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EUROPEANA FASHION
disclosing European fashion
heritage online
Marco Rendina
Fondazione Rinascimento Digitale
#eurfashion14
#eurfashion
#mrendina
Second Europeana Fashion International Conference
London, April 9th, 2014
Connected to
Co-funded by the
European Support
Commission
within the ICT
Policy Programme
EUROPEANA
FASHION
in a nutshell
!   The Context
the scenario in which the project operates
!   Objectives and expected outcomes
aims and results of the project
!   The Consortium
the composition of our project consortium
!   …some interesting stuff we are doing
Connected to
Co-funded by the
European Support
Commission
within the ICT
Policy Programme
Europe’s
cultural
heritage
portal
30m records from
2,500 European
galleries,
museums,
archives and
libraries
Books, newspapers,
journals, letters,
diaries, archival
papers
Paintings, maps,
drawings,
photographs
Music, spoken word,
radio broadcasts
Film, newsreels,
television
Curated exhibitions
31 languages
Connected to
Co-funded by the
European Support
Commission
within the ICT
Policy Programme
The Context
The scenario in which the
project operates
Fashion is an important part of our European
Cultural Heritage.
A growing interest in Fashion content is
developing in a broader audience (not only
professionals and domain specialists).
Digitization and on-line access is fundamental in
allowing museums and archives to exploit their
holdings.
Challenges
and open issues
Many Fashion institutions, both public and private,
reconsidered the role of their archives as an
important resource. This led to new investments in
conservation and digitalization of their heritage,
but still some issues remains:
!  Scattered access
!  Lack of interoperability
!  Rights issues
!  Lack of exploitation strategies
Objectives and expected
outcomes
The main objective of the
Europeana Fashion Best Practice
Network is to build a thematic
aggregator on fashion, putting
emphasis on the quality, the variety
and granularity of content that will
be delivered to Europeana, and
producing a significant increase of
the fashion related content in it.
Aims and results of
the project
!  aggregate 700.000+ digital
items of fashion content to
Europeana
!  improve interoperability in the
fashion community
!  create a specialised access
point for fashion content
!  develop case studies for the
exploitation of fashion material
!  build consensus and raise
awareness on best practices
The composition of our
project consortium
The Europeana Fashion Best
Practice Network will
encompass 22 partners from
12 European countries, which
represent the leading
European institutions and
collections in the fashion
domain.
The composition of our
project consortium
The composition of our
project consortium
The consortium
Public & Private
Europeana Fashion will ingest
content both from renowned public
institutions and private archives.
Institutions such as:
•  Victoria and Albert Museum;
•  Musée de la Mode et du Texile
at les Arts Decoratifs
•  MoMu
•  Museo del Traje
•  Mude
The collections held by these
institutions represent, both in quality
and quantity, a strong percentage of
the world’s heritage on fashion.
The consortium
Public & Private
Private archives as
•  Rossimoda one of the world’s most
complete shoe collection from the
seventeenth century to creations for Christian
Dior, Yves Saint Laurent, Emanuel Ungaro,
Givenchy, Fendi, Christian Lacroix, Kenzo,
and others
•  Pucci and Missoni archives,
documenting 60 years of history of two of the
great fashion brands in all its aspects and
creative evolution
•  Pitti Immagine an archive documenting
60 years of fairs, cultural events and projects
for fashion in collaboration with the most
important players in contemporary creative
research
The consortium
Public & Private
The actions of collecting,
cataloguing, preserving and
archiving the fashion object have
two entirely different purposes:
•  to preserve, study and
exhibit [public]
•  to use (and re-use) memory
and culture preserved in the
archives [private]
Europeana Fashion
Thesaurus
The Europeana Fashion project has
created a multilingual thesaurus in 11
languages, for fashion and fashion-
related concepts.
The thesaurus has been developed:
•  as an aid for data entry
•  as a knowledge base (open to
internal and external users)
•  as a search enhancement tool
The Europeana Fashion Thesaurus is
based on the Art and Architecture
Thesaurus (AAT)
Europeana Fashion
Thesaurus
Managing Multilingual
Terms & Contents
Rights management underpins
everything we wish to achieve for
Europeana Fashion.
That’s why we developed the IPR
best practice guidelines:
•  Key to achieving project objectives
•  Clarity for content holders
•  Clarity for end users
Europeana Fashion
IPR guidelines
Social Media
!   Facebook brings most people to the website
(3.300+ friends)
! Our Twitter community is active and fashion-
oriented (1.000 followers)
! Tumblr and Pinterest followers are highly
engaged (1.000+ followers)
!   Museums and schools love reading our
newsletter (650+ subscribers)
Press
& Clustering Activities
! Coverage in major publications
(New York Times/International Herald
Tribune, Vogue)
! First International Conference
(Florence April 2013)
! Second International Conference
(London April 2014)
Tumblr Blog
A collaboration between the
Europeana Foundation and the
Europeana Fashion project.
Each month, this Tumblr will
showcase a different theme
curated by experts from the
fashion and cultural heritage
community.
http://europeanafashion.tumblr.com/
Setting up the collaboration
with Wikipedia
!   We’ve set up a direct collaboration with
Wikimedia Chapters in various European
countries
!   We are organising a number of so-called
GLAM-WIKI events around Europe
We plan to host at least 10 events in 8
countries starting from March 2013
What is an edit-a-thon
An edit-a-thon is “a scheduled time
where people edit Wikipedia
together, whether offline, online, or a
mix of both; typically focused on a
specific topic, such as science or
women's history” *
* https://en.wikipedia.org/wiki/Wikipedia:How_to_run_an_edit-a-thon
Wiki loves FASHION
For Wikimedia these events bring:
•  more and diverse content to the
encyclopedia;
•  domain experts to contribute
knowledge;
•  and hopefully new editors (skilled
Wikipedians)
FASHION loves back
For Europeana Fashion, there are several
good reasons to organise these events:
•  they are meant as a mean of
promotion for Europeana Fashion;
•  they improve public knowledge about
fashion history on Wikipedia;
•  they offer context to the beautiful
materials we bring online;
•  they connect different communities
and bring them together around a
shared passion.
What we have done
till now...
Seven edit-a-thons organised:
1.  Nordiska Museet, Stockholm, 22
March 2013.
2.  Centraal Museum Utrecht, 13
May 2013.
3.  ModeMuseum Antwerp, 23
September 2013
4.  Nordiska Museet, Stockholm, 12
November 2013
5.  Museo Rossimoda, Strà, 14
November 2013
6.  Israel Museum Jerusalem, 20
November 2014
7.  Les Arts Decoratifs, Paris, 22
March 2013
Europeana Fashion content
on Wikimedia Commons
What we have done
till now...
Data ingestion workflow
•  Each partner extracts data from his
own database
•  Using an open source ingestion tool
(MINT) metadata are uploaded and
transformed in a common data
model (EDM-fp)
•  Digital objects are uploaded into the
Europeana Fashion repository
Museo del Traje, Madrid
Victoria & Albert Museum, London
Archivio Emilio Pucci, Florence
Sample of an imported record
Thank you!
Follow us @eurfashion
Visit us at http://www.europeanafashion.eu
Contact me at rendina@rinascimento-digitale.it

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Europeana Fashion presentation @eurfashion14

  • 1. EUROPEANA FASHION disclosing European fashion heritage online Marco Rendina Fondazione Rinascimento Digitale #eurfashion14 #eurfashion #mrendina Second Europeana Fashion International Conference London, April 9th, 2014 Connected to Co-funded by the European Support Commission within the ICT Policy Programme
  • 2. EUROPEANA FASHION in a nutshell !   The Context the scenario in which the project operates !   Objectives and expected outcomes aims and results of the project !   The Consortium the composition of our project consortium !   …some interesting stuff we are doing Connected to Co-funded by the European Support Commission within the ICT Policy Programme
  • 3. Europe’s cultural heritage portal 30m records from 2,500 European galleries, museums, archives and libraries Books, newspapers, journals, letters, diaries, archival papers Paintings, maps, drawings, photographs Music, spoken word, radio broadcasts Film, newsreels, television Curated exhibitions 31 languages Connected to Co-funded by the European Support Commission within the ICT Policy Programme
  • 4. The Context The scenario in which the project operates Fashion is an important part of our European Cultural Heritage. A growing interest in Fashion content is developing in a broader audience (not only professionals and domain specialists). Digitization and on-line access is fundamental in allowing museums and archives to exploit their holdings.
  • 5. Challenges and open issues Many Fashion institutions, both public and private, reconsidered the role of their archives as an important resource. This led to new investments in conservation and digitalization of their heritage, but still some issues remains: !  Scattered access !  Lack of interoperability !  Rights issues !  Lack of exploitation strategies
  • 6. Objectives and expected outcomes The main objective of the Europeana Fashion Best Practice Network is to build a thematic aggregator on fashion, putting emphasis on the quality, the variety and granularity of content that will be delivered to Europeana, and producing a significant increase of the fashion related content in it.
  • 7. Aims and results of the project !  aggregate 700.000+ digital items of fashion content to Europeana !  improve interoperability in the fashion community !  create a specialised access point for fashion content !  develop case studies for the exploitation of fashion material !  build consensus and raise awareness on best practices
  • 8. The composition of our project consortium The Europeana Fashion Best Practice Network will encompass 22 partners from 12 European countries, which represent the leading European institutions and collections in the fashion domain.
  • 9. The composition of our project consortium
  • 10. The composition of our project consortium
  • 11. The consortium Public & Private Europeana Fashion will ingest content both from renowned public institutions and private archives. Institutions such as: •  Victoria and Albert Museum; •  Musée de la Mode et du Texile at les Arts Decoratifs •  MoMu •  Museo del Traje •  Mude The collections held by these institutions represent, both in quality and quantity, a strong percentage of the world’s heritage on fashion.
  • 12. The consortium Public & Private Private archives as •  Rossimoda one of the world’s most complete shoe collection from the seventeenth century to creations for Christian Dior, Yves Saint Laurent, Emanuel Ungaro, Givenchy, Fendi, Christian Lacroix, Kenzo, and others •  Pucci and Missoni archives, documenting 60 years of history of two of the great fashion brands in all its aspects and creative evolution •  Pitti Immagine an archive documenting 60 years of fairs, cultural events and projects for fashion in collaboration with the most important players in contemporary creative research
  • 13. The consortium Public & Private The actions of collecting, cataloguing, preserving and archiving the fashion object have two entirely different purposes: •  to preserve, study and exhibit [public] •  to use (and re-use) memory and culture preserved in the archives [private]
  • 14. Europeana Fashion Thesaurus The Europeana Fashion project has created a multilingual thesaurus in 11 languages, for fashion and fashion- related concepts. The thesaurus has been developed: •  as an aid for data entry •  as a knowledge base (open to internal and external users) •  as a search enhancement tool The Europeana Fashion Thesaurus is based on the Art and Architecture Thesaurus (AAT)
  • 16. Rights management underpins everything we wish to achieve for Europeana Fashion. That’s why we developed the IPR best practice guidelines: •  Key to achieving project objectives •  Clarity for content holders •  Clarity for end users Europeana Fashion IPR guidelines
  • 17. Social Media !   Facebook brings most people to the website (3.300+ friends) ! Our Twitter community is active and fashion- oriented (1.000 followers) ! Tumblr and Pinterest followers are highly engaged (1.000+ followers) !   Museums and schools love reading our newsletter (650+ subscribers)
  • 18. Press & Clustering Activities ! Coverage in major publications (New York Times/International Herald Tribune, Vogue) ! First International Conference (Florence April 2013) ! Second International Conference (London April 2014)
  • 19. Tumblr Blog A collaboration between the Europeana Foundation and the Europeana Fashion project. Each month, this Tumblr will showcase a different theme curated by experts from the fashion and cultural heritage community. http://europeanafashion.tumblr.com/
  • 20. Setting up the collaboration with Wikipedia !   We’ve set up a direct collaboration with Wikimedia Chapters in various European countries !   We are organising a number of so-called GLAM-WIKI events around Europe We plan to host at least 10 events in 8 countries starting from March 2013
  • 21. What is an edit-a-thon An edit-a-thon is “a scheduled time where people edit Wikipedia together, whether offline, online, or a mix of both; typically focused on a specific topic, such as science or women's history” * * https://en.wikipedia.org/wiki/Wikipedia:How_to_run_an_edit-a-thon
  • 22.
  • 23. Wiki loves FASHION For Wikimedia these events bring: •  more and diverse content to the encyclopedia; •  domain experts to contribute knowledge; •  and hopefully new editors (skilled Wikipedians)
  • 24. FASHION loves back For Europeana Fashion, there are several good reasons to organise these events: •  they are meant as a mean of promotion for Europeana Fashion; •  they improve public knowledge about fashion history on Wikipedia; •  they offer context to the beautiful materials we bring online; •  they connect different communities and bring them together around a shared passion.
  • 25. What we have done till now... Seven edit-a-thons organised: 1.  Nordiska Museet, Stockholm, 22 March 2013. 2.  Centraal Museum Utrecht, 13 May 2013. 3.  ModeMuseum Antwerp, 23 September 2013 4.  Nordiska Museet, Stockholm, 12 November 2013 5.  Museo Rossimoda, Strà, 14 November 2013 6.  Israel Museum Jerusalem, 20 November 2014 7.  Les Arts Decoratifs, Paris, 22 March 2013
  • 26. Europeana Fashion content on Wikimedia Commons
  • 27. What we have done till now...
  • 28.
  • 29.
  • 30. Data ingestion workflow •  Each partner extracts data from his own database •  Using an open source ingestion tool (MINT) metadata are uploaded and transformed in a common data model (EDM-fp) •  Digital objects are uploaded into the Europeana Fashion repository
  • 32. Victoria & Albert Museum, London
  • 34. Sample of an imported record
  • 35. Thank you! Follow us @eurfashion Visit us at http://www.europeanafashion.eu Contact me at rendina@rinascimento-digitale.it