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AS Media Studies induction
lesson
 Course overview
 Film openings – expectations?
 Theory 1 – binary oppositions and application
 Theory 2 – the hero’s journey
 Analysing film openings
 Blogs and setting one up
 Summer project
What is Media Studies?
 What are ‘the media’?
   The term ‘the media’ is an umbrella term for
    the industries of TV, film, newspapers,
    magazines, internet, radio, videogames
   The word ‘media’ is the plural form of medium
   For example, TV is a medium of
    communication where a small group of people
    can produce a TV programme that is watched
    by millions – Big Brother, Coronation Street,
    X-Factor
What is Media Studies?
  The technology of being broadcast pictures
   and sound through radio waves or via satellite
   or cable, is the medium – the ‘piggy in the
   middle’ between sender (producer /
   institution) and receiver (audience)
  The media forms listed above are mass media
   – because they are intended to communicate
   with great numbers of people. It is these mass
   media which are the focus of the academic
   subject of media studies at A-Level and
   beyond
What is Media Studies?

 Media Studies at A-Level centres around the
  study of 4 key concepts
 Everything we do in this subject relates to these
  4 key concepts
 The 4 key concepts
     Media language
     Media audiences
     Media representations
     Media institutions
What is Media Studies?
 AS Media Studies
 2 units – 1 coursework (50%), 1 exam (50%)
 G321 Foundation Portfolio – the production of
  the opening sequence to a film, plus evaluation
  in the form of a blog
 G322 Key Media Concepts – 2 sections of work –
  TV Drama and representation, Audiences &
  Institutions
 A2 Media Studies – 2 more units – coursework
  and exam, but harder still…
OCR A-level Media Studies

 This is a ‘joined up’ course
 What you do at AS has knock on effects for
  A2
 The road to the final exam starts today
Levi-Strauss - Binary
oppositions
 Man walks up street to buy a newspaper
 Man walks up street, goes to shop, buys paper – no conflict,
  no story
 Man walks up street, crosses paths with another man who
  punches him, they fight, Man 1 wins, buys paper – conflict
  and story – but short
 A well sustained story has a range of different types of
  conflict – to constantly engage and entertain its audience

 Task – Story scenario – Girl gets into a car…
 Devise a story which features between 3-5 elements of
  conflict and also make clear what the end of the story is
Vogler – the hero’s journey
o   Ordinary World The hero's normal world before the story begins
a   Call to Adventure - The hero is presented with a problem, challenge or adventure to
    undertake
r   Refusal of the Call - The hero refuses the challenge or journey, usually out of fear
s   Meeting with the Mentor - The hero meets a mentor to gain confidence, advice or
    training to face the adventure
    Crossing the First Threshold - The hero crosses the gateway that separates the
    ordinary world from the special world
r   Tests, Allies, Enemies - The hero faces tests, meets allies, confronts enemies & learn
    the rules of the Special World.
    Approach - The hero has hit setbacks during tests & may need to reorganize his helpers
    or rekindle morale with mentor's rally cry. Stakes heightened.
l   Ordeal - The biggest life or death crisis – the hero faces his greatest fear & only through
    “death” can the hero be “reborn” experiencing even greater powers to see the journey to
    the end.
h   Reward - The hero has survived death, overcome his greatest fear and now earns the
    reward he sought.
.   The Road Back - The hero must recommit to completing the journey & travel the road
    back to the Ordinary World. The dramatic question is asked again.
n   Resurrection - Hero faces most dangerous meeting with death – this shows the hero
    can apply all the wisdom he's brought back to the Ordinary World
e   Return with Elixir - The hero returns from the journey with the “elixir”, so everyone in
    the world can use to heal physical or emotional wounds.
Vogler – the hero’s journey
– key stages
o   Ordinary World The hero's normal world
    before the story begins
    Call to Adventure - The hero is presented
    with a problem, challenge or adventure to
    undertake
c   Tests, Allies, Enemies - The hero faces
    tests, meets allies, confronts enemies & learn
    the rules of the Special World.
    Return with Elixir - The hero returns from
    the journey with the “elixir”, so everyone in the
    world can use to heal physical or emotional
    wounds.
Vogler – the hero’s journey

 Apply these stages to your narrative using the
  worksheet
Expectations, codes and
conventions
 Key terms – codes, conventions
 Code – something that stands for something
  else, e.g. M8 = Mate
 TV / Film – black clothes / facial hair – code for
  villain
 Convention – codes repeated so often that they
  become part of our expectations for that genre
 E.g. – in teen movies, teens are cool; adults are
  stupid

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As media studies induction lesson 2012

  • 1. AS Media Studies induction lesson  Course overview  Film openings – expectations?  Theory 1 – binary oppositions and application  Theory 2 – the hero’s journey  Analysing film openings  Blogs and setting one up  Summer project
  • 2. What is Media Studies?  What are ‘the media’?  The term ‘the media’ is an umbrella term for the industries of TV, film, newspapers, magazines, internet, radio, videogames  The word ‘media’ is the plural form of medium  For example, TV is a medium of communication where a small group of people can produce a TV programme that is watched by millions – Big Brother, Coronation Street, X-Factor
  • 3. What is Media Studies?  The technology of being broadcast pictures and sound through radio waves or via satellite or cable, is the medium – the ‘piggy in the middle’ between sender (producer / institution) and receiver (audience)  The media forms listed above are mass media – because they are intended to communicate with great numbers of people. It is these mass media which are the focus of the academic subject of media studies at A-Level and beyond
  • 4. What is Media Studies?  Media Studies at A-Level centres around the study of 4 key concepts  Everything we do in this subject relates to these 4 key concepts  The 4 key concepts  Media language  Media audiences  Media representations  Media institutions
  • 5. What is Media Studies?  AS Media Studies  2 units – 1 coursework (50%), 1 exam (50%)  G321 Foundation Portfolio – the production of the opening sequence to a film, plus evaluation in the form of a blog  G322 Key Media Concepts – 2 sections of work – TV Drama and representation, Audiences & Institutions  A2 Media Studies – 2 more units – coursework and exam, but harder still…
  • 6. OCR A-level Media Studies  This is a ‘joined up’ course  What you do at AS has knock on effects for A2  The road to the final exam starts today
  • 7. Levi-Strauss - Binary oppositions  Man walks up street to buy a newspaper  Man walks up street, goes to shop, buys paper – no conflict, no story  Man walks up street, crosses paths with another man who punches him, they fight, Man 1 wins, buys paper – conflict and story – but short  A well sustained story has a range of different types of conflict – to constantly engage and entertain its audience  Task – Story scenario – Girl gets into a car…  Devise a story which features between 3-5 elements of conflict and also make clear what the end of the story is
  • 8. Vogler – the hero’s journey o Ordinary World The hero's normal world before the story begins a Call to Adventure - The hero is presented with a problem, challenge or adventure to undertake r Refusal of the Call - The hero refuses the challenge or journey, usually out of fear s Meeting with the Mentor - The hero meets a mentor to gain confidence, advice or training to face the adventure Crossing the First Threshold - The hero crosses the gateway that separates the ordinary world from the special world r Tests, Allies, Enemies - The hero faces tests, meets allies, confronts enemies & learn the rules of the Special World. Approach - The hero has hit setbacks during tests & may need to reorganize his helpers or rekindle morale with mentor's rally cry. Stakes heightened. l Ordeal - The biggest life or death crisis – the hero faces his greatest fear & only through “death” can the hero be “reborn” experiencing even greater powers to see the journey to the end. h Reward - The hero has survived death, overcome his greatest fear and now earns the reward he sought. . The Road Back - The hero must recommit to completing the journey & travel the road back to the Ordinary World. The dramatic question is asked again. n Resurrection - Hero faces most dangerous meeting with death – this shows the hero can apply all the wisdom he's brought back to the Ordinary World e Return with Elixir - The hero returns from the journey with the “elixir”, so everyone in the world can use to heal physical or emotional wounds.
  • 9. Vogler – the hero’s journey – key stages o Ordinary World The hero's normal world before the story begins Call to Adventure - The hero is presented with a problem, challenge or adventure to undertake c Tests, Allies, Enemies - The hero faces tests, meets allies, confronts enemies & learn the rules of the Special World. Return with Elixir - The hero returns from the journey with the “elixir”, so everyone in the world can use to heal physical or emotional wounds.
  • 10. Vogler – the hero’s journey  Apply these stages to your narrative using the worksheet
  • 11. Expectations, codes and conventions  Key terms – codes, conventions  Code – something that stands for something else, e.g. M8 = Mate  TV / Film – black clothes / facial hair – code for villain  Convention – codes repeated so often that they become part of our expectations for that genre  E.g. – in teen movies, teens are cool; adults are stupid