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Lluís Domènech i Montaner
Barcelona 1850 - 1923

Born in Barcelona on the 21st of December 1850,
Lluís Domènech i Montaner showed his passion
for architecture since young.
His work was essential to define Modernismo in
architecture in Catalonia.


His article “Searching for a national
architecture", published in the magazine
"La Renaixença", is about how to show a
national identity in architecture .


After his studies, he went to Prussia with
another architect, Josep Vilaseca.

The German architecture and its geometrical
style was a big influence to his work.
Main characteristics

Rationality, from his admiration for the German architecture .

Ornamentation inspired in Hispano-Arabic architecture .

Use of curvy patterns typical of Modernismo.

Decoration with: mosaic, sculptures and stained glass windows.

Materials: ceramics, brick, iron, glass..


His buildings evolve separately from Gaudí’s: they are increasingly
lighter and not as solid as La Pedrera.
Pre-Modernist style




                      Editorial Montaner i Simón . 1879
Modernismo: World Fair of 1888
He got a lot of assignments thanks to a his friendship with Elies Rogent, head of The School of
Architecture and the works in the fair.




                                                                                  Picture of the
                                                                                  International Hotel
                                                                                  designed by Domech i
                                                                                  Montaner
The Cafè-Restaurant of the fair was popularly known as The Castle of the Three Dragons” .
This building was finished after the fair and reused since 1891, as a History Museum, and as a
Zoology Museum since 1920.
The big projects
HOSPITAL DE SANT PAU I DE LA SANTA CREU (1905-10)




Monumental setting which was originally designed to take nine blocks of the Eixample.
This building substituted the Hospital de la Santa Creu in El Raval.
The origin of the project is the donation
(4 million pesetas) the banker Pau Gil      The initial project consisted on
                                            48 pavilions but only 27 were
had given to build up a hospital which      finally built.
was fully equiped.
The main entrance is 45
                                                                      degrees from the Eixample
                                                                      in direction to La Sagrada
                                                                      Familia.
                                                                      This orientation was to use
                                                                      the wind from the sea to
                                                                      air the hospital.




Among all the pavilions, the administration one stands out.
In a separated area there is the impressive church.
The hospital was designed to separate men and women patients. On the right there are the
men pavilions, with names of saints, and on the left, the women pavilions, with names of
women saints or virgins.
On the main facade there are 4 sculptures by Pablo Gargallo which represent the three
virtues: faith, hope and charity.
Central pavilion
Sant Manuel pavilion
Palau de la música catalana (1908)




It holds the Orfeó Català, which has had an important role in the defense of Catalan culture
values since its foundation, by Lluís Millet and Amadeu Vives, in 1891.
Mataró 1867- Barcelona 1956            JosepPuig i Cadafalch

Still being a student, he joined the Centre Escolar
Catalanista in 1887 and was part of the group of La
Renaixença (Renaissance), and started to work in his
home town.

Later he moved to Barcelona, where he finished his
studies in architecture in 1891.

Besides his work as an architect, he developed an
important political career for Catalan nationalism.

He also was an Art historian. He wrote a very
important book about Romanesque, "L'arquitectura
romànica a Catalunya“, and many others.
Pink period (Modernismo)

                           Casa Ametller 1898-1900
Lluís Domènech i Montaner, architect of Modernisme in Barcelona
Lluís Domènech i Montaner, architect of Modernisme in Barcelona

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Lluís Domènech i Montaner, architect of Modernisme in Barcelona

  • 1. Lluís Domènech i Montaner Barcelona 1850 - 1923 Born in Barcelona on the 21st of December 1850, Lluís Domènech i Montaner showed his passion for architecture since young. His work was essential to define Modernismo in architecture in Catalonia. His article “Searching for a national architecture", published in the magazine "La Renaixença", is about how to show a national identity in architecture . After his studies, he went to Prussia with another architect, Josep Vilaseca. The German architecture and its geometrical style was a big influence to his work.
  • 2. Main characteristics Rationality, from his admiration for the German architecture . Ornamentation inspired in Hispano-Arabic architecture . Use of curvy patterns typical of Modernismo. Decoration with: mosaic, sculptures and stained glass windows. Materials: ceramics, brick, iron, glass.. His buildings evolve separately from Gaudí’s: they are increasingly lighter and not as solid as La Pedrera.
  • 3. Pre-Modernist style Editorial Montaner i Simón . 1879
  • 4.
  • 5. Modernismo: World Fair of 1888 He got a lot of assignments thanks to a his friendship with Elies Rogent, head of The School of Architecture and the works in the fair. Picture of the International Hotel designed by Domech i Montaner
  • 6.
  • 7. The Cafè-Restaurant of the fair was popularly known as The Castle of the Three Dragons” .
  • 8. This building was finished after the fair and reused since 1891, as a History Museum, and as a Zoology Museum since 1920.
  • 9. The big projects HOSPITAL DE SANT PAU I DE LA SANTA CREU (1905-10) Monumental setting which was originally designed to take nine blocks of the Eixample. This building substituted the Hospital de la Santa Creu in El Raval.
  • 10. The origin of the project is the donation (4 million pesetas) the banker Pau Gil The initial project consisted on 48 pavilions but only 27 were had given to build up a hospital which finally built. was fully equiped.
  • 11. The main entrance is 45 degrees from the Eixample in direction to La Sagrada Familia. This orientation was to use the wind from the sea to air the hospital. Among all the pavilions, the administration one stands out. In a separated area there is the impressive church. The hospital was designed to separate men and women patients. On the right there are the men pavilions, with names of saints, and on the left, the women pavilions, with names of women saints or virgins.
  • 12.
  • 13.
  • 14. On the main facade there are 4 sculptures by Pablo Gargallo which represent the three virtues: faith, hope and charity.
  • 17.
  • 18. Palau de la música catalana (1908) It holds the Orfeó Català, which has had an important role in the defense of Catalan culture values since its foundation, by Lluís Millet and Amadeu Vives, in 1891.
  • 19.
  • 20.
  • 21.
  • 22. Mataró 1867- Barcelona 1956 JosepPuig i Cadafalch Still being a student, he joined the Centre Escolar Catalanista in 1887 and was part of the group of La Renaixença (Renaissance), and started to work in his home town. Later he moved to Barcelona, where he finished his studies in architecture in 1891. Besides his work as an architect, he developed an important political career for Catalan nationalism. He also was an Art historian. He wrote a very important book about Romanesque, "L'arquitectura romànica a Catalunya“, and many others.
  • 23. Pink period (Modernismo) Casa Ametller 1898-1900