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Denktank 2010

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Presentatie onderzoek Olmo Cornelis - 17 dec 2010 - IPEM Gent

Technologie
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Theoretic and artistic research studying opportunities of symbiosis of Western and non-Western musical idiom (2008-2014) Olmo Cornelis
Outline ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Background ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
DEKKMMA ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Actual problem I
[object Object],[object Object],[object Object],[object Object],Actual problem II
Work Path ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Listen and encounter Define research question Set up frame work (methodology) Experimental phase Composition Experiment Evaluation Composition Concert
Method ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Historical tendencies ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Method
Music Information Retrieval ,[object Object],[object Object],[object Object],[object Object],[object Object]
Music Information Retrieval ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Music Information Retrieval ,[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],(MIR) considerations
Work Path ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Listen and encounter Define research question Set up frame work (methodology) Experimental phase Composition Experiment Evaluation Composition Concert
Artistic research ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Musical elements
Musical elements Text Timbre Pitch Time Dynamics
Musical elements
Musical elements
Musical elements ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Musical elements
Musical elements
Approach Artistic Research ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Results
Framework TARSOS ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Framework TARSOS
Demo
Exploring African Tone Scales ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Exploring African Tone Scales Remarkable finding 1: the evolution of the increasing number of pitches in the scale through time.
Exploring African Tone Scales Remarkable finding 2: Increase of ‘regular’ intervals in recent years. Remarkable finding 3: Specific ‘irregular’ intervals (e.g. 160 or 370 cents) Interval < 1960 1960-75 > 1975 min.2nd 1,46 1,87 2,20 maj.2nd 1,57 1,71 5,20 min.3rd 2,26 3,39 2,84 maj.3rd 1,25 1,28 2,78 4th/5th 2,55 2,56 5,31 sum 9,10 10,81 18,33
Pitch (melody) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Ngomi ngomi:
Rhythm and tempo ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
 
Tempo ,[object Object],[object Object],[object Object],[object Object],[object Object]
Tempo 1 2 5 3 3 2 2 meter 1 1 4 0 0 0 0 other relation 0 3 0 3 1 0 0 binary/ternary 2 2 2 2 2 4 0 tempo octave 6 3 3 4 6 4 9 identic tempo consistency 107-121 92 92 144 63 65 129 median tempo 65 92 44 96 125 130 129 subject 9 94 69 122 73 63 64 129 subject 8 221 93 92 144 63 132 129 subject 7 117 92 92 47 63 124 129 subject 6 121 238 178 144 69 x 129 subject 5 115 140 130 142 129 127 129 subject 4 107 121 46 95 63 65 129 subject 3 122 186 111 144 63 65 129 subject 2 53 46 92 72 190 65 129 subject 1 no.1 no.69 no.49 no.31 no.30 no.20 no.6 song nr
Microtiming
Rhythm ,[object Object],[object Object],[object Object],[object Object]
EME ,[object Object],[object Object]
EME ,[object Object],[object Object],[object Object]
 
 
[object Object],[object Object],[object Object]
Next ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Dissemination ,[object Object],[object Object],[object Object],[object Object],[object Object]
Publications ,[object Object],[object Object],[object Object]
Compositions ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Doctoral Schools
Website ,[object Object],[object Object]
30% ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]

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Denktank 2010

  • 1. Theoretic and artistic research studying opportunities of symbiosis of Western and non-Western musical idiom (2008-2014) Olmo Cornelis
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  • 20. Musical elements Text Timbre Pitch Time Dynamics
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  • 30. Demo
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  • 32. Exploring African Tone Scales Remarkable finding 1: the evolution of the increasing number of pitches in the scale through time.
  • 33. Exploring African Tone Scales Remarkable finding 2: Increase of ‘regular’ intervals in recent years. Remarkable finding 3: Specific ‘irregular’ intervals (e.g. 160 or 370 cents) Interval < 1960 1960-75 > 1975 min.2nd 1,46 1,87 2,20 maj.2nd 1,57 1,71 5,20 min.3rd 2,26 3,39 2,84 maj.3rd 1,25 1,28 2,78 4th/5th 2,55 2,56 5,31 sum 9,10 10,81 18,33
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  • 39. Tempo 1 2 5 3 3 2 2 meter 1 1 4 0 0 0 0 other relation 0 3 0 3 1 0 0 binary/ternary 2 2 2 2 2 4 0 tempo octave 6 3 3 4 6 4 9 identic tempo consistency 107-121 92 92 144 63 65 129 median tempo 65 92 44 96 125 130 129 subject 9 94 69 122 73 63 64 129 subject 8 221 93 92 144 63 132 129 subject 7 117 92 92 47 63 124 129 subject 6 121 238 178 144 69 x 129 subject 5 115 140 130 142 129 127 129 subject 4 107 121 46 95 63 65 129 subject 3 122 186 111 144 63 65 129 subject 2 53 46 92 72 190 65 129 subject 1 no.1 no.69 no.49 no.31 no.30 no.20 no.6 song nr
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