Paper Writing Service - HelpWriting.net 👈 ✅ Quality You get an original and high-quality paper based on extensive research. The completed work will be correctly formatted, referenced and tailored to your level of study. ✅ Confidentiality We value your privacy. We do not disclose your personal information to any third party without your consent. Your payment data is also safely handled as you process the payment through a secured and verified payment processor. ✅ Originality Every single order we deliver is written from scratch according to your instructions. We have zero tolerance for plagiarism, so all completed papers are unique and checked for plagiarism using a leading plagiarism detector. ✅ On-time delivery We strive to deliver quality custom written papers before the deadline. That's why you don't have to worry about missing the deadline for submitting your assignment. ✅ Free revisions You can ask to revise your paper as many times as you need until you're completely satisfied with the result. Provide notes about what needs to be changed, and we'll change it right away. ✅ 24/7 Support From answering simple questions to solving any possible issues, we're always here to help you in chat and on the phone. We've got you covered at any time, day or night. Feminism and Art History The history of mankind has often been captured in snapshots between the rise and fall of great leaders and civilizations, by artists all with a common dream of portraying what they saw during their times. Ideologies reflective of their societies were depicted through sculptures, frescoes, pottery, paintings, and many other methods. Many of these principals were created, celebrated, and popularized by constituents of societies where andocentric values were applied not only to social and political mores, but also to the various art forms as the male body was cherished and praised and the female body was hidden away from public view. The book Feminism and Art History: Questioning the Litany edited by Norma Broude and Mary D. Garrad, strives...show more content...Kampen concludes by discussing how the image of women portrayed the idealistic views of women as caretakers who stayed at home , and works of art supported this by depicting women as …mythological or entertaining, or as an adjunct to the patron s own status; otherwise she might not appear. (pg. 74) The author believes that the artists were in denial of the experiences of working women and that s why the views of working women were limited. The visual portrayals of gender and status in Roman society stand as a bridge linking the work of art and the work of society together as one. The final chapter that I read was one I found extremely conflictant and interesting because not only did we touch on some of these topics in class, but when I visited the Metropolitan Museum I actually had some of the same issues with the works I saw there. Eve and Mary: Conflicting Images of Medieval Woman by Henry Kraus, was b

1. Feminism and Art History
The history of mankind has often been captured in snapshots between the rise and fall of great
leaders and civilizations, by artists all with a common dream of portraying what they saw during
their times. Ideologies reflective of their societies were depicted through sculptures, frescoes,
pottery, paintings, and many other methods. Many of these principals were created, celebrated,
and popularized by constituents of societies where andocentric values were applied not only to
social and political mores, but also to the various art forms as the male body was cherished and
praised and the female body was hidden away from public view. The book Feminism and Art
History: Questioning the Litany edited by Norma Broude and Mary D. Garrad, strives...show more
content...
Kampen concludes by discussing how the image of women portrayed the idealistic views of
women as caretakers who stayed at home , and works of art supported this by depicting women as
"В…mythological or entertaining, or as an adjunct to the patron's own status; otherwise she
might not appear." (pg. 74) The author believes that the artists were in denial of the experiences
of working women and that's why the views of working women were limited. The visual
portrayals of gender and status in Roman society stand as a bridge linking the work of art and the
work of society together as one. The final chapter that I read was one I found extremely
conflictant and interesting because not only did we touch on some of these topics in class, but
when I visited the Metropolitan Museum I actually had some of the same issues with the works I
saw there. Eve and Mary: Conflicting Images of Medieval Woman by Henry Kraus, was by far one
of the more fascinating chapters and discussed the distorted views of women as vessels that the
Devil could use to entrap a man and cause him to fall from God's grace, during medieval times and
reinforced by the Catholic Church. Monasteries were places that men could go and abstain from
worldly pleasures, proving their dedication to God and refraining from anything that could cause
them to sin either physically, emotionally, and especially spiritually. During the fourteenth century,
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