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National Cultural and Creative Industries Policies KKP404 Creative Industries: Theory and Policy Semester Two, 2008 Associate Professor Terry Flew
Purposes of this lecture ,[object Object],[object Object],[object Object],[object Object],[object Object]
Cultural Policy: Historical Perspectives ,[object Object],[object Object],[object Object],[object Object],[object Object]
Culture and the nation-state ,[object Object]
Cultural Policy: theoretical perspectives ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Origins of Arts Policy ,[object Object],[object Object],[object Object]
Differences between arts policy and cultural policy ,[object Object],[object Object],[object Object],[object Object],[object Object]
French Cultural Policy: case study ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Domains of Cultural Policy ,[object Object],[object Object],[object Object],[object Object],[object Object]
Instruments of Cultural Policy ,[object Object],[object Object],[object Object]
Models of Cultural Policy (Nation) Political State political objectives Government ownership of cultural organisations Former USSR, Mao-era China, Cuba Engineer National and community National and community cultural development Direct grants from Ministry of Culture France, Scandinavian countries Architect Professional or peer-based ‘ Arm’s length’ principle Grants by quasi-independent bodies Britain, Australia Patron Commercial or patron tastes Market manipulation Tax concessions United States Facilitator Modes of Evaluation   Dominant Strategies   Principal Funding  Mechanisms   Model Country   Role of  State Cultural Agencies
Models of cultural policy over time (Celia Lury- UK) ,[object Object],[object Object],[object Object],[object Object],[object Object]
The Australian Case ,[object Object],[object Object],[object Object],[object Object],[object Object]
The Australia Council ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Major Arts Inquiries in Australia ,[object Object],[object Object],[object Object],[object Object],[object Object]
Creative Nation  (1994) ,[object Object],[object Object],[object Object]
Cultural policy as national identity:  Creative Nation  (1994) ,[object Object]
Cultural policy as economic policy:  Creative Nation  (1994) ,[object Object]
Cultural Policy under the Howard Government (1996 -  ) ,[object Object],[object Object],[object Object],[object Object]
Securing the Future: Major Performing Arts Inquiry  (Nugent Report 1999) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Australians and the Arts , Saatchi & Saatchi Report (2000) ,[object Object],[object Object],[object Object]
Four challenges of arts and cultural policy ,[object Object],[object Object],[object Object],[object Object],[object Object]
Shifting rationales for arts and cultural policy support ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Four models of the cultural economy ,[object Object],[object Object],[object Object],[object Object],[object Object]

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Cultural Policy Lecture

  • 1. National Cultural and Creative Industries Policies KKP404 Creative Industries: Theory and Policy Semester Two, 2008 Associate Professor Terry Flew
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  • 11. Models of Cultural Policy (Nation) Political State political objectives Government ownership of cultural organisations Former USSR, Mao-era China, Cuba Engineer National and community National and community cultural development Direct grants from Ministry of Culture France, Scandinavian countries Architect Professional or peer-based ‘ Arm’s length’ principle Grants by quasi-independent bodies Britain, Australia Patron Commercial or patron tastes Market manipulation Tax concessions United States Facilitator Modes of Evaluation Dominant Strategies Principal Funding Mechanisms Model Country Role of State Cultural Agencies
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