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Sam Carpenter
THE DESCENT – EDITING ANALYSIS
PART 1
These shots are all part of the slower first part of the scene, in which there are 6 shots,
separated into 8 different sections with 7 cuts. These span over a time frame of 30 seconds.
They give a sense that they are having a quiet & long drive, and most of the information in the
scene is given via audio & acting – not via editing or effects. The scene suggests normality & an
everyday family journey. The slower pace of the first part of the scene increases the shock of
the car crash.
PART 2
In this part of the scene, the two cars on the road crash. These is a sequence of 6 shots that
take up only 2 seconds of footage. The editing and the cuts between the shots becomes much
faster, to create a sense of shock

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Editing micro analysis

  • 1. Sam Carpenter THE DESCENT – EDITING ANALYSIS
  • 2. PART 1 These shots are all part of the slower first part of the scene, in which there are 6 shots, separated into 8 different sections with 7 cuts. These span over a time frame of 30 seconds. They give a sense that they are having a quiet & long drive, and most of the information in the scene is given via audio & acting – not via editing or effects. The scene suggests normality & an everyday family journey. The slower pace of the first part of the scene increases the shock of the car crash.
  • 3. PART 2 In this part of the scene, the two cars on the road crash. These is a sequence of 6 shots that take up only 2 seconds of footage. The editing and the cuts between the shots becomes much faster, to create a sense of shock