1. PERSPECTIVE

2. Perspective – the illusion that an image has depth and 3-dimensional space (volume)

3. TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)

4. VERTICAL PLACEMENT & OVERLAPPING INTERPRETED AS 3 RECTANGLES

5. NOT

6. RELATIVE SIZE

7. SASSETTA The Meeting of St. Anthony and St. Paul about 1440 Wood

8. TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)

9. Atmospheric Imitation of atmospheric effects: hues more bluish & more pale outlines less precise small details lost color contrasts muted sfumato (“vaporous”) gradual transition

10. David Hockney, Portrait of an Artist (Pool with Two Figures) , 1971

11. astronauts got disoriented on the moon because of . . .

12. the lack of atmospheric perspective.

13. TRICKS/TECHNIQUES OVERLAPPING (ORDER) RELATIVE (diminishing) SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR (ONE OR TWO POINT)

14. LINEAR PERSPECTIVE One point; central Vanishing point

15. Canaletto (Giovanni Antonio Canal) , The Campo di Rialto c. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in

16. Canaletto (Giovanni Antonio Canal) , The Campo di Rialto c. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in

17. Vanishing points at horizon picture frame

18. After 600 years of perspectivist tricks, a return to the flat surface in the 20 th Century . . .

20. Frank Stella, Wolfeboro II, 1966

21. Frank Stella, Wolfeboro II, 1966 a hint of perspective . . .

22. Gustav Klimt Portrait of Adele Bloch-Bauer I 1907 138 x 138 cm

23. The dawn of perspective

24. Cimabue, Madonna Enthroned , 1280-90 TEXTBOOK p. 185 NO PERSPECTIVE flat pictorial space similar to Ancient & Byzantine works

25. GIOTTO Madonna in Glory c. 1311 Tempera on panel 128 x 90 1/2 in. suggestions of PERSPECTIVE in a GOTHIC ERA work; PERSPECTIVE is a major development of the RENAISSANCE (key words in BOLD )

26. . . . in music? Yes! Can you tell the difference between a loud sound far away and soft sound nearby? Psycho-acoustic effects of near and far (reverb, TDOA, spectral roll-off, timbre, etc.) - used in film music, electronic music, and some orchestral music, particularly MAHLER