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PROGRESSION  OF THE  “ E PHEMERAL  I NFUNDIBULAR  A UDITORY  E XPERIMENT ”  a.k.a. “ SOUNDSCAPE”
SOUND vs NOISE SOUND SOMETHING THAT YOU CAN HEAR OR THAT CAN BE HEARD NOISE SOUND, ESPECIALLY WHEN IT IS UNWANTED, UNPLEASANT OR LOUD © Cambridge University Press 2007.
SOUND SPECIFIC RESEARCH SOUND = MOVEMENT = TRANSITION
SITE SPECIFIC RESEARCH MAJOR PEDESTRIAN CIRCULATION MAJOR VEHICULAR CIRCULATION DESIRABLE & UNDESIRABLE NOISE LOCATIONS SOUND OBSERVATIONS > MAN-MADE MECHANICAL SOUNDS > VEHICULAR SOUND – CARS, TRUCKS. BUSES, MOTORBIKES > TRAFFIC LIGHT SOUND – PEDESTRIAN WARNING DESIRABLE SOUND SOURCES > HUMAN SPEECH > NATURE – RUSTLING OF LEAVES, WIND > VEHICULAR NOISE – IF USED AS A WARNING UNDESIRABLE SOUND SOURCES > VEHICULAR NOISE – ESPECIALLY DURING PEAK TIME > PEOPLE SPEECH / CHEER – DURING SUNCORP GAMES DESIRABLE UNDESIRABLE 10dB - Normal Breathing,  30dB - Soft whisper (at 5m) 60dB - Normal Conversation 70dB - Busy Traffic 80dB - Average Factory 90dB - Niagara Falls DECIBEL FREQUENCY CHART
SKETCH DESIGN
SOUNDSCAPE PROTOTYPE 001
Sourcing desirable sounds from the exterior and re-directing them into the interior of the “tunnel” SOUNDSCAPE PROTOTYPE 001
TUNNEL PROTOTYPE 002  Experimenting with form
TUNNEL PROTOTYPE #3  Evolution of exterior cladding
MODEL SKETCHES
MODELS
 
“ SOUNDSCAPE” SYSTEMS .
The Tower system differs from the others dur to its special features. The little café on the corner of the building  TOWER SOUNDSCAPE SYSTEM
TOWER SOUNDSCAPE SYSTEM
TOWER SOUNDSCAPE SYSTEM
TOWER SOUNDSCAPE SYSTEM
The residential system should cater for residents’ needs such as privacy and existing views. However, it must block most of the unwanted noise coming from Petrie Terrace’s main arteries. It should capture “wanted sound” coming from Roma Street Parklands and re-direct it into the “SOUNDSCAPE”. RESIDENTIAL SOUNDSCAPE SYSTEM
RESIDENTIAL SOUNDSCAPE SYSTEM - MODEL
RESIDENTIAL SOUNDSCAPE SYSTEM - MODEL
RESIDENTIAL SOUNDSCAPE SYSTEM - MODEL
 
The commercial system is intended to transform the “unwanted noise” into a more pleasant one. Through a system of speakers and micro-phones it would convert all the noise into specific beats… There will be spaces within the commercial areas that would also need to use absorptive materials to capture sounds. Since some of these commercial areas have their own car parks and access lanes, the “no name”  system will have openings to allow for these specific areas to be accessed. COMMERCIAL SOUNDSCAPE SYSTEM
COMMERCIAL SOUNDSCAPE SYSTEM
COMMERCIAL SOUNDSCAPE SYSTEM
COMMERCIAL SOUNDSCAPE SYSTEM
COMMERCIAL SOUNDSCAPE SYSTEM
COMMERCIAL SOUNDSCAPE SYSTEM
COMMERCIAL SOUNDSCAPE SYSTEM
COMMERCIAL SOUNDSCAPE SYSTEM
The temporary residential system will have the same specifications as the residential one, with just a slightly different characteristic: It will be attached to the site … TEMPORARY RESIDENTIAL SYSTEM
TEMPORARY RESIDENTIAL SYSTEM - MODEL
TEMPORARY RESIDENTIAL SYSTEM - MODEL
TEMPORARY RESIDENTIAL SYSTEM - MODEL
“ SOUNDSCAPE” SYSTEMS OVERVIEW .
SOUNDSCAPE SYSTEMS OVERVIEW PETRIE TERRACE CONTEXT
SOUNDSCAPE SYSTEMS OVERVIEW
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],ADB005 – ARCHITECTURAL DESIGN 5 SEMESTER 1, 2007 HERTZIAN SPACE – MARK TAYLOR S.C.A.M. artists are: Shannon Daly, Christopher Schlenner & Maria Madalena Filipe Simoes
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Soundscape Part II