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A SKILLS PERSPECTIVE
TO ARTS EDUCATION
Dirk Van Damme
Head of the Innovation and Measuring
Progress division – OECD/EDU
World Summit on Arts Education, Wildbad Kreuth, 14 May 2013
2
WHICH SKILLS DO 21ST
SOCIETIES NEED?
3
4
Changing skill demand
40
45
50
55
60
65
1960 1970 1980 1990 2000
Routine manual
Nonroutine manual
Routine cognitive
Nonroutine analytic
Nonroutine interactive
Source: Levy and Murnane, 2005
Meantaskinputaspercentilesofthe1960taskdistribution
Economy-wide measures of routine and non-routine task input (US)
Working in creative jobs.
Increase in creativity-oriented jobs (Canada, 1901-2006)
5
6
Critical skills for the most innovative jobs
(tertiary-educated workers)
Likelihood (odds ratios) of reporting the following job requirements: people
in the most innovative jobs vs. least innovative jobs
Source: OECD, based on REFLEX and HEGESCO data
21st Century Skills
Ways of thinking
•Creativity and innovation
•Critical thinking, problem solving
•Learning to learn, meta-cognition
Ways of working
•Communication
•Collaboration (teamwork)
Tools of working
•Information literacy
•ICT literacy
Living in the world
•Citizenship – local and global
•Life and career
•Personal, social responsibility
Source: Microsoft-Intel-Cisco ATC21S project
7
Individual Skills for Innovation
8
What share of graduates of a given field
have a highly innovative job?
Product /service innovation
Source: OECD, based on REFLEX and HEGESCO data 9
What share of graduates of a given field
have a highly innovative job?
Technology, tool, instrument innovation
Source: OECD, based on REFLEX and HEGESCO data 10
What share of graduates of a given field
have a highly innovative job?
Knowledge / method innovation
Source: OECD, based on REFLEX and HEGESCO data 11
Humanities hampering innovation?
12
WHAT CAN ARTS EDUCATION
CONTRIBUTE TO THE
DEVELOPMENT OF
TRANSVERSAL SKILLS?
13
14
Arts in the curriculum
OECD average: 7.7% - EU21 average: 8.3%
15
Relationship between instruction time
for arts and innovation
16
Multi-arts education and subject-based
skills An association…
United States: SAT scores of students taking following subjects in high school
17
Multi-arts education and subject-based skills
… but no causality
18
Strengthening verbal skills through the
use of classroom drama
19
• neurological: learning in an art form might activate
brain areas that are also involved in some form of
non-arts learning;
• cognitive: learning in an art form might train
cognitive skills that are involved in some non-arts
area;
• social: learning in an art form might train social
skills that are involved in some form of non-arts
area;
• motivational: learning in an art form might be
motivating and this motivation might spill over into
other areas.
20
Possible explanations for skills transfer
value of arts
CREATIVITY: DEFINITION
AND ASSESSMENT
21
Developing assessment tools to measure
progression in creativity / 21st century skills
Source: Lucas, Claxton and Spencer (2013)
22
Assessing creative mindedness
Habit of mind
1. Inquisitive
2. Persistent
3. Imaginative
Sub-habit of mind
• Wondering and Questioning
• Exploring and Investigating
• Challenging assumptions
• Managing uncertainty
• Sticking with difficulty
• Daring to be different
• Playing with possibilities
• Making connections
• Using intuition
23
Assessing creative mindedness
Habit of mind
4. Disciplined
5. Collaborative
Sub-habit of mind
• Crafting and Improving
• Developing techniques
• Reflecting critically
• Cooperating appropriately
• Giving and receiving feedback
• Sharing the ‘product’
24
Self-assessment by students themselves
Source: Lucas, Claxton and Spencer (2013)
25
A FEW CONCLUSIONS
26
• A strong social and economic demand for innovation skills
• Evidence points to associations between arts education and
the development of innovation skills
• But causal evidence and detailed research about the precise
pathways of transfer is missing
• More systematic assessment of the development of creativity
through arts education is needed
• The quality of the teaching & learning process matters a lot
for actual skills development; arts education is no exception
• Arts education is not only instrumental, but also an end in
itself
27
A few conclusions
Thank you !
dirk.vandamme@oecd.org
www.oecd.org/edu/ceri
twitter @VanDammeEDU
28

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Presentatie door Dirk Van Damme - niet van mij, hier geplaatst voor mijn blog

  • 1. A SKILLS PERSPECTIVE TO ARTS EDUCATION Dirk Van Damme Head of the Innovation and Measuring Progress division – OECD/EDU World Summit on Arts Education, Wildbad Kreuth, 14 May 2013
  • 2. 2
  • 3. WHICH SKILLS DO 21ST SOCIETIES NEED? 3
  • 4. 4 Changing skill demand 40 45 50 55 60 65 1960 1970 1980 1990 2000 Routine manual Nonroutine manual Routine cognitive Nonroutine analytic Nonroutine interactive Source: Levy and Murnane, 2005 Meantaskinputaspercentilesofthe1960taskdistribution Economy-wide measures of routine and non-routine task input (US)
  • 5. Working in creative jobs. Increase in creativity-oriented jobs (Canada, 1901-2006) 5
  • 6. 6 Critical skills for the most innovative jobs (tertiary-educated workers) Likelihood (odds ratios) of reporting the following job requirements: people in the most innovative jobs vs. least innovative jobs Source: OECD, based on REFLEX and HEGESCO data
  • 7. 21st Century Skills Ways of thinking •Creativity and innovation •Critical thinking, problem solving •Learning to learn, meta-cognition Ways of working •Communication •Collaboration (teamwork) Tools of working •Information literacy •ICT literacy Living in the world •Citizenship – local and global •Life and career •Personal, social responsibility Source: Microsoft-Intel-Cisco ATC21S project 7
  • 8. Individual Skills for Innovation 8
  • 9. What share of graduates of a given field have a highly innovative job? Product /service innovation Source: OECD, based on REFLEX and HEGESCO data 9
  • 10. What share of graduates of a given field have a highly innovative job? Technology, tool, instrument innovation Source: OECD, based on REFLEX and HEGESCO data 10
  • 11. What share of graduates of a given field have a highly innovative job? Knowledge / method innovation Source: OECD, based on REFLEX and HEGESCO data 11
  • 13. WHAT CAN ARTS EDUCATION CONTRIBUTE TO THE DEVELOPMENT OF TRANSVERSAL SKILLS? 13
  • 14. 14 Arts in the curriculum OECD average: 7.7% - EU21 average: 8.3%
  • 15. 15 Relationship between instruction time for arts and innovation
  • 16. 16
  • 17. Multi-arts education and subject-based skills An association… United States: SAT scores of students taking following subjects in high school 17
  • 18. Multi-arts education and subject-based skills … but no causality 18
  • 19. Strengthening verbal skills through the use of classroom drama 19
  • 20. • neurological: learning in an art form might activate brain areas that are also involved in some form of non-arts learning; • cognitive: learning in an art form might train cognitive skills that are involved in some non-arts area; • social: learning in an art form might train social skills that are involved in some form of non-arts area; • motivational: learning in an art form might be motivating and this motivation might spill over into other areas. 20 Possible explanations for skills transfer value of arts
  • 22. Developing assessment tools to measure progression in creativity / 21st century skills Source: Lucas, Claxton and Spencer (2013) 22
  • 23. Assessing creative mindedness Habit of mind 1. Inquisitive 2. Persistent 3. Imaginative Sub-habit of mind • Wondering and Questioning • Exploring and Investigating • Challenging assumptions • Managing uncertainty • Sticking with difficulty • Daring to be different • Playing with possibilities • Making connections • Using intuition 23
  • 24. Assessing creative mindedness Habit of mind 4. Disciplined 5. Collaborative Sub-habit of mind • Crafting and Improving • Developing techniques • Reflecting critically • Cooperating appropriately • Giving and receiving feedback • Sharing the ‘product’ 24
  • 25. Self-assessment by students themselves Source: Lucas, Claxton and Spencer (2013) 25
  • 27. • A strong social and economic demand for innovation skills • Evidence points to associations between arts education and the development of innovation skills • But causal evidence and detailed research about the precise pathways of transfer is missing • More systematic assessment of the development of creativity through arts education is needed • The quality of the teaching & learning process matters a lot for actual skills development; arts education is no exception • Arts education is not only instrumental, but also an end in itself 27 A few conclusions