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Van Gogh-Self-Portrait With a Bandaged Ear, 1889
First work van Gogh
painted after his
incident with his
ear.
He believed that
painting would help
him recover his
mental equilibrium.
Van Gogh stands
in front of an easel
with a bare
painting, and a
Japanese print
which he owned.
He seems to turn
his back on both.
This could be interpreted
as his reflections on the
end of his dreams of an
artist.
Van Gogh tells the
story of is life
through this
painting by
indicating his
negativity towards
his paintings.
His facial
expressions show
how empty he is
inside giving us an
understanding of
how he is feeling.
The heavy coat and
winter hat indicates
how fragile Van Gogh
has become and how
is illness has affected
him.
Success in British
Cinema, silent films
and early talkies.
Techniques
involved suspense
and psychological
thriller genres. He
had a distinctive
and recognisable
directing style.
His shots were framed to
maximise anxiety, fear or
empathy. His films
featured fugitives on the
run or law, and ‘icy
blonde’ females
characters.
Many of Hitchcock’s
films ended with twists
and thrilling plots that
included depiction,
violence, murder and
crime.
Hitchcock also used
mistaken identity in his
films. In North by
Northwest the main
character is mistaken
for a CIA agent. Also in
The 39 steps the main
character is accused of
murder which he didn’t
commit.
‘MacGuffin’ (plot device
that hangs onto tension)
was a technique used by
Hitchcock in The 39 steps.
In this film the MacGuffin
was that Mr. Memory
memorised the plans for an
airplane engine.
Hitchcock made a
cameo
appearance in 39
of his 52 films.
Martin Scorsese’s
themes feature Italian
American’s identity,
Roman Catholic
concepts such as guilt
and redemption. Also
machismo, modern
crime and violence.
Scorsese’s films use
scenes from the middle
of end of the story at
the beginning of the
films. (Raging Bull,
Goodfella’s, Casino,
The Last Waltz.).
Scorsese frequently
uses slow motion.
(Raging Bull, Who’s
That knocking at My
Door, Mean Streets
and Goodfella’s. Also
uses freeze frame in
the opening credits of
The King of Comedy.
His leading blonde
characters are usually
seen through the eyes
of the protagonist as
angelic. Wear white in
the first scene are
photographed in slow
motion. (Sharon
Stone’s white mini
dress in Casino and
Cathy Moriarty’s white
bikini in Raging Bull)
He often casts the same
character in his films,
especially Robert De Niro
who collaborated in eight
of his films (Raging Bull,
Goodfella’s, Taxi Driver.
In his recent films he has
featured corrupt authority
figures. Policemen in The
Departed, politicians in
Gangs of New York.
Long tracking shots
have frequently been
used by Scorsese in
films such as
Goodfella’s, Taxi
Driver, Hugo and
Casino.
Yash Chopra
was known as
the ‘King of
Romance’ of
Indian cinema.
His film Chandni was his
film with all the
hallmarks has become
know as the ‘Yash
Chopra style’. The film
was heroine orientated,
romantic, emotional. The
film depicted the lifestyle
of the elite with melodic
music used in songs that
featured foreign
locations.

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Van Gogh and Film Maker's

  • 1. Van Gogh-Self-Portrait With a Bandaged Ear, 1889 First work van Gogh painted after his incident with his ear. He believed that painting would help him recover his mental equilibrium. Van Gogh stands in front of an easel with a bare painting, and a Japanese print which he owned. He seems to turn his back on both. This could be interpreted as his reflections on the end of his dreams of an artist. Van Gogh tells the story of is life through this painting by indicating his negativity towards his paintings. His facial expressions show how empty he is inside giving us an understanding of how he is feeling. The heavy coat and winter hat indicates how fragile Van Gogh has become and how is illness has affected him.
  • 2. Success in British Cinema, silent films and early talkies. Techniques involved suspense and psychological thriller genres. He had a distinctive and recognisable directing style. His shots were framed to maximise anxiety, fear or empathy. His films featured fugitives on the run or law, and ‘icy blonde’ females characters. Many of Hitchcock’s films ended with twists and thrilling plots that included depiction, violence, murder and crime. Hitchcock also used mistaken identity in his films. In North by Northwest the main character is mistaken for a CIA agent. Also in The 39 steps the main character is accused of murder which he didn’t commit. ‘MacGuffin’ (plot device that hangs onto tension) was a technique used by Hitchcock in The 39 steps. In this film the MacGuffin was that Mr. Memory memorised the plans for an airplane engine. Hitchcock made a cameo appearance in 39 of his 52 films.
  • 3. Martin Scorsese’s themes feature Italian American’s identity, Roman Catholic concepts such as guilt and redemption. Also machismo, modern crime and violence. Scorsese’s films use scenes from the middle of end of the story at the beginning of the films. (Raging Bull, Goodfella’s, Casino, The Last Waltz.). Scorsese frequently uses slow motion. (Raging Bull, Who’s That knocking at My Door, Mean Streets and Goodfella’s. Also uses freeze frame in the opening credits of The King of Comedy. His leading blonde characters are usually seen through the eyes of the protagonist as angelic. Wear white in the first scene are photographed in slow motion. (Sharon Stone’s white mini dress in Casino and Cathy Moriarty’s white bikini in Raging Bull) He often casts the same character in his films, especially Robert De Niro who collaborated in eight of his films (Raging Bull, Goodfella’s, Taxi Driver. In his recent films he has featured corrupt authority figures. Policemen in The Departed, politicians in Gangs of New York. Long tracking shots have frequently been used by Scorsese in films such as Goodfella’s, Taxi Driver, Hugo and Casino.
  • 4. Yash Chopra was known as the ‘King of Romance’ of Indian cinema. His film Chandni was his film with all the hallmarks has become know as the ‘Yash Chopra style’. The film was heroine orientated, romantic, emotional. The film depicted the lifestyle of the elite with melodic music used in songs that featured foreign locations.