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ARJUN.P
CLASS :8C
SCHOOL :KENDRIYA VIDYALAYA
SAP
VARMA
Email ID : arjunpratheeptvm@gmail.com
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RAJA RAVI VARMA
 Raja Ravi Varma Koil Thampuran (29 April 1848 –
2 October 1906) was a celebrated Indian painter and artist.
He is considered among the greatest painters in the history
of Indian art for a number of aesthetic and broader social
reasons. Firstly, his works are held to be among the best
examples of the fusion of European techniques with a purely
Indian sensibility.
 While continuing the tradition and aesthetics of Indian art, his
paintings employed the latest European academic
art techniques of the day. Secondly, he was notable for
making affordable lithographs of his paintings available to the
public, which greatly enhanced his reach and influence as a
painter and public figure.
RAJA RAVI
VARMA SELF-
PORTRAIT
 Indeed, his lithographs increased the involvement of
common people with fine arts and defined artistic tastes
among common people for several decades.
 In particular, his depictions of Hindu deities and episodes
from the epics and Puranas have received profound
acceptance from the public and are found, often as
objects of worship, across the length and breadth of
India.
 Raja Ravi Varma was closely related to the royal family
of Travancore in the deep south of India
(Kerala and Tamil Nadu). Later in his life, two of his
granddaughters were adopted into that royal family, and
their descendants comprise the totality of the present
royal family of Travancore, including the latest three
Maharajas (Balarama Varma III, Marthanda Varma
III and Rama Varma VII
KILIMANOOR
PALACE IN THE
PRINCELY
STATE OF
TRAVANCORE
LIFE
 Raja Ravi Varma was born at Kilimanoor palace in the
princely state of Travancore (present-day Kerala) into an
aristocratic family belonging to the Nair caste.
 Ravi Varma was the son of Ezhumavil Neelakanthan
Bhattatiripad, a Brahmin gentleman, by his Nair wife
Umayamba Thampurratti. His mother, Uma Ambabayi
Thampuratty, belonged to the baronial family which ruled the
Kilimanoor feudal estate within the kingdom of Travancore.
She was a poet and writer of some talent, whose
work Parvati Swayamvaram was published by Varma after
her death. In keeping with the Sambandam tradition of
matrimony which was prevalent in those days, she was
married to a Brahmin gentleman in preference to a man of
her own Nair caste
RAJA RAVI
VARMA, MRS.
RAMANADHA
RAO
MARRAIGE
 In 1866, at the age of 18, Varma was married to 12-year-old
Bhageerthi Bayi of the royal house of Mavelikkara, another
major fief of Travancore kingdom. Notably, the house of
Mavellikara was a branch of the Royal House of Travancore.
Bhageerthi was the youngest of three sisters, and both of her elder
sisters had been adopted into the royal family of Travancore in
1857, in order to carry on the lineage. They were known as the
Senior and Junior Rani of Attingal, and in their progeny was vested
the succession to the throne of Travancore.
 Therefore, Ravi Varma's connection to the royal family became
very close due to his marriage with Bhageerthi. Indeed, his
children (because they belonged to their mother's family) would be
royal by birth. The marriage, which was arranged by their parents
in the proper Indian manner, was harmonious and successful. The
couple were blessed with five children, being two sons and three
daughters.
RAJA RAVI VARMA
AND RAJA RAJA
VARMA (1900). RAJA
RAVI VARMA, OF
KILIMANOOR PALACE,
WAS A WORLD
RENOWNED FIGURE IN
THE REALM OF ART
ART CAREER
 The British administrator Edgar Thurston was significant in
promoting the careers of Varma and his brother.Varma received
widespread acclaim after he won an award for an exhibition of his
paintings at Vienna in 1873. Varma's paintings were also sent to
the World's Columbian Exposition held in Chicago in 1893 and he
was awarded three gold medals. He travelled throughout India in
search of subjects. He often modelled Hindu Goddesses on South
Indian women, whom he considered beautiful.
 Ravi Varma is particularly noted for his paintings depicting episodes
from the story of Dushyanta and Shakuntala,
and Nala and Damayanti, from the Mahabharata. Ravi Varma's
representation of mythological characters has become a part of the
Indian imagination of the epics. He is often criticized for being too
showy and sentimental in his style but his work remains very
popular in India. Many of his fabulous paintings are housed at Laxmi
Vilas Palace, Vadodara.
DAMAYANTHIT
ALKING WITH
ROYAL SWAN
ABOUT NALAN
AN FAMOUS
OIL WORK OF
RAJA RAVI
VARMA
RAJA RAVI VARMA
PRESS
 Apparently on the advice of the then Dewan (Prime
Minister) of Travancore, T. Madhava Rao, Ravi Varma
started a lithographic printing press in Ghatkopar,
Mumbai in 1894 and later shifted it to Malavli
near Lonavala, Maharashtra in 1899. The press was
managed by Varma's brother, Raja Varma. In 1901 the
press was sold to his printing technician from Germany,
Mr. Schleicher and later closed down after it was gutted
in an accidental fire.
 The oleographs produced by the press were mostly of
Hindu gods and goddesses in scenes adapted mainly
from the Mahabharata, the Ramayana and the Puranas.
These oleographs were very popular and continued to
be printed in thousands for many years, even after the
1906 death of Ravi Varma
THE STUDIO
USED BY VARMA
DURING HIS
STAY AT THE
LAXMI VILAS
PALACE
NOTABLE WORKS OF RAJA
RAVI VARMA
1) A Family of Beggars
2) A Lady Playing Swarbat
3) Arjuna and Subhadra
4) Damayanti Talking to a Swan
5) Draupadi Dreading to Meet Kichaka
6) Girl in Sage Kanwa's Hermitage
7) Jatayu
8) Lady Giving Alms at the Temple
9) Lady Lost in Thought
10) Lady with Fruit
RANI BHARANI
THIRUNAL
LAKSHMI BAYI
OF (1848–
1901)
TRAVANCORE
11) Lord Krishna as Ambassador
12) Lord Rama Conquers Varuna
13) Nair Woman
14) Romancing Couple
15) Shakuntala
16) Shakuntala Composing a Love Letter to
King Dushyanta
17) Shantanu and Matsyagandha
18) Swarbat Player
19) The Heartbroken
20) The Orchestra
21) Victory of Indrajit
RAMA VARMA'S
PORTRAIT OF RAVI
VARMA, OIL ON
CANVAS, 1952.
HONOUR
 In 1904, Viceroy Lord Curzon, on behalf of the British
King Emperor, bestowed upon Varma the Kaisar-i-Hind
Gold Medal. A college dedicated to fine arts was also
constituted in his honour at Mavelikara, Kerala. Raja
Ravi Varma High School at Kilimanoor was named after
him and there are many cultural organizations
throughout India bearing his name. In 2013, the crater
Varma on Mercury was named in his honor.
 Considering his vast contribution to Indian art, the
Government of Kerala has instituted an award called
"Raja Ravi Varma Puraskaram", which is awarded every
year to people who show excellence in the field of art
and culture.
VARMA'S
DAUGHTER
MAHAPRABHA
WITH ONE OF
HER SONS
ART GALLERY
 Ravi Varma Virtual Art Gallery featuring images of
oil paintings and art works of Raja Ravi Varma and
famous artists around the world.
 Raja Ravi Varma art gallery includes, Village Belle,
Lady Lost in Thought, Damayanti Talking to a
Swan, Arjuna and Subhadra, Shakuntala,
Romancing Couple, Oil extractor and much more.
PORTRAIT OF
KADAMBARI, A
LADY PLAYING
SITAR
1.Kadambari
PORTRAIT OF
AN ELEGENT
LOOKING
ARISTOCRATIC
MALABAR LADY
2. Malabar
Lady
PAINTING OF A
TRADITIONALLY
DRESSED LADY
OF
MAHARASHTRA
3.The
Maharashtrian
Lady
KERALAITE
LADY IN
TRADITIONAL
DRESS
PLAYING
VEENA.
4.Lady With Veena
5. At the Bath
A MALAYALI
LADY NEAR
POND.
PAINTING OF
DAMAYANTHI
WITH SERVANT.
6. Damayanthi
HARISHCHANDRA
AND HIS FAMILY ARE
SOLD INTO
BONDAGE AND
SEPARATED.
7. Harischandra
In Distress
DROUPATHI
TAKEN TO FOREST
BY SIMHIKA, WHO
PLANS TO KILL
HER.
8. Draupadi and
simhika
SHAKUNTHALA
LOST IN
THOUGHTS
9. Shakunthala
SAKUNTHALA
LOOKING BACK AT
DUSHYANTHAN
ACTING AS INJURED
WITH A THORN.
10. Looks of Love -
A KERALAITE
LADY IN
DRESSING ROOM
ADORNING HER
HAIR WITH A
GARLAND OF
JASMINE
. 11. Lady In Her
Dressing Room
PAINTING OF A
NORTH INDIAN
VILLAGE GIRL
CARRYING MILK.
12. The Milkmaid
CLASSIC
PAINTING
OF
YASODHA
AND
KRISHNA.
13. Yesoda With
Krishna
BHISHMA
TAKING THE BIG
OATH.
13. Bhishma Oath
CLASSIC
PAINTING OF
GODDESS
SARASWATHI.
14.Saraswathi
CLASSIC
PAINTING OF
GODDESS
LAKSHMI.
15. Lakshmi
KING SANTHANU
FALLING IN LOVE
WITH
MATSYAGANDHI.
16.Santhanu and
Matsyagandhi
SEETHA
HORRIFIED SEEING
RAVANA CUTTING
JATAYU'S WING.
17. Jatayu Vadha
Raja Ravi Varma  - a celebrated Indian painter

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Raja Ravi Varma - a celebrated Indian painter

  • 1. ARJUN.P CLASS :8C SCHOOL :KENDRIYA VIDYALAYA SAP VARMA Email ID : arjunpratheeptvm@gmail.com Done by
  • 2. RAJA RAVI VARMA  Raja Ravi Varma Koil Thampuran (29 April 1848 – 2 October 1906) was a celebrated Indian painter and artist. He is considered among the greatest painters in the history of Indian art for a number of aesthetic and broader social reasons. Firstly, his works are held to be among the best examples of the fusion of European techniques with a purely Indian sensibility.  While continuing the tradition and aesthetics of Indian art, his paintings employed the latest European academic art techniques of the day. Secondly, he was notable for making affordable lithographs of his paintings available to the public, which greatly enhanced his reach and influence as a painter and public figure.
  • 4.  Indeed, his lithographs increased the involvement of common people with fine arts and defined artistic tastes among common people for several decades.  In particular, his depictions of Hindu deities and episodes from the epics and Puranas have received profound acceptance from the public and are found, often as objects of worship, across the length and breadth of India.  Raja Ravi Varma was closely related to the royal family of Travancore in the deep south of India (Kerala and Tamil Nadu). Later in his life, two of his granddaughters were adopted into that royal family, and their descendants comprise the totality of the present royal family of Travancore, including the latest three Maharajas (Balarama Varma III, Marthanda Varma III and Rama Varma VII
  • 6. LIFE  Raja Ravi Varma was born at Kilimanoor palace in the princely state of Travancore (present-day Kerala) into an aristocratic family belonging to the Nair caste.  Ravi Varma was the son of Ezhumavil Neelakanthan Bhattatiripad, a Brahmin gentleman, by his Nair wife Umayamba Thampurratti. His mother, Uma Ambabayi Thampuratty, belonged to the baronial family which ruled the Kilimanoor feudal estate within the kingdom of Travancore. She was a poet and writer of some talent, whose work Parvati Swayamvaram was published by Varma after her death. In keeping with the Sambandam tradition of matrimony which was prevalent in those days, she was married to a Brahmin gentleman in preference to a man of her own Nair caste
  • 8. MARRAIGE  In 1866, at the age of 18, Varma was married to 12-year-old Bhageerthi Bayi of the royal house of Mavelikkara, another major fief of Travancore kingdom. Notably, the house of Mavellikara was a branch of the Royal House of Travancore. Bhageerthi was the youngest of three sisters, and both of her elder sisters had been adopted into the royal family of Travancore in 1857, in order to carry on the lineage. They were known as the Senior and Junior Rani of Attingal, and in their progeny was vested the succession to the throne of Travancore.  Therefore, Ravi Varma's connection to the royal family became very close due to his marriage with Bhageerthi. Indeed, his children (because they belonged to their mother's family) would be royal by birth. The marriage, which was arranged by their parents in the proper Indian manner, was harmonious and successful. The couple were blessed with five children, being two sons and three daughters.
  • 9. RAJA RAVI VARMA AND RAJA RAJA VARMA (1900). RAJA RAVI VARMA, OF KILIMANOOR PALACE, WAS A WORLD RENOWNED FIGURE IN THE REALM OF ART
  • 10. ART CAREER  The British administrator Edgar Thurston was significant in promoting the careers of Varma and his brother.Varma received widespread acclaim after he won an award for an exhibition of his paintings at Vienna in 1873. Varma's paintings were also sent to the World's Columbian Exposition held in Chicago in 1893 and he was awarded three gold medals. He travelled throughout India in search of subjects. He often modelled Hindu Goddesses on South Indian women, whom he considered beautiful.  Ravi Varma is particularly noted for his paintings depicting episodes from the story of Dushyanta and Shakuntala, and Nala and Damayanti, from the Mahabharata. Ravi Varma's representation of mythological characters has become a part of the Indian imagination of the epics. He is often criticized for being too showy and sentimental in his style but his work remains very popular in India. Many of his fabulous paintings are housed at Laxmi Vilas Palace, Vadodara.
  • 11. DAMAYANTHIT ALKING WITH ROYAL SWAN ABOUT NALAN AN FAMOUS OIL WORK OF RAJA RAVI VARMA
  • 12. RAJA RAVI VARMA PRESS  Apparently on the advice of the then Dewan (Prime Minister) of Travancore, T. Madhava Rao, Ravi Varma started a lithographic printing press in Ghatkopar, Mumbai in 1894 and later shifted it to Malavli near Lonavala, Maharashtra in 1899. The press was managed by Varma's brother, Raja Varma. In 1901 the press was sold to his printing technician from Germany, Mr. Schleicher and later closed down after it was gutted in an accidental fire.  The oleographs produced by the press were mostly of Hindu gods and goddesses in scenes adapted mainly from the Mahabharata, the Ramayana and the Puranas. These oleographs were very popular and continued to be printed in thousands for many years, even after the 1906 death of Ravi Varma
  • 13. THE STUDIO USED BY VARMA DURING HIS STAY AT THE LAXMI VILAS PALACE
  • 14. NOTABLE WORKS OF RAJA RAVI VARMA 1) A Family of Beggars 2) A Lady Playing Swarbat 3) Arjuna and Subhadra 4) Damayanti Talking to a Swan 5) Draupadi Dreading to Meet Kichaka 6) Girl in Sage Kanwa's Hermitage 7) Jatayu 8) Lady Giving Alms at the Temple 9) Lady Lost in Thought 10) Lady with Fruit
  • 15. RANI BHARANI THIRUNAL LAKSHMI BAYI OF (1848– 1901) TRAVANCORE
  • 16. 11) Lord Krishna as Ambassador 12) Lord Rama Conquers Varuna 13) Nair Woman 14) Romancing Couple 15) Shakuntala 16) Shakuntala Composing a Love Letter to King Dushyanta 17) Shantanu and Matsyagandha 18) Swarbat Player 19) The Heartbroken 20) The Orchestra 21) Victory of Indrajit
  • 17. RAMA VARMA'S PORTRAIT OF RAVI VARMA, OIL ON CANVAS, 1952.
  • 18. HONOUR  In 1904, Viceroy Lord Curzon, on behalf of the British King Emperor, bestowed upon Varma the Kaisar-i-Hind Gold Medal. A college dedicated to fine arts was also constituted in his honour at Mavelikara, Kerala. Raja Ravi Varma High School at Kilimanoor was named after him and there are many cultural organizations throughout India bearing his name. In 2013, the crater Varma on Mercury was named in his honor.  Considering his vast contribution to Indian art, the Government of Kerala has instituted an award called "Raja Ravi Varma Puraskaram", which is awarded every year to people who show excellence in the field of art and culture.
  • 20. ART GALLERY  Ravi Varma Virtual Art Gallery featuring images of oil paintings and art works of Raja Ravi Varma and famous artists around the world.  Raja Ravi Varma art gallery includes, Village Belle, Lady Lost in Thought, Damayanti Talking to a Swan, Arjuna and Subhadra, Shakuntala, Romancing Couple, Oil extractor and much more.
  • 21. PORTRAIT OF KADAMBARI, A LADY PLAYING SITAR 1.Kadambari
  • 23. PAINTING OF A TRADITIONALLY DRESSED LADY OF MAHARASHTRA 3.The Maharashtrian Lady
  • 25. 5. At the Bath A MALAYALI LADY NEAR POND.
  • 27. HARISHCHANDRA AND HIS FAMILY ARE SOLD INTO BONDAGE AND SEPARATED. 7. Harischandra In Distress
  • 28. DROUPATHI TAKEN TO FOREST BY SIMHIKA, WHO PLANS TO KILL HER. 8. Draupadi and simhika
  • 30. SAKUNTHALA LOOKING BACK AT DUSHYANTHAN ACTING AS INJURED WITH A THORN. 10. Looks of Love -
  • 31. A KERALAITE LADY IN DRESSING ROOM ADORNING HER HAIR WITH A GARLAND OF JASMINE . 11. Lady In Her Dressing Room
  • 32. PAINTING OF A NORTH INDIAN VILLAGE GIRL CARRYING MILK. 12. The Milkmaid
  • 37. KING SANTHANU FALLING IN LOVE WITH MATSYAGANDHI. 16.Santhanu and Matsyagandhi