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Alice
- 1. Alice in Wonderland Tate Liverpool 4th November 2011 - 29th January 2012
- 2. Lewis Carroll Charles Lutwidge Dodgson, 1852 - 1860 Unknown Photographer National Portrait Gallery
- 3. Dodgson the Photographer The Dream, Charles Dodgson (1963 – 76) National Media Museum Charles Dodgson’s Photographic Equipment Museum of the History of Science St George and the Dragon, June 1876 Gilman Paper Company Collection
- 4. St. George & the Dragon, 1875
- 5. View of Magdalen Tower Oxford, 1861
- 7. Reginald Southey and Skeletons, 1857 At the suggestion of Dr. Henry Acland (1815 - 1900), professor of medicine, Dodgson and Southey took a number of skeletal photographs. The skeletons were moved to the new Natural History Museum in 1860
- 8. Alice Liddell and Family Photos by Charles Dodgson – selection from 1852 – 1870
- 10. Publication Clockwise from above: Original unique manuscript of Alice’s Adventures Under Ground, British Library Drawings for illustration for Through the Looking Glass by John Tenniel, Rosenbach Collection Dodgson’s drafts for the original manuscript, Christ Church College, Oxford
- 14. JABBERWOCKY `Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand: Long time the manxome foe he sought -- So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And, has thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!' He chortled in his joy. `Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe.
- 15. Sir John Tenniel’s Illustrations
- 16. Dodgson and the Art World Dodgson’s photographs of Dante Gabriel Rossetti and family, and William Holman Hunt Dante Gabriel Rossetti, The Beloved (‘The Bride’), 1865-6
- 17. William Holman Hunt, The Triumph of the Holy Innocents 1827
- 18. John Everett Millais Waking 1865
- 19. Charles Dodgson Mary Millais ‘Waking’ 1865
- 21. George Dunlop Leslie, Alice in Wonderland 1879
- 22. Arthur Hughes, Portrait of Mrs Leathart and herThree Children 1863
- 23. Alice and the White Knight (illustration to chapter 9 of Alice in Wonderland) by John Tenniel.
- 24. John Everett Millais Sir Isumbras Crossing the Ford 1857
- 25. Augustus Egg, The Travelling Companions 1862
- 26. Alice and Theatre Charles Hayden Coffin as the Mad Hatter and Estelle Dudley as Alice in 'Alice in Wonderland‘ 14 December 1917 Theatre programme of 'Alice in Wonderland' in the Prince of Wales Theatre, 1886 Theatre programme of ‘Alice in Wonderland’ at the Liverpool Empire, 1911
- 28. Surrealism Dorothea Tanning, Eine Kleine Nachtmusik 1943
- 29. Dorothea Tanning, Eine Kleine Nachtmusik 1943
- 30. Max Ernst The King playing with the Queen, 1954 Pour les amis d’Alice, 1957
- 31. Max Ernst, Alice 1941
- 32. Salvador Dalí Alice in Wonderland set of 12 illustrated plates,1969
- 34. John Armstrong, Dreaming Head 1938
- 35. Paul Nash, Landscape from a Dream 1936-8
- 36. Oscar Kokoschka, Anschluss – Alice in Wonderland 1941
- 37. 1960s Adrian Piper, Alice Down the Rabbit Hole, 1966
- 38. 1960s Counter-culture Adrian Piper, LSD Paintings, 1966 From Left to Right: Alice Down the Rabbit Hole, Alice and the Pack of Cards, The Mad Hatter’s Tea Party
- 39. Paul Laffoley, Alice Pleasance Liddell 1968
- 41. Yayoi Kusama Alice in Wonderland Happening Central Park, 1968
- 43. Sigmar Polke Alice in Wonderland 1971
- 44. Sigmar Polke Alice in Wonderland 1971
- 45. Graham Ovenden `We beg your acceptance of this elegant thimble’ 1970
- 47. Sir Peter Blake, Alice Through the Looking Glass 1970
- 49. Perception and Reality Duane Michals Alice’s Mirror, 1974
- 50. Time and Measurement Joseph Kosuth Clock (One and Five), English/Latin Version 1965
- 51. Torsten Lauschmann Digital Clock (Growing Zeros) http://vimeo.com/channels/lauschmann
- 52. Language and Meaning Jason Rhoades, Twelve-Wheel Wagon Wheel Chandelier 2004
- 53. Tim Rollins, White Alice 1989
- 55. Annalies Strba, Nyima 405 2009
- 56. The Mad Tea Party, from Arthur Rackham's 1907 illustrations for Alice's Adventures in Wonderland
- 58. Gwynedd Hudson
- 59. Kiki Smith
- 60. Tom Petty and the Heartbreakers Don’t Come Around Here No More 1985
- 61. • The Facebook page Alice in Wonderland Inspired has an epic Wall Photos gallery
- 62. Ramona Szczerba, Steampunk: Alice in Wonderland Plays Croquet
- 63. Maggie Taylor, The Great Puzzle from Almost Alice: New Illustrations of Wonderland 2008
- 64. Maggie Taylor, Call the Next Witness 2008
- 65. Maggie Taylor, These Strange Adventures
- 78. American McGee’s Alice and Alice: Madness Returns http://www.youtube.com/watch? v=up21p1_vTbI&feature=player_embedde d
- 79. Cormac McEvoy, SciFi Alice
- 80. Alice Free Fall for iPod
- 82. Gary Hill, Why Do Things Get in a Muddle 1984 http://vimeo.com/couchmode/us er2002575/videos/sort:date/555 6600
Notes de l'éditeur
- "White Rabbit" is a psychedelic rock/acid rock song from Jefferson Airplane's 1967 album Surrealistic Pillow. It was released as a single and became the band's second top ten success, peaking at #8[1] on the Billboard Hot 100. The song was ranked #478 on Rolling Stone's list of the 500 Greatest Songs of All Time,[2] #27 on Rate Your Music's Top Singles of All Time and appears on The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. “White Rabbit” was written by Grace Slick while she was still with The Great Society. When that band broke up in 1966, Slick was invited to join Jefferson Airplane to replace their departed female singer Signe Toly Anderson, who left the band with the birth of her child. The first album Slick recorded with Jefferson Airplane was Surrealistic Pillow, and Slick provided two songs from her previous group: her own “White Rabbit” and “Somebody to Love”, written by Darby Slick and recorded under the title "Someone to Love" by The Great Society. Both songs became breakout successes for Jefferson Airplane and have since been associated with that band.[3] [edit] Lyrics and composition 1967 trade ad for the single. One of Grace Slick's earliest songs, written during either late 1965 or early 1966, uses imagery found in the fantasy works of Lewis Carroll: 1865's Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass such as changing size after taking pills or drinking an unknown liquid. It is commonly thought that these are also references to the hallucinatory effects of psychedelic drugs, such as LSD and psilocybin mushrooms. Characters referenced include Alice, the hookah-smoking caterpillar, the White Knight, the Red Queen, and the Dormouse. For Grace and others in the '60s, drugs were a part of mind-expanding and social experimentation. With its enigmatic lyrics, "White Rabbit" became one of the first songs to sneak drug references past censors on the radio. Even Marty Balin, Grace's eventual rival in the Airplane, regarded the song as a "masterpiece." In interviews, Grace has related that Alice in Wonderland was often read to her as a child and remained a vivid memory into her adult years. Set to a rising crescendo similar to that of Ravel's famous Boléro, as used in the Miles Davis and Gil Evans album, Sketches of Spain, and a horn arrangement by Spencer Dryden,[4] the music combined with the song's lyrics strongly suggests the sensory distortions experienced with hallucinogens, and the song was later utilized in pop culture to imply or accompany just such a state. [edit] Genesis While the Red Queen and the White Knight are both mentioned in the song, the references differ from Lewis Carroll's original text, wherein the White Knight does not talk backwards and it is the Queen of Hearts, not the Red Queen, who says "Off with her head!" However, in the movie Alice In Wonderland (1951), the Queen of Hearts is often referred to as the Red Queen. The last lines of the song are: "Remember what the Dormouse said. Feed your head. Feed your head." They do not explicitly quote the Dormouse as is often assumed. "Remembering what the Dormouse said" probably refers to Alice's Adventures in Wonderland, Chapter XI: "Who Stole the Tarts", wherein a very nervous Mad Hatter is called to testify: " 'But what did the Dormouse say?' one of the jury asked."" 'That I can't remember', said the Hatter." It is, therefore, better to say that the lyrics were inspired by the book, rather than that they reference it directly.
- Don't Come Around Here No More" is the title of a song written by Tom Petty of Tom Petty and the Heartbreakers and David A. Stewart of the Eurythmics. It was released in February 1985 as the lead single from Tom Petty and the Heartbreakers' 1985 album Southern Accents. The original inspiration was a romantic encounter that Stewart had with Stevie Nicks of Fleetwood Mac.[1] On The Howard Stern Show, Dave Stewart explained that the title's phrase was actually uttered by Stevie. She had broken up with Joe Walsh the night before[2], and invited Dave Stewart to her place for a party after an early Eurythmics show in Los Angeles. Dave didn't know who she was at the time, but went anyway. When the party goers all disappeared to a bathroom for a couple of hours to snort cocaine, he decided to go upstairs to bed. He woke up at 5am to find Stevie Nicks in his room trying on Victorian clothing and described the entire scenario as very much reminiscent of Alice in Wonderland. Later that morning, she told Walsh, "Don't come around here no more". [edit] Music video The music video is themed around Alice in Wonderland and directed by Jeff Stein. Dave Stewart appears as the caterpillar at the beginning, sitting on a mushroom with a hookah water pipe. Tom Petty performed in the video dressed as The Mad Hatter, and actress Wish Foley played Alice. Petty eats Alice in the end, who has turned into a cake.
- The Facebook page Alice in Wonderland Inspired Photography, Movies, and Art has an epic Wall Photos gallery
- Ramona Szczerba’s Alice is more muted but no less effective: “Hand painted, hand cut and hand assembled with vintage images on a stretched canvas, it is embellished with Thai lace paper, ivory crocheted trim, brass rivets and a single brass rose on Alice’s hat.” It’s the essence of steampunk
- Maggie Taylor is an artist of the digital imaging process. The exhibition features 40 of her photo montages created from 2003 to 2009, including 23 works from the project “Almost Alice: New Illustrations of Wonderland.” The illustrations were united with the text in 2008 in the now hard-to-find Modern book Editions edition of Alice’s Adventures in Wonderland. You can see more of the illustrations on this website.
- “I had been doing some digital work with rabbits, holes in the ground and Victorian children,” she said from her studio in Gainesville, Fla. “Several people remarked that it reminded them of ‘Alice in Wonderland.’ So I started to do a few images like that, but I didn’t know how much it would take over. Now it’s three years and 45 images later
- Taylor, who has a bachelor’s degree in philosophy from Yale and a master’s degree in photography from University of Florida, discovered the computer photography program Photoshop in 1995 and soon saw the value of scanning in images and seamlessly stitching them together digitally. She often has 40 to 60 layers in her images. She scans items and photographs she discovers at flea markets as well as her own works to create something completely new. For her “Alice” works, Taylor created dreamlike, warm images of Lewis’ fantastical literary creatures as well as daguerreotypes and tintypes of Victorian children. Houses can have bunny ears, and animated playing cards are sharp enough to be weapons
- “I can remember the copy of the book that I had,” he said of the classic he read many times as a child, and many more as an adult. “The size and the feel of it. I know it made an impression on me as a child. “I think Humpty Dumpty (from Through the Looking Glass) had a pretty significant impact on me. It was a pretty dark piece of the story — this character shattering and breaking.”
- Artist Cormac McEvoy has been working on some cool sketches for what Science Fiction Alice in Wonderland characters might look like. He posted these to his blog cormacmcevoy.blogspot.com.
- “Alice Free Fall” is an iPhone/iPod download in which players guide a tumbling Alice to collect points in the form of roses and avoid death in the form of collision with playing cards. It has recently been updated and improved and the developers are promising new levels, new magical items and better visuals. If you have dismissed it in the past it might be worth another look