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OUTSTANDING UNIVERSAL VALUE:
 CRITERIA FOR THE INSCRIPTION OF CULTURAL
PROPERTIES ON THE UNESCO WORLD HERITAGE
  SITES AND THE CONCEPT OF AUTHENTICITY
                   Kristina Smolijaninovaite
                     International Forum
       “NGOs in Support of the World Heritage Properties”
                      June 22-24, 2012,
                    St. Petersburg, Russia
2




                             TABLE OF CONTENTS

 INTRODUCTION TO THE 1972 UNESCO WORLD HERITAGE CONVENTION

 DEFINITION OF CULTURAL HERITAGE

 THE CONCEPT OF OUTSTANDING UNIVERSAL VALUE (OUV)

 WORLD HERITAGE LIST: SELECTION CRITERIA

 EXAMPLES

 THE CONCEPT OF AUTHENTICITY

 UNIVERSAL VERSUS LOCAL VALUE

 CONCLUSIONS AND BIBLIOGRAPHY

 KRISTINA SMOLIJANINOVAITE
3
INTRO         CULTURAL        OUV   CRITERIA   EXAMPLES   AUTHENTICITY   UNIVERSAL VS. LOCAL   CONCLUSIONS /
              HERITAGE                                                                         BIBLIOGRAPHY




                                INTRODUCTION

1972 UNESCO World Heritage Convention – a global framework to protection
the heritage of all mankind:

- For this purpose the preamble demands “a convention establishing an
  effective system of collective protection of the cultural and natural heritage of
  outstanding universal value”




  KRISTINA SMOLIJANINOVAITE
4
INTRO         CULTURAL               OUV               CRITERIA            EXAMPLES   AUTHENTICITY       UNIVERSAL VS. LOCAL   CONCLUSIONS /
              HERITAGE                                                                                                         BIBLIOGRAPHY




               DEFINITION OF CULTURAL HERITAGE
                 MONUMENTS (e.g. Taj Mahal)                                                    GROUPS OF BUILDINGS (e.g.
                 architectural works, works of                                                 L'viv – the Ensemble of the
                 monumental sculpture and                                                      Historic Centre)
                 painting, elements or structures                                              groups of separate or
                 of an archaeological                                                          connected buildings
                 nature, inscriptions, cave                                                    Photo source: lviv.travel
                 dwellings
                  Photo source: weltwunder-online.de




                                                           SITES (e.g. Garden Kingdom of Dessau-
                                                           Wörlitz)
                                                           works of man or the combined works of
                                                           nature and of man, and areas including
                                                           archaeological sites
                                                           Photo source: ixwin.de




  KRISTINA SMOLIJANINOVAITE
5
INTRO         CULTURAL        OUV        CRITERIA     EXAMPLES     AUTHENTICITY   UNIVERSAL VS. LOCAL   CONCLUSIONS /
              HERITAGE                                                                                  BIBLIOGRAPHY




                   OUTSTANDING UNIVERSAL VALUE


                                    The Operational Guidelines (2005):
                                    “OUV means cultural and/or natural
                                    significance which is so exceptional as to
                                    transcend national boundaries and to be of
                                    common importance for present and future
                                    generations of all humanity.”




  KRISTINA SMOLIJANINOVAITE
6
     INTRO         CULTURAL        OUV   CRITERIA   EXAMPLES   AUTHENTICITY   UNIVERSAL VS. LOCAL   CONCLUSIONS /
                   HERITAGE                                                                         BIBLIOGRAPHY




                                   INSCRIPTION CRITERIA
i)             a masterpiece
ii)            important interchange of values/interests
iii)           exceptional testimony to a civilisation
iv)            a type of construction or site/typology
v)             interaction human/environment
                                                                                                    OUV
vi)            association with traditions or beliefs
vii)           natural beauty/aesthetics
viii)          geology
ix)            biological/ecological processes

x)             biodiversity



       KRISTINA SMOLIJANINOVAITE
7
INTRO          CULTURAL                   OUV   CRITERIA              EXAMPLES   AUTHENTICITY        UNIVERSAL VS. LOCAL   CONCLUSIONS /
                HERITAGE                                                                                                   BIBLIOGRAPHY




                                                  EXAMPLES

            Bauhaus and its Sites in Weimar and                                    Robben island (South Africa)
            Dessau (Germany)                                                       Date of inscription: 1999
            Date of inscription: 1996                                              Criteria: (iii)(vi)
            Criteria: (ii)(iv)(vi)                                                 Photo source: whc.unesco.org

            Photo source: mindpicnic.de




                                                Rice Terraces of the Philippine
                                                Cordilleras (Philippines)
                                                Date of inscription: 1995
                                                Criteria: (iii)(iv)(v)
                                                Photo source: whs.unesco.org




  KRISTINA SMOLIJANINOVAITE
8
INTRO         CULTURAL        OUV         CRITERIA      EXAMPLES    AUTHENTICITY   UNIVERSAL VS. LOCAL   CONCLUSIONS /
              HERITAGE                                                                                   BIBLIOGRAPHY




                   THE CONCEPT OF AUTHENTICITY
         OG (before 2005 revisions)
         - the „test of authenticity‟ was referred to
           four parameters: design, material,                      NARA (1994): Emphasis on
           workmanship and setting.                                workmanship rather than material
         -  It was seen basically in reference to
           the tangible material of the heritage.




                OG (revised)
                -have given a new definition for the „conditions of authenticity‟
                -additionally includes: traditions, techniques, language and other forms of intangible
                heritage, as well as spirit and feeling or other issues, showing a much broader recognition
                of the different aspects of culture and heritage.




  KRISTINA SMOLIJANINOVAITE
9
INTRO           CULTURAL        OUV         CRITERIA   EXAMPLES     AUTHENTICITY   UNIVERSAL VS. LOCAL   CONCLUSIONS /
                HERITAGE                                                                                 BIBLIOGRAPHY




                   UNIVERSAL VERSUS LOCAL VALUE
 Palaces and Parks of Potsdam and Berlin                Collegiate Church, Castle and Old Town of
 Criteria: (i), (ii), (iv)                              Quedlinburg Criteria: (iv)

 -      universal value: beauty of the site and         -   universal values: reflecting medieval history
        its significance in relation to ideas of            of Europe
        enlightenment during the time of                -   Local significance: like to interpret it from
        Frederich the Great and Voltaire.                   today's perspective of advancement of
 -      Local significance: stress more in terms            women?
        of the might of the empire?




  KRISTINA SMOLIJANINOVAITE
10
   INTRO         CULTURAL        OUV    CRITERIA   EXAMPLES   AUTHENTICITY   UNIVERSAL VS. LOCAL   CONCLUSIONS /
                 HERITAGE                                                                          BIBLIOGRAPHY




                                       CONCLUSIONS
 The 1972 World Heritage Convention is an effort to protect „heritage of all mankind‟,
  based on the concept of „outstanding universal value‟. The Convention involves an
  important qualifying condition of authenticity under the OG.

 It is not only to mitigate the effects of industrialisation and destruction through war
  but to set global standards in heritage protection.

 Challenges: concept of authenticity and misrepresentation of world heritage sites
  along the lines of national importance.

 The concept of World Heritage is a dynamic (e.g. the category of cultural landscape
  in 1992 and the Nara Document on Authenticity in 1994)




     KRISTINA SMOLIJANINOVAITE
11
INTRO         CULTURAL        OUV    CRITERIA   EXAMPLES   AUTHENTICITY   UNIVERSAL VS. LOCAL   CONCLUSIONS /
              HERITAGE                                                                          BIBLIOGRAPHY




                                    BIBLIOGRAPHY


 http://www.international.icomos.org/publications/pdf

 http://whc.unesco.org/archive/opguide11-en.pdf

 http://whc.unesco.org/archive/nara94.htm

 http://rum1.aarch.dk/uploads/media/J._Jokilehto_2006.pdf




  KRISTINA SMOLIJANINOVAITE

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Kristina Smolijaninovaite

  • 1. OUTSTANDING UNIVERSAL VALUE: CRITERIA FOR THE INSCRIPTION OF CULTURAL PROPERTIES ON THE UNESCO WORLD HERITAGE SITES AND THE CONCEPT OF AUTHENTICITY Kristina Smolijaninovaite International Forum “NGOs in Support of the World Heritage Properties” June 22-24, 2012, St. Petersburg, Russia
  • 2. 2 TABLE OF CONTENTS  INTRODUCTION TO THE 1972 UNESCO WORLD HERITAGE CONVENTION  DEFINITION OF CULTURAL HERITAGE  THE CONCEPT OF OUTSTANDING UNIVERSAL VALUE (OUV)  WORLD HERITAGE LIST: SELECTION CRITERIA  EXAMPLES  THE CONCEPT OF AUTHENTICITY  UNIVERSAL VERSUS LOCAL VALUE  CONCLUSIONS AND BIBLIOGRAPHY KRISTINA SMOLIJANINOVAITE
  • 3. 3 INTRO CULTURAL OUV CRITERIA EXAMPLES AUTHENTICITY UNIVERSAL VS. LOCAL CONCLUSIONS / HERITAGE BIBLIOGRAPHY INTRODUCTION 1972 UNESCO World Heritage Convention – a global framework to protection the heritage of all mankind: - For this purpose the preamble demands “a convention establishing an effective system of collective protection of the cultural and natural heritage of outstanding universal value” KRISTINA SMOLIJANINOVAITE
  • 4. 4 INTRO CULTURAL OUV CRITERIA EXAMPLES AUTHENTICITY UNIVERSAL VS. LOCAL CONCLUSIONS / HERITAGE BIBLIOGRAPHY DEFINITION OF CULTURAL HERITAGE MONUMENTS (e.g. Taj Mahal) GROUPS OF BUILDINGS (e.g. architectural works, works of L'viv – the Ensemble of the monumental sculpture and Historic Centre) painting, elements or structures groups of separate or of an archaeological connected buildings nature, inscriptions, cave Photo source: lviv.travel dwellings Photo source: weltwunder-online.de SITES (e.g. Garden Kingdom of Dessau- Wörlitz) works of man or the combined works of nature and of man, and areas including archaeological sites Photo source: ixwin.de KRISTINA SMOLIJANINOVAITE
  • 5. 5 INTRO CULTURAL OUV CRITERIA EXAMPLES AUTHENTICITY UNIVERSAL VS. LOCAL CONCLUSIONS / HERITAGE BIBLIOGRAPHY OUTSTANDING UNIVERSAL VALUE The Operational Guidelines (2005): “OUV means cultural and/or natural significance which is so exceptional as to transcend national boundaries and to be of common importance for present and future generations of all humanity.” KRISTINA SMOLIJANINOVAITE
  • 6. 6 INTRO CULTURAL OUV CRITERIA EXAMPLES AUTHENTICITY UNIVERSAL VS. LOCAL CONCLUSIONS / HERITAGE BIBLIOGRAPHY INSCRIPTION CRITERIA i) a masterpiece ii) important interchange of values/interests iii) exceptional testimony to a civilisation iv) a type of construction or site/typology v) interaction human/environment OUV vi) association with traditions or beliefs vii) natural beauty/aesthetics viii) geology ix) biological/ecological processes x) biodiversity KRISTINA SMOLIJANINOVAITE
  • 7. 7 INTRO CULTURAL OUV CRITERIA EXAMPLES AUTHENTICITY UNIVERSAL VS. LOCAL CONCLUSIONS / HERITAGE BIBLIOGRAPHY EXAMPLES Bauhaus and its Sites in Weimar and Robben island (South Africa) Dessau (Germany) Date of inscription: 1999 Date of inscription: 1996 Criteria: (iii)(vi) Criteria: (ii)(iv)(vi) Photo source: whc.unesco.org Photo source: mindpicnic.de Rice Terraces of the Philippine Cordilleras (Philippines) Date of inscription: 1995 Criteria: (iii)(iv)(v) Photo source: whs.unesco.org KRISTINA SMOLIJANINOVAITE
  • 8. 8 INTRO CULTURAL OUV CRITERIA EXAMPLES AUTHENTICITY UNIVERSAL VS. LOCAL CONCLUSIONS / HERITAGE BIBLIOGRAPHY THE CONCEPT OF AUTHENTICITY OG (before 2005 revisions) - the „test of authenticity‟ was referred to four parameters: design, material, NARA (1994): Emphasis on workmanship and setting. workmanship rather than material - It was seen basically in reference to the tangible material of the heritage. OG (revised) -have given a new definition for the „conditions of authenticity‟ -additionally includes: traditions, techniques, language and other forms of intangible heritage, as well as spirit and feeling or other issues, showing a much broader recognition of the different aspects of culture and heritage. KRISTINA SMOLIJANINOVAITE
  • 9. 9 INTRO CULTURAL OUV CRITERIA EXAMPLES AUTHENTICITY UNIVERSAL VS. LOCAL CONCLUSIONS / HERITAGE BIBLIOGRAPHY UNIVERSAL VERSUS LOCAL VALUE Palaces and Parks of Potsdam and Berlin Collegiate Church, Castle and Old Town of Criteria: (i), (ii), (iv) Quedlinburg Criteria: (iv) - universal value: beauty of the site and - universal values: reflecting medieval history its significance in relation to ideas of of Europe enlightenment during the time of - Local significance: like to interpret it from Frederich the Great and Voltaire. today's perspective of advancement of - Local significance: stress more in terms women? of the might of the empire? KRISTINA SMOLIJANINOVAITE
  • 10. 10 INTRO CULTURAL OUV CRITERIA EXAMPLES AUTHENTICITY UNIVERSAL VS. LOCAL CONCLUSIONS / HERITAGE BIBLIOGRAPHY CONCLUSIONS  The 1972 World Heritage Convention is an effort to protect „heritage of all mankind‟, based on the concept of „outstanding universal value‟. The Convention involves an important qualifying condition of authenticity under the OG.  It is not only to mitigate the effects of industrialisation and destruction through war but to set global standards in heritage protection.  Challenges: concept of authenticity and misrepresentation of world heritage sites along the lines of national importance.  The concept of World Heritage is a dynamic (e.g. the category of cultural landscape in 1992 and the Nara Document on Authenticity in 1994) KRISTINA SMOLIJANINOVAITE
  • 11. 11 INTRO CULTURAL OUV CRITERIA EXAMPLES AUTHENTICITY UNIVERSAL VS. LOCAL CONCLUSIONS / HERITAGE BIBLIOGRAPHY BIBLIOGRAPHY http://www.international.icomos.org/publications/pdf http://whc.unesco.org/archive/opguide11-en.pdf http://whc.unesco.org/archive/nara94.htm http://rum1.aarch.dk/uploads/media/J._Jokilehto_2006.pdf KRISTINA SMOLIJANINOVAITE