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Feldman’s Art Criticism

Gloria Marubio, B.S. M.Ed
What do you see?

  What subject matter?

  What is happening?

  What art elements do
  you see?


“The Equatorial Jungle” - Henri Rousseau - (May 21, 1844 – September 2, 1910) was a French Post-
Impressionist painter in the naïve or primitive manner. Ridiculed during his life, he came to be recognized
as a self-taught genius whose works are of high artistic quality.
Similarities/Contrasts

Movement/Repetition

Dominance

Balance

Relationships
Relate the information
  you have collected
  to your feelings,
  ideas, and emotions
  inspired by the art
  work.

Hypothesize a
  meaning for the
  work.

Use the evidence
  gathered in the first
  two phases to
  defend your
  hypothesis.
Based on your
analysis of the first 3
stages, how would
you judge the artist’s
success?

Craftsmanship
Design Quality
Expressiveness
Personal Response
Originality
Comparison
What colors were
 used to create this
 painting?

Describe the quality
 of color and shade
 in the sky.


“The Elder Sister” (1869)
William-Adolphe Bouguereau
REALISM
What textures would you expect to feel in this painting?
What feelings do you think the artist was trying to show?
“Susan Comforting the Baby” (1881) Mary Cassatt
IMPRESSIONISM
How are the colors arranged? Are the colors predominantly
  light or dark? Warm or cool? Bright or dull?
“The Large Pine” (1892) – Paul Signac
POINTILLISM
Pretend you are in this
painting. What does it
feel like?

How has the artist
created a sense of
space?

“The Orange Tree” (1878)
Gustave Caillebotte
IMPRESSIONISM
What geometric and organic shapes do you see in this painting?
How do the shapes contribute to a sense of unity?
“Basket of Apples” (1893) Paul Cezanne
POST-IMPRESSIONISM
What is the first thing you notice in this painting? How do
 the arrangement of the parts of the picture draw your
 attention to the dominant image? Why?
“The Rocks” (1888)
Vincent van Gogh
EXPRESSIONISM
What do you see in
this picture? How did
you arrive at this
style?

Why do you think the
artist may have
chosen to illustrate
the images this way?
“Fishing Boats” (1909)
Georges Braque
ABSTRACT
Do you see geometric or organic shapes?
Is there one principle shape or is it composed of
   interrelating combinations of shapes?
“The Rower” (1910) Pablo Picasso
ABSTRACT
The Color Wheel
                  Primary Colors:
                  Red, Yellow, Blue

                  Secondary Colors:
                  Orange, Purple,
                    Green

                  Complimentary
                    Colors:
                  Red – Green
                  Orange – Blue
                  Yellow - Purple
Describe the colors in
terms of their
harmony or contrast
with each other.

What types of lines
and patterns do you
see in this painting?



“Woman in the Purple Coat” (1937)
Henri Matisse
COLOR AND PATTERN
Is the visual weight on one side of the image about the
   same as the other?
How does your eye move around the format? How do
   rhythms and patterns contribute a sense of visual
   movement?
“Red, Blue, Black & Yellow Composition” and “Broadway Boogie-Woogie” (1943)
Piet Mondrian
What elements are repeated? Do they form a
 strong visual rhythm? Do they form a pattern?
 How?
“Farbstudie Quadrate” (1913)
Wassily Kandinsky
Ways to Respond to a Work of Art

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Ways to Respond to a Work of Art

  • 1. Feldman’s Art Criticism Gloria Marubio, B.S. M.Ed
  • 2. What do you see? What subject matter? What is happening? What art elements do you see? “The Equatorial Jungle” - Henri Rousseau - (May 21, 1844 – September 2, 1910) was a French Post- Impressionist painter in the naïve or primitive manner. Ridiculed during his life, he came to be recognized as a self-taught genius whose works are of high artistic quality.
  • 4. Relate the information you have collected to your feelings, ideas, and emotions inspired by the art work. Hypothesize a meaning for the work. Use the evidence gathered in the first two phases to defend your hypothesis.
  • 5. Based on your analysis of the first 3 stages, how would you judge the artist’s success? Craftsmanship Design Quality Expressiveness Personal Response Originality Comparison
  • 6. What colors were used to create this painting? Describe the quality of color and shade in the sky. “The Elder Sister” (1869) William-Adolphe Bouguereau REALISM
  • 7. What textures would you expect to feel in this painting? What feelings do you think the artist was trying to show? “Susan Comforting the Baby” (1881) Mary Cassatt IMPRESSIONISM
  • 8. How are the colors arranged? Are the colors predominantly light or dark? Warm or cool? Bright or dull? “The Large Pine” (1892) – Paul Signac POINTILLISM
  • 9. Pretend you are in this painting. What does it feel like? How has the artist created a sense of space? “The Orange Tree” (1878) Gustave Caillebotte IMPRESSIONISM
  • 10. What geometric and organic shapes do you see in this painting? How do the shapes contribute to a sense of unity? “Basket of Apples” (1893) Paul Cezanne POST-IMPRESSIONISM
  • 11. What is the first thing you notice in this painting? How do the arrangement of the parts of the picture draw your attention to the dominant image? Why? “The Rocks” (1888) Vincent van Gogh EXPRESSIONISM
  • 12. What do you see in this picture? How did you arrive at this style? Why do you think the artist may have chosen to illustrate the images this way? “Fishing Boats” (1909) Georges Braque ABSTRACT
  • 13. Do you see geometric or organic shapes? Is there one principle shape or is it composed of interrelating combinations of shapes? “The Rower” (1910) Pablo Picasso ABSTRACT
  • 14. The Color Wheel Primary Colors: Red, Yellow, Blue Secondary Colors: Orange, Purple, Green Complimentary Colors: Red – Green Orange – Blue Yellow - Purple
  • 15. Describe the colors in terms of their harmony or contrast with each other. What types of lines and patterns do you see in this painting? “Woman in the Purple Coat” (1937) Henri Matisse COLOR AND PATTERN
  • 16. Is the visual weight on one side of the image about the same as the other? How does your eye move around the format? How do rhythms and patterns contribute a sense of visual movement? “Red, Blue, Black & Yellow Composition” and “Broadway Boogie-Woogie” (1943) Piet Mondrian
  • 17. What elements are repeated? Do they form a strong visual rhythm? Do they form a pattern? How? “Farbstudie Quadrate” (1913) Wassily Kandinsky