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Blue mosque, 
istanbul
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Introduction 
Basic information 
Geography 
Architecture of blue mosque 
Interiors 
Exteriors
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Following the Peace of Zsitvatorok (1606) and the unfavourable result of the wars with Persia, 
Sultan Ahmed I decided to build a huge mosque in Istanbul. 
It would be the first great imperial mosque to be built in more than forty years. 
 he had not won any notable victories during his time. This provoked the anger of the Ottoman 
ulama, the Muslim legal scholars 
The mosque was to be built on the site of the palace of the Byzantine emperors, facing the Hagia 
Sophia (at that time it was most venerated mosque in Istanbul) and the hippodrome, a site of great 
symbolic significance. 
Large parts of the Sphendone (curved tribune with U-shaped structure of the hippodrome) were 
also removed to make room for the new mosque 
Construction of the mosque started in August 1609 when the sultan himself came to break the 
first sod. It was his intention that this would become the first mosque of his empire.
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He did appoint his royal architect Sedefhar Mehmet Ağa, a pupil and senior assistant of the 
famous architect Mimar Sinan to be in charge of the Mosque construction 
The organization of the work was described in meticulous detail in eight volumes, now found in the 
library of the Topkapı Palace. The opening ceremonies were held in 1617 . 
The sultan could now pray in the royal box which called hünkâr mahfil. 
Sultan Ahmed Mosque(blue mossque) is currently one of the most impressive monuments in the 
world. 
Its Külliye contains a tomb of the founder, a madrasah and a hospice. 
Sultan ahmed, ottoman 
empire
Location Istanbul , turkey 
 Geographic 41.005483°N 
 coordinates 28.977385°E 
 Affiliation Islam 
Architectural description 
 Architect(s) Sedefkâr Mehmed aga 
 Architectural type Mosque 
 Architectural style Islamic, Late 
Classical Ottoman 
 Completed 1616 
Specifications 
 Capacity 10,000 people 
 Length 73 m (240 ft) 
 Width 65 m (213 ft) 
 Dome height (outer) 43 m (141 ft) 
 Dome dia. (inner) 23.50 m (77.1 ft) 
 Minaret(s) 6 
 Minaret height 64 m (210 ft) 
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Istanbul , turkey is the best place to learn about religion and culture in this ancient city at the 
crossroads of the europe and asia . 
Istanbul is the largest city in Turkey, constituting the country's economic, cultural, and 
historical heart. 
 Founded on the Sarayburnu promontory around 660 BC as Byzantium , the city now known 
as Istanbul developed to become one of the most significant cities in history. For nearly sixteen 
centuries following its reestablishment as Constantinople in 330 AD, it served as the capital of 
four empires: the Roman Empire (330–395), the Byzantine Empire (395–1204 and 1261–1453), 
the Latin Empire (1204–1261), and the Ottoman Empire (1453–1922)
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The design of the Sultan Ahmed Mosque is the culmination of two centuries of both Ottoman mosque 
and Byzantine church developments. 
It incorporates some Byzantine elements of the neighboUring Hagia Sophia with traditional Islamic 
architecture and is considered to be the last great mosque of the classical period of Ottoman Empire. 
The architect has applied the ideas of his master Sinan, aiming for overwhelming size, majesty and 
splendour. 
 Design is clumination of two centuries of Ottoman mosque 
Sultan ahmed mosque (Blue mosque) ,Has 
one main dome 
Six minarets 
Eight secondary domes
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At Blue Mosque lower levels and at every pier, the interior 
of the mosque is lined with more than 20,000 handmade 
ceramic tiles, made at Iznik city (Nicaea) in more than fifty 
different tulip designs. 
 The tiles at lower levels are traditional in design, while at 
gallery level their design becomes flamboyant with 
representing flowers, fruit and cypresses. 
The tiles on the back balcony wall are restorated tiles from the harem in the Topkap Palace, when it was 
damaged by fire in 1574 
The upper levels of the Mosque interior is dominated by blue paint. More than 200 stained glass 
windows with intricate designs admit natural light.
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The decorations including verses from the Qur'an, 
many of them made by Seyyid Kasim Gubari, regarded 
as the greatest calligrapher of his time. 
 The floors are covered with carpets 
The many spacious windows confer a spacious impression. Each exedra of the Mosque has five 
windows, some of which are blind. Each semi dome has 14 windows and the central dome 28 
windows(four of which are blind). The coloured glass for the windows was a gift from the Signoria of 
Venice to the sultan. Most of these coloured windows have been replaced by current modern versions 
with little or no artistic merit. 
The floors are covered with carpets, which are donated by the faithful and are regularly replaced as 
they wear out
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The most important element of the 
Mosque interior is the mihrab, which is 
made of finely carved and sculptured 
marble, with a stalactite niche and a 
double inscriptive panel above it.Adjacent 
walls are sheathed in ceramic tiles. But due 
to many windows around it make it look 
less spectacular. 
To the right of the mihrab is the richly decorated minber, or pulpit, where the Imam stands when he is 
delivering his sermon at the time of noon prayer on Fridays or special holy days. The mosque has been 
specially designed so that even when it is at its most crowded, everyone in the mosque can see and hear 
the Imam. 
The royal kiosk is situated at the south-east corner comprises a platform, a loggia and two small 
retiring rooms. It gives access to the royal loge in the south east upper gallery of the Blue Mosque.
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The royal loge (called hünkâr mahfil in Turkish) is 
supported by ten marble columns. 
The many lamps inside the Blue Mosque were once covered 
with gold and gems. Among the glass bowls each one could 
find ostrich eggs and crystal balls. All these decorations have 
been removed or pillaged for museums in Istanbul . 
The great tablets on the walls are inscribed with the names of the caliphs and verses from the 
Quran, originally by the great 17th century calligrapher Ametli Kasım Gubarım, but time by 
time they have frequently been restored 
On the chandeliers, ostrich eggs are found that were meant to avoid cobwebs inside the mosque 
by repelling spiders
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The façade of the spacious forecourt was built in the same 
manner as the façade of the Süleymaniye Mosque in Istanbul, 
except for the addition of the turrets on the corner domes. 
It has ablution facilities on both sides. The court is about as 
large as the mosque itself and is surrounded by a continuous 
vaulted arcade. 
 The central hexagonal fountain is rather small in contrast 
with the dimensions of the courtyard. 
 The monumental but narrow gateway to the courtyard 
stands out architecturally from the its arcade. 
 Its semi-dome has a fine stalactite structure, crowned by a 
small ribbed dome on a tall tholobate
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A heavy iron chain hangs in the upper part of the court entrance on the western side of the Mosque. 
 Only the sultan was allowed to enter the court of the Blue Mosque on horseback. 
 The chain was put there, so that the sultan had to lower his head every time he enter the court in 
order not to get hit.It was done as a symbolic gesture, to ensure the humility of the ruler in the face of 
the divine
The Sultan Ahmed Mosque is first one of the two mosques in Turkey that has six 
minarets 
the Sultan was criticized for being presumptuous, since this was the same minarets 
number as at the mosque of the Ka'aba in Mecca.He overcame this problem by ordering a 
seventh minaret to be built at the Mecca mosque. 
Four minarets stand at the corners of the Blue Mosque. 
Each of these fluted, pencil-shaped minarets has three balconies (Called Şerefe) with 
stalactite corbels, while the two others at the end of the forecourt only have two balconies. 
Before the muezzin or prayer caller had to climb a narrow spiral staircase five times a 
day to announce the call to prayer. 
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Today, a public announce system is being used, and the call can be heard across the old part of 
the city, echoed by other mosques in the vicinity. 
 Large crowds of both Turks and tourists gather at sunset in the park facing the mosque to hear 
the call to evening prayers, as the sun sets and the mosque is brilliantly illuminated by colored flood 
lights.
Blue mosque documentary

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Blue mosque documentary

  • 2. c o n t e n t Introduction Basic information Geography Architecture of blue mosque Interiors Exteriors
  • 3. I n t r o d u c t i o n Following the Peace of Zsitvatorok (1606) and the unfavourable result of the wars with Persia, Sultan Ahmed I decided to build a huge mosque in Istanbul. It would be the first great imperial mosque to be built in more than forty years.  he had not won any notable victories during his time. This provoked the anger of the Ottoman ulama, the Muslim legal scholars The mosque was to be built on the site of the palace of the Byzantine emperors, facing the Hagia Sophia (at that time it was most venerated mosque in Istanbul) and the hippodrome, a site of great symbolic significance. Large parts of the Sphendone (curved tribune with U-shaped structure of the hippodrome) were also removed to make room for the new mosque Construction of the mosque started in August 1609 when the sultan himself came to break the first sod. It was his intention that this would become the first mosque of his empire.
  • 4. I n t r o d u c t i o n He did appoint his royal architect Sedefhar Mehmet Ağa, a pupil and senior assistant of the famous architect Mimar Sinan to be in charge of the Mosque construction The organization of the work was described in meticulous detail in eight volumes, now found in the library of the Topkapı Palace. The opening ceremonies were held in 1617 . The sultan could now pray in the royal box which called hünkâr mahfil. Sultan Ahmed Mosque(blue mossque) is currently one of the most impressive monuments in the world. Its Külliye contains a tomb of the founder, a madrasah and a hospice. Sultan ahmed, ottoman empire
  • 5. Location Istanbul , turkey  Geographic 41.005483°N  coordinates 28.977385°E  Affiliation Islam Architectural description  Architect(s) Sedefkâr Mehmed aga  Architectural type Mosque  Architectural style Islamic, Late Classical Ottoman  Completed 1616 Specifications  Capacity 10,000 people  Length 73 m (240 ft)  Width 65 m (213 ft)  Dome height (outer) 43 m (141 ft)  Dome dia. (inner) 23.50 m (77.1 ft)  Minaret(s) 6  Minaret height 64 m (210 ft) B a s i c i n f o r m a t i o n
  • 6. G e o g r a p h y Istanbul , turkey is the best place to learn about religion and culture in this ancient city at the crossroads of the europe and asia . Istanbul is the largest city in Turkey, constituting the country's economic, cultural, and historical heart.  Founded on the Sarayburnu promontory around 660 BC as Byzantium , the city now known as Istanbul developed to become one of the most significant cities in history. For nearly sixteen centuries following its reestablishment as Constantinople in 330 AD, it served as the capital of four empires: the Roman Empire (330–395), the Byzantine Empire (395–1204 and 1261–1453), the Latin Empire (1204–1261), and the Ottoman Empire (1453–1922)
  • 7. A r c h i t e c t u r e The design of the Sultan Ahmed Mosque is the culmination of two centuries of both Ottoman mosque and Byzantine church developments. It incorporates some Byzantine elements of the neighboUring Hagia Sophia with traditional Islamic architecture and is considered to be the last great mosque of the classical period of Ottoman Empire. The architect has applied the ideas of his master Sinan, aiming for overwhelming size, majesty and splendour.  Design is clumination of two centuries of Ottoman mosque Sultan ahmed mosque (Blue mosque) ,Has one main dome Six minarets Eight secondary domes
  • 8. I n t e r i o r s At Blue Mosque lower levels and at every pier, the interior of the mosque is lined with more than 20,000 handmade ceramic tiles, made at Iznik city (Nicaea) in more than fifty different tulip designs.  The tiles at lower levels are traditional in design, while at gallery level their design becomes flamboyant with representing flowers, fruit and cypresses. The tiles on the back balcony wall are restorated tiles from the harem in the Topkap Palace, when it was damaged by fire in 1574 The upper levels of the Mosque interior is dominated by blue paint. More than 200 stained glass windows with intricate designs admit natural light.
  • 9. I n t e r i o r s The decorations including verses from the Qur'an, many of them made by Seyyid Kasim Gubari, regarded as the greatest calligrapher of his time.  The floors are covered with carpets The many spacious windows confer a spacious impression. Each exedra of the Mosque has five windows, some of which are blind. Each semi dome has 14 windows and the central dome 28 windows(four of which are blind). The coloured glass for the windows was a gift from the Signoria of Venice to the sultan. Most of these coloured windows have been replaced by current modern versions with little or no artistic merit. The floors are covered with carpets, which are donated by the faithful and are regularly replaced as they wear out
  • 10. I n t e r i o r s The most important element of the Mosque interior is the mihrab, which is made of finely carved and sculptured marble, with a stalactite niche and a double inscriptive panel above it.Adjacent walls are sheathed in ceramic tiles. But due to many windows around it make it look less spectacular. To the right of the mihrab is the richly decorated minber, or pulpit, where the Imam stands when he is delivering his sermon at the time of noon prayer on Fridays or special holy days. The mosque has been specially designed so that even when it is at its most crowded, everyone in the mosque can see and hear the Imam. The royal kiosk is situated at the south-east corner comprises a platform, a loggia and two small retiring rooms. It gives access to the royal loge in the south east upper gallery of the Blue Mosque.
  • 11. I n t e r i o r s The royal loge (called hünkâr mahfil in Turkish) is supported by ten marble columns. The many lamps inside the Blue Mosque were once covered with gold and gems. Among the glass bowls each one could find ostrich eggs and crystal balls. All these decorations have been removed or pillaged for museums in Istanbul . The great tablets on the walls are inscribed with the names of the caliphs and verses from the Quran, originally by the great 17th century calligrapher Ametli Kasım Gubarım, but time by time they have frequently been restored On the chandeliers, ostrich eggs are found that were meant to avoid cobwebs inside the mosque by repelling spiders
  • 12. E x t e r i o r The façade of the spacious forecourt was built in the same manner as the façade of the Süleymaniye Mosque in Istanbul, except for the addition of the turrets on the corner domes. It has ablution facilities on both sides. The court is about as large as the mosque itself and is surrounded by a continuous vaulted arcade.  The central hexagonal fountain is rather small in contrast with the dimensions of the courtyard.  The monumental but narrow gateway to the courtyard stands out architecturally from the its arcade.  Its semi-dome has a fine stalactite structure, crowned by a small ribbed dome on a tall tholobate
  • 13. E x t e r i o r A heavy iron chain hangs in the upper part of the court entrance on the western side of the Mosque.  Only the sultan was allowed to enter the court of the Blue Mosque on horseback.  The chain was put there, so that the sultan had to lower his head every time he enter the court in order not to get hit.It was done as a symbolic gesture, to ensure the humility of the ruler in the face of the divine
  • 14. The Sultan Ahmed Mosque is first one of the two mosques in Turkey that has six minarets the Sultan was criticized for being presumptuous, since this was the same minarets number as at the mosque of the Ka'aba in Mecca.He overcame this problem by ordering a seventh minaret to be built at the Mecca mosque. Four minarets stand at the corners of the Blue Mosque. Each of these fluted, pencil-shaped minarets has three balconies (Called Şerefe) with stalactite corbels, while the two others at the end of the forecourt only have two balconies. Before the muezzin or prayer caller had to climb a narrow spiral staircase five times a day to announce the call to prayer. M i n a r e t s
  • 15. M i n a r e t s Today, a public announce system is being used, and the call can be heard across the old part of the city, echoed by other mosques in the vicinity.  Large crowds of both Turks and tourists gather at sunset in the park facing the mosque to hear the call to evening prayers, as the sun sets and the mosque is brilliantly illuminated by colored flood lights.