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Beyond the 2 Minute Stop Nancy Proctor, Smithsonian American Art Museum [email_address]   10 December 2008 Soundtracks, Soundbites, and Smartphones
How can we create and maintain content across the wide range of platforms that make up the Distributed Museum?
Soundtracks & Soundbites Download & Search
Soundbite Sample
Soundbite Sample This is one of three wall -s ize paintings that Pollock realized in swift succession in the summer and autumn of 1950. In 1947, Pollock began laying canvas on the floor and pouring, dribbling, and flicking enamel paint onto the surface, sometimes straight from the can, or with sticks and stiffened brushes. The density of interlacing liquid threads of paint is balanced and offset by puddles of muted colors and by allover spattering. The pictorial result of this tension is a landmark in the history of Abstract Expressionism. Jackson Pollock . (American, 1912-1956).  One: Number 31, 1950 . 1950. Oil and enamel on unprimed canvas, 8' 10" x 17' 5 5/8" (269.5 x 530.8 cm). Sidney and Harriet Janis Collection Fund (by exchange).  2008 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Soundbites ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Soundtracks ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Soundtrack Sample
Soundtracks & Soundbites Combined
Credits & Links ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Nancy Proctor DEN Smartphone Workshop

  • 1. Beyond the 2 Minute Stop Nancy Proctor, Smithsonian American Art Museum [email_address] 10 December 2008 Soundtracks, Soundbites, and Smartphones
  • 2. How can we create and maintain content across the wide range of platforms that make up the Distributed Museum?
  • 3. Soundtracks & Soundbites Download & Search
  • 5. Soundbite Sample This is one of three wall -s ize paintings that Pollock realized in swift succession in the summer and autumn of 1950. In 1947, Pollock began laying canvas on the floor and pouring, dribbling, and flicking enamel paint onto the surface, sometimes straight from the can, or with sticks and stiffened brushes. The density of interlacing liquid threads of paint is balanced and offset by puddles of muted colors and by allover spattering. The pictorial result of this tension is a landmark in the history of Abstract Expressionism. Jackson Pollock . (American, 1912-1956). One: Number 31, 1950 . 1950. Oil and enamel on unprimed canvas, 8' 10" x 17' 5 5/8" (269.5 x 530.8 cm). Sidney and Harriet Janis Collection Fund (by exchange). 2008 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
  • 6.
  • 7.
  • 10.