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Post-        Modernism
    prefix which    time of belief in
   means “after”      an absolute
                     universal truth


                        = after the time
of belief in an absolute universal truth
Modernism             Postmodernism
Industrial Revolution    Period of mass
                             media
     Laments               Celebrates
  fragmentation          fragmentation
  Works of art can   Works of art cannot
provide meaning to provide meaning to
     the world        the meaningless
                            world
Learn things to know Learn things to use
        them                them
Failure of Industrial Revolution,
WWII and Poverty (1900-1940s)
Revolt against
 dehumanization of industrialism
Sense that Western culture
 had lost its bearings & values
0
Failure of Industrial Revolution,
WWII and Poverty (1900-1940s)
Exposure of hypocritical
 moralism of Christianity
Popularization of Charles
 Darwin’s evolutionary theory
The Year of Student
      Revolution (1968)
Architectural student rebellion
 against modernist teachers
       “Break the rules!
         Mix up styles!
       Play with space!
   Defy gravity if you like!”
Space   Race
 (1950s)
Identity
 Movements:
 Feminism and
 Black Power
 (1960s)
Beatles (1963)
JFK   Assassination
 (1963)
Culture Wars:
 Debates over
 Canonical Inclusion
 (1980s)
Release of
 Michael Jackson’s
 Thriller (1983)
“Postmodernism is
 incredulity towards
  Meta-narratives.”
  Jean-Francois Lyotard,
The Postmodern Condition
          (1979)
There  is no true worldview.
Knowledge is the result of
 culture and language.
Reality is from our individual
 interpretation.
Notions regarded as universal
 are mere social constructs.
Deconstruction
         by Jacques Derrida
Texts are incapable
 of conveying truth
 about objective
 reality
Released text ends
 the author’s
 ownership
Iconoclasm:   anti-cultural
 standards
Groundless: anti-final
 interpretation
Formlessness: anti-influential
 metaphor
Populism: anti-restriction
CONSUMER CAPITALISM
Global   economy
Outsourcing and free
 trade agreements
Decline in
 manufacturing
Rise in unemployment
Increase in part-time
 flexible and home
 working
LIMITLESS
Nonlinearity
Multiplestyles, multiple goals
Seemingly disjointed
Influence of digital
 technology
Marilyn Monroe by Andi Warhol
Playing with Gods by Morimura Yasumasa
How Mali Lost Her Accent by Pacita Abad
Cocktail Party by Sandy Skoglund
Wrapped Trees
BOLD AESTHETICS
Styles  collide
New ways of viewing
 familiar styles
Artists call attention to their
 environment rather than to
 themselves
Guggenheim Museum by Frank Gehry
Dancing House by Vlado Milunic
DG Bank Building by Hans Schober
Royal Ontario Museum by William Thorsell
Food Theater Café by Daniel Libeskind
MULTICULTURALISM
Breakdown   of cultural
 boundaries
Discussing sex is not a taboo
Can be in any religion and still
 recognize others
King of Talk Boy Abunda



Karl Lagerfeld for Chanel                                      Playboy




      Gay Marriage          Baz Luhrman’s Romeo and Juliet   Barack Obama
HYPERREALITY
More  real than reality itself
Reality as entertainment
Refers to other texts and
 assumes familiarity
Emphasis on image and style
 rather than meaning
The Matrix              Homer Simpson as Da Vinci’s Human Body




Spiderman Kiss in Shrek                  Reality TV
Madonna




          Lady Gaga
TECHNOPOLY
Revolves  around Cyberspace
 and Virtual Reality
Social interactions happen
 online
Cocooning - people cannot
 live without computer
Social Networking




                            Cyber Bullying
Vatican’s Youtube Account
Cocooning
‘There is no absolute
truth’ is a statement that
            claims
  to be absolutely true.
          Therefore,
 Postmodernism refutes
            itself.
The deconstruction
  of foundational
 views will lead to
 recognition and
 acceptance of a
      pluralistic
     worldview.
??



??   BA!
Rejects boundaries
Deliberately violates standards
 of sense and decency
Shows constant struggle:
 man vs. man, man vs. self and
 man vs. society
Creation of intrusive breaks
 and ironies
Irony, playfulness, black
 humor
Pastiche
Metafiction
Paranoia
Temporal distortion
Intertextuality
Joseph Heller
                  Known   for his satires and
                   playwrights
                  Works center on the lives of
                   various members of the middle
                   class

         Catch 22
 Has  a non-chronological style
 Events are described from
  different points -of-view so that
  the time line develops along
  with the plot
Kurt Vonnegut
                Known   for using Pastiche in his
                 works
                Blends satire, black comedy,
                 and science fiction to create
                 novels

   Breakfast of Champions
 Uses paranoia
 Has a character who becomes
  violent when he imagines
  people as robots while he
  remains as the only human
Thomas Pynchon
                  Known  for fictional writing over
                  many different subjects such as
                  science, mathematics and
                  history



    The Crying of Lot 49
 Uses humorous wordplay while
  discussing serious subjects
 Has comic character names
  (e.g. Mike Fallopian, Stanley
  Koteks and Dr. Hilarius)
Amy Tan
                 Known   for writing works which
                  explore mother-daughter
                  relationships




  The Kitchen God’s Wife
 Challenges the dominant
 narratives of contemporary
 society about who matters
 and who does not
Jessica Hagedorn
                   Known    for works with a
                    collision of cultures, the saga
                    of immigration, cultural
                    meltdown and renewal



         Dogeaters
 Uses a whirlwind pastiche of life
 in the Philippines just before the
 fall of the Marcos regime
Nick Carbo
                   Editor
                         of the groundbreaking
                   anthology of Filipino and Filipino
                   American poetry, Returning A
                   Borrowed Tongue



         Secret Asian Man
 Uses a hilarious yet heartbreaking
  look at the immigrant experience
 Revolves on a hero who
  becomes a spy, sniffing out the
  criminals of America's racist pop
  culture and Iiterary canon
Miguel Syjuco
               Locallyand Internationally
                acclaimed Filipino writer
               2008 winner of Palanca Awards
                Grand Prize for English Novel and
                Man Asian Literary Prize


          Ilustrado
 Names  a character after the
 author himself who investigates
 to discover the truth behind the
 death of renowned writer
 Crispin Salvador
How is Postmodernism related
      to Popular Culture?
 Postmodernism         Popular Culture
 birth of individual   mass commercial
 interpretations of         culture
       reality
    Cultural commodities which have
 resources that people can consume to
give meaning to their social identity and
       relations become popular.
Ashton, J. (2005). From Modernism to Postmodernism.
       New York: Cambridge University Press.
Basson, A. (2007). Postmodernism. Academia Nuts, 1-2.
Deely, J. (2000, November 21). The Beginning of
       Postmodern Times. The Red Book. Helsinki,
       Yliopisto, Finland: University of Helsinki.
Featherstone, M. (2007). Consumer Culture and
       Postmodernism. Los Angeles: Sage Publications.
Shrader, R. (2006). Postmodernism. Collins: Bethel
       Baptist Church.
Taylor, V., & Winquist, C. (2001). Encyclopedia of
       Postmodernism. London: Routledge.
Vanhoozer, K. (2003). The Cambridge Companion to
       Postmodern Theology. New York: Cambridge
       University Press.
Postmodernism

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Postmodernism

  • 1.
  • 2. Post- Modernism prefix which time of belief in means “after” an absolute universal truth = after the time of belief in an absolute universal truth
  • 3. Modernism Postmodernism Industrial Revolution Period of mass media Laments Celebrates fragmentation fragmentation Works of art can Works of art cannot provide meaning to provide meaning to the world the meaningless world Learn things to know Learn things to use them them
  • 4. Failure of Industrial Revolution, WWII and Poverty (1900-1940s) Revolt against dehumanization of industrialism Sense that Western culture had lost its bearings & values
  • 5. 0 Failure of Industrial Revolution, WWII and Poverty (1900-1940s) Exposure of hypocritical moralism of Christianity Popularization of Charles Darwin’s evolutionary theory
  • 6. The Year of Student Revolution (1968) Architectural student rebellion against modernist teachers “Break the rules! Mix up styles! Play with space! Defy gravity if you like!”
  • 7. Space Race (1950s) Identity Movements: Feminism and Black Power (1960s) Beatles (1963)
  • 8. JFK Assassination (1963) Culture Wars: Debates over Canonical Inclusion (1980s) Release of Michael Jackson’s Thriller (1983)
  • 9. “Postmodernism is incredulity towards Meta-narratives.” Jean-Francois Lyotard, The Postmodern Condition (1979)
  • 10. There is no true worldview. Knowledge is the result of culture and language. Reality is from our individual interpretation. Notions regarded as universal are mere social constructs.
  • 11. Deconstruction by Jacques Derrida Texts are incapable of conveying truth about objective reality Released text ends the author’s ownership
  • 12. Iconoclasm: anti-cultural standards Groundless: anti-final interpretation Formlessness: anti-influential metaphor Populism: anti-restriction
  • 13. CONSUMER CAPITALISM Global economy Outsourcing and free trade agreements Decline in manufacturing Rise in unemployment Increase in part-time flexible and home working
  • 14.
  • 15. LIMITLESS Nonlinearity Multiplestyles, multiple goals Seemingly disjointed Influence of digital technology
  • 16. Marilyn Monroe by Andi Warhol
  • 17. Playing with Gods by Morimura Yasumasa
  • 18. How Mali Lost Her Accent by Pacita Abad
  • 19. Cocktail Party by Sandy Skoglund
  • 21. BOLD AESTHETICS Styles collide New ways of viewing familiar styles Artists call attention to their environment rather than to themselves
  • 22. Guggenheim Museum by Frank Gehry
  • 23. Dancing House by Vlado Milunic
  • 24. DG Bank Building by Hans Schober
  • 25. Royal Ontario Museum by William Thorsell
  • 26. Food Theater Café by Daniel Libeskind
  • 27. MULTICULTURALISM Breakdown of cultural boundaries Discussing sex is not a taboo Can be in any religion and still recognize others
  • 28. King of Talk Boy Abunda Karl Lagerfeld for Chanel Playboy Gay Marriage Baz Luhrman’s Romeo and Juliet Barack Obama
  • 29. HYPERREALITY More real than reality itself Reality as entertainment Refers to other texts and assumes familiarity Emphasis on image and style rather than meaning
  • 30. The Matrix Homer Simpson as Da Vinci’s Human Body Spiderman Kiss in Shrek Reality TV
  • 31. Madonna Lady Gaga
  • 32. TECHNOPOLY Revolves around Cyberspace and Virtual Reality Social interactions happen online Cocooning - people cannot live without computer
  • 33. Social Networking Cyber Bullying Vatican’s Youtube Account
  • 35. ‘There is no absolute truth’ is a statement that claims to be absolutely true. Therefore, Postmodernism refutes itself.
  • 36. The deconstruction of foundational views will lead to recognition and acceptance of a pluralistic worldview.
  • 37. ?? ?? BA!
  • 38. Rejects boundaries Deliberately violates standards of sense and decency Shows constant struggle: man vs. man, man vs. self and man vs. society Creation of intrusive breaks and ironies
  • 39. Irony, playfulness, black humor Pastiche Metafiction Paranoia Temporal distortion Intertextuality
  • 40. Joseph Heller  Known for his satires and playwrights  Works center on the lives of various members of the middle class Catch 22  Has a non-chronological style  Events are described from different points -of-view so that the time line develops along with the plot
  • 41. Kurt Vonnegut  Known for using Pastiche in his works  Blends satire, black comedy, and science fiction to create novels Breakfast of Champions  Uses paranoia  Has a character who becomes violent when he imagines people as robots while he remains as the only human
  • 42. Thomas Pynchon  Known for fictional writing over many different subjects such as science, mathematics and history The Crying of Lot 49  Uses humorous wordplay while discussing serious subjects  Has comic character names (e.g. Mike Fallopian, Stanley Koteks and Dr. Hilarius)
  • 43. Amy Tan  Known for writing works which explore mother-daughter relationships The Kitchen God’s Wife  Challenges the dominant narratives of contemporary society about who matters and who does not
  • 44. Jessica Hagedorn  Known for works with a collision of cultures, the saga of immigration, cultural meltdown and renewal Dogeaters  Uses a whirlwind pastiche of life in the Philippines just before the fall of the Marcos regime
  • 45. Nick Carbo  Editor of the groundbreaking anthology of Filipino and Filipino American poetry, Returning A Borrowed Tongue Secret Asian Man  Uses a hilarious yet heartbreaking look at the immigrant experience  Revolves on a hero who becomes a spy, sniffing out the criminals of America's racist pop culture and Iiterary canon
  • 46. Miguel Syjuco  Locallyand Internationally acclaimed Filipino writer  2008 winner of Palanca Awards Grand Prize for English Novel and Man Asian Literary Prize Ilustrado  Names a character after the author himself who investigates to discover the truth behind the death of renowned writer Crispin Salvador
  • 47. How is Postmodernism related to Popular Culture? Postmodernism Popular Culture birth of individual mass commercial interpretations of culture reality Cultural commodities which have resources that people can consume to give meaning to their social identity and relations become popular.
  • 48. Ashton, J. (2005). From Modernism to Postmodernism. New York: Cambridge University Press. Basson, A. (2007). Postmodernism. Academia Nuts, 1-2. Deely, J. (2000, November 21). The Beginning of Postmodern Times. The Red Book. Helsinki, Yliopisto, Finland: University of Helsinki. Featherstone, M. (2007). Consumer Culture and Postmodernism. Los Angeles: Sage Publications. Shrader, R. (2006). Postmodernism. Collins: Bethel Baptist Church. Taylor, V., & Winquist, C. (2001). Encyclopedia of Postmodernism. London: Routledge. Vanhoozer, K. (2003). The Cambridge Companion to Postmodern Theology. New York: Cambridge University Press.