2. Rule of Thirds
Divide the frame into three equal parts vertically and horizontally;
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3. Rule of Thirds
Divide the frame into three equal parts vertically and horizontally;
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4. Rule of Thirds
Divide the frame into three equal parts vertically and horizontally;
The intersection of these lines illustrates the points of greatest visual energy --
the area where the most important things for the audience to look at should be
located
Friday, April 29, 2011
5. Rule of Thirds
Divide the frame into three equal parts vertically and horizontally;
The intersection of these lines illustrates the points of greatest visual energy --
the area where the most important things for the audience to look at should be
located
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6. Rule of Thirds
“The Matrix” (1999)
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7. Rule of Thirds
“The Matrix” (1999)
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8. Rule of Thirds
“House of Flying Daggers” (2004)
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9. Rule of Thirds
“House of Flying Daggers” (2004)
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10. Rule of Thirds
“Harry Potter and the Sorcerer’s Stone” (2001)
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11. Rule of Thirds
“Harry Potter and the Sorcerer’s Stone” (2001)
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12. Rule of Thirds
“The Third Man” (1949)
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13. Rule of Thirds
“The Third Man” (1949)
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14. Rule of Thirds
“Ocean’s Eleven” (2001)
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40. Most IMPORTANT Camera Distance to
remember for moviemaking
“Fight Club” (1999)
Close-Up (CU)
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41. Most IMPORTANT Camera Distance to
remember for moviemaking
“Fight Club” (1999)
Close-Up (CU) Best dramatic tool for
communicating the EMOTIONS
of the character
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42. Power of
Emphasis
Focuses attention on the
most important part of
the scene so that it fills
the frame of the screen
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43. CU (Close-Up)
Tim Burton Films
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44. CU (Close-Up)
Tim Burton Films
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45. CU (Close-Up)
Tim Burton Films
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46. CU (Close-Up)
Tim Burton Films
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47. CU (Close-Up)
“House of Flying Daggers” (2004)
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48. CU (Close-Up)
“House of Flying Daggers” (2004)
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49. CU (Close-Up)
“House of Flying Daggers” (2004)
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50. CU (Close-Up)
“House of Flying Daggers” (2004)
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51. CU (Close-Up)
“Snatch” (2000)
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52. CU (Close-Up)
“Snatch” (2000)
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53. CU (Close-Up)
“Snatch” (2000)
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54. CU (Close-Up)
“Snatch” (2000)
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55. CU (Close-Up)
“Snatch” (2000)
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