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LIMA, February 19, 2016
Sandra Fauconnier
sandra.fauconnier@gmail.com
@sanseveria
history of digital art in 20 minutes
1. timeline
2. (themes)
new media art
information arts
computer art
digital art
tool vs medium
production
storage
characteristics
1940 1950 1960 1970
Memex
ENIAC (UPenn)
Cybernetics
hypertext
hypermedia
ARPANET
interface
mouse
Xerox PARC: GUI
1940 1950 1960 1970
Memex
ENIAC (UPenn)
Cybernetics
hypertext
hypermedia
ARPANET
interface
mouse
Xerox PARC: GUI
Dada Fluxus
conceptual art
 instructions
 concept, event, audience participation
The ZUSE Graphomat Z64 drawing machine in 1964. Credit: Robert Rohrbach
Frieder Nake, 13/9/65 Nr. 2, 1965 (also known as Homage to Paul Klee).
Digital Art Museum, Berlin
A. Michael Noll
Gaussian Quadratic
© AMN 1965 1962
John Whitney
Permutations, 1966
Frieder Nake
Michael A. Noll
Bela Julesz
Georg Nees
John Whitney
Charles Csuri
Vera Molnar
Lejaren Hillen at the University of Illinois
Illiac I computer – Illiac Suite for String Quartet, 1957
Howard Wise Gallery
Computer-Generated Pictures exhibition, 1965
Cybernetic Serendipity
exhibition at ICA London
curated by Jasia Reichardt, 1968
Tendencies 4
Zagreb, Museum of Art and Work & Gallery of Contemporary Art, 1968-69
Software,
exhibition at
Jewish Museum
organized by
Jack Burnham,
1970
launched 1967
by Billy Klüver, Fred Wadhauer,
Robert Rauschenberg, Robert Whitman
Harold Cohen
AARON at Stedelijk Museum Amsterdam, 1977
academia
research centers / labs
military-industrial complex
consumer culture
Zomerzegels 1970,
graphic design:
R.D.E. Oxenaar, in
collaboration with
the group
numerical control
of the department
business science
i.o., Technical
University
Eindhoven.
Zomerzegels 1970,
graphic design:
R.D.E. Oxenaar, in
collaboration with
the group
numerical control
of the department
business science
i.o., Technical
University
Eindhoven.
Edward Ihnatowicz
Senster robotic sculpture
at Evoluon, Eindhoven
1971-74
1980 1990 2000 2010
academia
research centers / labs
military-industrial complex
consumer culture
digital citizenship / activism
Leonardo Journal founded 1968
SIGGRAPH, first conference 1974
Ars Electronica (Linz, Austria) founded 1979
V2_ (Rotterdam, the Netherlands) founded 1981
ISEA, first symposium 1988
ZKM (Karlsruhe, Germany) founded 1989
Aesthetics of the digital • Art and cinematography
• Artificial intelligence, intelligent agents • Artificial
life • Bodies, surrogates, emergent systems • Body
and identity • Charged environments • Coded form
and electronic production • Cyborg bodies •
Databases, data visualization, mapping • Gaming •
Generative tools • Mapping and text • Mobile and
locative media • Motion, duration, illumination •
Networks, surveillance, culture jamming • Photo /
byte • Public sphere • Simulations and simulacra •
Social networking • Sound and image • Tactical
media, activism, hacktivism • Technologies of the
future • Telepresence, telematics, telerobotics •
Text and narrative environments • Virtual worlds
Kit Galloway & Sherrie Rabinowitz
Hole in Space, 1980
Lynn Hershman Leeson
Lorna, 1979-1984
Collection ZKM | Center for Art and Media
Robert Adrian X
Die Welt in 24 Stunden, Sept 27-28, 1982, Ars Electronica Festival
The Thing
initiated by Wolfgang Staehle, 1991
Jeffrey Shaw with Dirk Groeneveld: The Legible City, 1989-1991
ART+COM: Terravision (1994)
Google Earth initial release: 2001
Antonio Muntadas
The File Room, 1994
Granular Synthesis
Modell 5, 1994-96
Stelarc
Ping Body, 1995
JODI, wwwwwwwww.jodi.org, 1995?
Martine Neddam, Mouchette.org, 1996
Cory Arcangel
Super Mario Clouds
2002
collection Whitney Museum of American Art
Tale of Tales
The Endless Forest
2005
Aram Bartholl, “Map,” 2013. Aram Bartholl/datenform.de
F.A.T. Lab
August 1, 2015
http://fffff.at/rip/

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Understand Digital Art Instantly

Notes de l'éditeur

  1. Presentation for the symposium ‘Transformation Digital Art’ International symposium on the preservation of born-digital art http://www.sbmk.nl/projects/detail/id/36
  2. digital = using digits, particularly binary digits digital signal = formed from a discrete set of distinguishable waveforms, not signals from continous ranges
  3. highlights/canon/typical examples Sources include www.monoskop.org maintained by Dusan Barok www.mediaartnet.org archive.aec.at ‘Digital Art’ by Christiane Paul, Thames & Hudson, World of Art series, originally published 2003 ‘Art and Electronic Media’ by Edward A. Shanken, Phaidon, 2009 – online companion at http://artelectronicmedia.com/ ‘The Anthology of Computer Art / Sonic Acts XI’ by Arie Altena and Lucas van der Velden, 2006 ‘Mapping the beginnings of computer-generated art in the Netherlands’ by Darko Fritz, 2011 http://virtueelplatform.nl/g/content/download/darko-fritz-nl-comp-art-n.pdf
  4. 1830s already: Charles Babbage, Analytical Engine 1940 Memex: article ‘As We May Think’ by Vannevar Bush 1945 – device that allows users to browse through documents via their own trail / direct data entry ENIAC – Electronic Numerical Integrator And Computer – University of Pennsylvania, 1946 – first general-purpose digital computer Cybernetics coined by Norbert Wiener – comparative study of communication and control systems e.g. computer and human brain 1960 Theodor Nelson 1961 coined hypertext, hypermedia, networked docuverse – nonlinear ARPA Advanced Research Projects Agency 1957 US dept. of defense. ARPANET formed in 1969 Douglas Engelbart 1968 bitmapping: computer screen consisting of on/off pixels 1970 Xerox PARC: desktop metaphor with windows, popularized by Apple Macintosh in 1980s image: Xerox Star workstation, commercially available from 1981
  5. Dada poetry based on formal instructions, interplay of randomness and control
  6. Flatbed drawing machine engineered by computer pioneer Konrad Zuse. Originally intended for the production of maps and land registration purposes. Georg Nees and Frieder Nake did their first computer art pieces on this device.
  7. Whitney is considered to be one of the fathers of computer animation.
  8. Generally agreed to be the first score composed by an electronic computer.
  9. 1st exhibition of this kind in the US Works by A. Michael Noll and Bela Julesz
  10. Toured the US too Some pieces bought by Exploratorium Inspired formation of the British Computer Arts Society
  11. Series of exhibitions on visual research. The 4th, in 1968, included the computer as medium of artistic work.
  12. 9 evenings: October 1966 artists: John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor, and Robert Whitman engineers: Bela Julesz, Billy Klüver, Max Mathews, John Pierce, Manfred Schroeder, and Fred Waldhauer
  13. AARON: computer program built by Harold Cohen to codify the act of drawing
  14. Oxenaar used program called CORAGRAPH.
  15. original Apple Macintosh, the Macintosh 128k, released in January 1984 some of my friends had Amiga’s etc
  16. Montevideo was founded in 1978 by Rene Coelho
  17. telepresence, art and communication, social implications of new technology Lincoln Center for the Performing Arts, NY The Broadway department store, Los Angeles
  18. narrative Lorna, agoraphobic woman in her apartment, controlled by the viewer via remote control First interactive video art disc Migrated to DVD in 2004
  19. art and telecommunication
  20. context – platforms, networks NY, Vienna, Amsterdam, Cologne, Berlin BBS via telephone 1991 website 1995
  21. narrative, virtual worlds navigable on a stationary bike cities Amsterdam, Manhattan, Karlsruhe
  22. mapping, simulation technologies of the future founded 1988
  23. data, activism
  24. immersion Japanese performance artist Akemi Takeya Synthesized from one single recording
  25. cyborg / body and technology
  26. language of new media
  27. identity
  28. gaming, popular culture, language of new media
  29. gaming, popular culture
  30. virtual and public space language of new media
  31. activism 2010, a WORM initiative
  32. activism