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social change.notebook                                                                     November 25, 2008

                    Art concerned 
                       with social 
                     commentary                 These visual images provide a vivid, 
                                                authentic picture of American history and 
                                                culture. They also serve as a springboard 
                                                for confronting issues that continue to 
                                                face the world today, especially as they 
                                                relate to Economics , War  and Race & 
                                                Ethnicity     




                Nov 24­2:06 PM                                         Nov 24­2:08 PM




                                                   Bloch created her woodcut, Land of 
                                                   Plenty, the same year she joined the 
                                                   Federal Art Project (FAP). 

                                                        A comment on the fate of poor farmers, 
                                                        the scene shows a poor, rural family of 
                                                        indeterminate race physically separated 
                                                        from the new electrical innovations and 
                                                        towering corn stalks by a barbed wire 
                                                        fence. 
                                                  The problem during the Depression was not a lack of food, but 
                                                  a lack of money – city dwellers could not afford to buy food 
                                                  from the farmers, forcing the farmers out of business despite 
                                                  their booming crops.


                           Land of plenty 
                           Lucienne Bloch




                Nov 24­2:12 PM                                         Nov 24­2:17 PM




                                                      Brodsky’s inspiration for Tomato 
                             Tomato Pickers           Pickers came to him during a long 
                             by Harry Brodsky         drive in Pennsylvania – the vehicle 
                                                      directly in front of him was a truck 
                                                      crowded with migrant workers. 
                                                      He was moved to create this image 
                                                      of archetypical poor workers, 
                                                      seeking whatever work they could 
                                                      find. What about the composition of 
                                                      this image makes it so dramatic? 




                Nov 24­2:25 PM                                         Nov 24­2:26 PM

                                                                                                                   1
social change.notebook                                                                                                       November 25, 2008

                                                                       The Agricultural Department hired Jack Delano 
                                  Miner at Dougherty’s Mine,           as a photographer for the Farm Securities 
                                  Near Falls Creek, Pennsylvania       Administration (FSA) and this photograph 
                                  by Jack Delano                       focuses on the working conditions of the coal 
                                                                       miner. 
                                                                       Between 1880 and 1930 the coal industry 
                                                                       expanded as the production of steel required 
                                                                       coal to fuel the furnaces. In the 1930s mining 
                                                                       sites could be found throughout the eastern 
                                                                       United States and mechanization began to be 
                                                                       implemented within coal mines but the 
                                                                       conditions were still dirty and the risk of injury 
                                                                       or death due to explosions or a shaft 
                                                                       collapsing was still high. 
                                                                       Workers were typically immigrants and were 
                                                                       required to live in company­built, efficiency 
                                                                       towns called “patches.” What does this 
                                                                       photograph tell you about the quality of life of 
                                                                       a coal miner in the 1930s in the USA?




                      Nov 24­2:27 PM                                                               Nov 24­2:28 PM




                                                                            This deserted and rapidly decaying 
                                                                            West Texas gas station sits in isolation 
                                                                            in an arid landscape. Perhaps Mauzey 
                                                                            saw the war in Europe as casting a 
                                                                            shadow on the West Texas economy. 
                                                                            Do you agree with this conclusion?




       West Texas

       by Meritt Mauzey




                      Nov 24­2:29 PM                                                               Nov 24­2:30 PM




                                       A Manhattan Landscape with 
                                                                     Like much of Abelman’s work, this lithograph criticizes the 
                                       Figures
                                                                     effects that technology and business can have on nature and 
                                       by Ida Ableman                human life. 
                                                                     A group of people, nervously glancing around at their 
                                                                     surroundings, huddle together under a streetlight; they are 
                                                                     bordered on the top by the elevated railway, and the back of 
                                                                     the image is dominated by imposing buildings. 
                                                                     The flowers and apples the two women in the front sell have 
                                                                     been taken out of their natural context and are instead being 
                                                                     used commercially. The intricate floral design adorning the 
                                                                     streetlight further demonstrates the assimilation of natural life 
                                                                     into an unfeeling technology. 




                      Nov 24­2:32 PM                                                               Nov 24­2:32 PM

                                                                                                                                                 2
social change.notebook                                                                                 November 25, 2008




                          Jobless Man

                          by Francis Chapin
                                                             Chapin, an Ohio native, was trained at the Art Institute of 
                                                             Chicago where he became an instructor in lithography. He 
                                                             spent most of his life in Chicago. His skills as a printmaker 
                                                             are evident in this depiction of an unemployed man killing 
                                                             time over a cup of coffee at a lunch counter, a scene he no 
                                                             doubt witnessed often in Chicago.
                                                             What do you imagine this man is thinking about?




                Nov 24­2:37 PM                                                      Nov 24­2:37 PM




                                                                 From a privileged background, Evergood’s education and 
                                               Spring
                                                                 lifestyle were paid for by his wealthy family. He was deeply 
                                               by Phillip        moved by his first exposure to New York City’s poor. 
                                               Evergood          During a nighttime walk in the winter, he encountered a 
                                                                 group of homeless men, huddled around fires in make­shift 
                                                                 shelters. He was so affected by these men and their plight 
                                                                 that he remained with them all night, talking with them 
                                                                 and sketching them. 
                                                                 Spring eventually grew out of these drawings and is a 
                                                                 condemnation of the city’s widespread poverty. The 
                                                                 wheelless car symbolizes the near impossibility of social or 
                                                                 economic mobility for these men, but Evergood also placed 
                                                                 the delicate white flower in the bottom left corner to 
                                                                 suggest hope.




                Nov 24­2:38 PM                                                      Nov 24­2:39 PM




                              The Unemployed

                              by Raphael Soyer                 The scope of the unemployment problem during the Great Depression 
                                                               is poignantly portrayed in this 1931 painting. 
                                                               Weary men stand in line and scan the newspaper for jobs in what 
                                                               appears to be an industrial area of a large city. Many others are 
                                                               stretched out on I­beams most likely made at the factory, trying to 
                                                               catch some rest while still hoping to be available for potential 
                                                               employment. The dramatic diagonals of the beam lead the viewer back 
                                                               into the emptiness of industrial buildings that show no sign of 
                                                               economic activity.  25% unemployment




                Nov 24­2:40 PM                                                      Nov 24­2:42 PM

                                                                                                                                      3
social change.notebook                                                                                         November 25, 2008



                                              Supper
                                                                         At the same time that President Lyndon B. Johnson 
                                              by Joseph 
                                                                         declared his War on Poverty, Hirsch was painting 
                                              Hirsch                     Supper, his own condemnation of the nation’s inability 
                                                                         to care for its elderly poor. 
                                                                         Twelve men in tattered clothing eat together around a 
                                                                         formal table, a probable allusion to the Last Supper. 
                                                                         Their contentedness at having a hot meal and company 
                                                                         to share it with is evident, and serves as the basis for 
                                                                         Hirsch’s dismay. 
                                                                         If such a seemingly small act can so greatly improve 
                                                                         lives, Hirsch implies, why does it remain elusive except 
                                                                         around the holidays? 




                Nov 24­2:44 PM                                                             Nov 24­2:44 PM




                                                                  Quirt, a member of the American Artists’ Congress, began 
                                          Obeisance to Poverty
                                                                  this surrealist painting in the year the Congress first met. 
                                          by Walter Quirt         Quirt is criticizing the tendency of the public to romantically 
                                                                  “elevate” and praise the poverty­stricken mothers who 
                                                                  manage to keep their families together. 
                                                                  It would be harder, but ultimately more helpful, if the public 
                                                                  and leaders instead fought to solve the problems at the root of 
                                                                  poverty. The mother and child at the center of the image 
                                                                  represent both poverty and the Christian Madonna and child, 
                                                                  while the figures on the left represent various religious 
                                                                  leaders.




                Nov 24­2:45 PM                                                             Nov 24­2:46 PM




                            Herrin Massacre

                            by Paul Cadmus                       Cadmus was one of sixteen artists commissioned by Life 
                                                                 magazine to illustrate significant moments in American history 
                                                                 after 1915. Cadmus chose to depict the tragic events of a labor 
                                                                 contract dispute which occurred in the mining town of Herrin, 
                                                                 Illinois in 1925. 
                                                                 The bloody riot that ensued left twenty­six dead strikebreakers, 
                                                                 slain by labor union members. Cadmus situated the action in a 
                                                                 town cemetery, and included the symbolic Christian image of 
                                                                 the sacrificial lamb on a headstone, drenched in blood.
                                                                 However, Cadmus’s tempera painting was never published by 
                                                                 Life, most likely because the magazine did not wish to offend 
                                                                 organized labor just as the nation was gearing up for war 
                                                                 production.




                Nov 24­2:47 PM                                                             Nov 24­2:48 PM

                                                                                                                                     4
social change.notebook                                                                                                                                       November 25, 2008



                                                                           3rd of May
                                                                           Francisco Goya


                                                                           Goya sought to 
                                                                           commemorate Spanish 
                                                                           resistance to Napoleon's 
                                                                           armies during the 
                                                                           occupation of 1808




    The painting's content, presentation, and emotional force secure its status as a 
    groundbreaking, archetypal image of the horrors of war. Although it draws on 
    many sources in high and popular art, The Third of May 1808 marks a clear 
    break from convention. Diverging from the traditions of Christian art and 
    traditional depictions of war, it has no distinct precedent, and is acknowledged 
    as one of the first paintings of the modern era.




                               Nov 25­12:04 PM                                                                                       Nov 25­12:27 PM




   Guernica is a painting by Pablo Picasso, showing the Nazi German bombing of Guernica , 
   Spain, by twenty­eight bombers, on April 26 , 1937  during the Spanish Civil War . The 
   attack killed between 250 and 1,600 people, and many more were injured.                             Liberty Leading the People (French : La Liberté guidant le peuple) is a painting 
   The Spanish rulers commissioned Pablo Picasso to create a large mural for the Spanish               by Eugène Delacroix  commemorating the July Revolution  of 1830, which 
   display at the Paris International Exposition (the 1937 World's Fair  in Paris ). The               toppled Charles X . A woman personifying Liberty  leads the people forward over 
   Guernica bombing inspired Picasso. Guernica shows the tragedies of war and the suffering            the bodies of the fallen, holding the tricolore  flag  of the French Revolution in 
   war inflicts upon individuals.                                                                      one hand and brandishing a bayonetted  musket  with the other




                               Nov 25­12:17 PM                                                                                       Nov 25­12:20 PM




                                                   How to Explain Pictures to a Dead Hare. 
                                                   The artist could be viewed through the 
                                                   glass of the gallery’s window. His face was 
                                                   covered in honey and gold leaf, an iron 
                                                   slab was attached to his boot. In his arms 
                                                   he cradled a dead hare, into whose ear he 
                                                   mumbled muffled noises as well as 
                                                   explanations of the drawings that lined the 
                                                   walls. Such materials and actions had 
                                                   specific symbolic value for Beuys. For 
                                                   example, honey was the product of bees 
                                                   who, for Beuys (following Rudolf Steiner), 
                                                   represented as ideal society of warmth and 
                                                   brotherhood. Gold had its importance 
                                                   within alchemical enquiry, and iron, the 
                                                   metal of Mars, stood for a masculine 
                                                   principle of strength and connection to the 
                                                   earth. A photograph from the performance, 
                                                   in which Beuys is sitting with the hare, has 
                                                   been described quot;by some critics as a new 
                                                   Mona Lisa of the 20th century,quot; though 
                                                                                                       CONVERSATIONS WITH A COYOTE (HOW TO RECOGNIZE A POSTMODERN ANIMAL 
                                                   Beuys did not agree with that.
                                                                                                       WHEN YOU SEE ONE) ­­ Joseph Beuys, Carlos Castaneda, Sam Keen & Jean­Francois 
                                                                                                       Lyotard




                               Nov 25­12:21 PM                                                                                       Nov 25­12:41 PM

                                                                                                                                                                                             5
social change.notebook                                                                                          November 25, 2008



                                                                 • List 10 social problems
                                                                 •
                                                                 • pick 3 of these and create 5 thumbnails 
                                                                 •
                                                                 • chose the best thumbnails and create 3 color sketches

                                                                              When you return we can chose one of the 
                                                                              three sketches and complete a work.
                                                                                 All resource material is due then too.



                                                                   20pts of you project grade ( I will consider quality of the sketches)
                     Other canvases depict men being 
                     sodomized with a broken stick, suffering 
                     a rain of urine or cowering before green 
                     attack dogs that are combination wolf, 
                     bull and stegosaurus.




               Nov 25­12:42 PM                                                         Nov 25­12:55 PM




                                                                                                                                           6

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Social Change

  • 1. social change.notebook November 25, 2008 Art concerned  with social  commentary These visual images provide a vivid,  authentic picture of American history and  culture. They also serve as a springboard  for confronting issues that continue to  face the world today, especially as they  relate to Economics , War  and Race &  Ethnicity   Nov 24­2:06 PM Nov 24­2:08 PM Bloch created her woodcut, Land of  Plenty, the same year she joined the  Federal Art Project (FAP).  A comment on the fate of poor farmers,  the scene shows a poor, rural family of  indeterminate race physically separated  from the new electrical innovations and  towering corn stalks by a barbed wire  fence.  The problem during the Depression was not a lack of food, but  a lack of money – city dwellers could not afford to buy food  from the farmers, forcing the farmers out of business despite  their booming crops. Land of plenty  Lucienne Bloch Nov 24­2:12 PM Nov 24­2:17 PM Brodsky’s inspiration for Tomato  Tomato Pickers Pickers came to him during a long  by Harry Brodsky drive in Pennsylvania – the vehicle  directly in front of him was a truck  crowded with migrant workers.  He was moved to create this image  of archetypical poor workers,  seeking whatever work they could  find. What about the composition of  this image makes it so dramatic?  Nov 24­2:25 PM Nov 24­2:26 PM 1
  • 2. social change.notebook November 25, 2008 The Agricultural Department hired Jack Delano  Miner at Dougherty’s Mine,  as a photographer for the Farm Securities  Near Falls Creek, Pennsylvania Administration (FSA) and this photograph  by Jack Delano focuses on the working conditions of the coal  miner.  Between 1880 and 1930 the coal industry  expanded as the production of steel required  coal to fuel the furnaces. In the 1930s mining  sites could be found throughout the eastern  United States and mechanization began to be  implemented within coal mines but the  conditions were still dirty and the risk of injury  or death due to explosions or a shaft  collapsing was still high.  Workers were typically immigrants and were  required to live in company­built, efficiency  towns called “patches.” What does this  photograph tell you about the quality of life of  a coal miner in the 1930s in the USA? Nov 24­2:27 PM Nov 24­2:28 PM This deserted and rapidly decaying  West Texas gas station sits in isolation  in an arid landscape. Perhaps Mauzey  saw the war in Europe as casting a  shadow on the West Texas economy.  Do you agree with this conclusion? West Texas by Meritt Mauzey Nov 24­2:29 PM Nov 24­2:30 PM A Manhattan Landscape with  Like much of Abelman’s work, this lithograph criticizes the  Figures effects that technology and business can have on nature and  by Ida Ableman human life.  A group of people, nervously glancing around at their  surroundings, huddle together under a streetlight; they are  bordered on the top by the elevated railway, and the back of  the image is dominated by imposing buildings.  The flowers and apples the two women in the front sell have  been taken out of their natural context and are instead being  used commercially. The intricate floral design adorning the  streetlight further demonstrates the assimilation of natural life  into an unfeeling technology.  Nov 24­2:32 PM Nov 24­2:32 PM 2
  • 3. social change.notebook November 25, 2008 Jobless Man by Francis Chapin Chapin, an Ohio native, was trained at the Art Institute of  Chicago where he became an instructor in lithography. He  spent most of his life in Chicago. His skills as a printmaker  are evident in this depiction of an unemployed man killing  time over a cup of coffee at a lunch counter, a scene he no  doubt witnessed often in Chicago. What do you imagine this man is thinking about? Nov 24­2:37 PM Nov 24­2:37 PM From a privileged background, Evergood’s education and  Spring lifestyle were paid for by his wealthy family. He was deeply  by Phillip  moved by his first exposure to New York City’s poor.  Evergood During a nighttime walk in the winter, he encountered a  group of homeless men, huddled around fires in make­shift  shelters. He was so affected by these men and their plight  that he remained with them all night, talking with them  and sketching them.  Spring eventually grew out of these drawings and is a  condemnation of the city’s widespread poverty. The  wheelless car symbolizes the near impossibility of social or  economic mobility for these men, but Evergood also placed  the delicate white flower in the bottom left corner to  suggest hope. Nov 24­2:38 PM Nov 24­2:39 PM The Unemployed by Raphael Soyer The scope of the unemployment problem during the Great Depression  is poignantly portrayed in this 1931 painting.  Weary men stand in line and scan the newspaper for jobs in what  appears to be an industrial area of a large city. Many others are  stretched out on I­beams most likely made at the factory, trying to  catch some rest while still hoping to be available for potential  employment. The dramatic diagonals of the beam lead the viewer back  into the emptiness of industrial buildings that show no sign of  economic activity.  25% unemployment Nov 24­2:40 PM Nov 24­2:42 PM 3
  • 4. social change.notebook November 25, 2008 Supper At the same time that President Lyndon B. Johnson  by Joseph  declared his War on Poverty, Hirsch was painting  Hirsch Supper, his own condemnation of the nation’s inability  to care for its elderly poor.  Twelve men in tattered clothing eat together around a  formal table, a probable allusion to the Last Supper.  Their contentedness at having a hot meal and company  to share it with is evident, and serves as the basis for  Hirsch’s dismay.  If such a seemingly small act can so greatly improve  lives, Hirsch implies, why does it remain elusive except  around the holidays?  Nov 24­2:44 PM Nov 24­2:44 PM Quirt, a member of the American Artists’ Congress, began  Obeisance to Poverty this surrealist painting in the year the Congress first met.  by Walter Quirt Quirt is criticizing the tendency of the public to romantically  “elevate” and praise the poverty­stricken mothers who  manage to keep their families together.  It would be harder, but ultimately more helpful, if the public  and leaders instead fought to solve the problems at the root of  poverty. The mother and child at the center of the image  represent both poverty and the Christian Madonna and child,  while the figures on the left represent various religious  leaders. Nov 24­2:45 PM Nov 24­2:46 PM Herrin Massacre by Paul Cadmus Cadmus was one of sixteen artists commissioned by Life  magazine to illustrate significant moments in American history  after 1915. Cadmus chose to depict the tragic events of a labor  contract dispute which occurred in the mining town of Herrin,  Illinois in 1925.  The bloody riot that ensued left twenty­six dead strikebreakers,  slain by labor union members. Cadmus situated the action in a  town cemetery, and included the symbolic Christian image of  the sacrificial lamb on a headstone, drenched in blood. However, Cadmus’s tempera painting was never published by  Life, most likely because the magazine did not wish to offend  organized labor just as the nation was gearing up for war  production. Nov 24­2:47 PM Nov 24­2:48 PM 4
  • 5. social change.notebook November 25, 2008 3rd of May Francisco Goya Goya sought to  commemorate Spanish  resistance to Napoleon's  armies during the  occupation of 1808 The painting's content, presentation, and emotional force secure its status as a  groundbreaking, archetypal image of the horrors of war. Although it draws on  many sources in high and popular art, The Third of May 1808 marks a clear  break from convention. Diverging from the traditions of Christian art and  traditional depictions of war, it has no distinct precedent, and is acknowledged  as one of the first paintings of the modern era. Nov 25­12:04 PM Nov 25­12:27 PM Guernica is a painting by Pablo Picasso, showing the Nazi German bombing of Guernica ,  Spain, by twenty­eight bombers, on April 26 , 1937  during the Spanish Civil War . The  attack killed between 250 and 1,600 people, and many more were injured. Liberty Leading the People (French : La Liberté guidant le peuple) is a painting  The Spanish rulers commissioned Pablo Picasso to create a large mural for the Spanish  by Eugène Delacroix  commemorating the July Revolution  of 1830, which  display at the Paris International Exposition (the 1937 World's Fair  in Paris ). The  toppled Charles X . A woman personifying Liberty  leads the people forward over  Guernica bombing inspired Picasso. Guernica shows the tragedies of war and the suffering  the bodies of the fallen, holding the tricolore  flag  of the French Revolution in  war inflicts upon individuals. one hand and brandishing a bayonetted  musket  with the other Nov 25­12:17 PM Nov 25­12:20 PM How to Explain Pictures to a Dead Hare.  The artist could be viewed through the  glass of the gallery’s window. His face was  covered in honey and gold leaf, an iron  slab was attached to his boot. In his arms  he cradled a dead hare, into whose ear he  mumbled muffled noises as well as  explanations of the drawings that lined the  walls. Such materials and actions had  specific symbolic value for Beuys. For  example, honey was the product of bees  who, for Beuys (following Rudolf Steiner),  represented as ideal society of warmth and  brotherhood. Gold had its importance  within alchemical enquiry, and iron, the  metal of Mars, stood for a masculine  principle of strength and connection to the  earth. A photograph from the performance,  in which Beuys is sitting with the hare, has  been described quot;by some critics as a new  Mona Lisa of the 20th century,quot; though  CONVERSATIONS WITH A COYOTE (HOW TO RECOGNIZE A POSTMODERN ANIMAL  Beuys did not agree with that. WHEN YOU SEE ONE) ­­ Joseph Beuys, Carlos Castaneda, Sam Keen & Jean­Francois  Lyotard Nov 25­12:21 PM Nov 25­12:41 PM 5
  • 6. social change.notebook November 25, 2008 • List 10 social problems • • pick 3 of these and create 5 thumbnails  • • chose the best thumbnails and create 3 color sketches When you return we can chose one of the  three sketches and complete a work. All resource material is due then too. 20pts of you project grade ( I will consider quality of the sketches) Other canvases depict men being  sodomized with a broken stick, suffering  a rain of urine or cowering before green  attack dogs that are combination wolf,  bull and stegosaurus. Nov 25­12:42 PM Nov 25­12:55 PM 6