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LITERATURE AND
CINEMA
Literature and cinema are narrative arts, and consequently, a pretext to tell stories from the
first oral transmissions or The watered watering (1896).
Literary language:
uses words
Cinematographic
language: uses
images
Adaptations put into images (most of them mediocre from any point of view: direction,
performance, decoration) some famous episodes.
Adaptation:
In most movies from
the 20’s, the
adaptation was its
reduction to the
dimentions of a short
novel.
It was depriving it from
its novelistic width and
its temporality
THE LANGUAGE OF NOVELS AND THE LANGUAGE OF
CINEMA
A novel is able to make people
live something more than
abstractions:
The performers who are firmly
stated in time and space
Perfect expression: appropriate
content and shape
FROM ACTION NOVELS TO FILM- MAKING IMAGE
It uses words to evoque and vanish in
image.
It provides the reader with a content of
accurate shape, as if it were our direct
sight.
An image in a movie makes us to
relationships and significations
CINEMA GENRES:
Comedy, action, drama,
suspense.
It is difficult to talk about
movies without keep in mind
an element which is as basic as
its adscription to a determined
genre.
It is one more of the
manifestations with an
intention to classify and label as
an article related to
professional careers said not
long ago
CHANGING ACTION AXIS
WHAT ARE THE ESSENTIAL FIVE QUESTIOS OF THE SCRIPT?
The script
2. What is it used for?
For the realization of a movie as a
creative and technical team
3. How is it written down?
As a precise text which does not fit
changes or improvisations
4. What are its limitations?
the limitations are solved case by case
according to the agreements – or
disagreements – between both parts
5. Can its technique be learned?
With personal talent and lots of hard
work
1. What is it?
a text in the form of a book

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Film making completion

  • 1. LITERATURE AND CINEMA Literature and cinema are narrative arts, and consequently, a pretext to tell stories from the first oral transmissions or The watered watering (1896). Literary language: uses words Cinematographic language: uses images
  • 2. Adaptations put into images (most of them mediocre from any point of view: direction, performance, decoration) some famous episodes. Adaptation: In most movies from the 20’s, the adaptation was its reduction to the dimentions of a short novel. It was depriving it from its novelistic width and its temporality
  • 3. THE LANGUAGE OF NOVELS AND THE LANGUAGE OF CINEMA A novel is able to make people live something more than abstractions: The performers who are firmly stated in time and space Perfect expression: appropriate content and shape FROM ACTION NOVELS TO FILM- MAKING IMAGE It uses words to evoque and vanish in image. It provides the reader with a content of accurate shape, as if it were our direct sight. An image in a movie makes us to relationships and significations
  • 4. CINEMA GENRES: Comedy, action, drama, suspense. It is difficult to talk about movies without keep in mind an element which is as basic as its adscription to a determined genre. It is one more of the manifestations with an intention to classify and label as an article related to professional careers said not long ago CHANGING ACTION AXIS
  • 5. WHAT ARE THE ESSENTIAL FIVE QUESTIOS OF THE SCRIPT? The script 2. What is it used for? For the realization of a movie as a creative and technical team 3. How is it written down? As a precise text which does not fit changes or improvisations 4. What are its limitations? the limitations are solved case by case according to the agreements – or disagreements – between both parts 5. Can its technique be learned? With personal talent and lots of hard work 1. What is it? a text in the form of a book