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ELECTRET MICROPHONES AND
HOME MUSIC PRODUCTION
CLARICE STASZ, 2013
Why this Slideshow?

 This is a project for Music Production, a
  Coursera class taught by Loudon Stearns of
  Berklee School of Music.
 I was going to do a presentation on dynamic
  versus condensor microphones, when I came
  across the word “electret.”
 It was not covered in class, so I explored just
  what they were, and their applications for
  musicians.
CAVEAT…

 Because this was designed for those in the
  course, it assumes some basic familiarity with
  microphones and terms commonly used in
  music production.

 These include cardioid, frequency response,
  transducer, dynamic microphone, and such.
Electrets are based on Condenser
Microphones, which


 Are less sturdy than dynamic mics (so don’t
  swing them around the stage)
 Are the preferred studio mic for reproduction
  value
 Offer larger frequency response for collecting
  partials than dynamic mics
 Require phantom power turned on
Invented 1962

 Gerhard Sessler and James West at Bell Labs




   Developed to improved telephone communications.
DEFINITION


 “An electret microphone is a type of
    condenser microphone, which eliminates the
    need for a polarizing power supply by using a
    permanently charged material.”

   http://en.wikipedia.org/wiki/Electret_microphone
Or,
 A microphone consisting of an electret
    transducer in which the foil electret
    diaphragm is placed next to a perforated,
    ridged, metal or metal-coated backplate, and
    output voltage, taken between diaphragm
    and backplate, is proportional to the
    displacement of the diaphragm.


   McGraw-Hill Dictionary of Scientific & Technical Terms, 6E, Copyright ©
    2003 by The McGraw-Hill Companies, Inc.
Engineering



                        Preamp




                           Vibrating membrane




          Itc.nyu.edu
Small size advantage




          Openmusiclabs.com
You use them all the time.
Do you make Youtubes?

 Electrets are in your laptop and portable
  phone.

 They consist of about 9o% of microphones in
  use today.

 Their quality is surprisingly good for many
  purposes.
Time for a new recording mic?

  Your computer mic is fine for everyday uses,
   like Skype, or taking audio notes.

  Music on the same mic may sound tinny
   because of distortion and limited response.
   You sound better than what you hear.
Benefits of electret

  Very inexpensive, under $1 for lowest quality,
   hence popular with gearheads
  Suit voice recording well as for interviews
  Extremely wide frequency response (from
   10Hz to 30kHz ) in best cases.




                        Sample inexpensive electret
Technically superior

 This is according to the technical sound
  engineer papers . The electret design is
  supposed to be the most accurate transducer.

 Of course, this will be affected by the quality
  of the production. Nonetheless,
  theoretically, electrets should be the best
  form of microphone.
A look inside one type

 Being condensors, they need power so some
  include an amp.




     http://sound.westhost.com/project93.htm
Others include a battery and
then connect to the amp.




  www.caitches.com
Electrets have a bad reputation with some


 Vibrating membrane can wear out in a couple
  of years

 More fragile overall than a dynamic mic


 Cheap models mean poor quality


 Some users find the bass range unsatisfactory
Disadvantages of lower
quality (cheap) models

 Output impedance is relatively high
 Relatively low sensitivity
 Noise is relatively high
 Sound level handling ability is low,
 typically < 90 dBSPL
Home recording
                          Today you can find
                          good quality electrets
                          for under $50, with the
                          specs you need in
                          terms of pickup
                          pattern, frequency
Stereo ominidirectional
with direct plugin to     response, and more.
minimize vibration
Performing mics as well.
            This looks like a dynamic
            mic.

            It’s an electret
            specifically for
            performing vocalists to
            reduce pops, optimize
            lower frequency
            response, and minimize
            distortion. It is also a
            cardioid design.
One pro’s experience

 “The cheap electret mics polarize the
  diaphragm. This is cheap to make but results in a
  diaphragm that's quite thick (maybe 20 microns
  or so).
 A back-electret puts that charge on a sheet
  that's between the backplate and the
  diaphragm. With this arrangement, you can use
  a normal diaphragm thickness… so it may be
  difficult to tell the difference between an electret
  and an externally polarized condensor mic in
  performance - that gap is narrowing.”
 From “Dale” on Gearslutz.com.
Recommendations

 For spoken word or singing with a single
  instrument, your computer mic could be just
  fine
 For higher quality, and better mixes, explore
  quality electrets now widely available at
  moderate prices.
 For performing, because electrets are
  technically the purest transducer, you may
  want to try one out.
In other words…

 Where ten years ago people said the electrets
  were lousy for serious sound work, this is no
  longer true.

 Major microphone firms make professional
  level electrets, up into hundreds of dollars.

 Given the same price and specs, the back-
  electret design is your better choice.
Connecting to computer

 This is a topic in itself. Try these for help:
 http://manual.audacityteam.org/man/Tutoria
  l_-_Connecting_a_Microphone
 http://www.ehow.com/how_6362940_connec
  t-electric-condenser-microphone-pc.html
 http://support.apple.com/kb/HT2508
Self-evaluation

 As a result of this project, I learned:
 Three of my music-based mics are electrets:
  flute, ukulele, and Sony mini-stereo
  recording.
 It is worth using an external electret for my
  laptop for quality recording.
 A lot of sound reference materials require
  some engineering background to
  comprehend. I definitely missed some
  understanding in putting this together.
If I had more time,

 I’d have sound samples with various mics to
  demonstrate differences

 I’d use Camtasia to make a video from this
  PowerPoint with an audio track added

 In that last case, I’d reduce all the written
  slides and have more visuals. For example, I’d
  open up a mic to show the parts.
If you evaluate this….

Don’t hesitate to note
errors,



Or to suggest additions.
ukestasz@gmail.com
Electret microphones and  home music production

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Electret microphones and home music production

  • 1. No longer second rate ELECTRET MICROPHONES AND HOME MUSIC PRODUCTION CLARICE STASZ, 2013
  • 2. Why this Slideshow?  This is a project for Music Production, a Coursera class taught by Loudon Stearns of Berklee School of Music.  I was going to do a presentation on dynamic versus condensor microphones, when I came across the word “electret.”  It was not covered in class, so I explored just what they were, and their applications for musicians.
  • 3. CAVEAT…  Because this was designed for those in the course, it assumes some basic familiarity with microphones and terms commonly used in music production.  These include cardioid, frequency response, transducer, dynamic microphone, and such.
  • 4. Electrets are based on Condenser Microphones, which  Are less sturdy than dynamic mics (so don’t swing them around the stage)  Are the preferred studio mic for reproduction value  Offer larger frequency response for collecting partials than dynamic mics  Require phantom power turned on
  • 5. Invented 1962  Gerhard Sessler and James West at Bell Labs Developed to improved telephone communications.
  • 6. DEFINITION  “An electret microphone is a type of condenser microphone, which eliminates the need for a polarizing power supply by using a permanently charged material.”  http://en.wikipedia.org/wiki/Electret_microphone
  • 7. Or,  A microphone consisting of an electret transducer in which the foil electret diaphragm is placed next to a perforated, ridged, metal or metal-coated backplate, and output voltage, taken between diaphragm and backplate, is proportional to the displacement of the diaphragm.  McGraw-Hill Dictionary of Scientific & Technical Terms, 6E, Copyright © 2003 by The McGraw-Hill Companies, Inc.
  • 8. Engineering Preamp Vibrating membrane Itc.nyu.edu
  • 9. Small size advantage Openmusiclabs.com
  • 10. You use them all the time.
  • 11. Do you make Youtubes?  Electrets are in your laptop and portable phone.  They consist of about 9o% of microphones in use today.  Their quality is surprisingly good for many purposes.
  • 12. Time for a new recording mic?  Your computer mic is fine for everyday uses, like Skype, or taking audio notes.  Music on the same mic may sound tinny because of distortion and limited response. You sound better than what you hear.
  • 13. Benefits of electret  Very inexpensive, under $1 for lowest quality, hence popular with gearheads  Suit voice recording well as for interviews  Extremely wide frequency response (from 10Hz to 30kHz ) in best cases. Sample inexpensive electret
  • 14. Technically superior  This is according to the technical sound engineer papers . The electret design is supposed to be the most accurate transducer.  Of course, this will be affected by the quality of the production. Nonetheless, theoretically, electrets should be the best form of microphone.
  • 15. A look inside one type  Being condensors, they need power so some include an amp. http://sound.westhost.com/project93.htm
  • 16. Others include a battery and then connect to the amp. www.caitches.com
  • 17. Electrets have a bad reputation with some  Vibrating membrane can wear out in a couple of years  More fragile overall than a dynamic mic  Cheap models mean poor quality  Some users find the bass range unsatisfactory
  • 18. Disadvantages of lower quality (cheap) models  Output impedance is relatively high  Relatively low sensitivity  Noise is relatively high  Sound level handling ability is low, typically < 90 dBSPL
  • 19. Home recording Today you can find good quality electrets for under $50, with the specs you need in terms of pickup pattern, frequency Stereo ominidirectional with direct plugin to response, and more. minimize vibration
  • 20. Performing mics as well. This looks like a dynamic mic. It’s an electret specifically for performing vocalists to reduce pops, optimize lower frequency response, and minimize distortion. It is also a cardioid design.
  • 21. One pro’s experience  “The cheap electret mics polarize the diaphragm. This is cheap to make but results in a diaphragm that's quite thick (maybe 20 microns or so).  A back-electret puts that charge on a sheet that's between the backplate and the diaphragm. With this arrangement, you can use a normal diaphragm thickness… so it may be difficult to tell the difference between an electret and an externally polarized condensor mic in performance - that gap is narrowing.”  From “Dale” on Gearslutz.com.
  • 22. Recommendations  For spoken word or singing with a single instrument, your computer mic could be just fine  For higher quality, and better mixes, explore quality electrets now widely available at moderate prices.  For performing, because electrets are technically the purest transducer, you may want to try one out.
  • 23. In other words…  Where ten years ago people said the electrets were lousy for serious sound work, this is no longer true.  Major microphone firms make professional level electrets, up into hundreds of dollars.  Given the same price and specs, the back- electret design is your better choice.
  • 24. Connecting to computer  This is a topic in itself. Try these for help:  http://manual.audacityteam.org/man/Tutoria l_-_Connecting_a_Microphone  http://www.ehow.com/how_6362940_connec t-electric-condenser-microphone-pc.html  http://support.apple.com/kb/HT2508
  • 25. Self-evaluation  As a result of this project, I learned:  Three of my music-based mics are electrets: flute, ukulele, and Sony mini-stereo recording.  It is worth using an external electret for my laptop for quality recording.  A lot of sound reference materials require some engineering background to comprehend. I definitely missed some understanding in putting this together.
  • 26. If I had more time,  I’d have sound samples with various mics to demonstrate differences  I’d use Camtasia to make a video from this PowerPoint with an audio track added  In that last case, I’d reduce all the written slides and have more visuals. For example, I’d open up a mic to show the parts.
  • 27. If you evaluate this…. Don’t hesitate to note errors, Or to suggest additions. ukestasz@gmail.com