The document discusses opportunities and challenges for design in India. It notes India's growing economy and rising middle class. It outlines new methods for design, including mind mapping, scenarios, mood charts, product clinics, and collaborative design. It discusses the changing role of design in India's competitive environment and how Indian consumers are more conscious of design and quality of life. Finally, it discusses diversity and design at the Indian Institute of Technology in Guwahati.
9. POWER LESS!
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
10. POPULATION OUTBURST
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
11. INDIA 2010 …
8 % Average GDP Growth
Vibrant and fastest growing
Free Market Democracy
Spirit of enterprise
Rising incomes and Booming
markets
Young population driving
demand
Improved image for products
Ravi Mokashi Punekar and services from India
Indian Institute of Technology Guwahati / /Dept. Of Design / India
12. VIBRANT DEMOCRACY
• A remarkable Constitution, • A billion people, speak 18
well developed democratic different languages, worship
institutions different Gods, and
• An independent judiciary. celebrate different festivals
• An alert free media and • Electoral process involves
• Active non-government 670 million voters, requiring
organizations 4.5 million election
officials. Electronic voting
• Fiercely independent press machines ensure paperless
comprising 5000 dailies, voting, saving 8000 tonnes
16000 weeklies, 6000 of paper and several
fortnightlies, radio and TV thousand trees.
channels • Source: www.ibef.org
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
13. INDIA’s DEVELOPMENT FOCUS
• Infrastructure development • Upgradation and
• Information Technology modernization of 114
• Transport international and national
airports to handle 100
• Over 45000 kms of new million passengers anually
highways by 2015 by 2014
• Over 90,000 MW of power • Indian Railways passenger
generation capacity carrying capacity to touch
• Over 250 million telecom 9000 million per annum by
subscribers by 2010 2014.
• 1000 million tonnes of
cargo handling capacity • Source: www.ibef.org
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
16. CHANGING ROLE OF DESIGN
IN THE COMPETITIVE ENVIRONMENT
Globalising India - from protection to competition
Threat of imports to Indian industry
Limited presence of Indian brands to take on transnational /
multinational brands’ competition
New Developments: Designs Act 2000
Patents Act (Amendment) 1999
Intellectual Property Rights Regime
Strategies to strengthen industry In the global marketplace
Manufacturing Driven by Labour costs or Productivity
Technology Driving human choices globally
Quality International bench marks
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
17. INDIAN CONSUMER
THE NEW VALUE
The new value Indian middle class consumer
has become more conscious about design &
Quality of life
through better products
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
18. Design and Sustainability
Challenges and Opportunities
Minimising Resources
Choosing Low Impact Resources
Optimising Product Life
Extending Material Life
Simplifying Disassembly
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
19. Design and Sustainability
Challenges and Opportunities
Minimising Resources
minimizing material consumption
minimising energy consumption
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
20. New Design Methods
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
21. New Design Methods: Introduction
Natural science paradigm to the humanities paradigm
Digitalization in the 1990s.
Design concepts for hardware and software required empirical testing
Relevance of Alexander's Pattern Language
The linearity of design processes was abandoned. (problem - analysis -
solution)
The focus shifted to the stratified nature of users' needs and interests
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
22. Mind Mapping
Most radical departure from linear or diverse feedback mechanisms.
Developed by Tony Buzan in the 1970s (Buzan 1991, 2002).
Designed to assist in structuring problems, product development, and process
planning.
When linear thinking is abandoned, intuitive leaps and innovative ideas and
products often result.
The interactive nature of this method provides for extremely versatile problem
descriptions and thus holds great potential for innovation.
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
24. The Scenario Technique
In the field of project and product planning, the hypothetical sequence of
events constructed to take into account causal connections.
E.g.
- How will people live in the future?
- Which products for the future way of life?
- How and where will these be produced?
- How will the sale of these products be changed (by new technologies)?
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
25. Mood Charts
To visualize the life-worlds of users (their mood).
The market fields in which companies are active.
Then serves as the context for the work of design.
Useful for internal communication
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
27. Empirical Methods
At the decline of postmodernism, design could not rely on creative or clever
designs.
Companies wanted (and had) to be certain long before launching new
products that these would find acceptance among potential customers. The
processes developed for this purpose are finding increasing application for
both products (hardware) and software (interfaces).
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
28. Target Group Determination through
Milieus
Traditional socio-demographic characteristics (age, education, gender,
income, and place of residence) have become largely irrelevant, so now the
point is to determine and categorize the habits of the target groups (which
indeed run along different lines than classical characteristics).
In his work of cultural sociology, Erlebniswelten (Worlds of Experience),
Gerhard Schulze (1992) combined such life-worlds into what he called
"milieus."
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
30. Product Clinics
Product Clinics
Method is to present new products to a series of test subjects (potential buyers)
To question them from various perspectives.
This can be done using sketches or renderings, preliminary or final models,
computer-simulated models, or even prototypes.
The questions scientifically designed so that the results can be verified and
compared.
Product clinics can produce reliable results using even relatively small random
samples (of five to eight subjects).
Designs must be judged in their respective (future) contexts.
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
31. Product
Clinics
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
32. NID Non-Intentional Design
The Cologne-based design professor Uta Brandes (1999, 2000)
pursues a completely different kind of empiricism, investigating
the question of how products are actually used after they have
been purchased.
Things do not actually receive their real meaning until they are
used.
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
35. Collaborative Design
In Norway, Sweden and Denmark, the Collective Resource Approach was
established to increase the value of industrial production by engaging
workers in the development of new systems for the workplace.
Eric von Hippel (2005) works with “lead users” in co-creative activities. Lead
users are people who have already explored innovative ways to get things
done and who are willing to share their approaches with others.
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
36. Collaborative Design
“The meaning of value and the process of value creation are rapidly shifting
from a product- and firm-centric view to personalized consumer experiences.
Informed, networked, empowered and active consumers are increasingly co-
creating value with the firm.” (Prahalad and Ramaswamy, 2004).
Jungk’s observation that “participation at the moment of idea generation”
and “participation at the moment of decision” is gaining in interest.
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
37. EMERGING TRENDS IN DESIGN RESEARCH Elizabeth B.-N. Sanders, Ph.D.
changes over time in the landscape ofMokashi Punekar Peter Kwok Chan, Ph.D.
Ravi design research
Department of Industrial, Interior and Visual
Indian Institute of Technology Guwahati / /Dept. Of Design / India Communication Design, The Ohio State University,
Columbus, Ohio, USA.
38. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
39. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
40. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
41. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
42. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
43. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
44. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
45. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
46. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
47. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
48. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
49. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
50. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
51. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
52. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
53. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
54. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
55. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
56. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
57. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
58. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
59. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
60. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
61. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India
62. DIVERSITY AND DESIGN
Design at IIT Guwahati
Ravi Mokashi Punekar
Indian Institute of Technology Guwahati / /Dept. Of Design / India