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Der Blaue Reiter(The Blue Rider) Fundamental to Expressionism 1911 to 1914   Done by Garry Morgan
Prominent Artists of the time ,[object Object],[object Object],[object Object],[object Object]
Characteristics of the Movement The group was founded in response to the rejection of Kandinsky's painting Last Judgement from an exhibition. Der Blaue Reiter lacked a central artistic manifesto, but was centred around Kandinsky and Marc.  The name of the movement comes from a painting by Kandinsky created in 1903 .It is also claimed that the name could have derived from Marc's enthusiasm for horses and Kandinsky's love of the colour blue. For Kandinsky, blue is the colour of spirituality: “the darker the blue, the more it awakens human desire for the eternal”.
Characteristics of the Movement Within the group, artistic approaches and aims varied from artist to artist; however, the artists shared a common desire to express spiritual truths through their art. They believed in the promotion of modern art; the connection between visual art and music; the spiritual and symbolic associations of color; and a spontaneous, intuitive approach to painting. Members were interested in European medieval art and primitivism, as well as the contemporary, non-figurative art scene in France. As a result of their encounters with cubist, fauvist and Rayonist ideas, they moved towards abstraction.
Franz Marc Deer in the Woods ii 1912
Franz Marc The Lamb 1913-14
Franz Marc Fighting Forms 1914
Wassily Kandinsky WWi 1913
Wassily Kandinsky Composition X 1939
August Macke View Into a Lane 1914
Lyonel Feininger Jesuiten iii 1915
Works Cited ,[object Object],[object Object],[object Object],[object Object]

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Der Blaue Reiter(The Blue Rider)

  • 1. Der Blaue Reiter(The Blue Rider) Fundamental to Expressionism 1911 to 1914 Done by Garry Morgan
  • 2.
  • 3. Characteristics of the Movement The group was founded in response to the rejection of Kandinsky's painting Last Judgement from an exhibition. Der Blaue Reiter lacked a central artistic manifesto, but was centred around Kandinsky and Marc. The name of the movement comes from a painting by Kandinsky created in 1903 .It is also claimed that the name could have derived from Marc's enthusiasm for horses and Kandinsky's love of the colour blue. For Kandinsky, blue is the colour of spirituality: “the darker the blue, the more it awakens human desire for the eternal”.
  • 4. Characteristics of the Movement Within the group, artistic approaches and aims varied from artist to artist; however, the artists shared a common desire to express spiritual truths through their art. They believed in the promotion of modern art; the connection between visual art and music; the spiritual and symbolic associations of color; and a spontaneous, intuitive approach to painting. Members were interested in European medieval art and primitivism, as well as the contemporary, non-figurative art scene in France. As a result of their encounters with cubist, fauvist and Rayonist ideas, they moved towards abstraction.
  • 5. Franz Marc Deer in the Woods ii 1912
  • 6. Franz Marc The Lamb 1913-14
  • 7. Franz Marc Fighting Forms 1914
  • 10. August Macke View Into a Lane 1914
  • 12.