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Interactive Storytelling
- 1. Interactive Storytelling by Paulina Tervo
- 2. Interactive Storytelling by Paulina Tervo Remapping Europe
- 3. From linear to interactive narratives ? ? ? ?
- 4. From linear to interactive narratives ? ? ? ? Remapping Europe
- 5. From linear to interactive narratives LINEAR NARRATIVE ? ? ? ? Remapping Europe
- 6. From linear to interactive narratives LINEAR NARRATIVE Pre-scripted ? ? ? ? Remapping Europe
- 7. From linear to interactive narratives LINEAR NARRATIVE Pre-scripted Audience has no control ? ? ? ? Remapping Europe
- 8. From linear to interactive narratives LINEAR NARRATIVE Pre-scripted Audience has no control Storyteller has all the control ? ? ? ? Remapping Europe
- 9. From linear to interactive narratives LINEAR NARRATIVE Pre-scripted Audience has no control Storyteller has all the control most common way ? ? to consume stories ? ? Remapping Europe
- 10. From linear to interactive narratives LINEAR NARRATIVE Pre-scripted Audience has no control Storyteller has all the control most common way ? ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
- 11. From linear to interactive narratives LINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Audience has no control Storyteller has all the control most common way ? ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
- 12. From linear to interactive narratives LINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all the control most common way ? ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
- 13. From linear to interactive narratives LINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all Multiple ending narrative the control most common way ? ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
- 14. From linear to interactive narratives LINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all Multiple ending narrative the control Branching path narrative > most common way ? user has several choices ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
- 15. From linear to interactive narratives LINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all Multiple ending narrative the control Branching path narrative > most common way ? user has several choices ? to consume stories User as a ‘player’ within the most films and narrative books follow this narrative style ? ? Remapping Europe
- 16. From linear to interactive narratives LINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all Multiple ending narrative the control Branching path narrative > most common way ? user has several choices ? to consume stories User as a ‘player’ within the most films and narrative books follow this Users create the narrative narrative style through participation ? ? Remapping Europe
- 17. DEFINITIONS ? ? ? ?
- 18. DEFINITIONS ? ? ? ? Remapping Europe
- 19. DEFINITIONS INTERACTIVE ? ? ? ? Remapping Europe
- 20. DEFINITIONS INTERACTIVE • The audience is able to do something that alters either the experience of the story or the story itself ? ? ? ? Remapping Europe
- 21. DEFINITIONS INTERACTIVE • The audience is able to do something that alters either the experience of the story or the story itself • The audience is an active ? ? participant, not a passive viewer ? ? Remapping Europe
- 22. DEFINITIONS INTERACTIVE CROSSMEDIA/TRANSMEDIA • The audience is able to do something that alters either the experience of the story or the story itself • The audience is an active ? ? participant, not a passive viewer ? ? Remapping Europe
- 23. DEFINITIONS INTERACTIVE CROSSMEDIA/TRANSMEDIA • The audience is able to • The narrative is told on do something that alters multiple platforms or either the experience of devices: either the same the story or the story content or variations of itself the story customised for • The audience is an active ? different platforms ? participant, not a passive viewer ? ? Remapping Europe
- 24. DEFINITIONS INTERACTIVE CROSSMEDIA/TRANSMEDIA • The audience is able to • The narrative is told on do something that alters multiple platforms or either the experience of devices: either the same the story or the story content or variations of itself the story customised for • The audience is an active ? different platforms ? participant, not a passive • The story may or may not viewer be interactive ? ? Remapping Europe
- 25. The role of technology How many do you use on a daily basis?
- 26. The role of technology How many do you use on a daily basis? Remapping Europe
- 28. Remapping Europe
- 29. Social media revolution How many social media platforms are you on?
- 30. Social media revolution How many social media platforms are you on? Remapping Europe
- 31. Different ways to tell interactive stories
- 32. Different ways to tell interactive stories Immersive
- 33. Different ways to tell interactive stories Immersive • Panoramic photography
- 34. Different ways to tell interactive stories Immersive • Panoramic photography • 3D (IMAX)
- 35. Different ways to tell interactive stories Immersive • Panoramic photography • 3D (IMAX) • Virtual and augmented reality (Second life)
- 36. Different ways to tell interactive stories Immersive • Panoramic photography • 3D (IMAX) • Virtual and augmented reality (Second life) • Highrise project: One Millionth Tower
- 37. Different ways to tell interactive stories Immersive • Panoramic photography • 3D (IMAX) • Virtual and augmented reality (Second life) • Highrise project: One Millionth Tower • Condition One (ipad) Remapping Europe
- 38. Different ways to tell interactive stories
- 39. Different ways to tell interactive stories Remapping Europe
- 40. Different ways to tell interactive stories Locative Remapping Europe
- 41. Different ways to tell interactive stories Locative • Cave paintings Remapping Europe
- 42. Different ways to tell interactive stories Locative • Cave paintings • Geo-location Remapping Europe
- 43. Different ways to tell interactive stories Locative • Cave paintings • Geo-location • Google Streetview Remapping Europe
- 44. Different ways to tell interactive stories Locative • Cave paintings • Geo-location • Google Streetview • Wilderness Downtown music video Remapping Europe
- 45. Different ways to tell interactive stories Locative • Cave paintings • Geo-location • Google Streetview • Wilderness Downtown music video • Ushahidi crowd-mapping Remapping Europe
- 46. Different ways to tell interactive stories
- 47. Different ways to tell interactive stories Remapping Europe
- 48. Different ways to tell interactive stories Participatory Remapping Europe
- 49. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 Remapping Europe
- 50. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 • Mobile phone cameras Remapping Europe
- 51. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 • Mobile phone cameras • Youngmenowme Remapping Europe
- 52. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 • Mobile phone cameras • Youngmenowme • The Johnny Cash Project Remapping Europe
- 53. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 • Mobile phone cameras • Youngmenowme • The Johnny Cash Project • One Day on Earth Remapping Europe
- 54. Different ways to tell interactive stories
- 55. Different ways to tell interactive stories Remapping Europe
- 56. Different ways to tell interactive stories Interactive Remapping Europe
- 57. Different ways to tell interactive stories Interactive • Games Remapping Europe
- 58. Different ways to tell interactive stories Interactive • Games • TV game shows Remapping Europe
- 59. Different ways to tell interactive stories Interactive • Games • TV game shows • Interactive Documentaries Remapping Europe
- 60. Different ways to tell interactive stories Interactive • Games • TV game shows • Interactive Documentaries • Thanatorama Remapping Europe
- 61. Different ways to tell interactive stories Interactive • Games • TV game shows • Interactive Documentaries • Thanatorama • Gaza-Sderot Remapping Europe
- 62. Different ways to tell interactive stories Interactive • Games • TV game shows • Interactive Documentaries • Thanatorama • Gaza-Sderot • Codebarre Remapping Europe
- 63. Different ways to tell interactive stories
- 64. Different ways to tell interactive stories Remapping Europe
- 65. Different ways to tell interactive stories Data Visualisation Remapping Europe
- 66. Different ways to tell interactive stories Data Visualisation • Polynesian Woven Maps > information about islands, winds, water swells and tides. Remapping Europe
- 67. Different ways to tell interactive stories Data Visualisation • Polynesian Woven Maps > information about islands, winds, water swells and tides. • Flight paths video: http:// vimeo.com/5369286 Remapping Europe
- 68. Different ways to tell interactive stories Data Visualisation • Polynesian Woven Maps > information about islands, winds, water swells and tides. • Flight paths video: http:// vimeo.com/5369286 • We Feel Fine Remapping Europe
- 69. Different ways to tell interactive stories Data Visualisation • Polynesian Woven Maps > information about islands, winds, water swells and tides. • Flight paths video: http:// vimeo.com/5369286 • We Feel Fine • Sexperience Remapping Europe