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Lu Szlazak

SOCIAL MEDIA MARKETING:
TRANSMEDIA
Trans•me•dia

Storytelling across multiple forms of
media, with each element making distinctive
contributions to a user's understanding of the
story universe
expand the story universe for an audience to
view, play or use on different media and gadgets
FILM
  Story: 2 hours

             TV
 Episode: 45min

            Book
Story: 200 pages
viewer: passive   viewer
                       player
    consume       user
      enjoy
     forget
                  active or passive
fixed outlets   multiple outlets
limited         multilinked
linear          interactive
“closed”        non-linear
                open
Brand control
   Fan engagement
       Actively engaged real-time viewers who must find suspense
      and satisfaction in each single episode.
       More reflective long-term audience who look for coherent
      patterns in the story as a whole.
       Navigational viewer who takes pleasure in following the
      connections between different parts of the story and in
      discovering multiple arrangements of the same material.
       People that are looking for involvement in communities, and
      wishing to share their point of views.

                     Digital insight
Alternate reality game (ARGs)




Too invasive – Asked too much – Did not take into account different type of players
http://www.contagiousmagazine.com/2010/06/coca-cola_12.php

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Transmedia Storytelling

  • 1. Lu Szlazak SOCIAL MEDIA MARKETING: TRANSMEDIA
  • 2. Trans•me•dia Storytelling across multiple forms of media, with each element making distinctive contributions to a user's understanding of the story universe
  • 3. expand the story universe for an audience to view, play or use on different media and gadgets
  • 4. FILM Story: 2 hours TV Episode: 45min Book Story: 200 pages
  • 5. viewer: passive viewer player consume user enjoy forget active or passive
  • 6. fixed outlets multiple outlets limited multilinked linear interactive “closed” non-linear open
  • 7. Brand control Fan engagement  Actively engaged real-time viewers who must find suspense and satisfaction in each single episode.  More reflective long-term audience who look for coherent patterns in the story as a whole.  Navigational viewer who takes pleasure in following the connections between different parts of the story and in discovering multiple arrangements of the same material.  People that are looking for involvement in communities, and wishing to share their point of views. Digital insight
  • 8.
  • 9. Alternate reality game (ARGs) Too invasive – Asked too much – Did not take into account different type of players