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Elements of Photography and Visual Storytelling
1. Elements of Photography &
Visual Storytelling
October 2012
Kainaz Amaria| Multimedia Trainer | 650-281-8843 | kamaria@npr.org
2. Our Photographic Journey
• Foundations of visual storytelling
• What makes a good image and why
• How do you get that good image
• Tips on how to make better portraits
• Tips on how to approach visual decisions for your story
2
19. Six Ways to Make a Good Gallery Great
1. Use a variety of image types to provide a sense of pacing
(wide, medium, detail, portrait, action)
2. Each picture should have a purpose
3. Pictures shouldn’t be redundant
4. Kill the puppies: Not every images is worth keeping
5. Know what story you want to tell, plan accordingly
6. The first image should draw your reader into the story.
19
24. Content
• Know your story
• Focus on what it is
you want to say
• Position yourself to
get the image
• Make more than one
or two images
• Make images when
people are doing
something active
24
29. Composition
• Who/What is your
focus
• What is the best
angle to
communicate your
vision
• Look at the entire
frame what are you
including and more
importantly excluding
• Use your legs to
move around the Jackie
Northam/NPR
situation
29
30. Rule of Thirds
Divide an image
into thirds,
horizontally and
vertically – where
the lines intersect,
place the subject of
the photo
David Gilkey/ NPR
30
31. Perspective
Look at a scene
from the
perspective of
the person in the
story
Kainaz Amaria / NPR
31
32. Leading Lines
Leading lines
help focus where
your viewers eye
goes in the frame
Kainaz Amaria / NPR
32
33. Framing
Use every
opportunity to
look through
things
David Gilkey / NPR
33
34. Light
• Golden Hour –
happens twice a
day
• Window light
for when you
are indoors
• Try to make
images outside
as much as
possible, unless
it is high noon
David Gilkey/NPR
34
35. Lighting – Hour of Day Matters
Early morning
and late
afternoon are
the best times
photograph
Keep the sun
behind you, or
to the side for
nice contrast
Kainaz Amaria / NPR
35
38. Caption Information
Keep the 5 W’s in
mind
Make sure to get the
correct spelling of
names and where
they are from
If you aren’t sure
what they are doing,
or confused about a
specific detail in the
frame make sure to
write that down
38
40. Practical Ways To Approach Visual Storytelling
What is the best way to represent my story — single
image, slideshow, audio slideshow, video, graphic
What are my resources?
• If I need one image then can I make that one my own?
• If I need a slideshow can we hire a freelancer?
• If it’s a news event can we rely on the wire services?
Think of the visuals from the beginning of your reporting
• Can I go when people are doing something?
• Can I set aside enough time to make an image?
40
41. Three Things That Make a Better Portrait
Lighting (on face)
Focus
Background
41
42. Lighting – Portraits
Try not to
silhouette a
subject
Keep the light
at your back
Reposition a
subject for
better lighting
Kainaz Amaria / NPR
42
43. Background – Remove the Clutter
Remove
distracting
objects
Look around
the frame,
reposition the
camera
Get closer
Kainaz Amaria / NPR
43
44. Focus – Subject Must be Crisp
Focus the
camera on the
subject, then
take the
picture
Take your
time
Work it!
44
52. Your Photography Assignment
Submit three images that tell a story
• Make sure each image is a different visual perspective (i.e. wide,
medium, portrait, detail, action)
• Make more than three images total
• Go to a place where people are actively doing something
• HAVE FUN!
Caption each image and email them
to dseditorial@npr.org
Put your station call letters (ex: KUNC) in the subject line
52
Notes de l'éditeur
So what do you think.What makes the storytelling strong in this scene.Aged old technique for strong visual storytelling.Little to no dialogue.Strong pacing.Great visuals. VARIETY.
Order in chaosThere’s five images you need to tell a story – think of it as a framework. All visual journalist use these five shots They create pacing and movement – here they are:
A close up of something that furthers the understanding of the story.
a full-length view of a human subject is called a medium shot
a full-length view of a human subject is called a medium shot
a full-length view of a human subject is called a medium shot
Order in chaos whether you are the photographer or the picture editor or both, think of these 5 visual shots as a framework. They create pacing and movement – here they are:
approach every subject with the intention of getting this visual variety
Let’s translate video story telling techniques into journalistic still image.Talk about the perspective of the image, but also the content.Establishing image, crowds, day break, cold. Sense of place.
Establishing image, first picture people see, it’s the one that will egage the audience into the story. Here it’s JennierStepp who lives in Reading PA. Jennifer Stepp, 29, lives in Reading, Pa., and is raising three children by herself. Like 14 million other single mothers in America, she lives below the poverty line.
Once a thriving railroad hub and factory town in southeast Pennsylvania, Reading has a poverty rate of 41.3 percent and is labeled America's poorest city with a population of 65,000 or more.
Stepp hugs her daughter, Shyanne, at the Second Street Learning Center, where she is a head assistant teacher earning less than $9 an hour. The center provides 24-hour day care for Reading's working poor and is run by a nonprofit called the Opportunity House.
Along with raising three kids, Stepp works full time and takes evening classes at a local community college to earn an associate degree in early childhood education. Opportunity House also helps pay the rent on her family's apartment.
Opportunity House also supports Stepp's education and sometimes will subsidize her schooling expenses if she is running short on cash. "Being a head assistant, I can't go any further without some kind of degree," she says.
Stepp says her goal is to obtain an associate degree and then a bachelor's degree. She hopes to open a day care center of her own someday.
Stepp picks up her three children, (from left) Shyanne, 8; Isaiah, 10; and Makai, 1, at the 24-hour day care center after her classes are over around 9 p.m.
Shyanne (left) holds 1-year-old Makai, as Stepp checks to see if all of Shyanne's homework has been completed.
Stepp speaks to Isaiah before bedtime. "Sometimes I think I have done something wrong for them to turn their backs to me," she says of her failed relationships with her children's fathers. "But then there are other times that I'm in a good mood and think, 'Oh, well. Let them go. If they don't want to do it, I can do it. I can be the mother and father at the same time.' "
Break out into groups and do a picture editing exercise!
Cowboys Branding Cattle, Montana Photograph by Sam Abell, National GeographicMontana cowboys brand and castrate their livestock—a familiar yearly ritual in cattle country.Annual branding – Ken Rosman Ranch, Utica, Montana 1984 Sam Abell
Mother and Child at Car Window, Bombay by Steve McCurry
Take the reporters through Sam Sander’s take from the Aurora Memorial.
Aligning a subject with these points creates more tension, energy and interest in the composition than simply centering the subject wouldWhere do you put the subject in the imageTypically people take photos the way they see the world --
Take the reporters through Sam Sander’s take from the Aurora Memorial.
Not shooting at high noon, shade is goodNatural light is always better than flashTake you through a shooting exercise – I’m the subject,
Show concrete example of how to get the moment!
Sometimes you don’t need what they’re doing, if it’s obvious
Often what you’re going to be taking with your feature stories, want to see the place and the placeSecond photos – better lighting, using the window to filter the light on to the subjects faceBut the background is pretty distracting
Often what you’re going to be taking with your feature stories, want to see the place and the placeSecond photos – better lighting, using the window to filter the light on to the subjects faceBut the background is pretty distracting
Couldn’t find anything in the office, so we went to the front of the building Still not close enough – typically that’s the
Soft in the face, focus on the eyesStill too much noise in the imageIt’s just a bad photo – the look on my face, etc.Very bright day, but in the shade