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S OC IA L G U E R ILLA M A R K E TIN G M E DIA
(I L L U S T R A T E D )
TH E
E V OL-
U TION
OF
ADV E R T-
TIS IN G
TH E
E V OL-
U TION
OF
ADV E R T-
TIS IN G
- OPPOS A B LE TH U M B S
- OPPOS A B LE TH U M B S
 PAPY R U S , PAPE R & THE
 PR IN TIN G PR E S S
- OPPOS A B LE TH U M B S
 PAPY R U S , PAPE R & THE
 PR IN TIN G PR E S S


- FI N E M O T O R S K I L L S
- OPPOS A B LE TH U M B S
 PAPY R U S , PAPE R & THE
 PR IN TIN G PR E S S


- FI N E M O T O R S K I L L S
 C OOR DIN A TE , U TILIZ E
 & IN S PIR E
- OPPOS A B LE TH U M B S
 PAPY R U S , PAPE R & THE
 PR IN TIN G PR E S S


- FI N E M O T O R S K I L L S
 C OOR DIN A TE , U TILIZ E
 & IN S PIR E


- M A N -M A D E T O O L S
- OPPOS A B LE TH U M B S
 PAPY R U S , PAPE R & THE
 PR IN TIN G PR E S S


- FI N E M O T O R S K I L L S
 C OOR DIN A TE , U TILIZ E
 & IN S PIR E


- M A N -M A D E T O O L S
 R A DIO, TE LE V IS ION &
 TH E IN TE R N E T
- OPPOS A B LE TH U M B S
 PAPY R U S , PAPE R & THE
 PR IN TIN G PR E S S


- FI N E M O T O R S K I L L S
 C OOR DIN A TE , U TILIZ E
 & IN S PIR E


- M A N -M A D E T O O L S
 R A DIO, TE LE V IS ION &
 TH E IN TE R N E T


- H IG H IN TE LLIG E N C E
- OPPOS A B LE TH U M B S
 PAPY R U S , PAPE R & THE
 PR IN TIN G PR E S S


- FI N E M O T O R S K I L L S
 C OOR DIN A TE , U TILIZ E
 & IN S PIR E


- M A N -M A D E T O O L S
 R A DIO, TE LE V IS ION &
 TH E IN TE R N E T


- H IG H IN TE LLIG E N C E
 C U R IOU S ITY , C R E A TIV ITY
 & IN TU ITION
H U M A N 'S
S HARE



98 .4                                 %
O F O U R D N A W I T H C H I M P A N E E S ...
W E 'R E S T I L L A P E S A T H E A R T ...
G U E R ILLA
M A R K E TIN G
I S ...
U N C ON V E N TION AL
U N C ON V E N TION AL
U N E X PE C TE D
UNUS UAL
g uerilla m a rk eting is c hea p &
effec tive.
g uerilla m a rk eting is c hea p &
effec tive.

a g rea t s olution to a s lum ping
ec onom y.
g uerilla m a rk eting is c hea p &
effec tive.

a g rea t s olution to a s lum ping
ec onom y.

s uc c es s ful w hen us ed in the
rig ht c ontex t.
E X AM PLE S :
T H E U S E O F G R A FFI T I
T H E U S E O F G R A FFI T I
its illeg a l. but this ha s n't
s topped the lik es of I B M
a nd s ony. people w a nt
orig ina l idea s a nd the us e
of s treet a rt to prom o te a
bus ines s is provoc a tive.
T H E U S E O F G R A FFI T I
its illeg a l. but this ha s n't
s topped the lik es of I B M
a nd s ony. people w a nt
orig ina l idea s a nd the us e
of s treet a rt to prom o te a
bus ines s is provoc a tive.
one w a y is w ith 'ta g g ing '
c a m pa ig ns , w hic h enlis t
a rtis ts to bra nd w a lls w ith
s pec ific m es s a g es a ro und
tow n. the further the rea c h
the la rg er the im pa c t.
T H E U S E O F G R A FFI T I
its illeg a l. but this ha s n't
s topped the lik es of I B M
a nd s ony. people w a nt
orig ina l idea s a nd the us e
of s treet a rt to prom o te a
bus ines s is provoc a tive.
one w a y is w ith 'ta g g ing '
c a m pa ig ns , w hic h enlis t
a rtis ts to bra nd w a lls w ith
s pec ific m es s a g es a ro und
tow n. the further the rea c h
the la rg er the im pa c t.
s o m e pers ona l bra nds ha ve
us ed this to g rea t effec t.
they a re outs ide the
c onfines of c o rpora te
res pons ibility, therefore
S H E P A R D FA I R E Y
S H E P A R D FA I R E Y
ha s ha d g rea t s uc c es s w ith
his c ons is tent us e of
s trik ing im a g ery. from
'a ndre the g ia nt ha s a
pos s e' s tic k ers , to the la rg e
'O B E Y ' piec es s een a round
the w orld.
S H E P A R D FA I R E Y
ha s ha d g rea t s uc c es s w ith
his c ons is tent us e of
s trik ing im a g ery. from
'a ndre the g ia nt ha s a
pos s e' s tic k ers , to the la rg e
'O B E Y ' piec es s een a round
the w orld.
his popula rity ha s turned
into c lothing lines , a lbum
c overs , film pos ters , his
ow n bo ok s a nd even ba ra c k
oba m a 's pres identia l
c a m pa ig n.
S H E P A R D FA I R E Y
ha s ha d g rea t s uc c es s w ith
his c ons is tent us e of
s trik ing im a g ery. from
'a ndre the g ia nt ha s a
pos s e' s tic k ers , to the la rg e
'O B E Y ' piec es s een a round
the w orld.
his popula rity ha s turned
into c lothing lines , a lbum
c overs , film pos ters , his
ow n bo ok s a nd even ba ra c k
oba m a 's pres identia l
c a m pa ig n.
this s tyle of g ra ffiti ha s
been a c c epted into the
m a ins trea m a nd popula r
c ulture.
FA M I L Y G U Y
S OU TH PA R K
M A D M A G A Z IN E
R E V E R S E G R A FFI T I
is a new m a rk eting
trend us ed by m a ny
c om pa nies of a ll s izes

the revers e g ra ffiti
tec hnique pow er -
w a s hes dirt o f
pa vem ents a nd w a lls ,
w hils t lea ving a n
im print of your
m es s a g e.

it is c ons idered leg a l
a s it is not defa c ing
a n objec t or public
property. I t therefore
very popula r.
IN TE R -
A C V TIV E
A DV E R TS
S OC IAL
 M E DIA
FA C E B O O K
c rea te a profile, a n event, a
g roup or a fa n pa g e.

build new a nd ex c iting w a ys to
prom ote your bra nd or
c o m pa ny. be different fro m your
c o m petitors a nd ta k e a bold
s ta nc e a g a ins t w ha t ever els e
is out there.

too m a ny m es s a g es a nd invites
w ill loos e interes t in your
a udienc e, s o lim it yours elf to
s a ying a ll you need in very few
w ords .
M YS PACE
enc oura g e us er pa rtic ipa tion
a nd dia log ue thro ug h pro file,
m es s a g ing a nd blog s .

eng a g e c onvers a tions w ith us er
to us er c o nta c t. s uc c es s ful vira l
c a m pa ig ns don't a lw a ys dea l
w ith the s ubjec t or produc t but
c a n jus t inc lude c om pa ny log o
or ta g line .

po s t reg ula rly o n other pa g es ,
forum s a nd blog s for the
nec es s a ry ex pos ure, optim izing
your s ite or produc ts ' s ea rc h
eng ine hits .
TWITTE R
c rea ting a buzz is k ey to m a k ing
s oc ia l m edia m a rk eting w ork .
s o be releva nt a nd up-to-da te
w ith your c ontent.

w ith c o ns ta nt s ta tus upda tes
tha t a pply to yo ur w o rk a nd
offer a m em ora ble im a g e o r
s c ena rio , you w ill build up a
netw ork o f potentia l c us to m ers .

c o nnec t a ll your m ultiple online
s oc ia l m edia ventures s o tha t
they ea c h s ha re the m es s a g e
a nd ultim a tely a g o a l. this w ill
s treng then your bra nd a s it
prom otes a unified identity.
DIG G
s ubs c ribe to a new s feed a nd
c rea te your o w n s o tha t your
c o ntent is inform ed a nd info rm s
your a udienc e.

for the vira l effec t a k ey fa c tor
is s yndic a tion i.e. ho w your
c o ntent g ets to the firs t pa g e of
D ig g . A im for retw eets a nd
c rea tes lo ts of tra ffic .

the m ore hits yo ur c ontent g ets ,
the m ore people ta p into the
buzz yo u c rea ted. s ea rc h
eng ines w ill then pla c e yo u
hig her on their lis ts a nd you w ill
your a udienc e.
C ON C LU -
  S ION
g uerilla m a rk eting is a type of a dvertis ing a im ed a t a c c es s ing
the c o ns um er on a pers ona l level. by opera ting o uts ide
tra ditiona l m ea ns , bra nds c a n be ex perienc ed by c ons um ers
tha t ha ve bec om e des ens itized w ith the o vera bunda nc e of
m edia a dvertis ing .
g uerilla m a rk eting is a type of a dvertis ing a im ed a t a c c es s ing
the c o ns um er on a pers ona l level. by opera ting o uts ide
tra ditiona l m ea ns , bra nds c a n be ex perienc ed by c ons um ers
tha t ha ve bec om e des ens itized w ith the o vera bunda nc e of
m edia a dvertis ing .
s o c ia l m edia m a rk eting is a n a dvertis ing m ethod tha t m a k es
us e of s oc ia l netw ork s ervic e to inc rea s e w eb pres enc e. this
ra ng es from s im ply a dvertis ing direc tly on s oc ia l netw ork ing
s ites , vira l m a rk eting tha t s prea ds thro ug hout the w eb, em a il,
a nd w o rd of m outh, o r pro viding nic he s oc ia l netw ork ing s ites
foc us ed a round the item being a dvertis ed.
g uerilla m a rk eting is a type of a dvertis ing a im ed a t a c c es s ing
the c o ns um er on a pers ona l level. by opera ting o uts ide
tra ditiona l m ea ns , bra nds c a n be ex perienc ed by c ons um ers
tha t ha ve bec om e des ens itized w ith the o vera bunda nc e of
m edia a dvertis ing .
s o c ia l m edia m a rk eting is a n a dvertis ing m ethod tha t m a k es
us e of s oc ia l netw ork s ervic e to inc rea s e w eb pres enc e. this
ra ng es from s im ply a dvertis ing direc tly on s oc ia l netw ork ing
s ites , vira l m a rk eting tha t s prea ds thro ug hout the w eb, em a il,
a nd w o rd of m outh, o r pro viding nic he s oc ia l netw ork ing s ites
foc us ed a round the item being a dvertis ed.
internet m a rk eting helps find potentia l c us tom ers , c rea tes a
buzz a round your pro duc t a nd c a n develop a s trong identity for
yo ur bra nd. in fa c t, m os t org a niza tio ns now a dopt thes e tw o
types of s tra teg y to g enera te better bus ines s .
g uerilla m a rk eting is a type of a dvertis ing a im ed a t a c c es s ing
the c o ns um er on a pers ona l level. by opera ting o uts ide
tra ditiona l m ea ns , bra nds c a n be ex perienc ed by c ons um ers
tha t ha ve bec om e des ens itized w ith the o vera bunda nc e of
m edia a dvertis ing .
s o c ia l m edia m a rk eting is a n a dvertis ing m ethod tha t m a k es
us e of s oc ia l netw ork s ervic e to inc rea s e w eb pres enc e. this
ra ng es from s im ply a dvertis ing direc tly on s oc ia l netw ork ing
s ites , vira l m a rk eting tha t s prea ds thro ug hout the w eb, em a il,
a nd w o rd of m outh, o r pro viding nic he s oc ia l netw ork ing s ites
foc us ed a round the item being a dvertis ed.
internet m a rk eting helps find potentia l c us tom ers , c rea tes a
buzz a round your pro duc t a nd c a n develop a s trong identity for
yo ur bra nd. in fa c t, m os t org a niza tio ns now a dopt thes e tw o
types of s tra teg y to g enera te better bus ines s .
but it's never w ha t yo u do but ho w it's do ne. s o
s ta y o rig ina l, im a g ina tive, c utting edg e a nd
a lw a ys m em o ra ble. do it yo ur w a y, a lw a ys .
social guerilla marketing media

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  • 1. S OC IA L G U E R ILLA M A R K E TIN G M E DIA
  • 2. (I L L U S T R A T E D )
  • 3. TH E E V OL- U TION OF ADV E R T- TIS IN G
  • 4. TH E E V OL- U TION OF ADV E R T- TIS IN G
  • 5. - OPPOS A B LE TH U M B S
  • 6. - OPPOS A B LE TH U M B S PAPY R U S , PAPE R & THE PR IN TIN G PR E S S
  • 7. - OPPOS A B LE TH U M B S PAPY R U S , PAPE R & THE PR IN TIN G PR E S S - FI N E M O T O R S K I L L S
  • 8. - OPPOS A B LE TH U M B S PAPY R U S , PAPE R & THE PR IN TIN G PR E S S - FI N E M O T O R S K I L L S C OOR DIN A TE , U TILIZ E & IN S PIR E
  • 9. - OPPOS A B LE TH U M B S PAPY R U S , PAPE R & THE PR IN TIN G PR E S S - FI N E M O T O R S K I L L S C OOR DIN A TE , U TILIZ E & IN S PIR E - M A N -M A D E T O O L S
  • 10. - OPPOS A B LE TH U M B S PAPY R U S , PAPE R & THE PR IN TIN G PR E S S - FI N E M O T O R S K I L L S C OOR DIN A TE , U TILIZ E & IN S PIR E - M A N -M A D E T O O L S R A DIO, TE LE V IS ION & TH E IN TE R N E T
  • 11. - OPPOS A B LE TH U M B S PAPY R U S , PAPE R & THE PR IN TIN G PR E S S - FI N E M O T O R S K I L L S C OOR DIN A TE , U TILIZ E & IN S PIR E - M A N -M A D E T O O L S R A DIO, TE LE V IS ION & TH E IN TE R N E T - H IG H IN TE LLIG E N C E
  • 12. - OPPOS A B LE TH U M B S PAPY R U S , PAPE R & THE PR IN TIN G PR E S S - FI N E M O T O R S K I L L S C OOR DIN A TE , U TILIZ E & IN S PIR E - M A N -M A D E T O O L S R A DIO, TE LE V IS ION & TH E IN TE R N E T - H IG H IN TE LLIG E N C E C U R IOU S ITY , C R E A TIV ITY & IN TU ITION
  • 13. H U M A N 'S S HARE 98 .4 % O F O U R D N A W I T H C H I M P A N E E S ...
  • 14. W E 'R E S T I L L A P E S A T H E A R T ...
  • 15. G U E R ILLA M A R K E TIN G I S ...
  • 16.
  • 17. U N C ON V E N TION AL
  • 18. U N C ON V E N TION AL
  • 19.
  • 20. U N E X PE C TE D
  • 21.
  • 23. g uerilla m a rk eting is c hea p & effec tive.
  • 24. g uerilla m a rk eting is c hea p & effec tive. a g rea t s olution to a s lum ping ec onom y.
  • 25. g uerilla m a rk eting is c hea p & effec tive. a g rea t s olution to a s lum ping ec onom y. s uc c es s ful w hen us ed in the rig ht c ontex t.
  • 26. E X AM PLE S :
  • 27. T H E U S E O F G R A FFI T I
  • 28. T H E U S E O F G R A FFI T I its illeg a l. but this ha s n't s topped the lik es of I B M a nd s ony. people w a nt orig ina l idea s a nd the us e of s treet a rt to prom o te a bus ines s is provoc a tive.
  • 29. T H E U S E O F G R A FFI T I its illeg a l. but this ha s n't s topped the lik es of I B M a nd s ony. people w a nt orig ina l idea s a nd the us e of s treet a rt to prom o te a bus ines s is provoc a tive. one w a y is w ith 'ta g g ing ' c a m pa ig ns , w hic h enlis t a rtis ts to bra nd w a lls w ith s pec ific m es s a g es a ro und tow n. the further the rea c h the la rg er the im pa c t.
  • 30. T H E U S E O F G R A FFI T I its illeg a l. but this ha s n't s topped the lik es of I B M a nd s ony. people w a nt orig ina l idea s a nd the us e of s treet a rt to prom o te a bus ines s is provoc a tive. one w a y is w ith 'ta g g ing ' c a m pa ig ns , w hic h enlis t a rtis ts to bra nd w a lls w ith s pec ific m es s a g es a ro und tow n. the further the rea c h the la rg er the im pa c t. s o m e pers ona l bra nds ha ve us ed this to g rea t effec t. they a re outs ide the c onfines of c o rpora te res pons ibility, therefore
  • 31. S H E P A R D FA I R E Y
  • 32. S H E P A R D FA I R E Y ha s ha d g rea t s uc c es s w ith his c ons is tent us e of s trik ing im a g ery. from 'a ndre the g ia nt ha s a pos s e' s tic k ers , to the la rg e 'O B E Y ' piec es s een a round the w orld.
  • 33. S H E P A R D FA I R E Y ha s ha d g rea t s uc c es s w ith his c ons is tent us e of s trik ing im a g ery. from 'a ndre the g ia nt ha s a pos s e' s tic k ers , to the la rg e 'O B E Y ' piec es s een a round the w orld. his popula rity ha s turned into c lothing lines , a lbum c overs , film pos ters , his ow n bo ok s a nd even ba ra c k oba m a 's pres identia l c a m pa ig n.
  • 34. S H E P A R D FA I R E Y ha s ha d g rea t s uc c es s w ith his c ons is tent us e of s trik ing im a g ery. from 'a ndre the g ia nt ha s a pos s e' s tic k ers , to the la rg e 'O B E Y ' piec es s een a round the w orld. his popula rity ha s turned into c lothing lines , a lbum c overs , film pos ters , his ow n bo ok s a nd even ba ra c k oba m a 's pres identia l c a m pa ig n. this s tyle of g ra ffiti ha s been a c c epted into the m a ins trea m a nd popula r c ulture.
  • 35. FA M I L Y G U Y
  • 36. S OU TH PA R K
  • 37. M A D M A G A Z IN E
  • 38. R E V E R S E G R A FFI T I is a new m a rk eting trend us ed by m a ny c om pa nies of a ll s izes the revers e g ra ffiti tec hnique pow er - w a s hes dirt o f pa vem ents a nd w a lls , w hils t lea ving a n im print of your m es s a g e. it is c ons idered leg a l a s it is not defa c ing a n objec t or public property. I t therefore very popula r.
  • 39. IN TE R - A C V TIV E A DV E R TS
  • 40.
  • 41.
  • 42.
  • 43.
  • 44. S OC IAL M E DIA
  • 45. FA C E B O O K c rea te a profile, a n event, a g roup or a fa n pa g e. build new a nd ex c iting w a ys to prom ote your bra nd or c o m pa ny. be different fro m your c o m petitors a nd ta k e a bold s ta nc e a g a ins t w ha t ever els e is out there. too m a ny m es s a g es a nd invites w ill loos e interes t in your a udienc e, s o lim it yours elf to s a ying a ll you need in very few w ords .
  • 46. M YS PACE enc oura g e us er pa rtic ipa tion a nd dia log ue thro ug h pro file, m es s a g ing a nd blog s . eng a g e c onvers a tions w ith us er to us er c o nta c t. s uc c es s ful vira l c a m pa ig ns don't a lw a ys dea l w ith the s ubjec t or produc t but c a n jus t inc lude c om pa ny log o or ta g line . po s t reg ula rly o n other pa g es , forum s a nd blog s for the nec es s a ry ex pos ure, optim izing your s ite or produc ts ' s ea rc h eng ine hits .
  • 47. TWITTE R c rea ting a buzz is k ey to m a k ing s oc ia l m edia m a rk eting w ork . s o be releva nt a nd up-to-da te w ith your c ontent. w ith c o ns ta nt s ta tus upda tes tha t a pply to yo ur w o rk a nd offer a m em ora ble im a g e o r s c ena rio , you w ill build up a netw ork o f potentia l c us to m ers . c o nnec t a ll your m ultiple online s oc ia l m edia ventures s o tha t they ea c h s ha re the m es s a g e a nd ultim a tely a g o a l. this w ill s treng then your bra nd a s it prom otes a unified identity.
  • 48. DIG G s ubs c ribe to a new s feed a nd c rea te your o w n s o tha t your c o ntent is inform ed a nd info rm s your a udienc e. for the vira l effec t a k ey fa c tor is s yndic a tion i.e. ho w your c o ntent g ets to the firs t pa g e of D ig g . A im for retw eets a nd c rea tes lo ts of tra ffic . the m ore hits yo ur c ontent g ets , the m ore people ta p into the buzz yo u c rea ted. s ea rc h eng ines w ill then pla c e yo u hig her on their lis ts a nd you w ill your a udienc e.
  • 49.
  • 50. C ON C LU - S ION
  • 51. g uerilla m a rk eting is a type of a dvertis ing a im ed a t a c c es s ing the c o ns um er on a pers ona l level. by opera ting o uts ide tra ditiona l m ea ns , bra nds c a n be ex perienc ed by c ons um ers tha t ha ve bec om e des ens itized w ith the o vera bunda nc e of m edia a dvertis ing .
  • 52. g uerilla m a rk eting is a type of a dvertis ing a im ed a t a c c es s ing the c o ns um er on a pers ona l level. by opera ting o uts ide tra ditiona l m ea ns , bra nds c a n be ex perienc ed by c ons um ers tha t ha ve bec om e des ens itized w ith the o vera bunda nc e of m edia a dvertis ing . s o c ia l m edia m a rk eting is a n a dvertis ing m ethod tha t m a k es us e of s oc ia l netw ork s ervic e to inc rea s e w eb pres enc e. this ra ng es from s im ply a dvertis ing direc tly on s oc ia l netw ork ing s ites , vira l m a rk eting tha t s prea ds thro ug hout the w eb, em a il, a nd w o rd of m outh, o r pro viding nic he s oc ia l netw ork ing s ites foc us ed a round the item being a dvertis ed.
  • 53. g uerilla m a rk eting is a type of a dvertis ing a im ed a t a c c es s ing the c o ns um er on a pers ona l level. by opera ting o uts ide tra ditiona l m ea ns , bra nds c a n be ex perienc ed by c ons um ers tha t ha ve bec om e des ens itized w ith the o vera bunda nc e of m edia a dvertis ing . s o c ia l m edia m a rk eting is a n a dvertis ing m ethod tha t m a k es us e of s oc ia l netw ork s ervic e to inc rea s e w eb pres enc e. this ra ng es from s im ply a dvertis ing direc tly on s oc ia l netw ork ing s ites , vira l m a rk eting tha t s prea ds thro ug hout the w eb, em a il, a nd w o rd of m outh, o r pro viding nic he s oc ia l netw ork ing s ites foc us ed a round the item being a dvertis ed. internet m a rk eting helps find potentia l c us tom ers , c rea tes a buzz a round your pro duc t a nd c a n develop a s trong identity for yo ur bra nd. in fa c t, m os t org a niza tio ns now a dopt thes e tw o types of s tra teg y to g enera te better bus ines s .
  • 54. g uerilla m a rk eting is a type of a dvertis ing a im ed a t a c c es s ing the c o ns um er on a pers ona l level. by opera ting o uts ide tra ditiona l m ea ns , bra nds c a n be ex perienc ed by c ons um ers tha t ha ve bec om e des ens itized w ith the o vera bunda nc e of m edia a dvertis ing . s o c ia l m edia m a rk eting is a n a dvertis ing m ethod tha t m a k es us e of s oc ia l netw ork s ervic e to inc rea s e w eb pres enc e. this ra ng es from s im ply a dvertis ing direc tly on s oc ia l netw ork ing s ites , vira l m a rk eting tha t s prea ds thro ug hout the w eb, em a il, a nd w o rd of m outh, o r pro viding nic he s oc ia l netw ork ing s ites foc us ed a round the item being a dvertis ed. internet m a rk eting helps find potentia l c us tom ers , c rea tes a buzz a round your pro duc t a nd c a n develop a s trong identity for yo ur bra nd. in fa c t, m os t org a niza tio ns now a dopt thes e tw o types of s tra teg y to g enera te better bus ines s . but it's never w ha t yo u do but ho w it's do ne. s o s ta y o rig ina l, im a g ina tive, c utting edg e a nd a lw a ys m em o ra ble. do it yo ur w a y, a lw a ys .