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Literary
    Theories:
A Sampling of
      Lenses
LITERARY
    THEORIES:
A SAMPLING OF
       LENSES
Literary theory
• is an attempt to understand the
various ways that different people read
texts. Yes, we all know that not
everyone “interprets” a book, poem,
or even a song the same way. Theory
gives readers a chance to view a text
with a so-called different set of lenses.
Feminist/Gender Criticism

• View society in a “patriarchal” and “heterosexual”
  way, which has hindered or prevented women
  and homosexuals from realizing their true
  potential. Claim that both groups are viewed
  negatively, inferior, or as “the other.”
• •      Consider the gender/orientation of
  the author, characters
• •      What roles does gender or sexuality
  play in this work? (Examine power
  relations)
• •      Look for sexual stereotypes either
Marxist Criticism

• Views society based on the economic and cultural
  theory of Karl Marx and Friedrich Engles.
  Assumes that each society is made up of a set of
  concepts, beliefs, values, and ways of thinking
  influenced by economic and class structures.
• •      Consider who has the power/money
  and who doesn’t
• •      What role does power, money, or
  class play in this work?
• •      What happens as a result in
  differences in power/money?
Psychoanalytic Criticism

• Views text as an expression of the personality,
  state of mind, feelings, and desires of its author.
  Looks for the distinction between conscious and
  unconscious motives of characters and author.
• •     Consider the author’s personality to
  explain and interpret a text
• •     What psychological theories are
  present in the characters (Oedipal
  complex, obsessive compulsive, sexual
  repression, denial, guilt)?
• •     What repressed material is
New Criticism/Structuralism

• Views text as existing independently. Meaning is
  discovered by doing a close reading and not by
  examining outside sources.
• •      Focuses on the meanings and
  interactions of words, figures of speech,
  and symbols.
• •      Looks for complex interrelations
  and ambiguities within a text.
• •      Analyzes how parallels are
  established and create a unity within the
Narratology/Archetypes:

•    A form of Structuralism that focuses on the
    structure of stories. Identifies 31 actions that a
    story can contain and claims all stories pick from
    this list. Also focuses on the specific character
    types that are repeated within all stories—hero,
    villain, trickster, orphan, mentor etc.
Deconstruction/ Post-
            Structuralism

•   (definitely the most confusing one)
• Created by some very intelligent or very
  disturbed people who view literature as
  having no meaning because language has
  no meaning. Basically, you can never
  really know what the “meaning” of a story
  is because words are so abstract.
•
Historical Criticism/
             Post-Colonial
• Views text as a closely related to the time during
  which an author wrote. Focused on the social,
  political, economic, cultural, and/or intellectual
  climate of the time. Examines how other cultures
  are viewed in terms of an overpowering Western
  literature base.
• •     Looks at issues of colonization and
  imperialism
• •     Rejects the idea of marginalized
  people as “others”
• •     Celebrates “hybridity” (existing in
Modernism/Post-Modernism

• Modernism is a rejection of traditional forms of
  literature (chronological plots, continuous
  narratives, closed endings etc.) in favor of
  experimental forms. They have a nostalgia for the
  past that they feel is lost so Modernist texts often
  include multiple allusions. Post-Modernists follow
  the same principles but celebrate the new forms
  of fragmentation rather than lamenting them.
• •     Look for ironies within a text
• •     Analyze fragmentation and a mixing
  of genres and forms
• •     Blurs the line between “high”
SOURCE:
• http://comosr.spps.org/Lit_Theory.html
           • KRISTIN MEISER



     Presentation By:
            •giocosovivace

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Literary Theories: A Sampling of Literary Lenses

  • 1. Literary Theories: A Sampling of Lenses
  • 2. LITERARY THEORIES: A SAMPLING OF LENSES
  • 3. Literary theory • is an attempt to understand the various ways that different people read texts. Yes, we all know that not everyone “interprets” a book, poem, or even a song the same way. Theory gives readers a chance to view a text with a so-called different set of lenses.
  • 4. Feminist/Gender Criticism • View society in a “patriarchal” and “heterosexual” way, which has hindered or prevented women and homosexuals from realizing their true potential. Claim that both groups are viewed negatively, inferior, or as “the other.” • • Consider the gender/orientation of the author, characters • • What roles does gender or sexuality play in this work? (Examine power relations) • • Look for sexual stereotypes either
  • 5. Marxist Criticism • Views society based on the economic and cultural theory of Karl Marx and Friedrich Engles. Assumes that each society is made up of a set of concepts, beliefs, values, and ways of thinking influenced by economic and class structures. • • Consider who has the power/money and who doesn’t • • What role does power, money, or class play in this work? • • What happens as a result in differences in power/money?
  • 6. Psychoanalytic Criticism • Views text as an expression of the personality, state of mind, feelings, and desires of its author. Looks for the distinction between conscious and unconscious motives of characters and author. • • Consider the author’s personality to explain and interpret a text • • What psychological theories are present in the characters (Oedipal complex, obsessive compulsive, sexual repression, denial, guilt)? • • What repressed material is
  • 7. New Criticism/Structuralism • Views text as existing independently. Meaning is discovered by doing a close reading and not by examining outside sources. • • Focuses on the meanings and interactions of words, figures of speech, and symbols. • • Looks for complex interrelations and ambiguities within a text. • • Analyzes how parallels are established and create a unity within the
  • 8. Narratology/Archetypes: • A form of Structuralism that focuses on the structure of stories. Identifies 31 actions that a story can contain and claims all stories pick from this list. Also focuses on the specific character types that are repeated within all stories—hero, villain, trickster, orphan, mentor etc.
  • 9. Deconstruction/ Post- Structuralism • (definitely the most confusing one) • Created by some very intelligent or very disturbed people who view literature as having no meaning because language has no meaning. Basically, you can never really know what the “meaning” of a story is because words are so abstract. •
  • 10. Historical Criticism/ Post-Colonial • Views text as a closely related to the time during which an author wrote. Focused on the social, political, economic, cultural, and/or intellectual climate of the time. Examines how other cultures are viewed in terms of an overpowering Western literature base. • • Looks at issues of colonization and imperialism • • Rejects the idea of marginalized people as “others” • • Celebrates “hybridity” (existing in
  • 11. Modernism/Post-Modernism • Modernism is a rejection of traditional forms of literature (chronological plots, continuous narratives, closed endings etc.) in favor of experimental forms. They have a nostalgia for the past that they feel is lost so Modernist texts often include multiple allusions. Post-Modernists follow the same principles but celebrate the new forms of fragmentation rather than lamenting them. • • Look for ironies within a text • • Analyze fragmentation and a mixing of genres and forms • • Blurs the line between “high”
  • 12. SOURCE: • http://comosr.spps.org/Lit_Theory.html • KRISTIN MEISER Presentation By: •giocosovivace