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Place and Space in
       Contemporary U.S. Art

            Context,
Site‐Specificity,
Installa4on,





Tara Donovan
Historical Precedents
Hudson River School mid 1800s
Christo and Jeanne-Claude (1983) Biscayne Bay, Miami
Christo and Jeanne-Claude (1969) Wrapped Coast, Australia (one million sq feet of fabric)
Spiral
Je7y
by
Robert
Smithson
(1970)

Place as Inspiration
Paul Strand
Diane Arbus
Buffalo Bill’s Wild West Show
“Gone with the Wind”
Miami’s South Beach Deco District
Western Washington State
h7p://video.pbs.org/program/1217143847/#page

             You
could
watch
this
en4re
video
series
online
and
be
SO
smart!






h7p://video.pbs.org/video/1230660017/

Installation
Ant Farm
Ant Farm (1974) Cadillac Ranch located in Amarillo Texas
The
piece
is
a
statement
about
the
paradoxical
simultaneous
American
fascina4ons


with
both
a
"sense
of
place"
—
and
roadside
a7rac4ons,
such
as
The
Ranch
itself
—


and
the
mobility
and
freedom
of
the
automobile
ASP Place In Cont AM Art
ASP Place In Cont AM Art
Tara Donovan
Tara Donovan (2003) Haze (42ft wall of over two million drinking straws)
Tara Donovan (2003) Haze (42ft wall of over two million drinking straws)
Tara Donovan (2003) Untitled (3 million cups)
Tara Donovan (2003) Untitled
Tara Donovan (2003) Untitled
Tara Donovan
ASP Place In Cont AM Art
Tara Donovan (2002) Colony (pencils and glue)
Tara Donovan (2002) Nebulous (scotch tape)
Tara Donovan (2002) Nebulous (scotch tape)
Tara Donovan (2003) Installation at ACE Gallery http://www.acegallery.net/
Sarah Sze
Sarah Sze
Sarah Sze (1999)
Everything the Rises Will Converge
Sarah Sze
Sarah Sze
Sarah Sze (2003) Tilted Planet
Sarah Sze (2003) Tilted Planet
Sarah Sze (2003) Tilted Planet
Paul Chan




www.na8onalphilis8ne.com

Paul Chan
Paul Chan
Paul Chan
Paul Chan
Paul Chan
Paul Chan
Paul Chan
Angiola Churchill
Angiola Churchill
Angiola Churchill
Angiola Churchill
Angiola Churchill
Angiola Churchill
Angiola Churchill
Angiola Churchill
Angiola Churchill
Public Art
ASP Place In Cont AM Art
Peter Coffin
ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
•  OCTOBER 1, 2009 – NEW YORK: Public Art Fund is
   pleased to present the first major outdoor exhibition in
   New York of artist Peter Coffin. Populating City Hall Park
   with 13 monumental silhouettes of iconic sculptures,
   Coffin’s Untitled (Sculpture Silhouettes) takes the viewer
   on a journey through the history of sculpture in space and
   time.Variations on Auguste Rodin’s The Thinker, an Easter
   Island moai, Louise Bourgeois’ Untitled (With Hand), one of
   Sol LeWitt’s Incomplete Open Cubes, and Pablo Picasso’s
   She Goat, among others, hover like apparitions throughout
   the Park. Ranging in size from eight to ten feet tall, their
   commanding sculptural presence is somewhat of an illusion;
   each work is only one inch thick. The sculptures slip in and
   out of view, similar to the way in which memories slip in
   and out of one’s mind. The decision to hold the vision in
   place or let it fade is left to the viewer.
Antony Gormley
Antony Gormley at Madison Park, NYC
Antony Gormley at Madison Park, NYC
Antony Gormley at Madison Park, NYC
Antony Gormley at Madison Park, NYC
Antony Gormley at Madison Park, NYC
Antony Gormley at Madison Park, NYC
Miranda July
Miranda July
Miranda July
Miranda July
Miranda July
Miranda July
Miranda July
Miranda July
Miranda July
Miranda July
Miranda July
Site-Specificity
Jeffrey Mongrain
Jeffrey Mongrain
Jeffrey Mongrain
Jeffrey Mongrain
Jeffrey Mongrain
Jeffrey Mongrain
Jeffrey Mongrain
Jeffrey Mongrain
Jeffrey Mongrain
ASP Place In Cont AM Art
ASP Place In Cont AM Art
Roof at Met
Roxy Paine on the Rooftop of the Metropolitan Museum 2009
Roxy Paine on the Rooftop of the Metropolitan Museum 2009
Roxy Paine on the Rooftop of the Metropolitan Museum 2009
Roxy Paine on the Rooftop of the Metropolitan Museum 2009
Roxy Paine on the Rooftop of the Metropolitan Museum 2009
Roxy Paine on the Rooftop of the Metropolitan Museum 2009
Roxy Paine on the Rooftop of the Metropolitan Museum 2009
Roxy Paine on the Rooftop of the Metropolitan Museum 2009
Roxy Paine on the Rooftop of the Metropolitan Museum 2009
ASP Place In Cont AM Art
Liza Lou
ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
•    1. Liza Lou’s portraits of presidents George Washington through William Clinton are created
     entirely out of beads and bordered in wide bands of gold beads to look like framed black and
     white photographs. To Lou, the “zillions of beads” used in the portraits symbolize “grand
     campaign promises of a sparkling future for America and the fulfillment of the American
     dream.” But there’s a fun side to the portraits, too, as Lou remarks, “It’s humorous to see men
     in beads. Herbert Hoover is not someone you associate with glitter.”
•    2. A former student of the San Francisco Art Institute, Lou describes her transformation
     from painter to beader: “I began as a painter and I walked into a bead store and it was just
     like a flash in my mind. I just thought, ‘My God, that’s the most amazing paint I’ve
     ever seen.’” She was “hated” for her use of beads and “mortified” her teachers and
     classmates, but her $500,000 “genius grant” from the MacArthur Foundation in 2002 helped
     silence some of those who believed her work wasn’t real art.
•    3. The glass beads used in Lou’s work are all from the Czech Republic; she explains that
     Czech beads “are really the most wonderful beads on earth.” Though she originally bought
     them in small packets, she now buys so many at a time they’re delivered by truck and
     unloaded with forklifts. Her 1999 sculpture “Back Yard,” a full-sized (600
     square feet) suburban lawn, is comprised of more than 30 million glass
     beads, many of which are in the 250,000 individually beaded blades of
     grass that make up the lawn.

•    More: http://www.guardian.co.uk/culture/2006/mar/21/1
ASP Place In Cont AM Art
Home as Art
ASP Place In Cont AM Art
The Flower Man

      Houston

ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
The Beer Can House

       Houston

John Milkovitsch Former Railroad Worker
ASP Place In Cont AM Art
39.000 beer cans
18 Years to construct
Beer pull tabs as wind chimes
Detail of mailbox
“John thought beer cured everything”
explained wife Mary after the creator, 
        John Milkovitch, died.
The Orange Show

      Houston

h7p://www.youtube.com/watch?v=mDZRlI1dy]

ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
ASP Place In Cont AM Art
Houston
(as eccentric place)




  art car parade
Houston
Art
Car
Parade
2001

Houston
Art
Car
Parade
2001

Houston
Art
Car
Parade
2001

Houston
Art
Car
Parade
2001

Houston
Art
Car
Parade
2001

Houston
Art
Car
Parade
2001

Houston
Art
Car
Parade
2001

Houston
Art
Car
Parade
2001

Houston
Art
Car
Parade
2001

Houston
Art
Car
Parade
2001

ASP Place In Cont AM Art
Houston Art Car Parade 2001!
Houston Art Car Parade 2001!
Houston Art Car Parade 2001!
ASP Place In Cont AM Art
Houston Art Car Parade 2001!
Houston Art Car Parade 2001!

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ASP Place In Cont AM Art