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*** - A FUNDAMENTAL DIGRESSION-***
***DEAR CONNECTIONS***
*** You must know,understand , as far as I am concerned remains ...
° I AM GOING TO PROCEED IN THE DESCRIPTION OF “ALL THE
SITUATION”.
-My main “REFERRER” was ANTONIN KRATOCHVIL with who I h...
***§***
>>>GENERAL DESCRIPTION OF THE WORK<<<
*DURING THE THREE AND A HALF YEARS I have been working in New
York(2000-2004...
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999 A SUMMARY

  1. 1. *** - A FUNDAMENTAL DIGRESSION-*** ***DEAR CONNECTIONS*** *** You must know,understand , as far as I am concerned remains for me very hard to describe my work. I don't like . I've always left to the audience, the observers to judge, express opinions, give responses, regarding “The work itself”: SO in drawing up this post, I will use "concepts, digressions, definitions”, already having been used by “Others” , in defining “IT”. -“As a writer” I am able to describe the fundamental aspects of “THE NYC KABBALAH DANCE WORK” >>>forgive me if I will seem self-referential , this is not the case. >IF I should have been verbose forgive me as well but, I believe, i have been also accurate, concise and easy, in this description. ***§*** § I want also to share the work's images, which are for an acknowledgement and high-level public , also to better understand the existence of irrefutable certain "things"shown by the pictures, that are not for everyone.
  2. 2. ° I AM GOING TO PROCEED IN THE DESCRIPTION OF “ALL THE SITUATION”. -My main “REFERRER” was ANTONIN KRATOCHVIL with who I have stopped all our relations after 14 years . *** Unlikely , honestly I have to admit that Antonin and me , we discontinued our partnership , our friendship for my sake . (…) . I have no alibi, I would have done the same. °°°It is also thanks to his unconditional support and friendship I managed to finish the “NYC-WORK”. ***To him my utmost respect and affection for have choosen me , for His “sympathetic-energy” which he has always given to me all those past 14 years, for His great honesty by in telling me explicitly that I have great talent:THE GREATEST ARE ALWAYS THE MOST HUMBLE. ***Antonin is a living Legend, I think one of the greatest communicators in the history of mankind. ***§*** The MAIN -POINT OF THIS POST : °Therefore i found myself without someone of his caliber “in managing the sale of the work”. "Without the lost of Antonin, we should already closed the sale OF THE NYC-WORK”. >I am an artist not a curator , so now I need a contact person of the same caliber of Antonin, someone I can trust unconditionally and it is not an easy thing to find such a person.
  3. 3. ***§*** >>>GENERAL DESCRIPTION OF THE WORK<<< *DURING THE THREE AND A HALF YEARS I have been working in New York(2000-2004), before,- during and after 9/11,a very special historical period , I "structured","created", a"Concept- WORK" with the City as a scenario . -In that "period" of time in the City “there was a very special energy”, I would write, using an euphemism"a very dark-powerful permanent tensio on the island of Manhattan”. §From 2000 to 2003- so I have been “shooting” almost everyday in Town -producing the material which later it would be structured the work. >The first chapter of the work, under the title of "VISIONS", was produced and shown by the Flemish in Antwerpen , they granted me “The entire Museum of the Flemish painters”of the city.The catalogue of that exhibition can be consulted at the library of "The Art Institute of Chicago".(In the "painting-section" of the library). ***NOW THE WORK IS COMPLETE AND FINISHED. >>>The final title is: -”LOOKING FOR MY TEDDY BEAR- N.Y.C.- KABBALAH DANCE QUANTUM PROJECT”-(2000-2004) - >THE "BODY OF WORK" IT IS COMPOSED BY 111 IMAGES; 111 IN B/W (two in colour), printed by myself 30x40 /fiber base- selenium-prints/ , then scanned at high resolution and printed with Lamba A Printer to produce “the pieces of art in digital”;-let me admit that the final result it is noticeable almost three-dimensional. -The 70 %percent of the work was photographed before September 11.-
  4. 4. ***§*** °-Powerful men of Art and Culture, "Luminaries by global caliber True Enlightenment already in The Olympus of the mankind's art history”claim and believe §I have elaborated and articulated, during those years a ”new viusal-semiotics concept” contemplating the use of a specific technique, “pushed at it's maximum level” stylized by a “QUANTUM VISUAL LANGUAGE” , to create, they said:“a Timeless Opera ” which It touchs" extremely sensitive and fundamental topics of the past , the present and the future. °It seems I have “ended the old semiotics level", to create-reach “a new visual -semiotics structure”, conceiving , by using-shifting an innovative, method to “portrait” the Mankind’s things” . The -Level- I have "shaped" and “molded”, it is "designed” with an unique imagery, made of "a matter" that is aesthetic- conceptually-philosophically universal recognized as, in retrospect, not existing yet: easily decipherable, when compared with “the current context” of our Historical-Time.*They told me I have developed “the Saeed” for a “ new visual full form to portray the reality”and so I have, as a matter of the facts, created “a different art”: A configuring turning point that"can be made" only by using photographic tools. >They also think that historically, the only, possible, conceivable kind of Contemporary Art ( especially over the future shape),will be the one “able” to portray with extreme precision and in an absolute realistic way our Time , our present and future history. §Through a"new point of view “ , with an easily interpretable unique language, "THE-NYC-Work”, they “said” , transmits and shows, “like a mirror”, representatives, fundamentals core, values and ancestral, universal meanings : Looking to the images of the work, the interlocutor, the observer is able to universally recognize and acknowledges “ his own reflection , his shape , his everyday life-time” .
  5. 5. >The rest of the contemporary art ,“made up” only with decorative purposes, designed to impress , shock or “tranasmit” only aesthetic pleasure to the observer etc.etc.etc. ,“it will be totally forgotten and It will completely lose any economic and artistic value” . >They also think that historically, the only, possible, conceivable kind of Contemporary Art ( especially over the future shape),will be the one “able” to portray with extreme precision and in an absolute realistic way our Time , our present and future history. §Through a"new point of view “ , with an easily interpretable unique language, "THE-NYC-Work”, they “said” , transmits and shows, “like a mirror”, representatives, fundamentals core, values and ancestral, universal meanings : Looking to the images of the work, the interlocutor, the observer is able to universally recognize and acknowledges “ his own reflection , his shape , his everyday life-time” . >The rest of the contemporary art ,“made up” only with decorative purposes, designed to impress , shock or “tranasmit” only aesthetic pleasure to the observer etc.etc.etc. ,“it will be totally forgotten and It will completely lose any economic and artistic value” . If I / WE take into consideration, what has been"told" me by those eminent people It would appear (may seems unusual , but as the matter of the facts), I shutdown the “contemporary and classical visual way of the art” by creating a "new-matrix-matrice”, the substance of which "It is made" by a multiple types, kind of different truths, both known than unknown, merged into one personal form of perception - projection, defining new -signifiers, unique and totally original in their content by documenting our time, using also a sort of "A quantum-metaphysical method-”. >° By using an unusual -approach in to analize“ the human-things”( hidden under different aspects and meanings),I have finally found an absolute, objective alternative truth and parallel reality. One vision, one dimension, alternative and parallel, at the same time, to that one of the human knowledge.
  6. 6. -Forgive me if I appeared self-referential, but I repeat; in describing “the work” I used words, concepts, thoughts etc.etc.etc, that ”others”- have used about “IT” before. ***§*** §To better understand what i have written above please refer to my posts: https://www.linkedin.com/pulse/super-position-momentum-space-wavefunction- carlo-m-rosa?trk=pulse_spock-articles https://www.linkedin.com/pulse/quantum-physics-carlo-m-rosa?trk=mp-reader- card https://www.linkedin.com/pulse/a-new-semiotics-age-carlo-m-rosa?trk=mp-reader- card https://www.linkedin.com/pulse/new-age-art-carlo-m-rosa-c-?trk=mp-reader-card https://www.linkedin.com/pulse/a-new-era-carlo-m-rosa-?trk=mp-reader-card https://www.linkedin.com/pulse/chiaroscuro-carlo-m-rosa-?trk=mp-reader-card http://www.slideshare.net/CARLOMROSA/the-anthropological-factor
  7. 7. ***§*** -"THE SAME VALUE AS GOLD"- °GENERAL CONDITIONS OF SALE. *With Antonin K. , we agreed ,we had established on the terms of sale of ”THE NYC-WORK”, for its special peculiarities as follows : >“BEING THE WORK A CONCEPTUAL WORK” i/we had-have decided with antonin kratochvil, to sell it “as a whole in its entirety-composition” ,”both in its form of museum exhibition than in its -book-format ". -FOR CONSISTENCY AND INTELLECTUAL HONESTY- WE HAVE, I HAVE DECIDED TO SELL ,TO GIVE ALSO THE COPYRIGHT OF THE WORK, BY SELLING, UNEQUIVOCAL, >ALL THE ANALOG B/W NEGATIVES< THAT COMPOSE THE WORK ITSELF. >>>Paraphrasing ***The New Yorkers Luminaries's words, above mentioned ANTONIN for first: "...in essence,"the NYC-Work -it has, due to its characteristics, implicitly and explicit,(using an euphemism...as another it could be used) ,the same value as gold”. ^They explained me, through a precise reasoning , with a wise cognition and an unexceptionable analysis of the mechanisms of the Art Market,- moved by the competent lobby, so: °The contemporary art history , from now to the future , because political- social-economic cultural contributing factors and causes ,“will set out- the actual specificweight" of a work like "The NYC Kabbalah Dance Quantum Project - Looking for my Teddy Bear” as "priceless". I want toemphasize again you have to realize that with “THE LOST OF MY OWN PRIMARY REFERENT ”, I have been “forced” to expose myself ; to be seemingly self-referential. I did “this” using , concepts and words that "OTHER EMINENT PERSONS " are expressed about my work before me.
  8. 8. °Obviously to understand “the concept, the real substance ” of -the Work-It has to be “looked, seen”: “All the rest are just words...in the wind .” ***§*** IF you are intresting in to “look” “ THE NYC WORK” without any compromises but, with “actually series and positive intentions”, please contact me as soon as you feel like: Mail:carloempire@yahoo.it focalor999@hotmail.com Skype: moth812 (you find only me “under this nickname”) Phone : +39035243311 Fax: +39035219207 I ask you this because i consider you to be an enlightenment bunch of people with profound culture and intelligence. BEST REGARDS ***CARLO M. ROSA***
  9. 9. ***§***

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