SlideShare une entreprise Scribd logo
1  sur  13
The 1930s
• Hollywood's dramatic prison
  dramas

• B-actor John Wayne made his
  debut in his first major role in
  a western The Big Trail
  (1930) - one of the first films
  shot in „Grandeur‟ - Fox's
  experimental wide-screen
  70mm format

• Both the film and the new
  process flopped; it would be
  nine more years before his
  star-making appearance in
  Stagecoach (1939)
The 1930s
•   RKO won its sole Best Picture
    Academy Award for the western
    Cimarron (1931)

•   In 1930, the Motion Picture
    Production Code, administered by
    Joseph I. Breen and former
    Postmaster General Will Hays, set
    film guidelines regarding sex,
    violence, religion, and crime

•   The first daily newspaper for the
    film industry had its debut in
    1930, The Hollywood Reporter

•   The first appearance of the
    cartoon character Popeye was in
    the Betty Boop cartoon from
    Paramount and Max Fleischer
The 1930s
     •   The world's first drive-in theatre
         opened in Camden, N.J. in June,
         1933

     •   Walt Disney's 8-minute The Wise
         Little Hen (1934) featured the
         first appearance of Donald Duck

     •   The American film industry was
         dominated by five major
         corporate-style studios in the
         1930s

     •   They exerted their influence over
         choice of films, budgets, the
         selection of personnel and
         scripts, actors, writers, and
         directors, editing, scoring, and
         publicity
The Depression
•   The poor economic climate hit Hollywood hard

•   Nearly all of the Hollywood studios (except MGM) suffered
    financially during the early 30s, and studios had to reorganise,
    request government assistance, cut budgets and employees, and
    close theatres when profits plummeted

•   Attendance at theatres was drastically affected, although during
    even the darkest days of the Depression, movie attendance was
    still between 60-75 million per week

•   Special incentives and giveaways (such as 2-for-1 features, dish
    nights, and other contests and attractions) helped to maintain a
    decent audience

•   During most of the Depression Era, Hollywood responded with
    expensive, mass-produced entertainment or escapist
    entertainment, like The Grand Hotel (1932)
The Lead Up To Regulation

• Who were the most popular
  actors before the 1930s?

• Which were the biggest
  studios?

• What technological
  advancements had been made?

• What kind of money was being
  pumped into the industry?

• How do you think the rest of
  America saw Hollywood in the
  late 1920s?
Regulation
•   The factions of society who has successfully lobbied against alcohol,
    turned their attention to Hollywood

•   Motion Picture Association of America is set up in 1922

•   Its role was to regulate films and the industry in order to protect the
    business – self regulation

•   32 States were also considering enacting laws against the movie
    business

•   In 1930, the Motion Picture Production Code was adopted

•   “If motion pictures present stories that will affect lives for the better,
    they can become the most powerful force for the improvement of
    mankind.”

•   Never really implemented until 1934, when the MPAA began to enforce
    the code
The Hays Code
•   From 1930 - 1934, The Hays code could not cut material out of films

•   Amended in 1934 giving the Production Code Administration more
    power

•   Every film had to be certified by the administration

•   The three main principles of the Hays Code:

1. No picture shall be produced that will lower the moral standards of
   those who see it. Hence the sympathy of the audience should never
   be thrown to the side of crime, wrongdoing, evil or sin

2. Correct standards of life, subject only to the requirements of drama
   and entertainment, shall be presented

3. Law, natural or human, shall not be ridiculed, nor shall sympathy be
   created for its violation
The Hays Code
•    Sex: The sanctity of the institution of marriage and the home shall be
     upheld. Pictures shall not infer that low forms of sex relationship are
     the accepted or common thing.

1. Adultery
2. Scenes of Passion
3. Seduction or Rape
4. Sex perversion or any inference to it is forbidden.
5. White slavery shall not be treated.
6. Miscegenation
7. Sex hygiene and venereal diseases are not subjects for motion
   pictures
8. Scenes of actual child birth, in fact or in silhouette, are never to be
   presented
9. Children's sex organs are never to be exposed
10.Twin beds for married couples
11.No ridicule of ministers of religion
12.The prohibition of various words "sex", "hell", and "damn”
13.Suggestive postures and gestures
The Hays Code
•   All films would be submitted for a
    "seal of approval" - and if a film was
    unacceptable and denied a seal, it
    was not to be exhibited in theaters,
    and the studio would be fined
    $25,000

•   Between 1930, many films were
    either suppressed, or severely
    mutilated or censored to fit the seal's
    requirements

•   Until 1934, restrictions on content
    were mostly evaded and ignored.

•   In the early days of the Depression in
    the early 1930s, the desperate
    Hollywood studios used the open
    sexuality to increase their profits
Catholic Legion of Decency

• Rating system founded in 1933 based on the beliefs of the
  Catholic Church:

• A - Morally unobjectionable
• B - Morally objectionable in part
• C - Condemned by the Legion of Decency

•   The A rating was divided further:
•   A-I: Suitable for all audiences
•   A-II: Suitable for adults
•   A-III: Suitable for adults only
•   A-IV: For adults with reservations
In Britain…

• 1927: Home Secretary, "The position of the cinema in our
  national life is becoming more and more important .. [It] may
  have a very profound effect upon the national character.”

• 1936: The Moyne Committee: “Film is undoubtedly a most
  important factor in the education of all classes of the
  community, in the spread of national culture and in presenting
  national ideas and customs to the world ... the propaganda
  value of the film cannot be over-emphasized.”

• By 1939 "the cinema was easily the most important form of
  mass entertainment with 20m tickets being sold and 3 new
  cinemas being opened each weak, admission cost only a few
  pence, and provided probably the cheapest form of mass
  entertainment in most towns and cities
In Britain
                 J. Arthur Rank
                     •   In 1933, J. Arthur Rank, who had started
                         by making religious films in order to
                         spread the word of the gospel, founded
                         British National

                     •   In 1935, he went into partnership with
                         C.M.Woolf to take over Pinewood Studios,
                         20 miles west of London and found the
                         Rank Organisation

                     •   When some early films that he was
                         involved with didn't get a very good
                         circulation he realised that control of the
                         movie theatres was the key to success

                     •   He went into partnership with a gent
                         called Oscar Deutsch who was building a
J. Arthur Rank           chain of cinemas

                     •   The two established the ODEON (Oscar
                         Deutsch Entertains Our Nation) cinema
                         chain
The Debate!

• The class will be split into two groups

• One group will argue for the implementation of censorship (at
  the time of the Hays Code and today)

• One will argue against censorship (at the time of the Hays
  Code and today)

• Consider why censorship is important

• Think about the restrictions censorship placed on the film
  industry – what effect might this have had?

• 5 minutes to prepare for an debate…

Contenu connexe

Tendances

A Short History Of Documentary
A Short History Of DocumentaryA Short History Of Documentary
A Short History Of Documentaryjontowlson
 
Dark knight case study
Dark knight case studyDark knight case study
Dark knight case studyMs Walters
 
MS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and RepresentationMS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and RepresentationElle Sullivan
 
Skyfall Production Distribution Exhibition & Audience
Skyfall Production Distribution Exhibition & AudienceSkyfall Production Distribution Exhibition & Audience
Skyfall Production Distribution Exhibition & AudienceElle Sullivan
 
History of Film
History of FilmHistory of Film
History of FilmEmmaWaite
 
Film History 3
Film History 3Film History 3
Film History 3John Grace
 
The Hollywood Studio System Updated
The Hollywood Studio System UpdatedThe Hollywood Studio System Updated
The Hollywood Studio System Updatedbluetree
 
German expressionism, film noir & horror
German expressionism, film noir & horrorGerman expressionism, film noir & horror
German expressionism, film noir & horrorOvering
 
Jungle book 04 12 18
Jungle book  04 12 18Jungle book  04 12 18
Jungle book 04 12 18Yvonne44
 
Hollywood Studio System (DAPS 6 and 7)
Hollywood Studio System (DAPS 6 and 7)Hollywood Studio System (DAPS 6 and 7)
Hollywood Studio System (DAPS 6 and 7)Simon Wright
 
Auteur - Casablanca and Apocalypse.pptx
Auteur - Casablanca and Apocalypse.pptxAuteur - Casablanca and Apocalypse.pptx
Auteur - Casablanca and Apocalypse.pptxMigg13
 
Media key terms sound
Media key terms soundMedia key terms sound
Media key terms soundMissConnell
 
History of film
History of filmHistory of film
History of filmKrisyty Ng
 
Film History 1
Film History 1Film History 1
Film History 1John Grace
 
Film industry timeline
Film industry timelineFilm industry timeline
Film industry timelineGiuliaAarsman
 
History of Film
History of FilmHistory of Film
History of FilmMajo Gomez
 
Cross Media Convergence & Synergy
Cross Media Convergence & SynergyCross Media Convergence & Synergy
Cross Media Convergence & SynergyLiz Davies
 
Film History part 2 - REVISED
Film History part 2 - REVISEDFilm History part 2 - REVISED
Film History part 2 - REVISEDJohn Grace
 

Tendances (20)

A Short History Of Documentary
A Short History Of DocumentaryA Short History Of Documentary
A Short History Of Documentary
 
Dark knight case study
Dark knight case studyDark knight case study
Dark knight case study
 
MS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and RepresentationMS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and Representation
 
Skyfall Production Distribution Exhibition & Audience
Skyfall Production Distribution Exhibition & AudienceSkyfall Production Distribution Exhibition & Audience
Skyfall Production Distribution Exhibition & Audience
 
History of Film
History of FilmHistory of Film
History of Film
 
Film History 3
Film History 3Film History 3
Film History 3
 
The Hollywood Studio System Updated
The Hollywood Studio System UpdatedThe Hollywood Studio System Updated
The Hollywood Studio System Updated
 
German expressionism, film noir & horror
German expressionism, film noir & horrorGerman expressionism, film noir & horror
German expressionism, film noir & horror
 
Jungle book 04 12 18
Jungle book  04 12 18Jungle book  04 12 18
Jungle book 04 12 18
 
History of film
History of filmHistory of film
History of film
 
Hollywood Studio System (DAPS 6 and 7)
Hollywood Studio System (DAPS 6 and 7)Hollywood Studio System (DAPS 6 and 7)
Hollywood Studio System (DAPS 6 and 7)
 
Auteur - Casablanca and Apocalypse.pptx
Auteur - Casablanca and Apocalypse.pptxAuteur - Casablanca and Apocalypse.pptx
Auteur - Casablanca and Apocalypse.pptx
 
Media key terms sound
Media key terms soundMedia key terms sound
Media key terms sound
 
History of film
History of filmHistory of film
History of film
 
Hitchcock as an auteur handout
Hitchcock as an auteur handoutHitchcock as an auteur handout
Hitchcock as an auteur handout
 
Film History 1
Film History 1Film History 1
Film History 1
 
Film industry timeline
Film industry timelineFilm industry timeline
Film industry timeline
 
History of Film
History of FilmHistory of Film
History of Film
 
Cross Media Convergence & Synergy
Cross Media Convergence & SynergyCross Media Convergence & Synergy
Cross Media Convergence & Synergy
 
Film History part 2 - REVISED
Film History part 2 - REVISEDFilm History part 2 - REVISED
Film History part 2 - REVISED
 

En vedette

Horror and Censorship
Horror and CensorshipHorror and Censorship
Horror and Censorshipselinargyrou
 
Hobbs film studies class
Hobbs film studies classHobbs film studies class
Hobbs film studies classChris Haak
 
Films 1940s & 1950s (TV Y1)
Films 1940s & 1950s (TV Y1)Films 1940s & 1950s (TV Y1)
Films 1940s & 1950s (TV Y1)Simon Wright
 
Movies of 1930
Movies of 1930Movies of 1930
Movies of 1930kamillahh
 
Hays Code
Hays CodeHays Code
Hays Codemjarry
 
Mass Culture and Movies in the 1930s
Mass Culture and Movies in the 1930sMass Culture and Movies in the 1930s
Mass Culture and Movies in the 1930skarah515
 
1930's History
1930's History1930's History
1930's HistoryKate Ahern
 
Film History 4
Film History 4Film History 4
Film History 4John Grace
 
Powerpoint in 60's
Powerpoint in 60's Powerpoint in 60's
Powerpoint in 60's hifsahussain
 
The golden age of hollywood
The golden age of hollywoodThe golden age of hollywood
The golden age of hollywoodFrank Harman
 

En vedette (15)

Horror and Censorship
Horror and CensorshipHorror and Censorship
Horror and Censorship
 
Hobbs film studies class
Hobbs film studies classHobbs film studies class
Hobbs film studies class
 
1960's mood board
1960's mood board 1960's mood board
1960's mood board
 
Moodboard
MoodboardMoodboard
Moodboard
 
Films 1940s & 1950s (TV Y1)
Films 1940s & 1950s (TV Y1)Films 1940s & 1950s (TV Y1)
Films 1940s & 1950s (TV Y1)
 
Movies of 1930
Movies of 1930Movies of 1930
Movies of 1930
 
Hollywood Golden Age
Hollywood Golden AgeHollywood Golden Age
Hollywood Golden Age
 
Hays Code
Hays CodeHays Code
Hays Code
 
Mass Culture and Movies in the 1930s
Mass Culture and Movies in the 1930sMass Culture and Movies in the 1930s
Mass Culture and Movies in the 1930s
 
1940s
1940s1940s
1940s
 
1930's History
1930's History1930's History
1930's History
 
Film History 4
Film History 4Film History 4
Film History 4
 
1960s fashion
1960s fashion1960s fashion
1960s fashion
 
Powerpoint in 60's
Powerpoint in 60's Powerpoint in 60's
Powerpoint in 60's
 
The golden age of hollywood
The golden age of hollywoodThe golden age of hollywood
The golden age of hollywood
 

Similaire à 1930s Hollywood and the Hays Code

Similaire à 1930s Hollywood and the Hays Code (20)

Industry Research - Hollywood A2
Industry Research - Hollywood A2Industry Research - Hollywood A2
Industry Research - Hollywood A2
 
Mm ch 06movies
Mm ch 06moviesMm ch 06movies
Mm ch 06movies
 
The golden age of film
The golden age of filmThe golden age of film
The golden age of film
 
Bordwell 11e ppt_ch12
Bordwell 11e ppt_ch12Bordwell 11e ppt_ch12
Bordwell 11e ppt_ch12
 
Hollywood industry research a2
Hollywood industry research a2Hollywood industry research a2
Hollywood industry research a2
 
Hollywood film industry
Hollywood film industryHollywood film industry
Hollywood film industry
 
Movies, Mass Communication Entertainment
Movies, Mass Communication EntertainmentMovies, Mass Communication Entertainment
Movies, Mass Communication Entertainment
 
Classical hollywood cinema 1903-1927.docx
Classical hollywood cinema 1903-1927.docxClassical hollywood cinema 1903-1927.docx
Classical hollywood cinema 1903-1927.docx
 
1. the history_of_hollywood (1)
1. the history_of_hollywood (1)1. the history_of_hollywood (1)
1. the history_of_hollywood (1)
 
Scarface a-2016
Scarface a-2016Scarface a-2016
Scarface a-2016
 
American Cinema Post-WWII (DAPS 6 and 7)
American Cinema Post-WWII (DAPS 6 and 7)American Cinema Post-WWII (DAPS 6 and 7)
American Cinema Post-WWII (DAPS 6 and 7)
 
Intro to Manchester and The Film Industry (TV Y1)
Intro to  Manchester and The Film Industry (TV Y1)Intro to  Manchester and The Film Industry (TV Y1)
Intro to Manchester and The Film Industry (TV Y1)
 
Film & Cinema
Film & CinemaFilm & Cinema
Film & Cinema
 
British New Wave (TV Y1)
British New Wave (TV Y1)British New Wave (TV Y1)
British New Wave (TV Y1)
 
Hollywood
Hollywood Hollywood
Hollywood
 
Hollywood presentation by fatima waqar.
Hollywood presentation by fatima waqar.Hollywood presentation by fatima waqar.
Hollywood presentation by fatima waqar.
 
Media timeline
Media timelineMedia timeline
Media timeline
 
History of hollywood cinema
History of hollywood cinemaHistory of hollywood cinema
History of hollywood cinema
 
British cinematography
British cinematographyBritish cinematography
British cinematography
 
Mass Media and Society Chapter 8: Movies
Mass Media and Society Chapter 8: MoviesMass Media and Society Chapter 8: Movies
Mass Media and Society Chapter 8: Movies
 

Plus de Simon Wright

BTEC Y1 - Game Show Brief Overview
BTEC Y1 - Game Show Brief OverviewBTEC Y1 - Game Show Brief Overview
BTEC Y1 - Game Show Brief OverviewSimon Wright
 
Visions, Missions and Values (DAPS 6)
Visions, Missions and Values (DAPS 6)Visions, Missions and Values (DAPS 6)
Visions, Missions and Values (DAPS 6)Simon Wright
 
Franchises (DAPS 6)
Franchises (DAPS 6)Franchises (DAPS 6)
Franchises (DAPS 6)Simon Wright
 
The Film Review Panel 2012
The Film Review Panel 2012The Film Review Panel 2012
The Film Review Panel 2012Simon Wright
 
CVs and Personal Statements (TV Y2)
CVs and Personal Statements (TV Y2)CVs and Personal Statements (TV Y2)
CVs and Personal Statements (TV Y2)Simon Wright
 
Semiotics and the Practices of Looking (GDA Y2)
Semiotics and the Practices of Looking (GDA Y2)Semiotics and the Practices of Looking (GDA Y2)
Semiotics and the Practices of Looking (GDA Y2)Simon Wright
 
Auteur Theory (TV Y1)
Auteur Theory (TV Y1)Auteur Theory (TV Y1)
Auteur Theory (TV Y1)Simon Wright
 
Gender in Film (TV Y1)
Gender in Film (TV Y1)Gender in Film (TV Y1)
Gender in Film (TV Y1)Simon Wright
 
Film 1880 - 1920 (TV Y1)
Film 1880 - 1920 (TV Y1)Film 1880 - 1920 (TV Y1)
Film 1880 - 1920 (TV Y1)Simon Wright
 
Gender In Film (DAPS 6 and 7)
Gender In Film (DAPS 6 and 7)Gender In Film (DAPS 6 and 7)
Gender In Film (DAPS 6 and 7)Simon Wright
 
Genre Theory (DAPS 6 and 7)
Genre Theory (DAPS 6 and 7)Genre Theory (DAPS 6 and 7)
Genre Theory (DAPS 6 and 7)Simon Wright
 
Marketing A Film (DAPS 6 and 7)
Marketing A Film (DAPS 6 and 7)Marketing A Film (DAPS 6 and 7)
Marketing A Film (DAPS 6 and 7)Simon Wright
 
Narrative Structure (DAPS 6 and 7)
Narrative Structure (DAPS 6 and 7)Narrative Structure (DAPS 6 and 7)
Narrative Structure (DAPS 6 and 7)Simon Wright
 
Semiotics and the Practices of Looking (DAPS 6 and 7)
Semiotics and the Practices of Looking (DAPS 6 and 7)Semiotics and the Practices of Looking (DAPS 6 and 7)
Semiotics and the Practices of Looking (DAPS 6 and 7)Simon Wright
 
The British Film Industry (DAPS 6 and 7)
The British Film Industry (DAPS 6 and 7)The British Film Industry (DAPS 6 and 7)
The British Film Industry (DAPS 6 and 7)Simon Wright
 
The Creative Industries (DAPS 6)
The Creative Industries (DAPS 6)The Creative Industries (DAPS 6)
The Creative Industries (DAPS 6)Simon Wright
 
Gender In Film (DAPS 6 and 7)
Gender In Film (DAPS 6 and 7)Gender In Film (DAPS 6 and 7)
Gender In Film (DAPS 6 and 7)Simon Wright
 
Creative Industries (DAPS 5)
Creative Industries (DAPS 5)Creative Industries (DAPS 5)
Creative Industries (DAPS 5)Simon Wright
 
Production Cycle (DAPS 5)
Production Cycle (DAPS 5)Production Cycle (DAPS 5)
Production Cycle (DAPS 5)Simon Wright
 

Plus de Simon Wright (20)

Video technology
Video technologyVideo technology
Video technology
 
BTEC Y1 - Game Show Brief Overview
BTEC Y1 - Game Show Brief OverviewBTEC Y1 - Game Show Brief Overview
BTEC Y1 - Game Show Brief Overview
 
Visions, Missions and Values (DAPS 6)
Visions, Missions and Values (DAPS 6)Visions, Missions and Values (DAPS 6)
Visions, Missions and Values (DAPS 6)
 
Franchises (DAPS 6)
Franchises (DAPS 6)Franchises (DAPS 6)
Franchises (DAPS 6)
 
The Film Review Panel 2012
The Film Review Panel 2012The Film Review Panel 2012
The Film Review Panel 2012
 
CVs and Personal Statements (TV Y2)
CVs and Personal Statements (TV Y2)CVs and Personal Statements (TV Y2)
CVs and Personal Statements (TV Y2)
 
Semiotics and the Practices of Looking (GDA Y2)
Semiotics and the Practices of Looking (GDA Y2)Semiotics and the Practices of Looking (GDA Y2)
Semiotics and the Practices of Looking (GDA Y2)
 
Auteur Theory (TV Y1)
Auteur Theory (TV Y1)Auteur Theory (TV Y1)
Auteur Theory (TV Y1)
 
Gender in Film (TV Y1)
Gender in Film (TV Y1)Gender in Film (TV Y1)
Gender in Film (TV Y1)
 
Film 1880 - 1920 (TV Y1)
Film 1880 - 1920 (TV Y1)Film 1880 - 1920 (TV Y1)
Film 1880 - 1920 (TV Y1)
 
Gender In Film (DAPS 6 and 7)
Gender In Film (DAPS 6 and 7)Gender In Film (DAPS 6 and 7)
Gender In Film (DAPS 6 and 7)
 
Genre Theory (DAPS 6 and 7)
Genre Theory (DAPS 6 and 7)Genre Theory (DAPS 6 and 7)
Genre Theory (DAPS 6 and 7)
 
Marketing A Film (DAPS 6 and 7)
Marketing A Film (DAPS 6 and 7)Marketing A Film (DAPS 6 and 7)
Marketing A Film (DAPS 6 and 7)
 
Narrative Structure (DAPS 6 and 7)
Narrative Structure (DAPS 6 and 7)Narrative Structure (DAPS 6 and 7)
Narrative Structure (DAPS 6 and 7)
 
Semiotics and the Practices of Looking (DAPS 6 and 7)
Semiotics and the Practices of Looking (DAPS 6 and 7)Semiotics and the Practices of Looking (DAPS 6 and 7)
Semiotics and the Practices of Looking (DAPS 6 and 7)
 
The British Film Industry (DAPS 6 and 7)
The British Film Industry (DAPS 6 and 7)The British Film Industry (DAPS 6 and 7)
The British Film Industry (DAPS 6 and 7)
 
The Creative Industries (DAPS 6)
The Creative Industries (DAPS 6)The Creative Industries (DAPS 6)
The Creative Industries (DAPS 6)
 
Gender In Film (DAPS 6 and 7)
Gender In Film (DAPS 6 and 7)Gender In Film (DAPS 6 and 7)
Gender In Film (DAPS 6 and 7)
 
Creative Industries (DAPS 5)
Creative Industries (DAPS 5)Creative Industries (DAPS 5)
Creative Industries (DAPS 5)
 
Production Cycle (DAPS 5)
Production Cycle (DAPS 5)Production Cycle (DAPS 5)
Production Cycle (DAPS 5)
 

1930s Hollywood and the Hays Code

  • 1. The 1930s • Hollywood's dramatic prison dramas • B-actor John Wayne made his debut in his first major role in a western The Big Trail (1930) - one of the first films shot in „Grandeur‟ - Fox's experimental wide-screen 70mm format • Both the film and the new process flopped; it would be nine more years before his star-making appearance in Stagecoach (1939)
  • 2. The 1930s • RKO won its sole Best Picture Academy Award for the western Cimarron (1931) • In 1930, the Motion Picture Production Code, administered by Joseph I. Breen and former Postmaster General Will Hays, set film guidelines regarding sex, violence, religion, and crime • The first daily newspaper for the film industry had its debut in 1930, The Hollywood Reporter • The first appearance of the cartoon character Popeye was in the Betty Boop cartoon from Paramount and Max Fleischer
  • 3. The 1930s • The world's first drive-in theatre opened in Camden, N.J. in June, 1933 • Walt Disney's 8-minute The Wise Little Hen (1934) featured the first appearance of Donald Duck • The American film industry was dominated by five major corporate-style studios in the 1930s • They exerted their influence over choice of films, budgets, the selection of personnel and scripts, actors, writers, and directors, editing, scoring, and publicity
  • 4. The Depression • The poor economic climate hit Hollywood hard • Nearly all of the Hollywood studios (except MGM) suffered financially during the early 30s, and studios had to reorganise, request government assistance, cut budgets and employees, and close theatres when profits plummeted • Attendance at theatres was drastically affected, although during even the darkest days of the Depression, movie attendance was still between 60-75 million per week • Special incentives and giveaways (such as 2-for-1 features, dish nights, and other contests and attractions) helped to maintain a decent audience • During most of the Depression Era, Hollywood responded with expensive, mass-produced entertainment or escapist entertainment, like The Grand Hotel (1932)
  • 5. The Lead Up To Regulation • Who were the most popular actors before the 1930s? • Which were the biggest studios? • What technological advancements had been made? • What kind of money was being pumped into the industry? • How do you think the rest of America saw Hollywood in the late 1920s?
  • 6. Regulation • The factions of society who has successfully lobbied against alcohol, turned their attention to Hollywood • Motion Picture Association of America is set up in 1922 • Its role was to regulate films and the industry in order to protect the business – self regulation • 32 States were also considering enacting laws against the movie business • In 1930, the Motion Picture Production Code was adopted • “If motion pictures present stories that will affect lives for the better, they can become the most powerful force for the improvement of mankind.” • Never really implemented until 1934, when the MPAA began to enforce the code
  • 7. The Hays Code • From 1930 - 1934, The Hays code could not cut material out of films • Amended in 1934 giving the Production Code Administration more power • Every film had to be certified by the administration • The three main principles of the Hays Code: 1. No picture shall be produced that will lower the moral standards of those who see it. Hence the sympathy of the audience should never be thrown to the side of crime, wrongdoing, evil or sin 2. Correct standards of life, subject only to the requirements of drama and entertainment, shall be presented 3. Law, natural or human, shall not be ridiculed, nor shall sympathy be created for its violation
  • 8. The Hays Code • Sex: The sanctity of the institution of marriage and the home shall be upheld. Pictures shall not infer that low forms of sex relationship are the accepted or common thing. 1. Adultery 2. Scenes of Passion 3. Seduction or Rape 4. Sex perversion or any inference to it is forbidden. 5. White slavery shall not be treated. 6. Miscegenation 7. Sex hygiene and venereal diseases are not subjects for motion pictures 8. Scenes of actual child birth, in fact or in silhouette, are never to be presented 9. Children's sex organs are never to be exposed 10.Twin beds for married couples 11.No ridicule of ministers of religion 12.The prohibition of various words "sex", "hell", and "damn” 13.Suggestive postures and gestures
  • 9. The Hays Code • All films would be submitted for a "seal of approval" - and if a film was unacceptable and denied a seal, it was not to be exhibited in theaters, and the studio would be fined $25,000 • Between 1930, many films were either suppressed, or severely mutilated or censored to fit the seal's requirements • Until 1934, restrictions on content were mostly evaded and ignored. • In the early days of the Depression in the early 1930s, the desperate Hollywood studios used the open sexuality to increase their profits
  • 10. Catholic Legion of Decency • Rating system founded in 1933 based on the beliefs of the Catholic Church: • A - Morally unobjectionable • B - Morally objectionable in part • C - Condemned by the Legion of Decency • The A rating was divided further: • A-I: Suitable for all audiences • A-II: Suitable for adults • A-III: Suitable for adults only • A-IV: For adults with reservations
  • 11. In Britain… • 1927: Home Secretary, "The position of the cinema in our national life is becoming more and more important .. [It] may have a very profound effect upon the national character.” • 1936: The Moyne Committee: “Film is undoubtedly a most important factor in the education of all classes of the community, in the spread of national culture and in presenting national ideas and customs to the world ... the propaganda value of the film cannot be over-emphasized.” • By 1939 "the cinema was easily the most important form of mass entertainment with 20m tickets being sold and 3 new cinemas being opened each weak, admission cost only a few pence, and provided probably the cheapest form of mass entertainment in most towns and cities
  • 12. In Britain J. Arthur Rank • In 1933, J. Arthur Rank, who had started by making religious films in order to spread the word of the gospel, founded British National • In 1935, he went into partnership with C.M.Woolf to take over Pinewood Studios, 20 miles west of London and found the Rank Organisation • When some early films that he was involved with didn't get a very good circulation he realised that control of the movie theatres was the key to success • He went into partnership with a gent called Oscar Deutsch who was building a J. Arthur Rank chain of cinemas • The two established the ODEON (Oscar Deutsch Entertains Our Nation) cinema chain
  • 13. The Debate! • The class will be split into two groups • One group will argue for the implementation of censorship (at the time of the Hays Code and today) • One will argue against censorship (at the time of the Hays Code and today) • Consider why censorship is important • Think about the restrictions censorship placed on the film industry – what effect might this have had? • 5 minutes to prepare for an debate…