u l a r subjects a l l o c a t e d to t h e m a n d p a r t l y b e c a u s e all of t h e m
were c o m p l e t e l y trusted b y J u n g to w o r k unselfishly to his instructions
as m e m b e r s of a t e a m . J u n g ' s p e r s o n a l responsibility was to p l a n the
structure of t h e w h o l e book, to supervise a n d d i r e c t the w o r k of his
collaborators, a n d himself to w r i t e t h e k e y n o t e c h a p t e r , " A p p r o a c h i n g
the U n c o n s c i o u s . "
    T h e last y e a r of his life was d e v o t e d a l m o s t e n t i r e l y to this book, a n d
when he d i e d in J u n e 1961, his o w n section was c o m p l e t e (he finished
it, in fact, o n l y s o m e 10 days before his final illness) a n d his colleagues'
chapters h a d all b e e n a p p r o v e d by h i m in draft. After his d e a t h , D r .
von F r a n z a s s u m e d over-all responsibility for the c o m p l e t i o n of the
book in a c c o r d a n c e w i t h J u n g ' s express i n s t r u c t i o n s . T h e subject m a t t e r
of Man and his Symbols a n d its o u t l i n e w e r e therefore laid d o w n —
a n d in d e t a i l — b y J u n g . T h e c h a p t e r t h a t b e a r s his n a m e is his work
a n d ( a p a r t from s o m e fairly extensive e d i t i n g to i m p r o v e its intelligi-


                                                                                                                11
bility to t h e g e n e r a l r e a d e r ) n o b o d y else's. I t was w r i t t e n , i n c i d e n t a l l y ,
      in English. T h e r e m a i n i n g c h a p t e r s w e r e w r i t t e n b y t h e v a r i o u s a u t h o r s
      to J u n g ' s d i r e c t i o n a n d u n d e r his supervision. T h e final e d i t i n g of the
      c o m p l e t e w o r k after J u n g ' s d e a t h has b e e n d o n e by D r . von F r a n z w i t h
      a p a t i e n c e , u n d e r s t a n d i n g , a n d good h u m o r t h a t leave the p u b l i s h e r s
      a n d myself g r e a t l y in h e r d e b t .
            Finally as to t h e c o n t e n t s of t h e book itself:
           J u n g ' s t h i n k i n g has colored t h e w o r l d of m o d e r n psychology m o r e
       t h a n m a n y of those w i t h casual k n o w l e d g e realize. S u c h familiar t e r m s ,
      for i n s t a n c e , as " e x t r a v e r t , " " i n t r o v e r t , " a n d " a r c h e t y p e " a r e all
      J u n g i a n c o n c e p t s — b o r r o w e d a n d s o m e t i m e s misused b y o t h e r s . B u t his
      o v e r w h e l m i n g c o n t r i b u t i o n to psychological u n d e r s t a n d i n g is his con-
      c e p t of t h e u n c o n s c i o u s — n o t (like t h e u n c o n s c i o u s of F r e u d ) m e r e l y
       a sort of glory-hole of repressed desires, b u t a w o r l d t h a t is j u s t as m u c h
      a vital a n d real p a r t of the life of a n i n d i v i d u a l as the conscious,
       " c o g i t a t i n g " w o r l d of the ego, a n d infinitely w i d e r a n d richer. T h e
      l a n g u a g e a n d t h e " p e o p l e " of the u n c o n s c i o u s a r e symbols, a n d the
      m e a n s of c o m m u n i c a t i o n s d r e a m s .
          T h u s a n e x a m i n a t i o n of M a n a n d his S y m b o l s is in effect a n e x a m i -
      n a t i o n of m a n ' s r e l a t i o n to his o w n u n c o n s c i o u s . A n d since in J u n g ' s
      view the u n c o n s c i o u s is the g r e a t g u i d e , friend, a n d adviser of t h e
      conscious, this book is r e l a t e d in the most direct t e r m s to the s t u d y of
      h u m a n beings a n d their s p i r i t u a l p r o b l e m s . W e k n o w t h e u n c o n s c i o u s
      a n d c o m m u n i c a t e w i t h it (a t w o - w a y service) p r i n c i p a l l y by d r e a m s ;
      a n d all t h r o u g h this book ( a b o v e all in J u n g ' s o w n c h a p t e r ) you will
      find a q u i t e r e m a r k a b l e e m p h a s i s p l a c e d o n the i m p o r t a n c e of d r e a m -
      ing in the life of the i n d i v i d u a l .
           I t w o u l d b e a n i m p e r t i n e n c e o n m y p a r t to a t t e m p t to i n t e r p r e t
      J u n g ' s w o r k to r e a d e r s , m a n y of w h o m will surely b e far b e t t e r q u a l i -
      fied to u n d e r s t a n d it t h a n I a m . M y role, r e m e m b e r , was m e r e l y to
       serve as a sort of "intelligibility filter" a n d by n o m e a n s as a n inter-
       p r e t e r . Nevertheless, I v e n t u r e to offer two g e n e r a l points t h a t seem
       i m p o r t a n t to m e as a l a y m a n a n d t h a t m a y possibly b e helpful to o t h e r
      n o n - e x p e r t s . T h e first is a b o u t d r e a m s . T o J u n g i a n s the d r e a m is n o t a
       kind of s t a n d a r d i z e d c r y p t o g r a m t h a t c a n be d e c o d e d by a glossary
      of s y m b o l m e a n i n g s . I t is a n i n t e g r a l , i m p o r t a n t , a n d p e r s o n a l expres-
       sion of the i n d i v i d u a l u n c o n s c i o u s . It is j u s t as " r e a l " as a n y o t h e r


I 2
p h e n o m e n o n a t t a c h i n g to the i n d i v i d u a l . The, d r e a m e r ' s i n d i v i d u a l
unconscious is c o m m u n i c a t i n g w i t h t h e d r e a m e r a l o n e a n d is selecting
symbols for its p u r p o s e t h a t h a v e m e a n i n g to the d r e a m e r a n d to
n o b o d y else. T h u s t h e i n t e r p r e t a t i o n of d r e a m s , w h e t h e r b y the analyst
or by the d r e a m e r himself, is for the J u n g i a n psychologist a n entirely
personal a n d i n d i v i d u a l business ( a n d s o m e t i m e s a n e x p e r i m e n t a l a n d
very l e n g t h y o n e as well) t h a t c a n by n o m e a n s b e u n d e r t a k e n by
rule of t h u m b .
    T h e converse of this is t h a t the c o m m u n i c a t i o n s of the unconscious
are of the highest i m p o r t a n c e to the d r e a m e r — n a t u r a l l y so, since the
unconscious is a t least half of his total b e i n g — a n d frequently offer h i m
advice or g u i d a n c e t h a t c o u l d be o b t a i n e d from n o o t h e r source. T h u s ,
when I d e s c r i b e d J u n g ' s d r e a m a b o u t a d d r e s s i n g the m u l t i t u d e , I was
not d e s c r i b i n g a piece of m a g i c or suggesting t h a t J u n g d a b b l e d in
fortune telling. I was r e c o u n t i n g in the s i m p l e t e r m s of daily e x p e r i e n c e
how J u n g was " a d v i s e d " by his o w n u n c o n s c i o u s to reconsider a n
i n a d e q u a t e j u d g m e n t he h a d m a d e w i t h t h e conscious p a r t of his m i n d .
   N o w it follows from this t h a t t h e d r e a m i n g of d r e a m s is not a m a t t e r
that the well-adjusted J u n g i a n c a n r e g a r d as simply a m a t t e r of
chance. O n t h e c o n t r a r y , the ability to establish c o m m u n i c a t i o n s with
the u n c o n s c i o u s is a p a r t of t h e w h o l e m a n , a n d J u n g i a n s " t e a c h "
themselves (I c a n t h i n k of n o b e t t e r t e r m ) to be r e c e p t i v e to d r e a m s .
W h e n , therefore, J u n g himself was faced w i t h the critical decision
                                                1




w h e t h e r or not to w r i t e this book, he was a b l e to d r a w on the resources
of both his conscious a n d his u n c o n s c i o u s in m a k i n g u p his m i n d . A n d
all t h r o u g h this book you will find the d r e a m t r e a t e d as a direct, per-
sonal, a n d m e a n i n g f u l c o m m u n i c a t i o n to the d r e a m e r —a c o m m u n i c a -
tion t h a t uses the symbols c o m m o n to ajl m a n k i n d , b u t t h a t uses t h e m
on every occasion in a n entirely i n d i v i d u a l w a y t h a t c a n be i n t e r p r e t e d
only by a n entirely i n d i v i d u a l " k e y . "
   T h e second p o i n t I wish to m a k e is a b o u t a p a r t i c u l a r c h a r a c t e r i s t i c
of a r g u m e n t a t i v e m e t h o d t h a t is c o m m o n to all the writers of this book
    p e r h a p s to all J u n g i a n s . T h o s e w h o h a v e limited themselves to living
entirely in the w o r l d of the conscious a n d w h o reject c o m m u n i c a t i o n
with the u n c o n s c i o u s b i n d themselves by the laws of conscious, formal
life. W i t h t h e infallible ( b u t often meaningless) logic of t h e a l g e b r a i c
e q u a t i o n , they a r g u e from a s s u m e d premises to i n c o n t e s t a b l y d e d u c e d


                                                                                                                '3
conclusions. J u n g a n d his colleagues seem to m e ( w h e t h e r they k n o w it
     or not) to reject the l i m i t a t i o n s of this m e t h o d of a r g u m e n t . It is not
     t h a t t h e y i g n o r e logic, b u t t h e y a p p e a r all t h e t i m e to be a r g u i n g to the
     u n c o n s c i o u s as well as to t h e conscious. T h e i r dialectical m e t h o d is itself
     symbolic a n d often devious. T h e y c o n v i n c e not by m e a n s of t h e n a r -
     rowly focused spotlight of the syllogism, b u t by skirting, by r e p e t i t i o n ,
     b y p r e s e n t i n g a r e c u r r i n g view of the s a m e subject seen e a c h t i m e from
     a slightly different a n g l e — until s u d d e n l y the r e a d e r w h o has never
     b e e n a w a r e of a single, conclusive m o m e n t of p r o o f finds t h a t he has
     u n k n o w i n g l y e m b r a c e d a n d t a k e n i n t o himself some w i d e r t r u t h .
         J u n g ' s a r g u m e n t s ( a n d those of his colleagues) spiral u p w a r d over
     his subject like a b i r d circling a tree. At first, n e a r the g r o u n d , it sees
     only a confusion of leaves a n d b r a n c h e s . G r a d u a l l y , as it circles h i g h e r
     a n d h i g h e r , the r e c u r r i n g aspects of t h e tree form a wholeness a n d
     r e l a t e to their s u r r o u n d i n g s . S o m e r e a d e r s m a y find this " s p i r a l i n g "
     m e t h o d of a r g u m e n t o b s c u r e or even confusing for a few p a g e s — b u t
     not, I t h i n k , for long. I t is c h a r a c t e r i s t i c of J u n g ' s m e t h o d , a n d very
     soon the r e a d e r will find it c a r r y i n g h i m w i t h it o n a persuasive a n d
     profoundly absorbing j o u r n e y .
         T h e different sections of this book speak for themselves a n d r e q u i r e
     little i n t r o d u c t i o n from m e . J u n g ' s o w n c h a p t e r i n t r o d u c e s t h e r e a d e r
     to the u n c o n s c i o u s , to t h e a r c h e t y p e s a n d symbols t h a t form its l a n g u -
     age a n d to t h e d r e a m s by w h i c h it c o m m u n i c a t e s . D r . H e n d e r s o n in
     the following c h a p t e r illustrates the a p p e a r a n c e of several a r c h e t y p a l
     p a t t e r n s in a n c i e n t m y t h o l o g y , folk l e g e n d , a n d p r i m i t i v e r i t u a l . D r .
     von F r a n z , in the c h a p t e r e n t i t l e d " T h e Process of I n d i v i d u a t i o n , "
     describes the process by w h i c h t h e conscious a n d t h e unconscious
     w i t h i n a n i n d i v i d u a l l e a r n to k n o w , respect, a n d a c c o m m o d a t e o n e
     a n o t h e r . I n a c e r t a i n sense this c h a p t e r c o n t a i n s n o t only the c r u x of
     t h e w h o l e book, b u t p e r h a p s the essence of J u n g ' s p h i l o s o p h y of life:
     M a n b e c o m e s w h o l e , i n t e g r a t e d , c a l m , fertile, a n d h a p p y w h e n ( a n d
     only w h e n ) t h e process of i n d i v i d u a t i o n is c o m p l e t e , w h e n t h e con-
     scious a n d t h e u n c o n s c i o u s h a v e l e a r n e d to live a t p e a c e a n d to com-
     p l e m e n t o n e a n o t h e r . M r s . Jaffe, like D r . H e n d e r s o n , is c o n c e r n e d
     w i t h d e m o n s t r a t i n g , in the familiar fabric of the conscious, m a n ' s
     r e c u r r i n g interest i n — a l m o s t obsession w i t h — the symbols of the u n -
     conscious. T h e y h a v e for him a p r o f o u n d l y significant, almost a nour-


14
ishing a n d s u s t a i n i n g , i n n e r a t t r a c t i o n — w h e t h e r t h e y o c c u r in the
myths a n d fairy tales t h a t D r . H e n d e r s o n a n a l y z e s or in the visual arts,
which, as M r s . Jaffe shows, satisfy a n d d e l i g h t us b y a c o n s t a n t a p p e a l
to the u n c o n s c i o u s .
    Finally, I m u s t say a brief w o r d a b o u t D r . J a c o b i ' s c h a p t e r , w h i c h
is s o m e w h a t s e p a r a t e from the rest of the book. It is in fact a n a b b r e -
viated case history of o n e i n t e r e s t i n g a n d successful analysis. T h e value
of such a c h a p t e r in a b o o k like this is o b v i o u s ; b u t two w o r d s of w a r n -
ing are nevertheless necessary. First, as D r . v o n F r a n z points o u t , t h e r e
is no such t h i n g as a typical J u n g i a n analysis. T h e r e c a n ' t b e , because
every d r e a m is a p r i v a t e a n d i n d i v i d u a l c o m m u n i c a t i o n , a n d n o t w o
d r e a m s use t h e symbols of t h e u n c o n s c i o u s in t h e s a m e w a y . So every
J u n g i a n analysis is u n i q u e — a n d it is m i s l e a d i n g to consider this o n e ,
taken from D r . J a c o b i ' s clinical files (or a n y o t h e r o n e t h e r e has ever
been), as " r e p r e s e n t a t i v e " or " t y p i c a l . " All o n e c a n say of the case of
 H e n r y a n d his s o m e t i m e s l u r i d d r e a m s is t h a t t h e y form o n e t r u e
 example of t h e w a y in w h i c h t h e J u n g i a n m e t h o d m a y b e a p p l i e d to
 a p a r t i c u l a r case. S e c o n d l y , t h e full history of even a c o m p a r a t i v e l y
u n c o m p l i c a t e d case w o u l d t a k e a w h o l e book to r e c o u n t . I n e v i t a b l y , the
story of H e n r y ' s analysis suffers a little in c o m p r e s s i o n . T h e references,
for instance, to t h e / Ching h a v e b e e n s o m e w h a t o b s c u r e d a n d lent a n
u n n a t u r a l ( a n d to m e unsatisfactory) flavor of the occult b y b e i n g p r e -
sented o u t of t h e i r full c o n t e x t . N e v e r t h e l e s s , we c o n c l u d e d — a n d I a m
sure the r e a d e r will a g r e e — t h a t , w i t h the w a r n i n g s d u l y given, the
clarity, to say n o t h i n g of the h u m a n interest, of H e n r y ' s analysis
greatly e n r i c h e s this b o o k .
   I b e g a n b y d e s c r i b i n g h o w J u n g c a m e to w r i t e Man and his Symbols.
I end by r e m i n d i n g t h e r e a d e r of w h a t a r e m a r k a b l e — p e r h a p s u n i q u e
— p u b l i c a t i o n this is. C a r l G u s t a v J u n g was o n e of the g r e a t d o c t o r s of
all time a n d o n e of t h e g r e a t t h i n k e r s of this c e n t u r y . His object always
was to h e l p m e n a n d w o m e n to k n o w themselves, so t h a t b y self-know-
ledge a n d t h o u g h t f u l self-use they c o u l d lead full, rich, a n d h a p p y lives.
At the very e n d of his o w n life, w h i c h was as full, rich, a n d h a p p y as
any I h a v e e n c o u n t e r e d , he d e c i d e d to use the s t r e n g t h t h a t was
left him to a d d r e s s his message to a w i d e r p u b l i c t h a n h e h a d ever
tried to r e a c h before. H e c o m p l e t e d his task a n d his life in t h e s a m e
m o n t h . T h i s b o o k is his legacy to t h e b r o a d r e a d i n g p u b l i c .


                                                                                                                 '5
Contents



Part 1 Approaching the unconscious                18
         Carl G. J u n g


Part 2   Ancient myths and modern man           104

         Joseph L. Henderson


Part 3   The process of individuation           158
         M.-L. von Franz


Part 4   Symbolism in the visual arts           230
         Aniela Jaffe


Part 5   Symbols in an individual analysis       272

         Jolande Jacobi


         Conclusion: Science and the unconscious 304

         M.-L. von Franz


         Notes                                  311


         Index                                  316


         Illustration credits                   319
Approaching the unconscious



Carl G. J u n g




 The entrance to the tomb of the Egyptian pharaoh Rameses III
Approaching the unconscious


T h e i m p o r t a n c e of d r e a m s




M a n uses the spoken or w r i t t e n word to express                         d o u b l e a d z e . T h i s is a n object t h a t we know,
the m e a n i n g of w h a t he w a n t s to convey. His                       b u t w e d o not k n o w its symbolic implications.
l a n g u a g e is full of symbols, but he also often                          For a n o t h e r e x a m p l e , take t h e case of the
e m p l o y s signs or i m a g e s t h a t a r e not strictly                  I n d i a n w h o , after a visit to E n g l a n d , told his
descriptive. S o m e a r c m e r e a b b r e v i a t i o n s or                friends at h o m e t h a t the English w o r s h i p a n i -
strings of initials, such as U N , U N I C E F , or                            mals, because he h a d found eagles, lions, a n d
U N E S C O ; o t h e r s a r e familiar t r a d e m a r k s , the             oxen in old c h u r c h e s . H e was not a w a r e (nor
n a m e s of p a t e n t m e d i c i n e s , b a d g e s , or insignia.        a r e m a n y Christians) t h a t these a n i m a l s a r e
A l t h o u g h these a r e m e a n i n g l e s s in themselves,               symbols of the Evangelists a n d a r e derived from
they h a v e a c q u i r e d a r e c o g n i z a b l e m e a n i n g           the vision of Ezekiel, a n d t h a t this in t u r n has
t h r o u g h c o m m o n usage or d e l i b e r a t e intent.                 a n a n a l o g y to the E g y p t i a n sun god H o r u s a n d
Such things a r e n o t symbols. T h e y a r e signs,                          his four sons. T h e r e a r e , m o r e o v e r , such objects
a n d they d o no m o r e t h a n d e n o t e t h e objects                    as t h e wheel a n d the cross t h a t a r e k n o w n all
to w h i c h they a r e a t t a c h e d .                                      over t h e w o r l d , yet t h a t h a v e a symbolic signi-
    W h a t w e call a s y m b o l is a t e r m , a n a m e , or               ficance u n d e r c e r t a i n c o n d i t i o n s . Precisely w h a t
even a p i c t u r e t h a t m a y be familiar in daily                        they symbolize is still a m a t t e r for controversial
life, yet t h a t possesses specific c o n n o t a t i o n s in                speculation.
a d d i t i o n to its c o n v e n t i o n a l a n d o b v i o u s m e a n -        T h u s a w o r d or a n i m a g e is symbolic w h e n it
ing. It implies s o m e t h i n g v a g u e , u n k n o w n , or               implies s o m e t h i n g m o r e t h a n its obvious a n d
h i d d e n from us. M a n y C r e t a n m o n u m e n t s , for               i m m e d i a t e m e a n i n g . It has a w i d e r " u n c o n -
instance, a r c m a r k e d with t h e design of the                           s c i o u s " aspect t h a t is never precisely defined or
fully explained. N o r c a n o n e h o p e to define or                It is not easy to g r a s p this p o i n t . But the
explain it. As the m i n d explores the s y m b o l , it          point must be g r a s p e d if we a r e to k n o w m o r e
is led to ideas t h a t lie b e y o n d the g r a s p of          a b o u t the ways in w h i c h the h u m a n m i n d
reason. T h e wheel m a y lead o u r t h o u g h t s to-          works. M a n , as we realize if we reflect for a
ward the concept of a " d i v i n e " sun, b u t at this          m o m e n t , never perceives a n y t h i n g fully or c o m -
point reason must a d m i t its i n c o m p e t e n c e ; m a n   p r e h e n d s a n y t h i n g c o m p l e t e l y . H e c a n see, h e a r ,
is unable to define a " d i v i n e " b e i n g . W h e n ,       t o u c h , a n d t a s t e ; b u t h o w far he sees, h o w well
with all our intellectual l i m i t a t i o n s , we call         he h e a r s , w h a t his t o u c h tells h i m , a n d w h a t he
something " d i v i n e , " we h a v e merely given it a          tastes d e p e n d u p o n the n u m b e r a n d q u a l i t y of
name, which m a y be based on a creed, b u t                      his senses. T h e s e limit his p e r c e p t i o n of the
never on factual e v i d e n c e .                                world a r o u n d h i m . By using scientific instru-
   Because there a r e i n n u m e r a b l e things b e y o n d   m e n t s he can p a r t l y c o m p e n s a t e for the defici-
the range of h u m a n u n d e r s t a n d i n g , we con-        encies of his senses. F o r e x a m p l e , he c a n e x t e n d
stantly use symbolic t e r m s to represent c o n c e p t s       the r a n g e of his vision by b i n o c u l a r s or of his
that we c a n n o t define or fully c o m p r e h e n d .         h e a r i n g by electrical amplification. But the most
This is one reason w h y all religions e m p l o y sym-           elaborate a p p a r a t u s cannot do more than bring
bolic language or i m a g e s . But this conscious use            d i s t a n t or small objects w i t h i n r a n g e of his eyes,
of symbols is only o n e aspect of a psychological                or m a k e faint s o u n d s m o r e a u d i b l e . N o m a t t e r
fact of great i m p o r t a n c e : M a n also p r o d u c e s    w h a t i n s t r u m e n t s he uses, at some point he
symbols unconsciously a n d s p o n t a n e o u s l y , in        r e a c h e s the e d g e of c e r t a i n t y b e y o n d w h i c h con-
the form of d r e a m s .                                         scious k n o w l e d g e c a n n o t pass.




Left, three of the four Evangelists
(in a relief on Chartres Cathedral)
appear as animals: The lion is Mark,
the ox Luke, the eagle John. Also
animals are three of the sons of the
Egyptian god Horus (above, c. 1 250
B.C.), Animals, and groups of four,
are universal religious symbols.

                                                                                                                                            24
In many societies, representations
of the sun express man's indefinable
religious experience. Above, a
decoration on the back of a throne
belonging to the 14th-century B.C.
Egyptian pharaoh Tutankhamen is
dominated by a sun disk; the hands
at the end of the rays symbolize
the sun's life-giving power. Left,
a monk in 20th-century Japan prays
before a mirror that represents the
divine Sun in the Shinto religion.




Right, tungsten atoms seen with a
microscope that magnifies 2,000,000
times. Far right, the spots in center
of picture are the farthest visible
galaxies. No matter how far man
extends his senses, limits to his
conscious perception remain.
T h e r e are, m o r e o v e r , u n c o n s c i o u s a s p e c t s of      w h e r e it a p p e a r s n o t a s a r a t i o n a l t h o u g h t b u t
o u r p e r c e p t i o n o f r e a l i t y . T h e first is t h e f a c t       a s a s y m b o l i c i m a g e . A s a m a t t e r o f h i s t o r y , it
that e v e n w h e n o u r s e n s e s r e a c t t o r e a l p h e n o -         was      the     study         of d r e a m s     that        first    enabled
mena, sights, a n d s o u n d s , t h e y a r e                somehow           psychologists             to     investigate            the     unconscious
translated from t h e r e a l m of r e a l i t y i n t o                that     a s p e c t of c o n s c i o u s p s y c h i c e v e n t s .
of t h e m i n d . W i t h i n       the mind          they       become             It    is o n      such       evidence         that        psychologists
psychic e v e n t s , w h o s e u l t i m a t e n a t u r e is u n -             a s s u m e t h e e x i s t e n c e of a n u n c o n s c i o u s p s y c h e
k n o w a b l e (for t h e p s y c h e c a n n o t k n o w its o w n              — t h o u g h m a n y scientists a n d philosophers d e n y
psychical s u b s t a n c e ) . T h u s         every       experience           its e x i s t e n c e . T h e y a r g u e n a i v e l y t h a t s u c h a n
contains a n i n d e f i n i t e n u m b e r of u n k n o w n fac-               a s s u m p t i o n i m p l i e s t h e e x i s t e n c e of t w o " s u b -
tors, n o t t o s p e a k o f t h e f a c t t h a t e v e r y c o n c r e t e    j e c t s , " o r ( t o p u t it i n a c o m m o n p h r a s e )           two
object is a l w a y s u n k n o w n i n c e r t a i n           respects,        personalities within the same individual.                                  But
because w e c a n n o t k n o w t h e u l t i m a t e n a t u r e o f            t h i s is e x a c t l y w h a t it d o e s i m p l y — q u i t e         cor-
m a t t e r itself.                                                              r e c t l y . A n d it is o n e o f t h e c u r s e s o f m o d e r n
   T h e n t h e r e a r e c e r t a i n e v e n t s of w h i c h         we     m a n t h a t m a n y p e o p l e suffer from this d i v i d e d
have n o t c o n s c i o u s l y t a k e n n o t e ; t h e y h a v e r e -       p e r s o n a l i t y . I t is b y n o m e a n s a             pathological
m a i n e d , so t o s p e a k , b e l o w t h e t h r e s h o l d o f c o n -   s y m p t o m ; it is a n o r m a l f a c t t h a t c a n b e o b -
sciousness. T h e y h a v e h a p p e n e d , b u t t h e y h a v e              s e r v e d a t a n y t i m e a n d e v e r y w h e r e . I t is n o t
been a b s o r b e d s u b l i m i n a l l y , w i t h o u t o u r c o n -       merely the neurotic whose right h a n d does not
scious k n o w l e d g e . W e         can     become aware                of    k n o w w h a t t h e left h a n d is d o i n g . T h i s p r e d i c a -
such h a p p e n i n g s o n l y i n a m o m e n t o f i n t u i t i o n         m e n t is a s y m p t o m o f a g e n e r a l u n c o n s c i o u s n e s s
or by a p r o c e s s o f p r o f o u n d t h o u g h t t h a t l e a d s        t h a t is t h e u n d e n i a b l e c o m m o n i n h e r i t a n c e o f
to a l a t e r r e a l i z a t i o n t h a t t h e y m u s t h a v e h a p -     all m a n k i n d .
pened; a n d           though      we m a y        have       originally             M a n has d e v e l o p e d consciousness slowly a n d
ignored t h e i r e m o t i o n a l a n d v i t a l i m p o r t a n c e , it     laboriously, in a process t h a t took u n t o l d ages to
later w e l l s u p f r o m t h e u n c o n s c i o u s a s a s o r t            r e a c h t h e c i v i l i z e d s t a t e ( w h i c h is a r b i t r a r i l y
of a f t e r t h o u g h t .                                                     dated       from       the invention             of s c r i p t in       about
   It m a y a p p e a r , for i n s t a n c e , in t h e f o r m o f a           4 0 0 0 B . C ) . A n d t h i s e v o l u t i o n is f a r f r o m c o m -
dream.        As a         general     rule,     the      unconscious            p l e t e , for l a r g e a r e a s o f t h e h u m a n m i n d            are
aspect o f a n y e v e n t is r e v e a l e d t o u s i n d r e a m s ,          still s h r o u d e d     in d a r k n e s s . W h a t w e call            the
                                                                                 " p s y c h e " is b y n o m e a n s i d e n t i c a l w i t h             our
                                                                                 c o n s c i o u s n e s s a n d its c o n t e n t s .
                                                                                     W h o e v e r d e n i e s t h e e x i s t e n c e of t h e u n c o n -
                                                                                 s c i o u s is i n f a c t a s s u m i n g t h a t o u r p r e s e n t k n o w -
                                                                                 l e d g e o f t h e p s y c h e is t o t a l . A n d t h i s b e l i e f is
                                                                                 c l e a r l y j u s t a s false a s t h e a s s u m p t i o n t h a t w e
                                                                                 k n o w a l l t h e r e is t o b e k n o w n a b o u t t h e n a t u r a l
                                                                                 u n i v e r s e . O u r p s y c h e is p a r t o f n a t u r e , a n d its
                                                                                 e n i g m a is a s l i m i t l e s s . T h u s w e c a n n o t          define
                                                                                 either the psyche or nature. W e can                                    merely
                                                                                 state w h a t w e believe t h e m to be a n d describe,
                                                                                 as best w e c a n , h o w they function. Q u i t e a p a r t ,
                                                                                 therefore,          from        the     evidence          that         medical
                                                                                 research         has     accumulated,               there        are    strong
                                                                                 g r o u n d s o f l o g i c for r e j e c t i n g s t a t e m e n t s      like
                                                                                 " T h e r e is n o u n c o n s c i o u s . " T h o s e w h o s a y s u c h
                                                                                 things merely express an age-old                              "misoneism"
                                                                                 — a fear of t h e n e w a n d t h e u n k n o w n .


                                                                                                                                                             23
T h e r e a r e h i s t o r i c a l r e a s o n s for t h i s r e s i s t a n c e   that an individual m a y have such an                                               uncon-
to t h e i d e a of a n u n k n o w n p a r t of t h e                     human          scious identity with s o m e o t h e r person or object.
p s y c h e . C o n s c i o u s n e s s is a v e r y r e c e n t a c q u i s i -              T h i s i d e n t i t y takes a v a r i e t y of forms a m o n g
t i o n o f n a t u r e , a n d it is still i n a n              "experimen-              p r i m i t i v e s . I f t h e b u s h s o u l is t h a t o f a n a n i m a l ,
t a l " s t a t e . I t is f r a i l , m e n a c e d b y s p e c i f i c d a n -          t h e a n i m a l i t s e l f is c o n s i d e r e d a s s o m e s o r t of
gers, a n d easily i n j u r e d . As a n t h r o p o l o g i s t s h a v e               b r o t h e r t o t h e m a n . A m a n w h o s e b r o t h e r is a
n o t e d , o n e of t h e m o s t c o m m o n                    mental          de-     c r o c o d i l e , for i n s t a n c e , is s u p p o s e d t o b e safe
rangements that occur a m o n g primitive people                                          w h e n s w i m m i n g a crocodile-infested                                    river.           If
is w h a t t h e y c a l l " t h e loss o f a s o u l " — w h i c h                       t h e b u s h s o u l is a t r e e , t h e t r e e is p r e s u m e d t o
m e a n s , as the n a m e indicates, a n o t i c e a b l e dis-                          h a v e s o m e t h i n g like p a r e n t a l a u t h o r i t y o v e r t h e
r u p t i o n (or, m o r e t e c h n i c a l l y , a dissociation) of                     i n d i v i d u a l c o n c e r n e d . I n b o t h cases a n                         injury
consciousness.                                                                            t o t h e b u s h s o u l is i n t e r p r e t e d a s a n i n j u r y t o
      A m o n g s u c h p e o p l e , w h o s e c o n s c i o u s n e s s is              the m a n .
a t a different level of d e v e l o p m e n t from o u r s ,                                 I n s o m e t r i b e s , it is a s s u m e d t h a t a m a n h a s
t h e " s o u l " ( o r p s y c h e ) is n o t felt t o b e a u n i t .                   a n u m b e r o f s o u l s ; t h i s b e l i e f e x p r e s s e s t h e feel-
Many           primitives          assume          that      a   man        has      a    ing of s o m e p r i m i t i v e individuals that they each
" b u s h s o u l " as well as his o w n , a n d t h a t this                             consist of several linked b u t d i s t i n c t units. T h i s
b u s h s o u l is i n c a r n a t e i n a w i l d a n i m a l o r a t r e e ,            m e a n s t h a t t h e i n d i v i d u a l ' s p s y c h e is f a r                     from
with which the h u m a n individual has some kind                                         b e i n g safely s y n t h e s i z e d ; o n                 the contrary,                       it
o f p s y c h i c i d e n t i t y . T h i s is w h a t             the     distin-        t h r e a t e n s to f r a g m e n t o n l y too easily u n d e r t h e
guished French ethnologist Lucien Levy-Briihl                                             o n s l a u g h t of u n c h e c k e d e m o t i o n s .
called a "mystical p a r t i c i p a t i o n . " H e later re-                                W h i l e t h i s s i t u a t i o n is f a m i l i a r t o u s f r o m t h e
tracted         this     term       under         pressure         of    adverse          s t u d i e s o f a n t h r o p o l o g i s t s , it is n o t so i r r e l e v a n t
criticism, but               I believe that               his critics         were        t o o u r o w n a d v a n c e d c i v i l i z a t i o n as it                         might
w r o n g . I t is a w e l l - k n o w n             psychological              fact      s e e m . W e t o o c a n b e c o m e d i s s o c i a t e d a n d lose



                                                                                                                            " D i s s o c i a t i o n " m e a n s a s p l i t t i n g in
                                                                                                                            the psyche, causing a neurosis. A
                                                                                                                            f a m o u s f i c t i o n a l e x a m p l e of t h i s
                                                                                                                            state is Dr Jekyll and Mr. Hyde
                                                                                                                            ( 1 8 8 6 ) by t h e S c o t s a u t h o r R. L
                                                                                                                            S t e v e n s o n . In t h e s t o r y J e k y l l ' s
                                                                                                                            " s p l i t " t o o k t h e f o r m of a p h y s i c a l
                                                                                                                            c h a n g e , rather t h a n (as in r e a l i t y )
                                                                                                                            an inner, p s y c h i c state. Left, M r .
                                                                                                                            H y d e ( f r o m t h e 1 9 3 2 f i l m of t h e
                                                                                                                            story) — J e k y l l ' s "other half."




                                                                                                                             P r i m i t i v e p e o p l e call d i s s o c i a t i o n
                                                                                                                            " l o s s of a s o u l " ; t h e y b e l i e v e t h a t
                                                                                                                            a m a n has a " b u s h s o u l " as w e l l as
                                                                                                                            his o w n . R i g h t , a N y a n g a t r i b e s m a n
                                                                                                                            of w e s t c e n t r a l A f r i c a w e a r i n g a m a s k
                                                                                                                            of the h o r n b i l l — t h e b i r d t h a t h e
                                                                                                                            i d e n t i f i e s w i t h his b u s h s o u l .




                                                                                                                            Far r i g h t , t e l e p h o n i s t s o n a b u s y
                                                                                                                            s w i t c h b o a r d h a n d l e m a n y c a l l s at
                                                                                                                            o n c e . In s u c h j o b s p e o p l e " s p l i t
                                                                                                                            o f f " parts of t h e i r c o n s c i o u s m i n d s
                                                                                                                            t o c o n c e n t r a t e . B u t t h i s split is
                                                                                                                            controlled and temporary, not a
                                                                                                                            spontaneous, abnormal dissociation.



2 I
our i d e n t i t y . W e c a n b e p o s s e s s e d a n d         altered        "loss of a s o u l , " or e v e n t h e p a t h o l o g i c a l c a u s e
by m o o d s , o r b e c o m e u n r e a s o n a b l e a n d u n a b l e           of a neurosis.
to r e c a l l i m p o r t a n t   facts      about       ourselves           or       Thus,        even     in o u r      day      the     unity      of      con-
o t h e r s , so t h a t p e o p l e a s k : " W h a t t h e d e v i l h a s       s c i o u s n e s s is still a d o u b t f u l     a f f a i r ; it c a n    too
got i n t o y o u ? " W e t a l k a b o u t b e i n g a b l e                "to   e a s i l y b e d i s r u p t e d . A n a b i l i t y to c o n t r o l o n e ' s
control o u r s e l v e s , " b u t s e l f - c o n t r o l is a r a r e a n d     e m o t i o n s that m a y be very desirable from o n e
remarkable virtue. W e m a y think we have our-                                    point of view w o u l d b e a q u e s t i o n a b l e a c c o m -
selves u n d e r c o n t r o l ; y e t a f r i e n d c a n e a s i l y tell        p l i s h m e n t f r o m a n o t h e r , for it w o u l d          deprive
us t h i n g s a b o u t o u r s e l v e s o f w h i c h w e h a v e n o           social i n t e r c o u r s e of v a r i e t v . color, a n d w a r m t h .
knowledge.                                                                             It is a g a i n s t t h i s b a c k g r o u n d       that we           must
   Beyond d o u b t , e v e n in w h a t w e call a high                           r e v i e w the i m p o r t a n c e of d r e a m s          t h o s e flimsy,
level of c i v i l i z a t i o n , h u m a n c o n s c i o u s n e s s       has   evasive, unreliable, vague, a n d uncertain                                 fan-
not yet a c h i e v e d a r e a s o n a b l e d e g r e e o f c o n t i -          tasies. T o e x p l a i n m y p o i n t of view, I s h o u l d
nuity. It is still v u l n e r a b l e a n d l i a b l e t o f r a g -             l i k e t o d e s c r i b e h o w it d e v e l o p e d o v e r a p e r i o d
mentation. T h i s c a p a c i t y to isolate p a r t of o n e ' s                 of y e a r s , a n d h o w I w a s led to c o n c l u d e                   that
m i n d , i n d e e d , is a v a l u a b l e c h a r a c t e r i s t i c .    It   d r e a m s are the most frequent a n d                       universally
e n a b l e s us to c o n c e n t r a t e u p o n o n e t h i n g a t a            a c c e s s i b l e s o u r c e for t h e i n v e s t i g a t i o n o f m a n ' s
time, e x c l u d i n g e v e r y t h i n g else t h a t m a y c l a i m           symbolizing faculty.
our a t t e n t i o n . B u t t h e r e is a w o r l d o f d i f f e r e n c e         Sigmund           Freud       was the pioneer who                        first
b e t w e e n a c o n s c i o u s d e c i s i o n t o s p l i t off a n d          tried     to e x p l o r e    empirically           the      unconscious
temporarily s u p p r e s s a p a r t of o n e ' s p s y c h e , a n d             b a c k g r o u n d of consciousness. H e w o r k e d on the
a c o n d i t i o n in w h i c h      this h a p p e n s       spontane-           general assumption that d r e a m s are not a matter
ously, w i t h o u t o n e ' s k n o w l e d g e o r c o n s e n t a n d           of c h a n c e     but     are associated              with      conscious
even a g a i n s t o n e ' s i n t e n t i o n . T h e f o r m e r is a            thoughts and problems. This assumption                                      was
civilized a c h i e v e m e n t ,       the latter a            primitive          n o t in t h e least a r b i t r a r y . It w a s b a s e d u p o n t h e




                                                                                                                                                                25
c o n c l u s i o n o f e m i n e n t n e u r o l o g i s t s (for i n s t a n c e ,        a s t h m a : H e " c a n ' t b r e a t h e the a t m o s p h e r e at
Pierre J a n e t )        t h a t neurotic s y m p t o m s are re-                          h o m e . " A t h i r d suffers f r o m a p e c u l i a r                      para-
lated to s o m e conscious e x p e r i e n c e . T h e y even                               lysis o f t h e l e g s : H e c a n ' t w a l k , i . e . " h e                    can't
appear        to b e split-off a r e a s of t h e                   conscious               go on a n y m o r e . " A fourth, w h o vomits w h e n
m i n d , w h i c h , at a n o t h e r t i m e a n d u n d e r differ-                      h e e a t s , " c a n n o t d i g e s t " s o m e u n p l e a s a n t fact.
ent conditions, c a n be conscious.                                                         I c o u l d cite m a n y e x a m p l e s of this k i n d ,                          but
     Before the b e g i n n i n g of this c e n t u r y ,                 Freud             such physical reactions are only one form                                            in
and Josef Breuer had recognized that neurotic                                               w h i c h t h e p r o b l e m s t h a t t r o u b l e us u n c o n s c i -
s y m p t o m s — h y s t e r i a , c e r t a i n t y p e s of p a i n , a n d              ously m a y express t h e m s e l v e s . T h e y m o r e often
a b n o r m a l b e h a v i o r — a r e in fact               symbolically                  find e x p r e s s i o n in o u r d r e a m s .
m e a n i n g f u l . T h e y a r e o n e w a y in w h i c h                    the             A n y psychologist w h o h a s listened to n u m -
unconscious             mind        expresses         itself, j u s t      as     it        bers of p e o p l e d e s c r i b i n g t h e i r d r e a m s                knows
m a y in d r e a m s ; a n d t h e y a r e e q u a l l y s y m b o l i c .                  that d r e a m symbols have m u c h greater variety
A p a t i e n t , for i n s t a n c e , w h o is c o n f r o n t e d        with            t h a n the p h y s i c a l s y m p t o m s of neurosis.                           They
an intolerable situation m a y develop a spasm                                              o f t e n consist of e l a b o r a t e a n d p i c t u r e s q u e fan-
w h e n e v e r h e tries to s w a l l o w : H e " c a n ' t swal-                          t a s i e s . B u t if t h e a n a l y s t w h o is c o n f r o n t e d              by
low i t . " U n d e r s i m i l a r c o n d i t i o n s of p s y c h o l o -                this d r e a m m a t e r i a l uses F r e u d ' s o r i g i n a l t e c h -
gical stress, a n o t h e r p a t i e n t h a s a n a t t a c k                  of         n i q u e o f " f r e e a s s o c i a t i o n , " h e finds t h a t d r e a m s




 1 S i g m u n d Freud ( V i e n n a )                             5 Max Eitingon       (Berlin)                            9 Eugen Bleuler            (Zurich)
 2 Otto Rank (Vienna)                                             6 James J. Putnam           (Boston)                    10 Emma J u n g (Kusnacht)
 3 Ludwig Binswanger             (Kreuzlingen)                    7 Ernest J o n e s ( T o r o n t o )                    11 S a n d o r F e r e n c z i ( B u d a p e s t )
 4 A A Brill                                                      8 W i l h e l m Stekel (Vienna)                         12 C. G J u n g          (Kusnacht)



26
can e v e n t u a l l y b e r e d u c e d to c e r t a i n basic p a t -                    of " f r e e a s s o c i a t i o n . " B u t after a t i m e I b e g a n to
terns. T h i s t e c h n i q u e p l a y e d a n i m p o r t a n t p a r t                  feel t h a t t h i s w a s a m i s l e a d i n g a n d          inadequate
in t h e d e v e l o p m e n t                of p s y c h o a n a l y s i s , for     it   use of t h e rich fantasies t h a t t h e                     unconscious
enabled Freud                    to use d r e a m s as t h e                starting        p r o d u c e s in sleep. M y d o u b t s r e a l l y b e g a n w h e n
point from w h i c h t h e u n c o n s c i o u s p r o b l e m of                           a c o l l e a g u e told m e of a n e x p e r i e n c e he                   had
the p a t i e n t m i g h t b e e x p l o r e d .                                           d u r i n g t h e c o u r s e of a long t r a i n j o u r n e y                 in
    Freud m a d e the simple but penetrating obser-                                         Russia. T h o u g h he did not k n o w the l a n g u a g e
v a t i o n t h a t if a d r e a m e r is e n c o u r a g e d t o g o o n                   a n d could not even d e c i p h e r the Cyrillic script,
talking a b o u t his d r e a m i m a g e s a n d t h e t h o u g h t s                     he found himself m u s i n g over the strange letters
that these p r o m p t                    in his m i n d ,          h e will        give    in w h i c h the r a i l w a y notices w e r e w r i t t e n , a n d
himself a w a y a n d r e v e a l t h e u n c o n s c i o u s b a c k -                     h e fell i n t o a r e v e r i e i n w h i c h h e i m a g i n e d a l l
g r o u n d of his a i l m e n t s , in b o t h w h a t h e s a y s                         s o r t s o f m e a n i n g s for t h e m .
and w h a t he d e l i b e r a t e l y o m i t s s a y i n g . His ideas                        O n e i d e a l e d t o a n o t h e r , a n d in h i s r e l a x e d
may seem i r r a t i o n a l a n d i r r e l e v a n t , b u t after a                      m o o d h e found t h a t this "free a s s o c i a t i o n " h a d
t i m e it b e c o m e s r e l a t i v e l y e a s y t o s e e w h a t it is                stirred u p m a n y old m e m o r i e s . A m o n g                       them
t h a t h e is t r y i n g             to a v o i d ,      what        unpleasant           h e w a s a n n o y e d t o find s o m e l o n g - b u r i e d d i s -
thought or experience                              h e is s u p p r e s s i n g .    No     agreeable topics                 t h i n g s h e h a d w i s h e d t o for-
matter h o w he tries to c a m o u f l a g e                             it, e v e r y -    get a n d       had      forgotten         consciously.        He      had      in
thing he says p o i n t s to t h e c o r e of his p r e d i c a -                           fact a r r i v e d at w h a t p s y c h o l o g i s t s w o u l d            call
m e n t . A d o c t o r s e e s so m a n y t h i n g s f r o m                       the    h i s " c o m p l e x e s " — t h a t is, r e p r e s s e d       emotional
s e a m y s i d e o f life t h a t h e is s e l d o m f a r f r o m t h e                   themes that can cause constant                              psychological
truth       when           he      interprets            the    hints      that      his    d i s t u r b a n c e s o r e v e n , in m a n y c a s e s , t h e s y m p -
patient p r o d u c e s               as s i g n s o f a n          uneasy          con-    t o m s of neurosis.
science. W h a t h e e v e n t u a l l y d i s c o v e r s ,                   unfor-            T h i s e p i s o d e o p e n e d m v e v e s to t h e f a r !         thai
tunately, c o n f i r m s his e x p e c t a t i o n s . T h u s                      far,   it w a s n o t n e c e s s a r y t o u s e a d r e a m a s t h e p o i n t
nobody c a n say a n y t h i n g a g a i n s t F r e u d ' s t h e o r y                    o f d e p a r t u r e for t h e p r o c e s s o f " f r e e a s s o c i a t i o n "
of r e p r e s s i o n a n d w i s h f u l f i l l m e n t as a p p a r e n t               if o n e w i s h e d      to d i s c o v e r the c o m p l e x e s of a
causes of d r e a m s y m b o l i s m .                                                     p a t i e n t . It s h o w e d m e t h a t o n e c a n r e a c h              the
    Freud           attached              particular           importance             to    c e n t e r d i r e c t l y from a n y p o i n t of t h e c o m p a s s .
d r e a m s as t h e p o i n t o f d e p a r t u r e for a p r o c e s s                    One      could        begin       from       Cyrillic       letters,       from



Left, m a n y of t h e great p i o n e e r s of
modern p s y c h o a n a l y s i s , p h o t o -
graphed at a C o n g r e s s o f
Psychoanalysis in i 9 1 1 at W e i m a r ,
Germany. T h e key, b e l o w left,
identifies s o m e of t h e m a j o r f i g u r e s .




Right, the " i n k b l o t " test d e v i s e d
by the S w i s s p s y c h i a t r i s t H e r m a n n
Rorschach. T h e s h a p e of t h e b l o t
can serve as a s t i m u l u s f o r free
association; in fact, a l m o s t a n y
irregular free s h a p e c a n spark off
the associative p r o c e s s . L e o n a r d o
da Vinci w r o t e in his            Notebooks:
"It should not b e hard f o r y o u t o
stop s o m e t i m e s a n d l o o k i n t o t h e
stains of w a l l s , or ashes of a fire,
or clouds, or m u d or like p l a c e s ,
in w h i c h . . . y o u m a y f i n d really
marvelous i d e a s . "
meditations u p o n a crystal ball, a p r a y e r wheel,                                        n i q u e w a s o n e t h a t c o u l d t a k e a c c o u n t o f all
or a m o d e r n p a i n t i n g , or even from casual c o n -                                  the v a r i o u s w i d e r aspects of a d r e a m . A story
versation a b o u t s o m e q u i t e trivial event. T h e                                      told by t h e conscious m i n d has a b e g i n n i n g , a
d r e a m w a s n o m o r e a n d n o less useful in t h i s                                    d e v e l o p m e n t , a n d a n e n d , b u t t h e s a m e is n o t
respect t h a n a n y o t h e r possible starting point.                                        t r u e of a d r e a m .        Its d i m e n s i o n s in t i m e         and
N e v e r t h e l e s s , d r e a m s h a v e a p a r t i c u l a r signifi-                    s p a c e a r e q u i t e d i f f e r e n t ; t o u n d e r s t a n d it y o u
cance, even though                   they often arise from                                an    m u s t e x a m i n e it f r o m e v e r y a s p e c t — j u s t as y o u
e m o t i o n a l u p s e t in w h i c h t h e h a b i t u a l c o m p l e x e s                m a y t a k e a n u n k n o w n o b j e c t in y o u r h a n d s a n d
a r e also involved. ( T h e h a b i t u a l c o m p l e x e s a r e                            turn     it o v e r a n d o v e r u n t i l y o u a r e             familiar
t h e t e n d e r spots of t h e p s y c h e , w h i c h r e a c t most                         w i t h e v e r y d e t a i l o f its s h a p e .
quickly to a n external stimulus or d i s t u r b a n c e . )                                       P e r h a p s I h a v e n o w said e n o u g h to s h o w h o w
 T h a t is w h y free a s s o c i a t i o n c a n l e a d o n e f r o m                        I came         increasingly           to disagree with                 "free"
a n y d r e a m to t h e critical secret t h o u g h t s .                                      a s s o c i a t i o n a s F r e u d first e m p l o y e d i t : I w a n t e d
    A t t h i s p o i n t , h o w e v e r , it o c c u r r e d t o m e t h a t                  t o k e e p a s c l o s e a s p o s s i b l e t o t h e d r e a m itself,
(if I w a s r i g h t so f a r ) it m i g h t r e a s o n a b l y f o l l o w                   a n d t o e x c l u d e all t h e i r r e l e v a n t i d e a s a n d a s s o -
that d r e a m s h a v e s o m e special a n d m o r e signi-                                   c i a t i o n s t h a t it m i g h t e v o k e . T r u e , t h e s e c o u l d
ficant     function of their o w n . V e r y often d r e a m s                                  lead one t o w a r d           the c o m p l e x e s of a           patient,
have a definite, evidently purposeful structure,                                                b u t I h a d a m o r e f a r - r e a c h i n g p u r p o s e in m i n d
indicating an underlying idea or                                     intention                  than      the discovery             of c o m p l e x e s      that      cause
t h o u g h , a s a r u l e , t h e l a t t e r is n o t i m m e d i a t e l y                  neurotic disturbances. There are m a n y                                other
c o m p r e h e n s i b l e . I t h e r e f o r e b e g a n to c o n s i d e r                  m e a n s by which these can be identified:                               The
w h e t h e r o n e s h o u l d p a y m o r e a t t e n t i o n to t h e                        p s y c h o l o g i s t , for i n s t a n c e , c a n g e t a l l t h e h i n t s
a c t u a l form a n d c o n t e n t of a d r e a m , r a t h e r t h a n                       h e n e e d s b y u s i n g w o r d - a s s o c i a t i o n tests ( b y ask-
allowing ""free"              association                to lead             one          off   ing t h e p a t i e n t w h a t h e associates to a given
t h r o u g h a train of ideas to c o m p l e x e s that could                                  set of w o r d s , a n d b y s t u d y i n g h i s r e s p o n s e s ) .
as easily b e r e a c h e d by o t h e r m e a n s .                                            B u t t o k n o w a n d u n d e r s t a n d t h e p s y c h i c life-
    T h i s n e w t h o u g h t w a s a t u r n i n g p o i n t in t h e
d e v e l o p m e n t of m y p s y c h o l o g y . It m e a n t t h a t I
gradually gave u p following associations                                             that
l e d far a w a y f r o m t h e t e x t o f a d r e a m . I c h o s e
to c o n c e n t r a t e r a t h e r o n t h e associations to t h e
d r e a m itself, b e l i e v i n g t h a t t h e l a t t e r e x p r e s s e d
s o m e t h i n g specific        that        the unconscious                         was
trying to say.
    T h e c h a n g e in m y a t t i t u d e t o w a r d                       dreams
involved a c h a n g e of m e t h o d ;                       the new tech-

                                T w o different possible stimuli of
                                free a s s o c i a t i o n : t h e w h i r l i n g
                                prayer w h e e l of a T i b e t a n b e g g a r
                                ( l e f t ) , or a f o r t u n e teller's c r y s t a l
                                ball ( r i g h t , a m o d e r n c r y s t a l gazer
                                at a B r i t i s h f a i r ) .
process of a n i n d i v i d u a l ' s w h o l e p e r s o n a l i t y , it             f o r m itself tells u s w h a t b e l o n g s t o it a n d w h a t
is i m p o r t a n t t o r e a l i z e t h a t h i s d r e a m s a n d t h e i r        leads a w a y from             it. W h i l e " f r e e "     association
symbolic images h a v e a m u c h m o r e i m p o r t a n t                             l u r e s o n e a w a y f r o m t h a t m a t e r i a l i n a k i n d of
role to p l a y .                                                                       z i g z a g l i n e , t h e m e t h o d I e v o l v e d is m o r e l i k e a
    A l m o s t e v e r y o n e k n o w s , for e x a m p l e ,                that     circumambulation                 w h o s e c e n t e r is t h e d r e a m
t h e r e is a n e n o r m o u s v a r i e t y o f i m a g e s b y w h i c h            p i c t u r e . I w o r k all a r o u n d t h e d r e a m           picture
the s e x u a l a c t c a n b e s y m b o l i z e d ( o r , o n e m i g h t             and disregard every attempt that the d r e a m e r
say, r e p r e s e n t e d in t h e f o r m o f a n                   allegory).        m a k e s t o b r e a k a w a y f r o m it. T i m e a n d t i m e
E a c h of t h e s e i m a g e s c a n l e a d , b y a p r o c e s s o f                a g a i n , in m y p r o f e s s i o n a l w o r k , I h a v e h a d t o
association, to t h e i d e a of s e x u a l i n t e r c o u r s e a n d                repeat       the words:            "Let's       get    back       to     your
to specific c o m p l e x e s t h a t a n y i n d i v i d u a l m a y                   d r e a m . W h a t d o e s t h e dream           say?"
h a v e a b o u t his o w n s e x u a l a t t i t u d e s . B u t o n e                     F o r i n s t a n c e , a p a t i e n t of m i n e d r e a m e d of
could j u s t a s w e l l u n e a r t h s u c h c o m p l e x e s b y                   a d r u n k e n a n d disheveled vulgar w o m a n .                         In
d a y - d r e a m i n g o n a set o f i n d e c i p h e r a b l e R u s s i a n         t h e d r e a m , it s e e m e d t h a t t h i s w o m a n w a s his
letters. I w a s t h u s l e d t o t h e a s s u m p t i o n t h a t a                  wife, t h o u g h       in r e a l life h i s w i f e w a s t o t a l l y
dream can contain some message other than the                                           different. O n the surface, therefore, the d r e a m
sexual a l l e g o r y , a n d t h a t it d o e s s o for d e f i n i t e               was shockingly untrue, a n d the patient i m m e -
reasons. T o i l l u s t r a t e t h i s p o i n t :                                    d i a t e l y r e j e c t e d it a s d r e a m n o n s e n s e . I f I, a s his
    A m a n m a y d r e a m o f i n s e r t i n g a k e y in a                          d o c t o r , h a d let h i m s t a r t a p r o c e s s o f a s s o c i a -
lock, of w i e l d i n g a h e a v y s t i c k , o r o f b r e a k i n g                t i o n , h e w o u l d i n e v i t a b l y h a v e t r i e d t o g e t a s far
down a d o o r w i t h a b a t t e r i n g r a m . E a c h                        of    a w a y as possible from (he u n p l e a s a n t suggestion
these c a n b e r e g a r d e d a s a s e x u a l a l l e g o r y . B u t               of his d r e a m . In t h a t case, he w o u l d h a v e e n d e d
the fact t h a t h i s u n c o n s c i o u s for its o w n                    pur-      w i t h o n e o f his s t a p l e c o m p l e x e s         a complex,
poses h a s c h o s e n o n e o f t h e s e s p e c i f i c i m a g e s                 p o s s i b l y , t h a t h a d n o t h i n g t o d o w i t h his w i f e
it m a y b e t h e k e y , t h e s t i c k , o r t h e b a t t e r i n g                and we should have learned nothing about the
ram          is a l s o o f m a j o r              significance.      The      real     s p e c i a l m e a n i n g of t h i s p a r t i c u l a r d r e a m .
task is to u n d e r s t a n d                    why t h e k e y h a s       been
preferred t o t h e s t i c k , o r t h e s t i c k t o t h e r a m .
And s o m e t i m e s t h i s m i g h t e v e n l e a d o n e t o d i s -
cover t h a t it is n o t t h e s e x u a l a c t a t all t h a t is
represented, b u t s o m e q u i t e different                        psycholo-
gical p o i n t .
    F r o m this l i n e o f r e a s o n i n g , I c o n c l u d e d t h a t
only t h e m a t e r i a l t h a t is c l e a r l y a n d v i s i b l y p a r t
of a d r e a m s h o u l d                b e u s e d i n i n t e r p r e t i n g it.
T h e d r e a m h a s its o w n l i m i t a t i o n . I t s s p e c i f i c


One of the c o u n t l e s s s y m b o l i c or
allegorical i m a g e s of t h e s e x u a l
act isa deer h u n t : R i g h t , a d e t a i l
from a p a i n t i n g b y t h e 1 6 t h - c e n t u r y
German artist C r a n a c h . T h e s e x u a l
implication of t h e deer h u n t is
underlined b y a m e d i e v a l E n g l i s h
folk song called " T h e K e e p e r " :
The first doe that he shot at he
missed.
And the second doe he trimmed he
kissed,
And the third ran away in a                 young
man's heart.
She's amongst          the leaves of the
green 0
A key in a l o c k may be a s e x u a l
      s y m b o l — b u t n o t i n v a r i a b l y . Left,
      a s e c t i o n of an a l t a r p i e c e b y t h e
      1 5 t h - c e n t u r y F l e m i s h artist C a m p i n .
      The door was intended to symbolize
      hope, the lock to symbolize charity,
      a n d t h e k e y to s y m b o l i z e t h e d e s i r e
      for G o d . B e l o w , a British b i s h o p
      d u r i n g the consecration of a c h u r c h
      carries o u t a t r a d i t i o n a l c e r e m o n y
      by k n o c k i n g o n t h e c h u r c h d o o r w i t h
      a s t a f f — w h i c h is o b v i o u s l y n o t a
      p h a l l i c s y m b o l b u t a s y m b o l of
      authority and the shepherd's crook.
      N o i n d i v i d u a l s y m b o l i c i m a g e c a n be
      said t o h a v e a d o g m a t i c a l l y f i x e d ,
      generalized m e a n i n g .




      The " a n i m a " is t h e f e m a l e e l e m e n t
      in t h e m a l e u n c o n s c i o u s . (It a n d t h e
      " a n i m u s " in t h e f e m a l e u n c o n s c i o u s
      are d i s c u s s e d in C h a p t e r 3.) T h i s
      i n n e r d u a l i t y is o f t e n s y m b o l i z e d
      by a h e r m a p h r o d i t i c f i g u r e , like
      the c r o w n e d hermaphrodite, above
      right, from a 1 7 t h - c e n t u r y alchemical
      manuscript. Right, a physical image
      of m a n ' s p s y c h i c " b i s e x u a l i t y " : a
      h u m a n cell w i t h its c h r o m o s o m e s .
      A l l o r g a n i s m s h a v e t w o sets of
      c h r o m o s o m e s — o n e f r o m each parent.



,30
W h a t , t h e n , w a s his u n c o n s c i o u s t r y i n g           to    f e m a l e e l e m e n t s in all o f u s , it w a s s a i d                 that
convey by s u c h a n o b v i o u s l y u n t r u e s t a t e m e n t ?            "every m a n carries a w o m a n within                                himself
C l e a r l y , it s o m e h o w     expressed          the idea of a              It is t h i s f e m a l e e l e m e n t i n e v e r y m a l e t h a t I
degenerate female w h o w a s closely c o n n e c t e d                            have       called        the     "anima."            This        "feminine"
with t h e d r e a m e r ' s l i f e ; b u t s i n c e t h e p r o j e c t i o n   a s p e c t is e s s e n t i a l l y a c e r t a i n i n f e r i o r k i n d of
of this i m a g e o n t o h i s w i f e w a s u n j u s t i f i e d       and      relatedness to the s u r r o u n d i n g s , a n d                     particu-
factually       untrue,         I    had       to    look       elsewhere          l a r l y t o w o m e n , w h i c h is k e p t c a r e f u l l y              con-
before I f o u n d o u t w h a t t h i s r e p u l s i v e            image        cealed        from       others       as well         as from           oneself.
represented.                                                                       I n o t h e r w o r d s , t h o u g h a n i n d i v i d u a l ' s visible-
   In t h e M i d d l e A g e s , l o n g b e f o r e t h e p h y s i o -          personality            m a y seem quite n o r m a l , he                      may
logists d e m o n s t r a t e d       that      by    reason        of    our      well b e c o n c e a l i n g f r o m o t h e r s               or even        from
glandular structure there are both male                                   and      himself—the               deplorable             condition             of     "the
                                                                                   woman          within."
                                                                                       That        was       the      case      with        this      particular
                                                                                   patient:         His      female        side w a s         not     nice.          His
                                                                                   d r e a m w a s a c t u a l l y s a y i n g t o h i m : " Y o u a r e in
                                                                                   some        respects           behaving          like      a     degenerate
                                                                                   female,"         and       thus gave           him      an       appropriate
                                                                                   shock. ( A n e x a m p l e of this k i n d , of c o u r s e , m u s t
                                                                                   n o t be t a k e n as e v i d e n c e t h a t t h e u n c o n s c i o u s
                                                                                   is c o n c e r n e d     with       "moral"          injunctions.             The
                                                                                   d r e a m was not telling the p a t i e n t to                         "behave
                                                                                   b e t t e r , " b u t w a s s i m p l y t r y i n g to b a l a n c e the
                                                                                   l o p s i d e d n a t u r e of his c o n s c i o u s m i n d ,              which
                                                                                   was      maintaining              the     fiction       that      he        was    a
                                                                                   perfect g e n t l e m a n          throughout.)
                                                                                       I t is e a s y t o u n d e r s t a n d w h y d r e a m e r s              tend
                                                                                   to i g n o r e a n d e v e n d e n y t h e m e s s a g e of t h e i r
                                                                                   dreams.         Consciousness               naturally           resists       any-
                                                                                   thing unconscious and unknown. I have already
                                                                                   pointed         out      the     existence          among           primitive
                                                                                   peoples        of w h a t        anthropologists                call        "miso-
                                                                                   n c i s m , " a d e e p a n d s u p e r s t i t i o u s fear of n o v e l t y .
                                                                                    T h e p r i m i t i v e s m a n i f e s t all t h e r e a c t i o n s o f t h e
                                                                                   wild      animal          against         untoward             events.         But
                                                                                   " c i v i l i z e d " m a n r e a c t s to n e w i d e a s in                much
                                                                                   t h e s a m e w a y , e r e c t i n g p s y c h o l o g i c a l b a r r i e r s to
                                                                                   p r o t e c t himself from the shock of facing s o m e -
                                                                                   t h i n g n e w . T h i s c a n easily b e o b s e r v e d in a n y
                                                                                   i n d i v i d u a l ' s r e a c t i o n to his o w n d r e a m s             when
                                                                                   obliged to a d m i t a surprising t h o u g h t .                           Many
                                                                                   p i o n e e r s in p h i l o s o p h y , s c i e n c e , a n d e v e n l i t e r a -
                                                                                   ture h a v e b e e n victims of t h e i n n a t e                      conserv-
                                                                                   atism      of t h e i r c o n t e m p o r a r i e s .      Psychology              is
                                                                                   o n e o f t h e y o u n g e s t o f t h e s c i e n c e s ; b e c a u s e it
                                                                                   a t t e m p t s to d e a l w i t h t h e w o r k i n g of t h e u n c o n -
                                                                                   s c i o u s , it h a s i n e v i t a b l y e n c o u n t e r e d m i s o n e i s m
                                                                                   in a n e x t r e m e f o r m .



                                                                                                                                                                     :5>
Past and future in the unconscious



S o far, I h a v e b e e n s k e t c h i n g s o m e of t h e p r i n -                c o n t e n t s of t h e m i n d a r e l i n k e d t o g e t h e r . T a k e
ciples o n w h i c h I a p p r o a c h e d the p r o b l e m of                        a n e x a m p l e w i t h w h i c h e v e r y o n e is f a m i l i a r .
d r e a m s , for w h e n w e w a n t t o i n v e s t i g a t e m a n ' s              S u d d e n l y y o u find y o u c a n n o t r e m e m b e r w h a t
faculty to p r o d u c e s y m b o l s , d r e a m s p r o v e to b e                  y o u w e r e g o i n g to say next, t h o u g h a m o m e n t
t h e m o s t b a s i c a n d a c c e s s i b l e m a t e r i a l for t h i s          ago the t h o u g h t was perfectly clear. O r p e r h a p s
p u r p o s e . T h e t w o f u n d a m e n t a l p o i n t s in d e a l -             y o u w e r e a b o u t t o i n t r o d u c e a f r i e n d , a n d his
ing w i t h d r e a m s a r e t h e s e : First, the                    dream          n a m e e s c a p e d y o u a s y o u w e r e a b o u t t o u t t e r it.
s h o u l d be t r e a t e d as a fact, a b o u t w h i c h                  one       Y o u say y o u c a n n o t r e m e m b e r ; in fact, t h o u g h ,
must m a k e no previous assumption except that                                        the     thought        has       become       unconscious,             or   at
it s o m e h o w m a k e s s e n s e ; a n d s e c o n d , t h e d r e a m             least     momentarily             separated        from       conscious-
is a s p e c i f i c e x p r e s s i o n o f t h e u n c o n s c i o u s .             n e s s . W e find t h e s a m e p h e n o m e n o n w i t h o u r
    O n e could scarcely put these principles m o r e                                  s e n s e s . If w e l i s t e n t o a c o n t i n u o u s n o t e o n t h e
m o d e s t l y . N o m a t t e r h o w low a n y o n e ' s o p i n i o n              fringe of a u d i b i l i t y ,     t h e s o u n d s e e m s to         stop
of t h e u n c o n s c i o u s m a y b e , h e m u s t               concede           at r e g u l a r intervals a n d then start again. Such
t h a t it is w o r t h i n v e s t i g a t i n g ; t h e u n c o n s c i o u s        oscillations a r e d u e to a p e r i o d i c d e c r e a s e a n d
is a t l e a s t o n a l e v e l w i t h t h e l o u s e , w h i c h , a f t e r       i n c r e a s e in o n e ' s a t t e n t i o n , n o t to a n y    change
all, e n j o y s t h e h o n e s t i n t e r e s t of t h e e n t o m o l o -          in t h e n o t e .
gist.    If s o m e b o d y       with      little e x p e r i e n c e       and           But     w h e n s o m e t h i n g slips o u t o f o u r             con-
k n o w l e d g e of d r e a m s         t h i n k s t h a t d r e a m s arc-          s c i o u s n e s s it d o c s n o t c e a s e t o e x i s t , a n y    more
just c h a o t i c o c c u r r e n c e s w i t h o u t m e a n i n g ,            he   than a car that has disappeared r o u n d a corner
is a t l i b e r t y t o d o s o . B u t if o n e a s s u m e s              that      h a s v a n i s h e d i n t o t h i n a i r . I t is s i m p l y o u t o f
t h e y a r e n o r m a l e v e n t s ( w h i c h , as a m a t t e r of                s i g h t . J u s t a s w e m a y l a t e r see t h e c a r            again,
f a c t , t h e y a r e ) , o n e is b o u n d t o c o n s i d e r           that      so w e c o m e         across      thoughts         that     were       tem-
they      arc     either       causal         i.e.    that      there        is    a   p o r a r i l y lost t o u s .
r a t i o n a l c a u s e for t h e i r e x i s t e n c e     o r in a c e r -               T h u s , p a r t o f t h e u n c o n s c i o u s c o n s i s t s of a
tain way purposive, or both.                                                           m u l t i t u d e of t e m p o r a r i l y    obscured          thoughts,
    L e t us n o w l o o k a l i t t l e m o r e c l o s e l y a t t h e               i m p r e s s i o n s , a n d i m a g e s t h a t , in s p i t e o f b e i n g
w a y s in w h i c h t h e c o n s c i o u s a n d            unconscious              lost, c o n t i n u e t o i n f l u e n c e o u r c o n s c i o u s m i n d s .
A m a n w h o is d i s t r a c t e d o r           "absent-minded""                            b e h a v i o r b e c a u s e t h e i r c o n s c i o u s n e s s is l i a b l e
will w a l k a c r o s s t h e r o o m t o f e t c h           something.                      to u n p r e d i c t a b l e eclipse by a n i n t e r f e r e n c e from
He s t o p s , s e e m i n g l y p e r p l e x e d ; h e h a s f o r g o t t e n               t h e u n c o n s c i o u s . E v e n their skin s e n s a t i o n s m a y
what     he was         after.       His     hands        grope         about                  reveal similar f l u c t u a t i o n s of a w a r e n e s s . At o n e
a m o n g t h e o b j e c t s o n t h e t a b l e a s if h e              were                 m o m e n t t h e h y s t e r i c a l p e r s o n m a y feel a n e e d l e
sleepwalking;           he      is o b l i v i o u s    of his      original                   p r i c k in t h e a r m ; a t t h e n e x t it m a y p a s s u n n o -
p u r p o s e , yet h e is u n c o n s c i o u s l y g u i d e d b y it.                       t i c e d . If h i s a t t e n t i o n c a n b e f o c u s e d o n a c e r -
T h e n h e r e a l i z e s w h a t it is t h a t h e w a n t s . H i s                        tain        point,         the   whole    of    his      body      can      be
unconscious has p r o m p t e d                him.                                            completely anesthetized until the tension                                that
   If y o u o b s e r v e       the b e h a v i o r of a           neurotic                    c a u s e s this b l a c k o u t of t h e senses h a s b e e n re-
person, y o u c a n s e e h i m               doing many                things                 laxed.          Sense perception            is t h e n     immediately
that h e a p p e a r s t o b e d o i n g c o n s c i o u s l y               and               r e s t o r e d . All t h e t i m e , h o w e v e r , h e h a s          been
p u r p o s e f u l l y . Y e t if y o u a s k h i m a b o u t          them,                  u n c o n s c i o u s l y a w a r e of w h a t w a s h a p p e n i n g .
you will d i s c o v e r t h a t h e is e i t h e r u n c o n s c i o u s                           The         physician        can    see    this     process        quite
of t h e m o r h a s s o m e t h i n g           q u i t e different            in             clearly w h e n he hypnotizes such a patient.                                It
mind. H e h e a r s a n d             does not h e a r ;           h e sees,                   is e a s y t o d e m o n s t r a t e t h a t t h e p a t i e n t h a s b e e n
yet is b l i n d ; h e k n o w s a n d is i g n o r a n t .               Such                 a w a r e o f e v e r y d e t a i l . T h e p r i c k in t h e a r m o r
e x a m p l e s a r e so c o m m o n t h a t t h e s p e c i a l i s t s o o n                 the       remark           made   during       an      eclipse of c o n -
realizes t h a t u n c o n s c i o u s c o n t e n t s o f t h e m i n d                       s c i o u s n e s s c a n b e r e c a l l e d as a c c u r a t e l y as if
b e h a v e as if t h e y w e r e c o n s c i o u s a n d t h a t y o u                        there had been no anesthesia or "forgetfulness."
can     never      be     sure,       in    such       cases,      whether                     I recall a w o m a n w h o w a s o n c e a d m i t t e d to t h e
t h o u g h t , s p e e c h , o r a c t i o n is c o n s c i o u s o r n o t .                 c l i n i c in a s t a t e of c o m p l e t e s t u p o r . W h e n s h e
    It is this k i n d          of b e h a v i o r      that     makes          so             r e c o v e r e d consciousness next d a y . she k n e w w h o
many physicians d i s m i s s s t a t e m e n t s by h y s t e r i -                           she was but did not k n o w w h e r e she was. how
cal p a t i e n t s as u t t e r lies. S u c h p e r s o n s c e r t a i n l y                 or w h y she h a d c o m e there, or even the d a t e .
produce m o r e u n t r u t h s t h a n                m o s t of us, b u t                    Yet after I h a d h y p n o t i z e d h e r , she told m e w h y
" l i e " is s c a r c e l y t h e r i g h t w o r d t o u s e . I n f a c t ,                 s h e h a d f a l l e n ill. h o w s h e h a d g o t t o t h e c l i n i c ,
their m e n t a l       state      causes       an      uncertainty             of             and        who had admitted                h e r . All t h e s e     details




                                                            " M i s o n e i s m . " an u n r e a s o n i n g fear
                                                            a n d h a t r e d of n e w ideas, w a s a m a j o r
                                                            b l o c k to p u b l i c a c c e p t a n c e of m o d e r n
                                                            p s y c h S t o g y It also o p p o s e d D a r w i n ' s
                                                            t h e o r i e s of e v o l u t i o n — as w h e n an
                                                            American schoolteacher named
                                                            S c o p e s w a s t r i e d in 1 9 2 5 for t e a c h i n g
                                                            e v o l u t i o n . Far left, at t h e trial, t h e
                                                            lawyer Clarence Darrow defending
                                                            S c o p e s ; c e n t e r left, S c o p e s h i m s e l f
                                                            E g u a l l y a n t e D a r w i n is t h e c a r t o o n ,
                                                            left, f r o m an 1 8 6 1 issue of B r i t a i n ' s
                                                            m a g a z i n e Punch             Right, a light-
                                                            h e a r t e d l o o k at m i s o n e i s m by t h e
                                                            American humorist James Thurber,
                                                            w h o s e aunt (he w r o t e ) w a s afraid
                                                            t h a t e l e c t r i c i t y w a s "leaking all
                                                            over the place.''




                                                                                                                                                                           33
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind
Carl Jung's Guide to Symbols and the Unconscious Mind

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Carl Jung's Guide to Symbols and the Unconscious Mind

  • 1. Man and his Symbols conceived and edited by Carl G.Jung
  • 2. The first and only work in which C a r l G. Jung, the world-famous Swiss psy- chologist, explains to the general reader his greatest contribution to our knowl- edge of the human mind: the theory of the importance of symbolism—particu- larly as revealed in dreams. Man and his Symbols Carl G.Jung But for a dream, this book would never have been written. That dream — de- scribed by John Freeman in the Fore- word—convinced Jung that he could, indeed should, explain his ideas to those who have no special knowledge of psy- chology. At the age of eighty-three, Jung worked out the complete plan for this book, including the sections that he wished his four closest associates to write. He devoted the closing months of his life to editing the work and writ- ing his own key section, which he com- pleted only ten days before his death. Throughout the book, Jung empha- sizes that man can achieve wholeness only through a knowledge and accept- ance of the unconscious—a knowledge acquired through dreams and their symbols. Every dream is a direct, per- sonal, and meaningful communication to the dreamer—a communication that uses the symbols common to all man- kind but uses them always in an entire- ly individual way, which can be inter- preted only by an entirely individual key. (Continued on back flap)
  • 3. i Man and his Symbols
  • 4. Man and his Symbols Carl G.Jung and M.-L. von Franz, Joseph L. Henderson, Jolande J a c o b i , Aniela Jaffe' Anchor Press Doubleday New York London Toronto Sydney Auckland
  • 5. Editor: Carl G. Jung and after his death M.-L. von Franz Co-ordinating Editor: John Freeman Aldus Editors Text: Douglas Hill Design: Michael Kitson Assistants: Marian Morris, Gilbert Doel, Michael Lloyd Research: Margery MacLaren Advisers: Donald Berwick, Norman MacKenzie An Anchor Press book Published by Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc., 666 Fifth Ave., New York, NY 10103 Anchor Press and the portrayal of an anchor are trademarks of Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc. © 1964 J.G. FERGUSON PUBLISHING except chapter 2 entitled «Ancient myths and modern man» by Dr. Joseph L. Henderson, where copyright in this chapter within the United States of America is expressly disclaimed. Library of Congress Catalog Card No: 64-18631 ISBN 0 - 3 8 5 - 0 5 2 2 1 - 9 First published in the United States of America in 1964 Reprinted in 1 9 6 8 , 1 9 7 0 , 1 9 7 1 , 1 9 7 2 , 1 9 7 4 , 1 9 7 5 , 1 9 7 6 , 1 9 7 9 , 1 9 8 3 , 1 9 8 8 Printed and bound in Spain by TONSA, San Sebastian
  • 6.
  • 7. Introduction: John Freeman T h e origins of this book a r e sufficiently u n u s u a l to be of interest, a n d they b e a r a d i r e c t r e l a t i o n to its c o n t e n t s a n d w h a t it sets o u t to d o . So let me tell y o u j u s t h o w it c a m e to b e w r i t t e n . O n e d a y in t h e s p r i n g of 1959 t h e British B r o a d c a s t i n g C o r p o r a t i o n invited m e to i n t e r v i e w for British television D r . C a r l G u s t a v J u n g . T h e interview w a s to b e d o n e " i n d e p t h . " I k n e w little e n o u g h a t t h a t time a b o u t J u n g a n d his w o r k , a n d I a t o n c e w e n t to m a k e his a c q u a i n t - ance at his beautiful lakeside h o m e n e a r Z u r i c h . T h a t was t h e b e g i n n i n g of a friendship t h a t m e a n t a g r e a t d e a l to m e a n d , I h o p e , g a v e some pleasure to J u n g in t h e last years of his life. T h e television i n t e r v i e w has no further p l a c e in this story, e x c e p t t h a t it was a c c o u n t e d successful and t h a t this b o o k is by a n o d d c o m b i n a t i o n of c i r c u m s t a n c e s a n e n d - product of t h a t success. O n e m a n w h o saw J u n g o n t h e screen was W o l f g a n g Foges, m a n a g - ing director of A l d u s Books. Foges h a d b e e n keenly interested in t h e d e v e l o p m e n t of m o d e r n psychology since his c h i l d h o o d , w h e n h e lived near the F r e u d s in V i e n n a . A n d as h e w a t c h e d J u n g t a l k i n g a b o u t his life a n d w o r k a n d ideas, Foges s u d d e n l y reflected w h a t a pity it was that, while the g e n e r a l o u t l i n e of F r e u d ' s work was well k n o w n to educated r e a d e r s all over t h e W e s t e r n w o r l d , J u n g h a d n e v e r m a n a g e d to break t h r o u g h to t h e g e n e r a l p u b l i c a n d was a l w a y s c o n s i d e r e d too difficult for p o p u l a r r e a d i n g . Foges, in fact, is the c r e a t o r of Man and his Symbols. H a v i n g sensed from t h e T V screen t h a t a w a r m p e r s o n a l r e l a t i o n existed b e t w e e n J u n g a n d myself, he asked m e w h e t h e r I w o u l d j o i n h i m in t r y i n g to persuade J u n g to set o u t s o m e of his m o r e i m p o r t a n t a n d basic ideas in language a n d a t a l e n g t h t h a t w o u l d b e intelligible a n d i n t e r e s t i n g to non-specialist a d u l t r e a d e r s . I j u m p e d a t t h e i d e a a n d set off o n c e m o r e to Z u r i c h , d e t e r m i n e d t h a t I c o u l d c o n v i n c e J u n g of the v a l u e a n d i m p o r t a n c e of s u c h a work. J u n g listened to m e in his g a r d e n for two hours a l m o s t w i t h o u t i n t e r r u p t i o n — a n d t h e n said n o . H e said it in t h e nicest possible w a y , b u t w i t h g r e a t firmness; h e h a d n e v e r in the past tried to p o p u l a r i z e his w o r k , a n d h e w a s n ' t sure t h a t h e c o u l d success- fully d o so n o w ; a n y w a y , h e was old a n d r a t h e r tired a n d n o t keen to take on such a l o n g c o m m i t m e n t a b o u t w h i c h h e h a d so m a n y d o u b t s . J u n g ' s friends will all a g r e e w i t h m e t h a t h e was a m a n of most positive decision. H e w o u l d w e i g h u p a p r o b l e m w i t h c a r e a n d w i t h o u t 9
  • 8. h u r r y ; b u t w h e n h e did give his a n s w e r , it was usually final. I r e t u r n e d to L o n d o n g r e a t l y d i s a p p o i n t e d , b u t c o n v i n c e d t h a t J u n g ' s refusal was the e n d of t h e m a t t e r . So it m i g h t h a v e b e e n , b u t for two i n t e r v e n i n g factors t h a t I h a d not foreseen. O n e was the p e r t i n a c i t y of Foges, w h o insisted o n m a k i n g o n e m o r e a p p r o a c h to J u n g before a c c e p t i n g defeat. T h e o t h e r was a n e v e n t t h a t , as I look back on it, still astonishes m e . T h e television p r o g r a m was, as I h a v e said, a c c o u n t e d successful. It b r o u g h t J u n g a g r e a t m a n y letters from all sorts of p e o p l e , m a n y of t h e m o r d i n a r y folk w i t h no m e d i c a l or psychological t r a i n i n g , w h o h a d b e e n c a p t i v a t e d by the c o m m a n d i n g p r e s e n c e , the h u m o r , a n d the modest c h a r m of this very g r e a t m a n , a n d w h o h a d g l i m p s e d in his view of life a n d h u m a n p e r s o n a l i t y s o m e t h i n g t h a t could b e helpful to t h e m . A n d J u n g was very pleased, n o t simply at g e t t i n g letters (his mail was e n o r m o u s a t all times) b u t a t g e t t i n g t h e m from p e o p l e w h o would normally have no contact with him. I t was a t this m o m e n t t h a t he d r e a m e d a d r e a m of the greatest i m p o r t a n c e to h i m . ( A n d as you r e a d this book, you will u n d e r s t a n d j u s t h o w i m p o r t a n t t h a t c a n be.) H e d r e a m e d t h a t , instead of sitting in his s t u d y a n d t a l k i n g to the g r e a t d o c t o r s a n d psychiatrists w h o used to call on h i m from all over the w o r l d , h e was s t a n d i n g in a p u b l i c p l a c e a n d a d d r e s s i n g a m u l t i t u d e of p e o p l e w h o w e r e listening to h i m with r a p t a t t e n t i o n a n d understanding what he said. . . . W h e n , a week or t w o later, Foges r e n e w e d his request t h a t J u n g should u n d e r t a k e a n e w book d e s i g n e d , n o t for the clinic or the philo- s o p h e r ' s s t u d y , b u t for the p e o p l e in the m a r k e t p l a c e , J u n g allowed himself to be p e r s u a d e d . H e laid d o w n two c o n d i t i o n s . First, t h a t the book s h o u l d n o t be a s i n g l e - h a n d e d book, b u t the collective effort of himself a n d a g r o u p of his closest followers, t h r o u g h w h o m he h a d a t t e m p t e d to p e r p e t u a t e his m e t h o d s a n d his t e a c h i n g . S e c o n d l y , t h a t I s h o u l d b e e n t r u s t e d w i t h the task of c o - o r d i n a t i n g the work a n d resolv- ing a n y p r o b l e m s t h a t m i g h t arise b e t w e e n the a u t h o r s a n d the publishers. Lest it s h o u l d seem t h a t this i n t r o d u c t i o n transgresses the b o u n d s of r e a s o n a b l e m o d e s t y , let m e say at o n c e t h a t I was gratified by this second c o n d i t i o n — b u t w i t h i n m e a s u r e . F o r it very soon c a m e to m y k n o w l e d g e t h a t J u n g ' s reason for selecting m e was essentially t h a t he I ()
  • 9. regarded m e as b e i n g of r e a s o n a b l e , b u t n o t e x c e p t i o n a l , intelligence and w i t h o u t t h e slightest serious k n o w l e d g e of psychology. T h u s I was to J u n g t h e " a v e r a g e r e a d e r " of this b o o k ; w h a t I could u n d e r s t a n d would be intelligible to all w h o w o u l d b e i n t e r e s t e d ; w h a t I boggled at m i g h t possibly b e too difficult or o b s c u r e for s o m e . N o t u n d u l y flat- tered by this e s t i m a t e of m y role, I h a v e n o n e t h e less s c r u p u l o u s l y in- sisted (sometimes, I fear, to the e x a s p e r a t i o n of t h e a u t h o r s ) o n h a v i n g every p a r a g r a p h w r i t t e n a n d , if necessary, r e w r i t t e n to a d e g r e e of clarity a n d directness t h a t e n a b l e s m e to say w i t h confidence t h a t this book in its e n t i r e t y is d e s i g n e d for a n d a d d r e s s e d to the g e n e r a l r e a d e r , and t h a t t h e c o m p l e x subjects it deals w i t h a r e t r e a t e d w i t h a r a r e a n d e n c o u r a g i n g simplicity. After m u c h discussion, t h e c o m p r e h e n s i v e subject of this book was agreed to b e M a n a n d his S y m b o l s ; a n d J u n g himself selected as his collaborators in t h e w o r k D r . M a r i e - L o u i s e v o n F r a n z of Z u r i c h , per- haps his closest professional c o n f i d a n t e a n d f r i e n d ; D r . J o s e p h L. H e n - derson of S a n F r a n c i s c o , o n e of the most p r o m i n e n t a n d t r u s t e d of A m e r i c a n J u n g i a n s ; M r s . A n i e l a Jaffe of Z u r i c h , w h o , in a d d i t i o n to being a n e x p e r i e n c e d a n a l y s t , was J u n g ' s confidential p r i v a t e secretary and his b i o g r a p h e r ; a n d D r . J o l a n d e J a c o b i , w h o after J u n g himself is the most e x p e r i e n c e d a u t h o r a m o n g J u n g ' s Z u r i c h circle. T h e s e four people w e r e chosen p a r t l y b e c a u s e of t h e i r skill a n d e x p e r i e n c e in the p a r t i c u l a r subjects a l l o c a t e d to t h e m a n d p a r t l y b e c a u s e all of t h e m were c o m p l e t e l y trusted b y J u n g to w o r k unselfishly to his instructions as m e m b e r s of a t e a m . J u n g ' s p e r s o n a l responsibility was to p l a n the structure of t h e w h o l e book, to supervise a n d d i r e c t the w o r k of his collaborators, a n d himself to w r i t e t h e k e y n o t e c h a p t e r , " A p p r o a c h i n g the U n c o n s c i o u s . " T h e last y e a r of his life was d e v o t e d a l m o s t e n t i r e l y to this book, a n d when he d i e d in J u n e 1961, his o w n section was c o m p l e t e (he finished it, in fact, o n l y s o m e 10 days before his final illness) a n d his colleagues' chapters h a d all b e e n a p p r o v e d by h i m in draft. After his d e a t h , D r . von F r a n z a s s u m e d over-all responsibility for the c o m p l e t i o n of the book in a c c o r d a n c e w i t h J u n g ' s express i n s t r u c t i o n s . T h e subject m a t t e r of Man and his Symbols a n d its o u t l i n e w e r e therefore laid d o w n — a n d in d e t a i l — b y J u n g . T h e c h a p t e r t h a t b e a r s his n a m e is his work a n d ( a p a r t from s o m e fairly extensive e d i t i n g to i m p r o v e its intelligi- 11
  • 10. bility to t h e g e n e r a l r e a d e r ) n o b o d y else's. I t was w r i t t e n , i n c i d e n t a l l y , in English. T h e r e m a i n i n g c h a p t e r s w e r e w r i t t e n b y t h e v a r i o u s a u t h o r s to J u n g ' s d i r e c t i o n a n d u n d e r his supervision. T h e final e d i t i n g of the c o m p l e t e w o r k after J u n g ' s d e a t h has b e e n d o n e by D r . von F r a n z w i t h a p a t i e n c e , u n d e r s t a n d i n g , a n d good h u m o r t h a t leave the p u b l i s h e r s a n d myself g r e a t l y in h e r d e b t . Finally as to t h e c o n t e n t s of t h e book itself: J u n g ' s t h i n k i n g has colored t h e w o r l d of m o d e r n psychology m o r e t h a n m a n y of those w i t h casual k n o w l e d g e realize. S u c h familiar t e r m s , for i n s t a n c e , as " e x t r a v e r t , " " i n t r o v e r t , " a n d " a r c h e t y p e " a r e all J u n g i a n c o n c e p t s — b o r r o w e d a n d s o m e t i m e s misused b y o t h e r s . B u t his o v e r w h e l m i n g c o n t r i b u t i o n to psychological u n d e r s t a n d i n g is his con- c e p t of t h e u n c o n s c i o u s — n o t (like t h e u n c o n s c i o u s of F r e u d ) m e r e l y a sort of glory-hole of repressed desires, b u t a w o r l d t h a t is j u s t as m u c h a vital a n d real p a r t of the life of a n i n d i v i d u a l as the conscious, " c o g i t a t i n g " w o r l d of the ego, a n d infinitely w i d e r a n d richer. T h e l a n g u a g e a n d t h e " p e o p l e " of the u n c o n s c i o u s a r e symbols, a n d the m e a n s of c o m m u n i c a t i o n s d r e a m s . T h u s a n e x a m i n a t i o n of M a n a n d his S y m b o l s is in effect a n e x a m i - n a t i o n of m a n ' s r e l a t i o n to his o w n u n c o n s c i o u s . A n d since in J u n g ' s view the u n c o n s c i o u s is the g r e a t g u i d e , friend, a n d adviser of t h e conscious, this book is r e l a t e d in the most direct t e r m s to the s t u d y of h u m a n beings a n d their s p i r i t u a l p r o b l e m s . W e k n o w t h e u n c o n s c i o u s a n d c o m m u n i c a t e w i t h it (a t w o - w a y service) p r i n c i p a l l y by d r e a m s ; a n d all t h r o u g h this book ( a b o v e all in J u n g ' s o w n c h a p t e r ) you will find a q u i t e r e m a r k a b l e e m p h a s i s p l a c e d o n the i m p o r t a n c e of d r e a m - ing in the life of the i n d i v i d u a l . I t w o u l d b e a n i m p e r t i n e n c e o n m y p a r t to a t t e m p t to i n t e r p r e t J u n g ' s w o r k to r e a d e r s , m a n y of w h o m will surely b e far b e t t e r q u a l i - fied to u n d e r s t a n d it t h a n I a m . M y role, r e m e m b e r , was m e r e l y to serve as a sort of "intelligibility filter" a n d by n o m e a n s as a n inter- p r e t e r . Nevertheless, I v e n t u r e to offer two g e n e r a l points t h a t seem i m p o r t a n t to m e as a l a y m a n a n d t h a t m a y possibly b e helpful to o t h e r n o n - e x p e r t s . T h e first is a b o u t d r e a m s . T o J u n g i a n s the d r e a m is n o t a kind of s t a n d a r d i z e d c r y p t o g r a m t h a t c a n be d e c o d e d by a glossary of s y m b o l m e a n i n g s . I t is a n i n t e g r a l , i m p o r t a n t , a n d p e r s o n a l expres- sion of the i n d i v i d u a l u n c o n s c i o u s . It is j u s t as " r e a l " as a n y o t h e r I 2
  • 11. p h e n o m e n o n a t t a c h i n g to the i n d i v i d u a l . The, d r e a m e r ' s i n d i v i d u a l unconscious is c o m m u n i c a t i n g w i t h t h e d r e a m e r a l o n e a n d is selecting symbols for its p u r p o s e t h a t h a v e m e a n i n g to the d r e a m e r a n d to n o b o d y else. T h u s t h e i n t e r p r e t a t i o n of d r e a m s , w h e t h e r b y the analyst or by the d r e a m e r himself, is for the J u n g i a n psychologist a n entirely personal a n d i n d i v i d u a l business ( a n d s o m e t i m e s a n e x p e r i m e n t a l a n d very l e n g t h y o n e as well) t h a t c a n by n o m e a n s b e u n d e r t a k e n by rule of t h u m b . T h e converse of this is t h a t the c o m m u n i c a t i o n s of the unconscious are of the highest i m p o r t a n c e to the d r e a m e r — n a t u r a l l y so, since the unconscious is a t least half of his total b e i n g — a n d frequently offer h i m advice or g u i d a n c e t h a t c o u l d be o b t a i n e d from n o o t h e r source. T h u s , when I d e s c r i b e d J u n g ' s d r e a m a b o u t a d d r e s s i n g the m u l t i t u d e , I was not d e s c r i b i n g a piece of m a g i c or suggesting t h a t J u n g d a b b l e d in fortune telling. I was r e c o u n t i n g in the s i m p l e t e r m s of daily e x p e r i e n c e how J u n g was " a d v i s e d " by his o w n u n c o n s c i o u s to reconsider a n i n a d e q u a t e j u d g m e n t he h a d m a d e w i t h t h e conscious p a r t of his m i n d . N o w it follows from this t h a t t h e d r e a m i n g of d r e a m s is not a m a t t e r that the well-adjusted J u n g i a n c a n r e g a r d as simply a m a t t e r of chance. O n t h e c o n t r a r y , the ability to establish c o m m u n i c a t i o n s with the u n c o n s c i o u s is a p a r t of t h e w h o l e m a n , a n d J u n g i a n s " t e a c h " themselves (I c a n t h i n k of n o b e t t e r t e r m ) to be r e c e p t i v e to d r e a m s . W h e n , therefore, J u n g himself was faced w i t h the critical decision 1 w h e t h e r or not to w r i t e this book, he was a b l e to d r a w on the resources of both his conscious a n d his u n c o n s c i o u s in m a k i n g u p his m i n d . A n d all t h r o u g h this book you will find the d r e a m t r e a t e d as a direct, per- sonal, a n d m e a n i n g f u l c o m m u n i c a t i o n to the d r e a m e r —a c o m m u n i c a - tion t h a t uses the symbols c o m m o n to ajl m a n k i n d , b u t t h a t uses t h e m on every occasion in a n entirely i n d i v i d u a l w a y t h a t c a n be i n t e r p r e t e d only by a n entirely i n d i v i d u a l " k e y . " T h e second p o i n t I wish to m a k e is a b o u t a p a r t i c u l a r c h a r a c t e r i s t i c of a r g u m e n t a t i v e m e t h o d t h a t is c o m m o n to all the writers of this book p e r h a p s to all J u n g i a n s . T h o s e w h o h a v e limited themselves to living entirely in the w o r l d of the conscious a n d w h o reject c o m m u n i c a t i o n with the u n c o n s c i o u s b i n d themselves by the laws of conscious, formal life. W i t h t h e infallible ( b u t often meaningless) logic of t h e a l g e b r a i c e q u a t i o n , they a r g u e from a s s u m e d premises to i n c o n t e s t a b l y d e d u c e d '3
  • 12. conclusions. J u n g a n d his colleagues seem to m e ( w h e t h e r they k n o w it or not) to reject the l i m i t a t i o n s of this m e t h o d of a r g u m e n t . It is not t h a t t h e y i g n o r e logic, b u t t h e y a p p e a r all t h e t i m e to be a r g u i n g to the u n c o n s c i o u s as well as to t h e conscious. T h e i r dialectical m e t h o d is itself symbolic a n d often devious. T h e y c o n v i n c e not by m e a n s of t h e n a r - rowly focused spotlight of the syllogism, b u t by skirting, by r e p e t i t i o n , b y p r e s e n t i n g a r e c u r r i n g view of the s a m e subject seen e a c h t i m e from a slightly different a n g l e — until s u d d e n l y the r e a d e r w h o has never b e e n a w a r e of a single, conclusive m o m e n t of p r o o f finds t h a t he has u n k n o w i n g l y e m b r a c e d a n d t a k e n i n t o himself some w i d e r t r u t h . J u n g ' s a r g u m e n t s ( a n d those of his colleagues) spiral u p w a r d over his subject like a b i r d circling a tree. At first, n e a r the g r o u n d , it sees only a confusion of leaves a n d b r a n c h e s . G r a d u a l l y , as it circles h i g h e r a n d h i g h e r , the r e c u r r i n g aspects of t h e tree form a wholeness a n d r e l a t e to their s u r r o u n d i n g s . S o m e r e a d e r s m a y find this " s p i r a l i n g " m e t h o d of a r g u m e n t o b s c u r e or even confusing for a few p a g e s — b u t not, I t h i n k , for long. I t is c h a r a c t e r i s t i c of J u n g ' s m e t h o d , a n d very soon the r e a d e r will find it c a r r y i n g h i m w i t h it o n a persuasive a n d profoundly absorbing j o u r n e y . T h e different sections of this book speak for themselves a n d r e q u i r e little i n t r o d u c t i o n from m e . J u n g ' s o w n c h a p t e r i n t r o d u c e s t h e r e a d e r to the u n c o n s c i o u s , to t h e a r c h e t y p e s a n d symbols t h a t form its l a n g u - age a n d to t h e d r e a m s by w h i c h it c o m m u n i c a t e s . D r . H e n d e r s o n in the following c h a p t e r illustrates the a p p e a r a n c e of several a r c h e t y p a l p a t t e r n s in a n c i e n t m y t h o l o g y , folk l e g e n d , a n d p r i m i t i v e r i t u a l . D r . von F r a n z , in the c h a p t e r e n t i t l e d " T h e Process of I n d i v i d u a t i o n , " describes the process by w h i c h t h e conscious a n d t h e unconscious w i t h i n a n i n d i v i d u a l l e a r n to k n o w , respect, a n d a c c o m m o d a t e o n e a n o t h e r . I n a c e r t a i n sense this c h a p t e r c o n t a i n s n o t only the c r u x of t h e w h o l e book, b u t p e r h a p s the essence of J u n g ' s p h i l o s o p h y of life: M a n b e c o m e s w h o l e , i n t e g r a t e d , c a l m , fertile, a n d h a p p y w h e n ( a n d only w h e n ) t h e process of i n d i v i d u a t i o n is c o m p l e t e , w h e n t h e con- scious a n d t h e u n c o n s c i o u s h a v e l e a r n e d to live a t p e a c e a n d to com- p l e m e n t o n e a n o t h e r . M r s . Jaffe, like D r . H e n d e r s o n , is c o n c e r n e d w i t h d e m o n s t r a t i n g , in the familiar fabric of the conscious, m a n ' s r e c u r r i n g interest i n — a l m o s t obsession w i t h — the symbols of the u n - conscious. T h e y h a v e for him a p r o f o u n d l y significant, almost a nour- 14
  • 13. ishing a n d s u s t a i n i n g , i n n e r a t t r a c t i o n — w h e t h e r t h e y o c c u r in the myths a n d fairy tales t h a t D r . H e n d e r s o n a n a l y z e s or in the visual arts, which, as M r s . Jaffe shows, satisfy a n d d e l i g h t us b y a c o n s t a n t a p p e a l to the u n c o n s c i o u s . Finally, I m u s t say a brief w o r d a b o u t D r . J a c o b i ' s c h a p t e r , w h i c h is s o m e w h a t s e p a r a t e from the rest of the book. It is in fact a n a b b r e - viated case history of o n e i n t e r e s t i n g a n d successful analysis. T h e value of such a c h a p t e r in a b o o k like this is o b v i o u s ; b u t two w o r d s of w a r n - ing are nevertheless necessary. First, as D r . v o n F r a n z points o u t , t h e r e is no such t h i n g as a typical J u n g i a n analysis. T h e r e c a n ' t b e , because every d r e a m is a p r i v a t e a n d i n d i v i d u a l c o m m u n i c a t i o n , a n d n o t w o d r e a m s use t h e symbols of t h e u n c o n s c i o u s in t h e s a m e w a y . So every J u n g i a n analysis is u n i q u e — a n d it is m i s l e a d i n g to consider this o n e , taken from D r . J a c o b i ' s clinical files (or a n y o t h e r o n e t h e r e has ever been), as " r e p r e s e n t a t i v e " or " t y p i c a l . " All o n e c a n say of the case of H e n r y a n d his s o m e t i m e s l u r i d d r e a m s is t h a t t h e y form o n e t r u e example of t h e w a y in w h i c h t h e J u n g i a n m e t h o d m a y b e a p p l i e d to a p a r t i c u l a r case. S e c o n d l y , t h e full history of even a c o m p a r a t i v e l y u n c o m p l i c a t e d case w o u l d t a k e a w h o l e book to r e c o u n t . I n e v i t a b l y , the story of H e n r y ' s analysis suffers a little in c o m p r e s s i o n . T h e references, for instance, to t h e / Ching h a v e b e e n s o m e w h a t o b s c u r e d a n d lent a n u n n a t u r a l ( a n d to m e unsatisfactory) flavor of the occult b y b e i n g p r e - sented o u t of t h e i r full c o n t e x t . N e v e r t h e l e s s , we c o n c l u d e d — a n d I a m sure the r e a d e r will a g r e e — t h a t , w i t h the w a r n i n g s d u l y given, the clarity, to say n o t h i n g of the h u m a n interest, of H e n r y ' s analysis greatly e n r i c h e s this b o o k . I b e g a n b y d e s c r i b i n g h o w J u n g c a m e to w r i t e Man and his Symbols. I end by r e m i n d i n g t h e r e a d e r of w h a t a r e m a r k a b l e — p e r h a p s u n i q u e — p u b l i c a t i o n this is. C a r l G u s t a v J u n g was o n e of the g r e a t d o c t o r s of all time a n d o n e of t h e g r e a t t h i n k e r s of this c e n t u r y . His object always was to h e l p m e n a n d w o m e n to k n o w themselves, so t h a t b y self-know- ledge a n d t h o u g h t f u l self-use they c o u l d lead full, rich, a n d h a p p y lives. At the very e n d of his o w n life, w h i c h was as full, rich, a n d h a p p y as any I h a v e e n c o u n t e r e d , he d e c i d e d to use the s t r e n g t h t h a t was left him to a d d r e s s his message to a w i d e r p u b l i c t h a n h e h a d ever tried to r e a c h before. H e c o m p l e t e d his task a n d his life in t h e s a m e m o n t h . T h i s b o o k is his legacy to t h e b r o a d r e a d i n g p u b l i c . '5
  • 14. Contents Part 1 Approaching the unconscious 18 Carl G. J u n g Part 2 Ancient myths and modern man 104 Joseph L. Henderson Part 3 The process of individuation 158 M.-L. von Franz Part 4 Symbolism in the visual arts 230 Aniela Jaffe Part 5 Symbols in an individual analysis 272 Jolande Jacobi Conclusion: Science and the unconscious 304 M.-L. von Franz Notes 311 Index 316 Illustration credits 319
  • 15. Approaching the unconscious Carl G. J u n g The entrance to the tomb of the Egyptian pharaoh Rameses III
  • 16.
  • 17. Approaching the unconscious T h e i m p o r t a n c e of d r e a m s M a n uses the spoken or w r i t t e n word to express d o u b l e a d z e . T h i s is a n object t h a t we know, the m e a n i n g of w h a t he w a n t s to convey. His b u t w e d o not k n o w its symbolic implications. l a n g u a g e is full of symbols, but he also often For a n o t h e r e x a m p l e , take t h e case of the e m p l o y s signs or i m a g e s t h a t a r e not strictly I n d i a n w h o , after a visit to E n g l a n d , told his descriptive. S o m e a r c m e r e a b b r e v i a t i o n s or friends at h o m e t h a t the English w o r s h i p a n i - strings of initials, such as U N , U N I C E F , or mals, because he h a d found eagles, lions, a n d U N E S C O ; o t h e r s a r e familiar t r a d e m a r k s , the oxen in old c h u r c h e s . H e was not a w a r e (nor n a m e s of p a t e n t m e d i c i n e s , b a d g e s , or insignia. a r e m a n y Christians) t h a t these a n i m a l s a r e A l t h o u g h these a r e m e a n i n g l e s s in themselves, symbols of the Evangelists a n d a r e derived from they h a v e a c q u i r e d a r e c o g n i z a b l e m e a n i n g the vision of Ezekiel, a n d t h a t this in t u r n has t h r o u g h c o m m o n usage or d e l i b e r a t e intent. a n a n a l o g y to the E g y p t i a n sun god H o r u s a n d Such things a r e n o t symbols. T h e y a r e signs, his four sons. T h e r e a r e , m o r e o v e r , such objects a n d they d o no m o r e t h a n d e n o t e t h e objects as t h e wheel a n d the cross t h a t a r e k n o w n all to w h i c h they a r e a t t a c h e d . over t h e w o r l d , yet t h a t h a v e a symbolic signi- W h a t w e call a s y m b o l is a t e r m , a n a m e , or ficance u n d e r c e r t a i n c o n d i t i o n s . Precisely w h a t even a p i c t u r e t h a t m a y be familiar in daily they symbolize is still a m a t t e r for controversial life, yet t h a t possesses specific c o n n o t a t i o n s in speculation. a d d i t i o n to its c o n v e n t i o n a l a n d o b v i o u s m e a n - T h u s a w o r d or a n i m a g e is symbolic w h e n it ing. It implies s o m e t h i n g v a g u e , u n k n o w n , or implies s o m e t h i n g m o r e t h a n its obvious a n d h i d d e n from us. M a n y C r e t a n m o n u m e n t s , for i m m e d i a t e m e a n i n g . It has a w i d e r " u n c o n - instance, a r c m a r k e d with t h e design of the s c i o u s " aspect t h a t is never precisely defined or
  • 18. fully explained. N o r c a n o n e h o p e to define or It is not easy to g r a s p this p o i n t . But the explain it. As the m i n d explores the s y m b o l , it point must be g r a s p e d if we a r e to k n o w m o r e is led to ideas t h a t lie b e y o n d the g r a s p of a b o u t the ways in w h i c h the h u m a n m i n d reason. T h e wheel m a y lead o u r t h o u g h t s to- works. M a n , as we realize if we reflect for a ward the concept of a " d i v i n e " sun, b u t at this m o m e n t , never perceives a n y t h i n g fully or c o m - point reason must a d m i t its i n c o m p e t e n c e ; m a n p r e h e n d s a n y t h i n g c o m p l e t e l y . H e c a n see, h e a r , is unable to define a " d i v i n e " b e i n g . W h e n , t o u c h , a n d t a s t e ; b u t h o w far he sees, h o w well with all our intellectual l i m i t a t i o n s , we call he h e a r s , w h a t his t o u c h tells h i m , a n d w h a t he something " d i v i n e , " we h a v e merely given it a tastes d e p e n d u p o n the n u m b e r a n d q u a l i t y of name, which m a y be based on a creed, b u t his senses. T h e s e limit his p e r c e p t i o n of the never on factual e v i d e n c e . world a r o u n d h i m . By using scientific instru- Because there a r e i n n u m e r a b l e things b e y o n d m e n t s he can p a r t l y c o m p e n s a t e for the defici- the range of h u m a n u n d e r s t a n d i n g , we con- encies of his senses. F o r e x a m p l e , he c a n e x t e n d stantly use symbolic t e r m s to represent c o n c e p t s the r a n g e of his vision by b i n o c u l a r s or of his that we c a n n o t define or fully c o m p r e h e n d . h e a r i n g by electrical amplification. But the most This is one reason w h y all religions e m p l o y sym- elaborate a p p a r a t u s cannot do more than bring bolic language or i m a g e s . But this conscious use d i s t a n t or small objects w i t h i n r a n g e of his eyes, of symbols is only o n e aspect of a psychological or m a k e faint s o u n d s m o r e a u d i b l e . N o m a t t e r fact of great i m p o r t a n c e : M a n also p r o d u c e s w h a t i n s t r u m e n t s he uses, at some point he symbols unconsciously a n d s p o n t a n e o u s l y , in r e a c h e s the e d g e of c e r t a i n t y b e y o n d w h i c h con- the form of d r e a m s . scious k n o w l e d g e c a n n o t pass. Left, three of the four Evangelists (in a relief on Chartres Cathedral) appear as animals: The lion is Mark, the ox Luke, the eagle John. Also animals are three of the sons of the Egyptian god Horus (above, c. 1 250 B.C.), Animals, and groups of four, are universal religious symbols. 24
  • 19. In many societies, representations of the sun express man's indefinable religious experience. Above, a decoration on the back of a throne belonging to the 14th-century B.C. Egyptian pharaoh Tutankhamen is dominated by a sun disk; the hands at the end of the rays symbolize the sun's life-giving power. Left, a monk in 20th-century Japan prays before a mirror that represents the divine Sun in the Shinto religion. Right, tungsten atoms seen with a microscope that magnifies 2,000,000 times. Far right, the spots in center of picture are the farthest visible galaxies. No matter how far man extends his senses, limits to his conscious perception remain.
  • 20. T h e r e are, m o r e o v e r , u n c o n s c i o u s a s p e c t s of w h e r e it a p p e a r s n o t a s a r a t i o n a l t h o u g h t b u t o u r p e r c e p t i o n o f r e a l i t y . T h e first is t h e f a c t a s a s y m b o l i c i m a g e . A s a m a t t e r o f h i s t o r y , it that e v e n w h e n o u r s e n s e s r e a c t t o r e a l p h e n o - was the study of d r e a m s that first enabled mena, sights, a n d s o u n d s , t h e y a r e somehow psychologists to investigate the unconscious translated from t h e r e a l m of r e a l i t y i n t o that a s p e c t of c o n s c i o u s p s y c h i c e v e n t s . of t h e m i n d . W i t h i n the mind they become It is o n such evidence that psychologists psychic e v e n t s , w h o s e u l t i m a t e n a t u r e is u n - a s s u m e t h e e x i s t e n c e of a n u n c o n s c i o u s p s y c h e k n o w a b l e (for t h e p s y c h e c a n n o t k n o w its o w n — t h o u g h m a n y scientists a n d philosophers d e n y psychical s u b s t a n c e ) . T h u s every experience its e x i s t e n c e . T h e y a r g u e n a i v e l y t h a t s u c h a n contains a n i n d e f i n i t e n u m b e r of u n k n o w n fac- a s s u m p t i o n i m p l i e s t h e e x i s t e n c e of t w o " s u b - tors, n o t t o s p e a k o f t h e f a c t t h a t e v e r y c o n c r e t e j e c t s , " o r ( t o p u t it i n a c o m m o n p h r a s e ) two object is a l w a y s u n k n o w n i n c e r t a i n respects, personalities within the same individual. But because w e c a n n o t k n o w t h e u l t i m a t e n a t u r e o f t h i s is e x a c t l y w h a t it d o e s i m p l y — q u i t e cor- m a t t e r itself. r e c t l y . A n d it is o n e o f t h e c u r s e s o f m o d e r n T h e n t h e r e a r e c e r t a i n e v e n t s of w h i c h we m a n t h a t m a n y p e o p l e suffer from this d i v i d e d have n o t c o n s c i o u s l y t a k e n n o t e ; t h e y h a v e r e - p e r s o n a l i t y . I t is b y n o m e a n s a pathological m a i n e d , so t o s p e a k , b e l o w t h e t h r e s h o l d o f c o n - s y m p t o m ; it is a n o r m a l f a c t t h a t c a n b e o b - sciousness. T h e y h a v e h a p p e n e d , b u t t h e y h a v e s e r v e d a t a n y t i m e a n d e v e r y w h e r e . I t is n o t been a b s o r b e d s u b l i m i n a l l y , w i t h o u t o u r c o n - merely the neurotic whose right h a n d does not scious k n o w l e d g e . W e can become aware of k n o w w h a t t h e left h a n d is d o i n g . T h i s p r e d i c a - such h a p p e n i n g s o n l y i n a m o m e n t o f i n t u i t i o n m e n t is a s y m p t o m o f a g e n e r a l u n c o n s c i o u s n e s s or by a p r o c e s s o f p r o f o u n d t h o u g h t t h a t l e a d s t h a t is t h e u n d e n i a b l e c o m m o n i n h e r i t a n c e o f to a l a t e r r e a l i z a t i o n t h a t t h e y m u s t h a v e h a p - all m a n k i n d . pened; a n d though we m a y have originally M a n has d e v e l o p e d consciousness slowly a n d ignored t h e i r e m o t i o n a l a n d v i t a l i m p o r t a n c e , it laboriously, in a process t h a t took u n t o l d ages to later w e l l s u p f r o m t h e u n c o n s c i o u s a s a s o r t r e a c h t h e c i v i l i z e d s t a t e ( w h i c h is a r b i t r a r i l y of a f t e r t h o u g h t . dated from the invention of s c r i p t in about It m a y a p p e a r , for i n s t a n c e , in t h e f o r m o f a 4 0 0 0 B . C ) . A n d t h i s e v o l u t i o n is f a r f r o m c o m - dream. As a general rule, the unconscious p l e t e , for l a r g e a r e a s o f t h e h u m a n m i n d are aspect o f a n y e v e n t is r e v e a l e d t o u s i n d r e a m s , still s h r o u d e d in d a r k n e s s . W h a t w e call the " p s y c h e " is b y n o m e a n s i d e n t i c a l w i t h our c o n s c i o u s n e s s a n d its c o n t e n t s . W h o e v e r d e n i e s t h e e x i s t e n c e of t h e u n c o n - s c i o u s is i n f a c t a s s u m i n g t h a t o u r p r e s e n t k n o w - l e d g e o f t h e p s y c h e is t o t a l . A n d t h i s b e l i e f is c l e a r l y j u s t a s false a s t h e a s s u m p t i o n t h a t w e k n o w a l l t h e r e is t o b e k n o w n a b o u t t h e n a t u r a l u n i v e r s e . O u r p s y c h e is p a r t o f n a t u r e , a n d its e n i g m a is a s l i m i t l e s s . T h u s w e c a n n o t define either the psyche or nature. W e can merely state w h a t w e believe t h e m to be a n d describe, as best w e c a n , h o w they function. Q u i t e a p a r t , therefore, from the evidence that medical research has accumulated, there are strong g r o u n d s o f l o g i c for r e j e c t i n g s t a t e m e n t s like " T h e r e is n o u n c o n s c i o u s . " T h o s e w h o s a y s u c h things merely express an age-old "misoneism" — a fear of t h e n e w a n d t h e u n k n o w n . 23
  • 21. T h e r e a r e h i s t o r i c a l r e a s o n s for t h i s r e s i s t a n c e that an individual m a y have such an uncon- to t h e i d e a of a n u n k n o w n p a r t of t h e human scious identity with s o m e o t h e r person or object. p s y c h e . C o n s c i o u s n e s s is a v e r y r e c e n t a c q u i s i - T h i s i d e n t i t y takes a v a r i e t y of forms a m o n g t i o n o f n a t u r e , a n d it is still i n a n "experimen- p r i m i t i v e s . I f t h e b u s h s o u l is t h a t o f a n a n i m a l , t a l " s t a t e . I t is f r a i l , m e n a c e d b y s p e c i f i c d a n - t h e a n i m a l i t s e l f is c o n s i d e r e d a s s o m e s o r t of gers, a n d easily i n j u r e d . As a n t h r o p o l o g i s t s h a v e b r o t h e r t o t h e m a n . A m a n w h o s e b r o t h e r is a n o t e d , o n e of t h e m o s t c o m m o n mental de- c r o c o d i l e , for i n s t a n c e , is s u p p o s e d t o b e safe rangements that occur a m o n g primitive people w h e n s w i m m i n g a crocodile-infested river. If is w h a t t h e y c a l l " t h e loss o f a s o u l " — w h i c h t h e b u s h s o u l is a t r e e , t h e t r e e is p r e s u m e d t o m e a n s , as the n a m e indicates, a n o t i c e a b l e dis- h a v e s o m e t h i n g like p a r e n t a l a u t h o r i t y o v e r t h e r u p t i o n (or, m o r e t e c h n i c a l l y , a dissociation) of i n d i v i d u a l c o n c e r n e d . I n b o t h cases a n injury consciousness. t o t h e b u s h s o u l is i n t e r p r e t e d a s a n i n j u r y t o A m o n g s u c h p e o p l e , w h o s e c o n s c i o u s n e s s is the m a n . a t a different level of d e v e l o p m e n t from o u r s , I n s o m e t r i b e s , it is a s s u m e d t h a t a m a n h a s t h e " s o u l " ( o r p s y c h e ) is n o t felt t o b e a u n i t . a n u m b e r o f s o u l s ; t h i s b e l i e f e x p r e s s e s t h e feel- Many primitives assume that a man has a ing of s o m e p r i m i t i v e individuals that they each " b u s h s o u l " as well as his o w n , a n d t h a t this consist of several linked b u t d i s t i n c t units. T h i s b u s h s o u l is i n c a r n a t e i n a w i l d a n i m a l o r a t r e e , m e a n s t h a t t h e i n d i v i d u a l ' s p s y c h e is f a r from with which the h u m a n individual has some kind b e i n g safely s y n t h e s i z e d ; o n the contrary, it o f p s y c h i c i d e n t i t y . T h i s is w h a t the distin- t h r e a t e n s to f r a g m e n t o n l y too easily u n d e r t h e guished French ethnologist Lucien Levy-Briihl o n s l a u g h t of u n c h e c k e d e m o t i o n s . called a "mystical p a r t i c i p a t i o n . " H e later re- W h i l e t h i s s i t u a t i o n is f a m i l i a r t o u s f r o m t h e tracted this term under pressure of adverse s t u d i e s o f a n t h r o p o l o g i s t s , it is n o t so i r r e l e v a n t criticism, but I believe that his critics were t o o u r o w n a d v a n c e d c i v i l i z a t i o n as it might w r o n g . I t is a w e l l - k n o w n psychological fact s e e m . W e t o o c a n b e c o m e d i s s o c i a t e d a n d lose " D i s s o c i a t i o n " m e a n s a s p l i t t i n g in the psyche, causing a neurosis. A f a m o u s f i c t i o n a l e x a m p l e of t h i s state is Dr Jekyll and Mr. Hyde ( 1 8 8 6 ) by t h e S c o t s a u t h o r R. L S t e v e n s o n . In t h e s t o r y J e k y l l ' s " s p l i t " t o o k t h e f o r m of a p h y s i c a l c h a n g e , rather t h a n (as in r e a l i t y ) an inner, p s y c h i c state. Left, M r . H y d e ( f r o m t h e 1 9 3 2 f i l m of t h e story) — J e k y l l ' s "other half." P r i m i t i v e p e o p l e call d i s s o c i a t i o n " l o s s of a s o u l " ; t h e y b e l i e v e t h a t a m a n has a " b u s h s o u l " as w e l l as his o w n . R i g h t , a N y a n g a t r i b e s m a n of w e s t c e n t r a l A f r i c a w e a r i n g a m a s k of the h o r n b i l l — t h e b i r d t h a t h e i d e n t i f i e s w i t h his b u s h s o u l . Far r i g h t , t e l e p h o n i s t s o n a b u s y s w i t c h b o a r d h a n d l e m a n y c a l l s at o n c e . In s u c h j o b s p e o p l e " s p l i t o f f " parts of t h e i r c o n s c i o u s m i n d s t o c o n c e n t r a t e . B u t t h i s split is controlled and temporary, not a spontaneous, abnormal dissociation. 2 I
  • 22. our i d e n t i t y . W e c a n b e p o s s e s s e d a n d altered "loss of a s o u l , " or e v e n t h e p a t h o l o g i c a l c a u s e by m o o d s , o r b e c o m e u n r e a s o n a b l e a n d u n a b l e of a neurosis. to r e c a l l i m p o r t a n t facts about ourselves or Thus, even in o u r day the unity of con- o t h e r s , so t h a t p e o p l e a s k : " W h a t t h e d e v i l h a s s c i o u s n e s s is still a d o u b t f u l a f f a i r ; it c a n too got i n t o y o u ? " W e t a l k a b o u t b e i n g a b l e "to e a s i l y b e d i s r u p t e d . A n a b i l i t y to c o n t r o l o n e ' s control o u r s e l v e s , " b u t s e l f - c o n t r o l is a r a r e a n d e m o t i o n s that m a y be very desirable from o n e remarkable virtue. W e m a y think we have our- point of view w o u l d b e a q u e s t i o n a b l e a c c o m - selves u n d e r c o n t r o l ; y e t a f r i e n d c a n e a s i l y tell p l i s h m e n t f r o m a n o t h e r , for it w o u l d deprive us t h i n g s a b o u t o u r s e l v e s o f w h i c h w e h a v e n o social i n t e r c o u r s e of v a r i e t v . color, a n d w a r m t h . knowledge. It is a g a i n s t t h i s b a c k g r o u n d that we must Beyond d o u b t , e v e n in w h a t w e call a high r e v i e w the i m p o r t a n c e of d r e a m s t h o s e flimsy, level of c i v i l i z a t i o n , h u m a n c o n s c i o u s n e s s has evasive, unreliable, vague, a n d uncertain fan- not yet a c h i e v e d a r e a s o n a b l e d e g r e e o f c o n t i - tasies. T o e x p l a i n m y p o i n t of view, I s h o u l d nuity. It is still v u l n e r a b l e a n d l i a b l e t o f r a g - l i k e t o d e s c r i b e h o w it d e v e l o p e d o v e r a p e r i o d mentation. T h i s c a p a c i t y to isolate p a r t of o n e ' s of y e a r s , a n d h o w I w a s led to c o n c l u d e that m i n d , i n d e e d , is a v a l u a b l e c h a r a c t e r i s t i c . It d r e a m s are the most frequent a n d universally e n a b l e s us to c o n c e n t r a t e u p o n o n e t h i n g a t a a c c e s s i b l e s o u r c e for t h e i n v e s t i g a t i o n o f m a n ' s time, e x c l u d i n g e v e r y t h i n g else t h a t m a y c l a i m symbolizing faculty. our a t t e n t i o n . B u t t h e r e is a w o r l d o f d i f f e r e n c e Sigmund Freud was the pioneer who first b e t w e e n a c o n s c i o u s d e c i s i o n t o s p l i t off a n d tried to e x p l o r e empirically the unconscious temporarily s u p p r e s s a p a r t of o n e ' s p s y c h e , a n d b a c k g r o u n d of consciousness. H e w o r k e d on the a c o n d i t i o n in w h i c h this h a p p e n s spontane- general assumption that d r e a m s are not a matter ously, w i t h o u t o n e ' s k n o w l e d g e o r c o n s e n t a n d of c h a n c e but are associated with conscious even a g a i n s t o n e ' s i n t e n t i o n . T h e f o r m e r is a thoughts and problems. This assumption was civilized a c h i e v e m e n t , the latter a primitive n o t in t h e least a r b i t r a r y . It w a s b a s e d u p o n t h e 25
  • 23. c o n c l u s i o n o f e m i n e n t n e u r o l o g i s t s (for i n s t a n c e , a s t h m a : H e " c a n ' t b r e a t h e the a t m o s p h e r e at Pierre J a n e t ) t h a t neurotic s y m p t o m s are re- h o m e . " A t h i r d suffers f r o m a p e c u l i a r para- lated to s o m e conscious e x p e r i e n c e . T h e y even lysis o f t h e l e g s : H e c a n ' t w a l k , i . e . " h e can't appear to b e split-off a r e a s of t h e conscious go on a n y m o r e . " A fourth, w h o vomits w h e n m i n d , w h i c h , at a n o t h e r t i m e a n d u n d e r differ- h e e a t s , " c a n n o t d i g e s t " s o m e u n p l e a s a n t fact. ent conditions, c a n be conscious. I c o u l d cite m a n y e x a m p l e s of this k i n d , but Before the b e g i n n i n g of this c e n t u r y , Freud such physical reactions are only one form in and Josef Breuer had recognized that neurotic w h i c h t h e p r o b l e m s t h a t t r o u b l e us u n c o n s c i - s y m p t o m s — h y s t e r i a , c e r t a i n t y p e s of p a i n , a n d ously m a y express t h e m s e l v e s . T h e y m o r e often a b n o r m a l b e h a v i o r — a r e in fact symbolically find e x p r e s s i o n in o u r d r e a m s . m e a n i n g f u l . T h e y a r e o n e w a y in w h i c h the A n y psychologist w h o h a s listened to n u m - unconscious mind expresses itself, j u s t as it bers of p e o p l e d e s c r i b i n g t h e i r d r e a m s knows m a y in d r e a m s ; a n d t h e y a r e e q u a l l y s y m b o l i c . that d r e a m symbols have m u c h greater variety A p a t i e n t , for i n s t a n c e , w h o is c o n f r o n t e d with t h a n the p h y s i c a l s y m p t o m s of neurosis. They an intolerable situation m a y develop a spasm o f t e n consist of e l a b o r a t e a n d p i c t u r e s q u e fan- w h e n e v e r h e tries to s w a l l o w : H e " c a n ' t swal- t a s i e s . B u t if t h e a n a l y s t w h o is c o n f r o n t e d by low i t . " U n d e r s i m i l a r c o n d i t i o n s of p s y c h o l o - this d r e a m m a t e r i a l uses F r e u d ' s o r i g i n a l t e c h - gical stress, a n o t h e r p a t i e n t h a s a n a t t a c k of n i q u e o f " f r e e a s s o c i a t i o n , " h e finds t h a t d r e a m s 1 S i g m u n d Freud ( V i e n n a ) 5 Max Eitingon (Berlin) 9 Eugen Bleuler (Zurich) 2 Otto Rank (Vienna) 6 James J. Putnam (Boston) 10 Emma J u n g (Kusnacht) 3 Ludwig Binswanger (Kreuzlingen) 7 Ernest J o n e s ( T o r o n t o ) 11 S a n d o r F e r e n c z i ( B u d a p e s t ) 4 A A Brill 8 W i l h e l m Stekel (Vienna) 12 C. G J u n g (Kusnacht) 26
  • 24. can e v e n t u a l l y b e r e d u c e d to c e r t a i n basic p a t - of " f r e e a s s o c i a t i o n . " B u t after a t i m e I b e g a n to terns. T h i s t e c h n i q u e p l a y e d a n i m p o r t a n t p a r t feel t h a t t h i s w a s a m i s l e a d i n g a n d inadequate in t h e d e v e l o p m e n t of p s y c h o a n a l y s i s , for it use of t h e rich fantasies t h a t t h e unconscious enabled Freud to use d r e a m s as t h e starting p r o d u c e s in sleep. M y d o u b t s r e a l l y b e g a n w h e n point from w h i c h t h e u n c o n s c i o u s p r o b l e m of a c o l l e a g u e told m e of a n e x p e r i e n c e he had the p a t i e n t m i g h t b e e x p l o r e d . d u r i n g t h e c o u r s e of a long t r a i n j o u r n e y in Freud m a d e the simple but penetrating obser- Russia. T h o u g h he did not k n o w the l a n g u a g e v a t i o n t h a t if a d r e a m e r is e n c o u r a g e d t o g o o n a n d could not even d e c i p h e r the Cyrillic script, talking a b o u t his d r e a m i m a g e s a n d t h e t h o u g h t s he found himself m u s i n g over the strange letters that these p r o m p t in his m i n d , h e will give in w h i c h the r a i l w a y notices w e r e w r i t t e n , a n d himself a w a y a n d r e v e a l t h e u n c o n s c i o u s b a c k - h e fell i n t o a r e v e r i e i n w h i c h h e i m a g i n e d a l l g r o u n d of his a i l m e n t s , in b o t h w h a t h e s a y s s o r t s o f m e a n i n g s for t h e m . and w h a t he d e l i b e r a t e l y o m i t s s a y i n g . His ideas O n e i d e a l e d t o a n o t h e r , a n d in h i s r e l a x e d may seem i r r a t i o n a l a n d i r r e l e v a n t , b u t after a m o o d h e found t h a t this "free a s s o c i a t i o n " h a d t i m e it b e c o m e s r e l a t i v e l y e a s y t o s e e w h a t it is stirred u p m a n y old m e m o r i e s . A m o n g them t h a t h e is t r y i n g to a v o i d , what unpleasant h e w a s a n n o y e d t o find s o m e l o n g - b u r i e d d i s - thought or experience h e is s u p p r e s s i n g . No agreeable topics t h i n g s h e h a d w i s h e d t o for- matter h o w he tries to c a m o u f l a g e it, e v e r y - get a n d had forgotten consciously. He had in thing he says p o i n t s to t h e c o r e of his p r e d i c a - fact a r r i v e d at w h a t p s y c h o l o g i s t s w o u l d call m e n t . A d o c t o r s e e s so m a n y t h i n g s f r o m the h i s " c o m p l e x e s " — t h a t is, r e p r e s s e d emotional s e a m y s i d e o f life t h a t h e is s e l d o m f a r f r o m t h e themes that can cause constant psychological truth when he interprets the hints that his d i s t u r b a n c e s o r e v e n , in m a n y c a s e s , t h e s y m p - patient p r o d u c e s as s i g n s o f a n uneasy con- t o m s of neurosis. science. W h a t h e e v e n t u a l l y d i s c o v e r s , unfor- T h i s e p i s o d e o p e n e d m v e v e s to t h e f a r ! thai tunately, c o n f i r m s his e x p e c t a t i o n s . T h u s far, it w a s n o t n e c e s s a r y t o u s e a d r e a m a s t h e p o i n t nobody c a n say a n y t h i n g a g a i n s t F r e u d ' s t h e o r y o f d e p a r t u r e for t h e p r o c e s s o f " f r e e a s s o c i a t i o n " of r e p r e s s i o n a n d w i s h f u l f i l l m e n t as a p p a r e n t if o n e w i s h e d to d i s c o v e r the c o m p l e x e s of a causes of d r e a m s y m b o l i s m . p a t i e n t . It s h o w e d m e t h a t o n e c a n r e a c h the Freud attached particular importance to c e n t e r d i r e c t l y from a n y p o i n t of t h e c o m p a s s . d r e a m s as t h e p o i n t o f d e p a r t u r e for a p r o c e s s One could begin from Cyrillic letters, from Left, m a n y of t h e great p i o n e e r s of modern p s y c h o a n a l y s i s , p h o t o - graphed at a C o n g r e s s o f Psychoanalysis in i 9 1 1 at W e i m a r , Germany. T h e key, b e l o w left, identifies s o m e of t h e m a j o r f i g u r e s . Right, the " i n k b l o t " test d e v i s e d by the S w i s s p s y c h i a t r i s t H e r m a n n Rorschach. T h e s h a p e of t h e b l o t can serve as a s t i m u l u s f o r free association; in fact, a l m o s t a n y irregular free s h a p e c a n spark off the associative p r o c e s s . L e o n a r d o da Vinci w r o t e in his Notebooks: "It should not b e hard f o r y o u t o stop s o m e t i m e s a n d l o o k i n t o t h e stains of w a l l s , or ashes of a fire, or clouds, or m u d or like p l a c e s , in w h i c h . . . y o u m a y f i n d really marvelous i d e a s . "
  • 25. meditations u p o n a crystal ball, a p r a y e r wheel, n i q u e w a s o n e t h a t c o u l d t a k e a c c o u n t o f all or a m o d e r n p a i n t i n g , or even from casual c o n - the v a r i o u s w i d e r aspects of a d r e a m . A story versation a b o u t s o m e q u i t e trivial event. T h e told by t h e conscious m i n d has a b e g i n n i n g , a d r e a m w a s n o m o r e a n d n o less useful in t h i s d e v e l o p m e n t , a n d a n e n d , b u t t h e s a m e is n o t respect t h a n a n y o t h e r possible starting point. t r u e of a d r e a m . Its d i m e n s i o n s in t i m e and N e v e r t h e l e s s , d r e a m s h a v e a p a r t i c u l a r signifi- s p a c e a r e q u i t e d i f f e r e n t ; t o u n d e r s t a n d it y o u cance, even though they often arise from an m u s t e x a m i n e it f r o m e v e r y a s p e c t — j u s t as y o u e m o t i o n a l u p s e t in w h i c h t h e h a b i t u a l c o m p l e x e s m a y t a k e a n u n k n o w n o b j e c t in y o u r h a n d s a n d a r e also involved. ( T h e h a b i t u a l c o m p l e x e s a r e turn it o v e r a n d o v e r u n t i l y o u a r e familiar t h e t e n d e r spots of t h e p s y c h e , w h i c h r e a c t most w i t h e v e r y d e t a i l o f its s h a p e . quickly to a n external stimulus or d i s t u r b a n c e . ) P e r h a p s I h a v e n o w said e n o u g h to s h o w h o w T h a t is w h y free a s s o c i a t i o n c a n l e a d o n e f r o m I came increasingly to disagree with "free" a n y d r e a m to t h e critical secret t h o u g h t s . a s s o c i a t i o n a s F r e u d first e m p l o y e d i t : I w a n t e d A t t h i s p o i n t , h o w e v e r , it o c c u r r e d t o m e t h a t t o k e e p a s c l o s e a s p o s s i b l e t o t h e d r e a m itself, (if I w a s r i g h t so f a r ) it m i g h t r e a s o n a b l y f o l l o w a n d t o e x c l u d e all t h e i r r e l e v a n t i d e a s a n d a s s o - that d r e a m s h a v e s o m e special a n d m o r e signi- c i a t i o n s t h a t it m i g h t e v o k e . T r u e , t h e s e c o u l d ficant function of their o w n . V e r y often d r e a m s lead one t o w a r d the c o m p l e x e s of a patient, have a definite, evidently purposeful structure, b u t I h a d a m o r e f a r - r e a c h i n g p u r p o s e in m i n d indicating an underlying idea or intention than the discovery of c o m p l e x e s that cause t h o u g h , a s a r u l e , t h e l a t t e r is n o t i m m e d i a t e l y neurotic disturbances. There are m a n y other c o m p r e h e n s i b l e . I t h e r e f o r e b e g a n to c o n s i d e r m e a n s by which these can be identified: The w h e t h e r o n e s h o u l d p a y m o r e a t t e n t i o n to t h e p s y c h o l o g i s t , for i n s t a n c e , c a n g e t a l l t h e h i n t s a c t u a l form a n d c o n t e n t of a d r e a m , r a t h e r t h a n h e n e e d s b y u s i n g w o r d - a s s o c i a t i o n tests ( b y ask- allowing ""free" association to lead one off ing t h e p a t i e n t w h a t h e associates to a given t h r o u g h a train of ideas to c o m p l e x e s that could set of w o r d s , a n d b y s t u d y i n g h i s r e s p o n s e s ) . as easily b e r e a c h e d by o t h e r m e a n s . B u t t o k n o w a n d u n d e r s t a n d t h e p s y c h i c life- T h i s n e w t h o u g h t w a s a t u r n i n g p o i n t in t h e d e v e l o p m e n t of m y p s y c h o l o g y . It m e a n t t h a t I gradually gave u p following associations that l e d far a w a y f r o m t h e t e x t o f a d r e a m . I c h o s e to c o n c e n t r a t e r a t h e r o n t h e associations to t h e d r e a m itself, b e l i e v i n g t h a t t h e l a t t e r e x p r e s s e d s o m e t h i n g specific that the unconscious was trying to say. T h e c h a n g e in m y a t t i t u d e t o w a r d dreams involved a c h a n g e of m e t h o d ; the new tech- T w o different possible stimuli of free a s s o c i a t i o n : t h e w h i r l i n g prayer w h e e l of a T i b e t a n b e g g a r ( l e f t ) , or a f o r t u n e teller's c r y s t a l ball ( r i g h t , a m o d e r n c r y s t a l gazer at a B r i t i s h f a i r ) .
  • 26. process of a n i n d i v i d u a l ' s w h o l e p e r s o n a l i t y , it f o r m itself tells u s w h a t b e l o n g s t o it a n d w h a t is i m p o r t a n t t o r e a l i z e t h a t h i s d r e a m s a n d t h e i r leads a w a y from it. W h i l e " f r e e " association symbolic images h a v e a m u c h m o r e i m p o r t a n t l u r e s o n e a w a y f r o m t h a t m a t e r i a l i n a k i n d of role to p l a y . z i g z a g l i n e , t h e m e t h o d I e v o l v e d is m o r e l i k e a A l m o s t e v e r y o n e k n o w s , for e x a m p l e , that circumambulation w h o s e c e n t e r is t h e d r e a m t h e r e is a n e n o r m o u s v a r i e t y o f i m a g e s b y w h i c h p i c t u r e . I w o r k all a r o u n d t h e d r e a m picture the s e x u a l a c t c a n b e s y m b o l i z e d ( o r , o n e m i g h t and disregard every attempt that the d r e a m e r say, r e p r e s e n t e d in t h e f o r m o f a n allegory). m a k e s t o b r e a k a w a y f r o m it. T i m e a n d t i m e E a c h of t h e s e i m a g e s c a n l e a d , b y a p r o c e s s o f a g a i n , in m y p r o f e s s i o n a l w o r k , I h a v e h a d t o association, to t h e i d e a of s e x u a l i n t e r c o u r s e a n d repeat the words: "Let's get back to your to specific c o m p l e x e s t h a t a n y i n d i v i d u a l m a y d r e a m . W h a t d o e s t h e dream say?" h a v e a b o u t his o w n s e x u a l a t t i t u d e s . B u t o n e F o r i n s t a n c e , a p a t i e n t of m i n e d r e a m e d of could j u s t a s w e l l u n e a r t h s u c h c o m p l e x e s b y a d r u n k e n a n d disheveled vulgar w o m a n . In d a y - d r e a m i n g o n a set o f i n d e c i p h e r a b l e R u s s i a n t h e d r e a m , it s e e m e d t h a t t h i s w o m a n w a s his letters. I w a s t h u s l e d t o t h e a s s u m p t i o n t h a t a wife, t h o u g h in r e a l life h i s w i f e w a s t o t a l l y dream can contain some message other than the different. O n the surface, therefore, the d r e a m sexual a l l e g o r y , a n d t h a t it d o e s s o for d e f i n i t e was shockingly untrue, a n d the patient i m m e - reasons. T o i l l u s t r a t e t h i s p o i n t : d i a t e l y r e j e c t e d it a s d r e a m n o n s e n s e . I f I, a s his A m a n m a y d r e a m o f i n s e r t i n g a k e y in a d o c t o r , h a d let h i m s t a r t a p r o c e s s o f a s s o c i a - lock, of w i e l d i n g a h e a v y s t i c k , o r o f b r e a k i n g t i o n , h e w o u l d i n e v i t a b l y h a v e t r i e d t o g e t a s far down a d o o r w i t h a b a t t e r i n g r a m . E a c h of a w a y as possible from (he u n p l e a s a n t suggestion these c a n b e r e g a r d e d a s a s e x u a l a l l e g o r y . B u t of his d r e a m . In t h a t case, he w o u l d h a v e e n d e d the fact t h a t h i s u n c o n s c i o u s for its o w n pur- w i t h o n e o f his s t a p l e c o m p l e x e s a complex, poses h a s c h o s e n o n e o f t h e s e s p e c i f i c i m a g e s p o s s i b l y , t h a t h a d n o t h i n g t o d o w i t h his w i f e it m a y b e t h e k e y , t h e s t i c k , o r t h e b a t t e r i n g and we should have learned nothing about the ram is a l s o o f m a j o r significance. The real s p e c i a l m e a n i n g of t h i s p a r t i c u l a r d r e a m . task is to u n d e r s t a n d why t h e k e y h a s been preferred t o t h e s t i c k , o r t h e s t i c k t o t h e r a m . And s o m e t i m e s t h i s m i g h t e v e n l e a d o n e t o d i s - cover t h a t it is n o t t h e s e x u a l a c t a t all t h a t is represented, b u t s o m e q u i t e different psycholo- gical p o i n t . F r o m this l i n e o f r e a s o n i n g , I c o n c l u d e d t h a t only t h e m a t e r i a l t h a t is c l e a r l y a n d v i s i b l y p a r t of a d r e a m s h o u l d b e u s e d i n i n t e r p r e t i n g it. T h e d r e a m h a s its o w n l i m i t a t i o n . I t s s p e c i f i c One of the c o u n t l e s s s y m b o l i c or allegorical i m a g e s of t h e s e x u a l act isa deer h u n t : R i g h t , a d e t a i l from a p a i n t i n g b y t h e 1 6 t h - c e n t u r y German artist C r a n a c h . T h e s e x u a l implication of t h e deer h u n t is underlined b y a m e d i e v a l E n g l i s h folk song called " T h e K e e p e r " : The first doe that he shot at he missed. And the second doe he trimmed he kissed, And the third ran away in a young man's heart. She's amongst the leaves of the green 0
  • 27. A key in a l o c k may be a s e x u a l s y m b o l — b u t n o t i n v a r i a b l y . Left, a s e c t i o n of an a l t a r p i e c e b y t h e 1 5 t h - c e n t u r y F l e m i s h artist C a m p i n . The door was intended to symbolize hope, the lock to symbolize charity, a n d t h e k e y to s y m b o l i z e t h e d e s i r e for G o d . B e l o w , a British b i s h o p d u r i n g the consecration of a c h u r c h carries o u t a t r a d i t i o n a l c e r e m o n y by k n o c k i n g o n t h e c h u r c h d o o r w i t h a s t a f f — w h i c h is o b v i o u s l y n o t a p h a l l i c s y m b o l b u t a s y m b o l of authority and the shepherd's crook. N o i n d i v i d u a l s y m b o l i c i m a g e c a n be said t o h a v e a d o g m a t i c a l l y f i x e d , generalized m e a n i n g . The " a n i m a " is t h e f e m a l e e l e m e n t in t h e m a l e u n c o n s c i o u s . (It a n d t h e " a n i m u s " in t h e f e m a l e u n c o n s c i o u s are d i s c u s s e d in C h a p t e r 3.) T h i s i n n e r d u a l i t y is o f t e n s y m b o l i z e d by a h e r m a p h r o d i t i c f i g u r e , like the c r o w n e d hermaphrodite, above right, from a 1 7 t h - c e n t u r y alchemical manuscript. Right, a physical image of m a n ' s p s y c h i c " b i s e x u a l i t y " : a h u m a n cell w i t h its c h r o m o s o m e s . A l l o r g a n i s m s h a v e t w o sets of c h r o m o s o m e s — o n e f r o m each parent. ,30
  • 28. W h a t , t h e n , w a s his u n c o n s c i o u s t r y i n g to f e m a l e e l e m e n t s in all o f u s , it w a s s a i d that convey by s u c h a n o b v i o u s l y u n t r u e s t a t e m e n t ? "every m a n carries a w o m a n within himself C l e a r l y , it s o m e h o w expressed the idea of a It is t h i s f e m a l e e l e m e n t i n e v e r y m a l e t h a t I degenerate female w h o w a s closely c o n n e c t e d have called the "anima." This "feminine" with t h e d r e a m e r ' s l i f e ; b u t s i n c e t h e p r o j e c t i o n a s p e c t is e s s e n t i a l l y a c e r t a i n i n f e r i o r k i n d of of this i m a g e o n t o h i s w i f e w a s u n j u s t i f i e d and relatedness to the s u r r o u n d i n g s , a n d particu- factually untrue, I had to look elsewhere l a r l y t o w o m e n , w h i c h is k e p t c a r e f u l l y con- before I f o u n d o u t w h a t t h i s r e p u l s i v e image cealed from others as well as from oneself. represented. I n o t h e r w o r d s , t h o u g h a n i n d i v i d u a l ' s visible- In t h e M i d d l e A g e s , l o n g b e f o r e t h e p h y s i o - personality m a y seem quite n o r m a l , he may logists d e m o n s t r a t e d that by reason of our well b e c o n c e a l i n g f r o m o t h e r s or even from glandular structure there are both male and himself—the deplorable condition of "the woman within." That was the case with this particular patient: His female side w a s not nice. His d r e a m w a s a c t u a l l y s a y i n g t o h i m : " Y o u a r e in some respects behaving like a degenerate female," and thus gave him an appropriate shock. ( A n e x a m p l e of this k i n d , of c o u r s e , m u s t n o t be t a k e n as e v i d e n c e t h a t t h e u n c o n s c i o u s is c o n c e r n e d with "moral" injunctions. The d r e a m was not telling the p a t i e n t to "behave b e t t e r , " b u t w a s s i m p l y t r y i n g to b a l a n c e the l o p s i d e d n a t u r e of his c o n s c i o u s m i n d , which was maintaining the fiction that he was a perfect g e n t l e m a n throughout.) I t is e a s y t o u n d e r s t a n d w h y d r e a m e r s tend to i g n o r e a n d e v e n d e n y t h e m e s s a g e of t h e i r dreams. Consciousness naturally resists any- thing unconscious and unknown. I have already pointed out the existence among primitive peoples of w h a t anthropologists call "miso- n c i s m , " a d e e p a n d s u p e r s t i t i o u s fear of n o v e l t y . T h e p r i m i t i v e s m a n i f e s t all t h e r e a c t i o n s o f t h e wild animal against untoward events. But " c i v i l i z e d " m a n r e a c t s to n e w i d e a s in much t h e s a m e w a y , e r e c t i n g p s y c h o l o g i c a l b a r r i e r s to p r o t e c t himself from the shock of facing s o m e - t h i n g n e w . T h i s c a n easily b e o b s e r v e d in a n y i n d i v i d u a l ' s r e a c t i o n to his o w n d r e a m s when obliged to a d m i t a surprising t h o u g h t . Many p i o n e e r s in p h i l o s o p h y , s c i e n c e , a n d e v e n l i t e r a - ture h a v e b e e n victims of t h e i n n a t e conserv- atism of t h e i r c o n t e m p o r a r i e s . Psychology is o n e o f t h e y o u n g e s t o f t h e s c i e n c e s ; b e c a u s e it a t t e m p t s to d e a l w i t h t h e w o r k i n g of t h e u n c o n - s c i o u s , it h a s i n e v i t a b l y e n c o u n t e r e d m i s o n e i s m in a n e x t r e m e f o r m . :5>
  • 29. Past and future in the unconscious S o far, I h a v e b e e n s k e t c h i n g s o m e of t h e p r i n - c o n t e n t s of t h e m i n d a r e l i n k e d t o g e t h e r . T a k e ciples o n w h i c h I a p p r o a c h e d the p r o b l e m of a n e x a m p l e w i t h w h i c h e v e r y o n e is f a m i l i a r . d r e a m s , for w h e n w e w a n t t o i n v e s t i g a t e m a n ' s S u d d e n l y y o u find y o u c a n n o t r e m e m b e r w h a t faculty to p r o d u c e s y m b o l s , d r e a m s p r o v e to b e y o u w e r e g o i n g to say next, t h o u g h a m o m e n t t h e m o s t b a s i c a n d a c c e s s i b l e m a t e r i a l for t h i s ago the t h o u g h t was perfectly clear. O r p e r h a p s p u r p o s e . T h e t w o f u n d a m e n t a l p o i n t s in d e a l - y o u w e r e a b o u t t o i n t r o d u c e a f r i e n d , a n d his ing w i t h d r e a m s a r e t h e s e : First, the dream n a m e e s c a p e d y o u a s y o u w e r e a b o u t t o u t t e r it. s h o u l d be t r e a t e d as a fact, a b o u t w h i c h one Y o u say y o u c a n n o t r e m e m b e r ; in fact, t h o u g h , must m a k e no previous assumption except that the thought has become unconscious, or at it s o m e h o w m a k e s s e n s e ; a n d s e c o n d , t h e d r e a m least momentarily separated from conscious- is a s p e c i f i c e x p r e s s i o n o f t h e u n c o n s c i o u s . n e s s . W e find t h e s a m e p h e n o m e n o n w i t h o u r O n e could scarcely put these principles m o r e s e n s e s . If w e l i s t e n t o a c o n t i n u o u s n o t e o n t h e m o d e s t l y . N o m a t t e r h o w low a n y o n e ' s o p i n i o n fringe of a u d i b i l i t y , t h e s o u n d s e e m s to stop of t h e u n c o n s c i o u s m a y b e , h e m u s t concede at r e g u l a r intervals a n d then start again. Such t h a t it is w o r t h i n v e s t i g a t i n g ; t h e u n c o n s c i o u s oscillations a r e d u e to a p e r i o d i c d e c r e a s e a n d is a t l e a s t o n a l e v e l w i t h t h e l o u s e , w h i c h , a f t e r i n c r e a s e in o n e ' s a t t e n t i o n , n o t to a n y change all, e n j o y s t h e h o n e s t i n t e r e s t of t h e e n t o m o l o - in t h e n o t e . gist. If s o m e b o d y with little e x p e r i e n c e and But w h e n s o m e t h i n g slips o u t o f o u r con- k n o w l e d g e of d r e a m s t h i n k s t h a t d r e a m s arc- s c i o u s n e s s it d o c s n o t c e a s e t o e x i s t , a n y more just c h a o t i c o c c u r r e n c e s w i t h o u t m e a n i n g , he than a car that has disappeared r o u n d a corner is a t l i b e r t y t o d o s o . B u t if o n e a s s u m e s that h a s v a n i s h e d i n t o t h i n a i r . I t is s i m p l y o u t o f t h e y a r e n o r m a l e v e n t s ( w h i c h , as a m a t t e r of s i g h t . J u s t a s w e m a y l a t e r see t h e c a r again, f a c t , t h e y a r e ) , o n e is b o u n d t o c o n s i d e r that so w e c o m e across thoughts that were tem- they arc either causal i.e. that there is a p o r a r i l y lost t o u s . r a t i o n a l c a u s e for t h e i r e x i s t e n c e o r in a c e r - T h u s , p a r t o f t h e u n c o n s c i o u s c o n s i s t s of a tain way purposive, or both. m u l t i t u d e of t e m p o r a r i l y obscured thoughts, L e t us n o w l o o k a l i t t l e m o r e c l o s e l y a t t h e i m p r e s s i o n s , a n d i m a g e s t h a t , in s p i t e o f b e i n g w a y s in w h i c h t h e c o n s c i o u s a n d unconscious lost, c o n t i n u e t o i n f l u e n c e o u r c o n s c i o u s m i n d s .
  • 30. A m a n w h o is d i s t r a c t e d o r "absent-minded"" b e h a v i o r b e c a u s e t h e i r c o n s c i o u s n e s s is l i a b l e will w a l k a c r o s s t h e r o o m t o f e t c h something. to u n p r e d i c t a b l e eclipse by a n i n t e r f e r e n c e from He s t o p s , s e e m i n g l y p e r p l e x e d ; h e h a s f o r g o t t e n t h e u n c o n s c i o u s . E v e n their skin s e n s a t i o n s m a y what he was after. His hands grope about reveal similar f l u c t u a t i o n s of a w a r e n e s s . At o n e a m o n g t h e o b j e c t s o n t h e t a b l e a s if h e were m o m e n t t h e h y s t e r i c a l p e r s o n m a y feel a n e e d l e sleepwalking; he is o b l i v i o u s of his original p r i c k in t h e a r m ; a t t h e n e x t it m a y p a s s u n n o - p u r p o s e , yet h e is u n c o n s c i o u s l y g u i d e d b y it. t i c e d . If h i s a t t e n t i o n c a n b e f o c u s e d o n a c e r - T h e n h e r e a l i z e s w h a t it is t h a t h e w a n t s . H i s tain point, the whole of his body can be unconscious has p r o m p t e d him. completely anesthetized until the tension that If y o u o b s e r v e the b e h a v i o r of a neurotic c a u s e s this b l a c k o u t of t h e senses h a s b e e n re- person, y o u c a n s e e h i m doing many things laxed. Sense perception is t h e n immediately that h e a p p e a r s t o b e d o i n g c o n s c i o u s l y and r e s t o r e d . All t h e t i m e , h o w e v e r , h e h a s been p u r p o s e f u l l y . Y e t if y o u a s k h i m a b o u t them, u n c o n s c i o u s l y a w a r e of w h a t w a s h a p p e n i n g . you will d i s c o v e r t h a t h e is e i t h e r u n c o n s c i o u s The physician can see this process quite of t h e m o r h a s s o m e t h i n g q u i t e different in clearly w h e n he hypnotizes such a patient. It mind. H e h e a r s a n d does not h e a r ; h e sees, is e a s y t o d e m o n s t r a t e t h a t t h e p a t i e n t h a s b e e n yet is b l i n d ; h e k n o w s a n d is i g n o r a n t . Such a w a r e o f e v e r y d e t a i l . T h e p r i c k in t h e a r m o r e x a m p l e s a r e so c o m m o n t h a t t h e s p e c i a l i s t s o o n the remark made during an eclipse of c o n - realizes t h a t u n c o n s c i o u s c o n t e n t s o f t h e m i n d s c i o u s n e s s c a n b e r e c a l l e d as a c c u r a t e l y as if b e h a v e as if t h e y w e r e c o n s c i o u s a n d t h a t y o u there had been no anesthesia or "forgetfulness." can never be sure, in such cases, whether I recall a w o m a n w h o w a s o n c e a d m i t t e d to t h e t h o u g h t , s p e e c h , o r a c t i o n is c o n s c i o u s o r n o t . c l i n i c in a s t a t e of c o m p l e t e s t u p o r . W h e n s h e It is this k i n d of b e h a v i o r that makes so r e c o v e r e d consciousness next d a y . she k n e w w h o many physicians d i s m i s s s t a t e m e n t s by h y s t e r i - she was but did not k n o w w h e r e she was. how cal p a t i e n t s as u t t e r lies. S u c h p e r s o n s c e r t a i n l y or w h y she h a d c o m e there, or even the d a t e . produce m o r e u n t r u t h s t h a n m o s t of us, b u t Yet after I h a d h y p n o t i z e d h e r , she told m e w h y " l i e " is s c a r c e l y t h e r i g h t w o r d t o u s e . I n f a c t , s h e h a d f a l l e n ill. h o w s h e h a d g o t t o t h e c l i n i c , their m e n t a l state causes an uncertainty of and who had admitted h e r . All t h e s e details " M i s o n e i s m . " an u n r e a s o n i n g fear a n d h a t r e d of n e w ideas, w a s a m a j o r b l o c k to p u b l i c a c c e p t a n c e of m o d e r n p s y c h S t o g y It also o p p o s e d D a r w i n ' s t h e o r i e s of e v o l u t i o n — as w h e n an American schoolteacher named S c o p e s w a s t r i e d in 1 9 2 5 for t e a c h i n g e v o l u t i o n . Far left, at t h e trial, t h e lawyer Clarence Darrow defending S c o p e s ; c e n t e r left, S c o p e s h i m s e l f E g u a l l y a n t e D a r w i n is t h e c a r t o o n , left, f r o m an 1 8 6 1 issue of B r i t a i n ' s m a g a z i n e Punch Right, a light- h e a r t e d l o o k at m i s o n e i s m by t h e American humorist James Thurber, w h o s e aunt (he w r o t e ) w a s afraid t h a t e l e c t r i c i t y w a s "leaking all over the place.'' 33